Leopoldo Trieste Movies

Preludio D'Amore (Love Prelude) is a minor Italian romantic drama with an impressive cast. The story, involving a romance between two budding juvenile delinquents, is nothing special. Nor is the perfunctory direction by workhorse Giovanni Paolucci. What really makes this thing percolate are its stars, including veteran "action" hero Massimo Girotti, frequent Roberto Rosselini collaborator Maria Michi, Hollywood-bound ingenue Marina Berti, and comparative newcomer Vittorio Gassman. The film was put together by Albatros Productions, one of the most ill-named companies in the history of the cinema. ~ Hal Erickson, All Movie Guide

The White Sheik (Lo Sceicco Bianco), Fellini's first solo flight as director, is a gentle lampoon of the idolatry heaped upon movie stars. An impressionable young bride, Wanda (Brunella Bovo) accompanies her husband Ivan (Leopoldo Trieste) on a dull honeymoon, full of meetings with family members and the papal father. Bovo fantasizes over matinee idol Fernando Rivoli, AKA The White Sheik (Alberto Sordi), the hero of a photo strip comic. She repeatedly drifts away from her husband and back, in periodic attempts to find The Sheik, ultimately repairing to the location site where Sordi's latest film, The White Shiek, is in production. Her inevitable disillusionment with the vainglorious Sordi is intercut with her husband's comic (and desperate) attempts to explain his wife's absences at family gatherings to his disgruntled relatives. After a comically inept suicide attempt, Bovo and Trieste are reunited. Featured in the cast is Fellini's wife Giuletta Masina as a prostitute named Cabiria, who'd be given a vehicle of her own, Nights of Cabiria, in 1955. Based on "an idea" by Michelangelo Antonioni, The White Sheik was the main inspiration for Gene Wilder's The World's Greatest Lover (1977). ~ Hal Erickson, All Movie Guide

Italian maestro Federico Fellini's first international success is a nakedly autobiographical film that bears many of the formal and thematic concerns that recur throughout his work. Set in the director's hometown of Rimini, I Vitelloni follows the lives of five young vitelloni, or layabouts, who while away their listless days in their small seaside village. Fausto (Franco Fabrizi), the leader of the pack, marries his sweetheart, but finds himself constantly distracted by other women. Meanwhile, would-be playwright Leopoldo (Leopoldo Trieste) continues work on his dreary plays, dreaming of staging them one day. Clownish Alberto (Alberto Sordi) still lives at home with his mother and sister, Olga (Claude Farell), while boasting of preserving the family honor by watching over her. While the movie seems to pay little attention to Riccardo (Riccardo Fellini) and Moraldo (Franco Interlenghi), the latter eventually emerges as its key character, plainly serving as Fellini's alter ego. Stuck in adolescence, the five friends stumble into various misadventures, as they seek to spice up their uneventful provincial lives. Ultimately, one of them breaks free from their self-imposed paralysis and moves on, leading to one of the most poignant farewell sequences in film history. A hit in Italy upon its release, I Vitelloni secured Fellini's reputation as an up-and-coming talent, while also introducing its title into Italian vernacular. ~ Elbert Ventura, All Movie Guide

This routine drama set in post-war Italy is the first feature by novice director Sergio Capogna and is based on a best-selling novel by Vasco Pratolini. The story centers around one main protagonist, a young man (Massimo Tonna) who in addition to growing into adulthood, has to come to grips with the post-war conditions in the country. Not overly long on morality at first, he opts for seducing an older widow with the sole intent of stealing as much from her as he can. He follows his plan all the way to the end, with tragic consequences that he did not foresee -- and a lesson learned, too late. ~ Eleanor Mannikka, All Movie Guide

Farewell to Arms is the second film version of Ernest Hemingway's World War One novel--and also the last film produced by David O. Selznick (Gone with the Wind). Rock Hudson plays an American serving in the Italian Army during the "War to End All Wars". Jennifer Jones is his lover, a Red cross nurse. They have a torrid affair, which results in Jones' pregnancy. As the months pass, Hudson and Jones lose contact with one another, and Jones believes that Hudson has forgotten her. But a battle-weary Hudson finally makes it to Switzerland, where Jones is hospitalized. The baby is stillborn, and Jones dies shortly afterward, murmuring that her death is "a dirty trick." Filmed on a simpler scale in 1932 (with Gary Cooper and Helen Hayes starring), A Farewell to Arms was blown all out of proportion to "epic" stature for the 1957 remake--so much so that its original director, John Huston, quit the film in disgust. Still, the basic love story is touchingly enacted by Rock Hudson and Jennifer Jones. ~ Hal Erickson, All Movie Guide

To fully appreciate the international box-office bonanza Divorce, Italian Style (Divorzio All'Italiana), one must remember that back in 1962, divorce was illegal in Italy. Ferdinando Cefalú(Marcello Mastroianni) would love to unload his demanding, sex-starved, monumentally unappealing wife, Rosalia (Daniela Rocca), but he can't take the legal means open to his American counterparts. Ferdinando can, however, kill off his wife and receive a light sentence...provided he catches the lady committing adultery. The trick now is to make his plate-of-potatoes spouse attractive enough so that some other man will accommodate Ferdinando by cuckolding him. Divorce, Italian Style not only cleaned up financially, but also won several international film awards, as well as an Oscar nomination for Marcello Mastroianni. ~ Hal Erickson, All Movie Guide

Two Sicilian bachelors deflower a virgin and find themselves in hot-water with her shot-gun slinging father in this Italian comedy. They are also in trouble with the local carabinieri. ~ Sandra Brennan, All Movie Guide

Courtroom tomfoolery provides the basis for this four-episode Italian anthology comedy. In the first segment "Adultery in 16mm," an angry wife attempts to sue her neglectful husband by charging him with abandonment. Meanwhile, he charges her with adultery and claims to have a few reels of home-movie footage to prove it. The films are shown and the courtroom gasps when they learn the identity of the woman's lover. The second "The Priest and the Prostitute," centers on a self-righteous clergyman who pursues the streetwalker who picked his pocket. The hunted and hunter end up in a pool hall. When she attempts to give her ill-gotten loot to her pimp, the priest pounces and a melee erupts. The police end up taking all of them to jail where more fun follows. In the third episode, "Indecent Exposure," an overly health-conscious fellow religiously swims naked in a Roman ditch every day. The trouble begins on the day in which his clothes are stolen. In the final episode, "The Lustful Lieutenant," an old hooker is charged with soliciting. The attending judge is struck by her resemblance to his old wartime love, but he isn't sure whether it is really her or not. ~ Sandra Brennan, All Movie Guide

The funny side of sex provides the basis for this comical Italian anthology that is comrpised of four vignettes. In "The Unkindest Cut" a veterinarian falls in love with a professional pig castrator and asks to marry her. The wedding day arrives and vet's nerve fails him. Now he must watch more than his back for the jilted bride is out for revenge. The second story "Veni, Vidi, Vici" is set before the fall of Rome and postulates that the only reason Nero went mad and burned the city was because he was jealous of his philandering wife who frequently entertained lovers during her luxurious milk baths. The third tale, "Suicides Anonymous" adds a tragic note that begins when the teenage mistress of a prominent Milanese businessman leaves him. The fourth story "The First" tells the weird tale of a young womanizer who finds himself pregnant after a one night stand with a Japanese stripper who refuses to acknowledge that she is the mother of his child. ~ Sandra Brennan, All Movie Guide

Stuck in a dream world of his own, Italian sculptor Albert Saporito (Marcello Mastroianni) sometimes has difficulty separating truth from fiction. When he dreams that his gangster neighbor has been murdered, he reports the crime to the police, only to involve himself in a complicated situation. This film is in Italian with English subtitles. ~ Iotis Erlewine, All Movie Guide