Spencer Trevor Movies

- 1943
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Michael Powell and Emeric Pressburger's much-lauded epic Life and Death of Colonel Blimp, which satirizes British traditionalism, stirred up impassioned hostilities and indignations among the Brits when released in 1943. It so infuriated Winston Churchill, in fact, that he refused to allow its exportation to other countries, particularly the U.S. When Blimp finally did premiere in the States in 1945, it screened in a drastically cut version. The sweeping story covers several decades. It begins at the tail end of the Boer War, when handsome young British officer Clive Candy, recently back from the battlefront, is infuriated by his discovery that Deutschland papers have played up the British atrocities in South Africa, propagandistically. He grows so irate, in fact, that he travels to Germany to address the problem. Once there, he meets an attractive British educator, Edith Hunter (Deborah Kerr) who spends her days teaching English as a second language to German students. They grow close, but Candy so aggravates the local indigenes that he winds up in a duel with a German officer, Theo Kretschmar-Schuldorff (Anton Walbrook). The men wound each other and are sent to the same hospital, where they become friends. Candy - who doesn't yet realize he's fallen in love with Edith -- senses that Theo and Edith are attracted to one another, and encourages the couple's marital union. Candy subsequently returns to England, then falls for and marries Barbara (again played by Kerr), a nurse who bears a strong resemblance to Edith. She later dies, but Candy meets a third woman during WWII, Johnny (Kerr a third time), assigned to drive him from one locale to another during his campaigns. Meanwhile, Theo - disgusted by Nazi atrocities -- absconds to England, where he reencounters his old friend, now a prattering old shuffler rapidly approaching the end of his career and raving continuously about Nazi conduct (or lack thereof) in battle. Powell and Pressberger adapted Colonel Blimp from a comic strip; it became one of the hallmarks of their careers. ~ Sidney Jenkins, All Movie Guide
- Starring:
- Roger Livesey, Deborah Kerr, (more)
Let the People Sing is an offshoot of J. B. Priestly's earlier show business-based fable The Good Companions. In Companions, a trio of mismatched dogooders save a musical troupe from ruin. In Let the People Sing, Alastair Sim is a besotted nobleman who comes to the aid of indigent comedian Fred Emney. Through Sim's intervention, the planned closing of a local music hall is prevented. Even if Sim hadn't let the people sing, as the title implores, they probably would have done so anyway. ~ Hal Erickson, All Movie Guide
- Starring:
- Alastair Sim, Fred Emney, (more)
April Blossoms is based loosely on incidents in the life of composer Franz Schubert, here portrayed by legendary tenor Richard Tauber. The story concentrates on Schubert's ill-fated romance with Vicki (Jane Baxter), the daughter of a prominent Austria ballet master. Upon realizing that Vicki is enamored of Rudi (Carl Esmond), a titled nobleman, Schubert magnanimously gives her up and even helps to rescue Rudi from arrest for indulging in a "forbidden" romance with a commoner. All of this is set against the backdrop of Vienna in the 1820s, sumptuously re-created in the studios of British International Productions. April Blossoms was distributed in the U.S. by MGM. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Tauber, Jane Baxter, (more)
Based on the character created by "Sapper" (Herman Cyril McNeile), Return of Bulldog Drummond was a British production starring Ralph Richardson in the title role. The film is closer to the jingoistic, near-fascist spirit of the original stories than were the Hollywood "Drummond" B-pictures of the mid-1930s. In fact, Richardson's Drummond organizes the "Black Clan," then goes on a crusade to rid England of all foreigners, on the theory that every "outsider" is a criminal or at the very least an undesirable. And according to the script, he's right: The villains are European armament merchants hoping to increase profits by sparking a new world war. Return of Bulldog Drummond is about as politically incorrect as it's possible to get, with Ralph Richardson coming across more as a heavy than a hero; two years later, he was more effectively cast as a criminal mastermind in the "Drummond" parody Bulldog Jack. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Todd, Ralph Richardson, (more)
Producer and director (Alexander Korda) followed up The Private Life of Henry VIII (one of the first internationally successful British films) with this historical comedy. After years in exile, the great lover Don Juan (Douglas Fairbanks) returns to Seville, the city of his salad days. However, Don Juan is now married and middle-aged, and his days as a spoiler of women seem to be behind him. When he learns that a young man in town (Barry McKay) has been posing as him and making time with the local ladies, Don decides to prove who the great lover truly is and attempts the seduction of Antonia (Merle Oberon), a beautiful dancer. However, Don's doctor informs him that girl-hunting will tax his fragile health, and his wife Dolores (Benita Hume) will no longer turn a blind eye to his infidelity. When the impostor is killed by a jealous husband, Don is relieved, as his "death" allows him to retire from his career as a rake with his reputation intact. But when the old itch returns, Don makes the sad discovery that if he can't convince women he's Don Juan, they simply aren't interested in him. The Private Life of Don Juan provided one of the few speaking roles for silent screen swashbuckler Douglas Fairbanks, and proved to be his last picture. ~ Mark Deming, All Movie Guide
- Starring:
- Douglas Fairbanks, Merle Oberon, (more)
- Starring:
- Adolphe Menjou, Margaret Bannerman, (more)
The Love Contract was based on Chauffeur Antoinette, a French stage comedy. Wealthy Antoinette (Winifred Shotter) loses all her money in the stock market, whereupon she puts her mansion up for sale. The first potential buyer turns out to be Neville Cardington (Owen Nares), the stockbroker who inadvertently brought about Antoinette's ruin. Upon learning that Cardington, a married man, intends to use the mansion as a trysting place for himself and his mistress, our heroine plots a diabolically clever revenge. But she forgets all this when her nemesis turns out to be a decent sort who eventually falls in love with her. ~ Hal Erickson, All Movie Guide
- Starring:
- Winifred Shotter, Owen Nares, (more)
Coming in at an economical 44 minutes (and costing an economical 3700 pounds), Star Reporter was one of several collaborations between director Michael Powell and acclaimed mystery writer Philip MacDonald. A sly character named Mandel (Garry Marsh) persuades Lord Longbourne (Spencer Trevor) to participate in an insurance scam: Mandel will abscond with a precious diamond belonging to Longbourne's daughter, Lady Susan Loman )Isla Bevan), and Longbourne can cash in on the insurance money. Things go awry when Lady Loman's chauffeur, Major Starr (Harold French), foils their efforts and Mandel is killed in a fall from a rooftop. Starr, who it turns out is the star reporter of the title, then proposes to Lady Loman, who accepts. ~ Craig Butler, All Movie Guide
While at a duke's party, disguised Ruritanian king Gerrard and chancellor McNaughton are accused of jewel thievery, but find assistance from the duke's daughter, Lamont. ~ All Movie Guide
During the 1814 Congress in Vienna, the crowned heads of Europe gather together to decide the shape (and fate) of the continent (which would hold -- with some serious cracks -- for exactly 100 years) and devise a strategy for dealing with Napoleon. The ordinary Austrians chafe at the cost of hosting these dignitaries, while the dignitaries find some of the efforts at entertaining them well-intentioned but absurd; the Russian czar Alexander (Willy Fritsch), for instance, doesn't understand why anyone would think he came all the way to Vienna to watch a Russian ballet. Meanwhile, the Austrian prince chancellor Metternich (Conrad Veidt) hopes to keep the Czar away from the congressional table by diverting him with a bevy of beautiful women. But Alexander is one step ahead of Metternich; the Russian leader has engaged the services of an exact double, Oralski (also played by Fritsch), to fulfill his least important social obligations. Into this game of political deception comes glove-maker Christel Weinzinger (Lilian Harvey), whose efforts at greeting the dignitaries (and promoting her shop) leave her mistaken for an anarchist, until the Czar -- advised of her beauty -- intercedes on her behalf. She ends up being romanced by both the Russian ruler and his double, until Metternich's intrigues and Napoleon's distant machinations combine to bring the focus back to official events. Filmed in German, French, and English-language versions, Der Kongress Tanzt was a worldwide success, and one of Harvey's most popular films. ~ Bruce Eder, All Movie Guide
- Starring:
- Lilian Harvey, Willy Fritsch, (more)









