Claire Trevor Movies

Alcoholic Lottie Mead (Claire Trevor) bursts into the home of Ralph and James Birdwell (Robert Sampson, Patricia Smith), the couple who have been caring for Lottie's daughter ever since the girl's mother deserted her. Now Lottie declares that she will take the girl away from the Birdwells unless she is given a 25,000-dollar payoff. When the couple refuses, Lottie cooks up a kidnapping scheme with a seemingly dishonest detective named Phil Ames (Biff Eliott) -- who turns out to have an agenda of his own. ~ Hal Erickson, All Movie Guide

Films set during America's colonial era seldom did well at the box office, and Allegheny Uprising was no exception. John Wayne and Claire Trevor, stars of the recent western hit Stagecoach, are reteamed herein as 18th
century adventurer James Smith and his spitfire sweetheart Janie. Taking every opportunity to defy the edicts of the King of England, Smith and his ragtag followers, "The Black Boys," undermine the despotic regime of provincial governor Captain Swanson (George Sanders). To quell Smith's uprising, Swanson arrests nearly half the colonists and holds them without trial or recourse (he doesn't sport a black mustache and shout "Seig Heil", but audiences in 1939 knew exactly who Swanson was supposed to be). In depicting the English in an unsympathetic light, RKO Radio Pictures committed a major political blunder, inasmuch as the British were then engaged in their own struggle against Nazi tyranny. Fearful that the film would offend English viewers, RKO president George J. Schaefer consulted British producer Herbert Wilcox, who suggested a number of judicious cuts and line alterations in the film. Even so, Allegheny Uprising (originally The Last Rebel, also the title of the Neil H. Swanson novel on which it was based) failed to make a dent in the box-offices on either side of the Atlantic. ~ Hal Erickson, All Movie Guide

Though RKO Radio Pictures was, in 1951, still faithful to the concept of "B" westerns starring Tim Holt, the studio was more than capable of turning out an "A" oater from time to time. Best of the Badmen stars Robert Ryan as a former Union officer who persuades a fictional vigilante group which closely resembles Quantrill's Raiders to lay down their arms and seek out new and honest lives. Ryan is undercut by shifty Pinkerton man Robert Preston, who wants to collect the rewards on the heads of the ex-vigilantes; to that end, he frames Ryan for murder. With the help of Preston's embittered wife Claire Trevor, Ryan escapes and turns outlaw with the men whom he'd earlier convinced to turn honest. Best of the Badmen was produced in Technicolor, enhancing its already potent box-office appeal. ~ Hal Erickson, All Movie Guide

The Black Sheep is professional gambler John Dugan (Edmund Lowe), who gets his kicks out of fleecing wealthy suckers during a Transatlantic ocean voyage. But when Dugan sees innocent young Fred Curtis (Tom Brown) being made the fall guy for a jewel robbery, he decides to help the poor boy out. What Fred doesn't know is that Dugan is his own father, desperate to make amends for his past indiscretions. Never revealing his true identity, Dugan rescues Fred from the clutches of beautiful predator Millicent Bath (Adrienne Ames). The musical score is by Oscar Levant, whose legendary dislike for thick-eared Hollywood executives never prohibited him from picking up his paycheck. Black Sheep represented director Allan Dwan's first effort for the newly former 20th Century-Fox Corporation. ~ Hal Erickson, All Movie Guide

Somehow the titles of the films of hardcase actor Lawrence Tierney seemed to be extensions of the man's personality, as witness such films as The Devil Thumbs a Ride and Born to Kill. In the latter picture, Tierney starts the ball rolling by committing a double murder in a jealous pique. Claire Trevor discovers the bodies, but says nothing to the police; she's leaving town and doesn't want to be impeded. Trevor and Tierney meet and fall in love on the train to San Francisco. Unfortunately, Trevor is married, so Tierney shifts his affections to her sister, Audrey Long (later the wife of director Billy Wilder). He marries Long, though he keeps up his illicit affair with Trevor. When detectives investigating the murders come snooping, they are bought off by Tierney's pal Elisha Cook Jr.--who is then murdered by Tierney, who suspects that Cook is carrying on with Trevor (Cook seldom survived to the end of any of his films). When Tierney finally does face arrest, it's at the instigation of the jealous Trevor, who is shot full of holes for her trouble. Born to Kill was based on James Gunn's novel Deadlier Than the Male. ~ Hal Erickson, All Movie Guide

Admidst a sea of melodramatic and unbelievable courtroom dramas, Career Woman is distinguished by its comparative realism. Law school graduate Carroll Aiken (Claire Trevor) is idealistic; her colleague Barry Conant (Michael Whalen) is cynical and mercenary. Despite their ethical differences, they team up to defend downtrodden Gracie Clay (Isabel Jewell) on a charge of murdering her sadistic father. The grandstanding Conant reprimands the jury for their prejudices against the poor, but this strategy fails miserably. Carroll is forced to apologize to the court, then goes on to win the case through the simple expedient of sticking to the facts. Career Woman well be the best "lady lawyer" film of the 1930s, with characters acting like human beings instead of Hollywood stereotypes. ~ Hal Erickson, All Movie Guide

An innocent man is put on trial, but is he really as innocent as he claims? Diplomat David Talbot (William Powell) and his bride Lucienne (Hedy Lamarr) are enjoying a honeymoon in Paris when David is confronted by extortionists who demand money in exchange for not turning him in to the police. David has no idea what the men are talking about and ignores their threats, but the men prove good to their word, and David finds himself on trial for a series of thefts. At the trial, David's name is cleared when Henri Sarrow (Basil Rathbone) testifies that he knew the man who committed the crimes, a friend of his who recently died. However, after the trial, David meets Sarrow, who informs David that he lied under oath; according to Sarrow, David did indeed commit the robberies while suffering from amnesia after a severe blow to the head, and if he wants to keep the facts quiet, he'll do whatever Sarrow says. ~ Mark Deming, All Movie Guide

Adapted by Lillian Hellman from Sidney Kingsley's Broadway play, Dead End concerns itself with several denizens of New York's East River district. Here the elite and the slum-dwellers rub shoulders due to the close proximity of the riverfront tenements with the East Side luxury hotels. Slum girl Drina Gordon (Sylvia Sidney) tries to prevent her younger brother Tommy (Billy Halop) from wasting his life as a member of the local street gang. Tommy and the other kids idolize Baby Face Martin (Humphrey Bogart), a onetime East- sider who has hit the "big time" as a notorious gangster. Dodging the cops, Martin makes a sentimental journey to the neighborhood to visit his mother (Marjorie Main) and his old girlfriend Francie (Clare Trevor). But Martin's mother coldly tells him to get lost, while Francie reveals herself to be a consumptive prostitute. Despite his depressed state, Martin is still admired by the local kids; this displeases sign painter Dave Connell (Joel McCrea), who hopes to escape the slums via his romance with wealthy Kay Burton (Wendy Barrie). Attempting to kidnap a rich boy who'd earlier been beaten up by the street kids, Martin is prevented from making the snatch by Dave, who shoots Martin down. Receiving a large reward, Dave decides to give the money to Drina so that she can afford a lawyer to defend her brother Tommy, who has wrongfully been accused of masterminding the beating of the rich kid. His outlook on life altered by this unselfish act, Dave gives up his mercenary romance with Kay Burton, choosing instead the poverty-stricken Drina. The film introduces the Dead End Kids--Billy Halop, Leo Gorcey, Gabe Dell, Huntz Hall, Bernard Punsley and Bobby Jordan--all of whom were veterans of the Broadway version of Dead End and would be metamorphosed into the East Side Kids and The Bowery Boys. ~ Hal Erickson, All Movie Guide

The financial exploitation of Canada's Dionne Quintuplets rolled ever forward with 20th Century-Fox's Five of a Kind, the third Dionne feature-length vehicle. Under the watchful eye of kindly obstetrican Dr. Dafoe (Jean Hersholt), the lovable quints, now 4 1/2 years old, play with their pets and toys, and even sing and dance. Meanwhile, reporter Christine Nelson (Claire Trevor) and radio commentator Duke Lester (Cesar Romero) battle over the exclusive rights to the Dionne girls' life story. The story ends with an experimental television broadcast, a rarity for a 1938 film. Knowing what we know now about the Dionne Quintuplets' far from happy home lives and difficult transitions to adulthood, it is hard to watch Five of a Kind objectively today. ~ Hal Erickson, All Movie Guide

Ida Lupino, one of the few major Hollywood actresses to move from the sound stage to the director's chair in the 1940s and 1950s, helmed this story about a mother's obsessive drive to see her daughter succeed. Florence Farley (Sally Forrest) is a young woman with a tremendous gift as a tennis player, and her mother Milly (Claire Trevor) is determined to see Florence make the most of her talents. However, Milly's greatest concern isn't with her daughter's happiness or well-being, but with her own financial success, and when Milly begins interfering with Florence's romance with Gordon McKay (Robert Clarke), the daughter begins to rebel against her mother. Director Lupino and actor Robert Ryan both make cameo appearances as spectators at a tennis match. ~ Mark Deming, All Movie Guide

The marvelous rapport between stars Clark Gable and Lana Turner makes MGM's Honky Tonk seem far more substatianal than it really is. About to be tarred and featherd by an angry mob, frontier con artists Candy Johnson (Gable) and his pal Sniper (Chill Wills) manage to make a quick getaway via train. While on board, Candy strikes up a friendship with Boston-bred Lucy Cotton (Turner), whose "respectable" daddy Judge Cotton (Frank Morgan) turns out to be as big of a sharpster as Candy. For Lucy's sake, Candy decides to use his huckstering skill to good use by helping to build a small-town church, but soon he's up to his old tricks, managing a dance hall and gambling emporium. Growing more ambitious by the minute, Candy intends to take over the whole town with the covert assistance of Judge Cotton. But when Candy marries Lucy (who still doesn't know that he's really a crook at heart!), the enraged Judge exposes Candy's takeover scheme, only to be shot down by the gambling hall's straw boss Hearn (Albert Dekker). In his efforts to set things right and atone for past misdeeds, Candy is separated from Lucy time and time again, but there's never any doubt that a happy ending awaits them both. A TV remake of Honky Tonk surfaced in 1974, with Richard Crenna in the Gable role. ~ Hal Erickson, All Movie Guide

George Axelrod's script for How to Murder Your Wife isn't politically correct in the least, but you're likely to get a charge out of it -- provided you are of the male persuasion, that is. Jack Lemmon stars as Stanley Ford, a successful cartoonist and a confirmed bachelor who shares a lavish apartment with his misogynistic manservant, Charles (Terry-Thomas). While attending a friend's bachelor party, Stanley falls head over heels in love with the gorgeous bikini-clad girl (Virna Lisi) who pops out of a cake. He impulsively marries her, but thinks better of it the next day. Alas, Stanleycan't get a divorce because his bride is an Italian Catholic (this is 1966). Dicier still, she is a "domestic goddess," lovingly plying her hubby with rich Italian food until Stanley's once-athletic physique is as bloated as the dirigible Hindenberg. Stanley's descent into husbandhood is reflected in his work: his popular adventure comic strip "Bash Brannigan" metamorphoses into a Blondie-like "idiot husband" daily. As a catharsis, Stanley vicariously "kills" his lovely wife by having Bash Brannigan murder his missus. Stanley's wife sees the finished strip on his desk and runs tearfully out of his life (at least temporarily). The publication of the strip, coupled with his wife's disappearance, results in Lemmon being put on trial for murder. We won't tell you how things turn out; suffice it to say that most feminists will be outraged, while most husbands will laugh immoderately. Eddie Mayehoff and Claire Trevor provide sparkling support as Lemmon's bombastic editor and his dragon-like wife. ~ Hal Erickson, All Movie Guide