Austin Trevor Movies

Released in Great Britain as The ABC Murders, The Alphabet Murders stars a well-disguised Tony Randall as Agatha Christie's brilliant, insufferable Belgian detective Hercule Poirot. Unfortunately, director Frank Tashlin chooses to open the film with one of his Pirandelloian gimmicks by introducing Randall out of make-up as himself, then cutting to Randall as Poirot. This has the effect of taking the audience "out" of the picture, and it takes a while for the film to recover. On its own, the plot is a good one, as Poirot investigates a series of murders, with the victims arranged alphabetically. There's also a well staged mid-film sequence, in which leading lady Anita Ekberg, as Amanda Beatrice Cross, supposedly comes to a soggy demise. But in never deciding whether to play "straight" or for laughs, The Alphabet Murders ends up a wildly uneven experience. Best bit: Poirot inadvertently confronting another Agatha Christie creation, Miss Marple (played without screen credit by Margaret Rutherford). ~ Hal Erickson, Rovi

The British The Court Martial of Major Keller is similar in theme if not in outcome to the American film Time Limit. Major Keller (Lawrence Payne) is up on charges for killing his superior officer. He refuses to defend himself, leaving it to his attorney to probe the reason for his silence. An intensive line of questioning reveals that Keller's motives were patriotic: His commander was about to desert to the enemy. Court Martial of Major Keller was written by Brian Clemens, a loyal staffer on TV's long-running The Avengers. ~ Hal Erickson, Rovi

A British botanist goes bananas after he discovers a serum that turns his cuddly chimpanzee subject into a ferocious gorilla-sized ape. To further his hideous experiment, the scientist mesmerizes the chimp and sends into London to kill all of his former enemies. One of those he has killed is the lover of the girl the doctor wants for himself. This doesn't set well with the botanist's assistant and current gal who gets even by giving Konga the giant chimp an enormous amount of the strange serum and turns him into a Godzilla-sized monster. Just before going on a deadly rampage, the super-sized ape grabs the bad doctor in one of his enormous hands. Fortunately, the British army and all of its weaponry are able to stop the chimp before he destroys the town. ~ Sandra Brennan, Rovi

The power of hypnotism provides the basis of this film that was released in "Hypnovision" (yet another promotional gimmick) A budding and frustrated mystery writer takes extreme steps to insure that his latest thriller contains accurate descriptions of horrible murders in this gory horror thriller. He decides that the best way to do this is to set up and witness similar murders first- hand, so, not wanting to bloody his own hands, he hypnotizes his assistant, turns him into a deformed monster and has him do the dirty work using a few devilishly clever gadgets that include binoculars equipped with spring-loaded spikes, a secret guillotine poised above a young woman's bed, and deadly ice tongs. Afterward, the writer drops the bodies in a vat of acid. Several people die before the assistant rebels and gets bloody revenge. ~ Sandra Brennan, Rovi

In this supenseful and provocative high-seas drama, the captain of a luxury liner is suddenly faced with life or death decisions when his ship sinks, leaving himself and a few survivors floating at sea in an overcrowded lifeboat that does not contain enough food, water and medical supplies to support them all. The captain, Alec Holmes (Tyrone Power) is a decent fellow, and initially intends to save everyone. But it soon becomes clear to one of the ship's men, Frank Kelly (Lloyd Nolan) that this is impossible. As Kelly sacrifices himself by leaping overboard and into the sea, he shouts out a warning to Holmes that it will be necessary to rid the boat of its ill passengers if the rest are to survive, as not enough food and water exists to provide for everyone. Defying the requests of his sweetheart, Nurse Julie White (director Mai Zetterling), and his buddy and fellow officer, Will McKinley (Stephen Boyd), Holmes disposes of the sick individuals on board. He initially gains the support of the rest of the passengers, but when a rescue ship finally turns up, their support turns to contempt and hostility. In Great Britain the story is titled Seven Waves Away. ~ Sandra Brennan, Rovi

In this lively British romantic comedy, a baronet decides that his son needs to experience life outside of his blue-blooded world and so takes him to Paris to sample its earthy pleasures. Meanwhile, the son has his own plans; he wants to find his father a good woman because he believes his father has spent too much time cooped up on his lonely estate in Scotland. Many merry mix-ups ensue as the two well-meaning fellows try to find the right woman for the other. Fortunately, by the story's end, romance prevails and everybody involved is happy. ~ Sandra Brennan, Rovi

So Long at the Fair is based on a true story -- or at least, a story that has been told and retold so often that it is now accepted as truth. The year is 1889: the setting, the Paris Exhibition. Among the thousands in attendance are Vicky Barton (Jean Simmons) and her brother Johnny (David Tomlinson). After the first night of the Exhibition, Vicky is exhilarated, while Johnny seems a bit under the weather. The next morning, Vicky knocks on Johnny's hotel door, only to discover that her brother has disappeared. When she goes to the police and, later, to the British consul, the authorities refuse to believe her story. In fact, there is no evidence that Johnny ever existed! The outcome of this story is rather well known; still, it is perhaps best not to reveal any further details. ~ Hal Erickson, Rovi

Michael Powell and Emeric Pressburger's influential musical tragedy set the stage for the climactic dance ballets that became a staple of the Arthur Freed-MGM musicals (An American in Paris, Singin' in the Rain and The Band Wagon) of the early 1950s. Hans Christian Andersen's tragic fairy tale forms the basis of this film about betrayal, love and art. The story begins as struggling composer Julian Craster (Marius Goring) attends a performance of the Lermontov Ballet Company and recognizes his own score in the production of "Hearts of Fire." Julian protests to ballet company director Boris Lermontov (Anton Walbrook) about the unauthorized use of his music. Impressed by Julian's talent, Boris hires him to compose the score for his next ballet -- a dance version of "The Red Shoes." Boris also hires an attractive young dancer, Victoria Page (Moira Shearer), to perform in the ballet. When the lead ballerina announces that she plans to get married, Boris, in a pique over being abandoned, casts Victoria in the starring role. As Julian works on the score and Victoria struggles to perfect her dance technique, the two fall in love. When "The Red Shoes" ballet is premiered -- seen in a stunning and glorious fifteen-minute sequence -- it is a raging success and it makes Victoria a star. But when Boris learns that Julian and Victoria have fallen in love, Boris, who is secretly in love with Victoria, in a fit of rage forces Julian to leave the ballet company; Victoria leaves with him. Since Boris owns the rights to "The Red Shoes" ballet, he forbids Victoria to perform the dance and she becomes unemployable. Time passes and Julian and Victoria are now happily married. Julian's compositions have made him an international success. One day, with Victoria disembarking from a train in Paris, she meets Boris, who implores her to do one performance of "The Red Shoes" in Monaco. Victoria agrees as Julian cancels an engagement in London to travel to Monte Carlo in order to convince his wife not to perform the ballet. But Victoria goes on with the performance, with tragic results. ~ Paul Brenner, Rovi

Previously costarred in The Trojan Brothers, David Farrar and Patricia Burke were reteamed in the British musical The Lisbon Story. Though the film ostensibly concerns the wartime exploits of a Gallic chanteuse (Burke) and a British spy (Farrar), the film's main selling angle was international popular operatic tenor Richard Tauber. Peripherally involved in the storyline, Tauber steals the show with his spirited musical renditions. The fact that the villains in the film are Nazis must have gratified Tauber, who would have faced extinction at the hands of the Gestapo had he remained in his native Germany. Sadly, The Lisbon Story proved to be Tauber's final screen appearance; he died two years later. ~ Hal Erickson, Rovi

The special appeal of Scots comedian Will Fyffe might be lost to American viewers unable to fathom Fyffe's bog-thick accent. Nonetheless, his "regional" British films of the 1930s and 1940s were extremely popular, and Heaven is Round the Corner is no exception. Fyffe plays a farmhand who, with several of his mates and a handful of opera singers and music-hall performers, show up in newly liberated Paris. When the group "invades" the British Embassy, an impromptu musical programme commences. The title song of Heaven is Round the Corner is rendered by Vera Lynn, the sweetheart of the British army during World War II, whose signature tune "We'll Meet Again" has entered into folklore (not to mention the apocalyptic closing scenes of Dr. Strangelove). ~ Hal Erickson, Rovi

Having underestimated Hitler in the 1930s, British propaganda specialists spent the early war years insisting they were prepared for any international contingency. Big Blockade was a morale-boosting film produced in cooperation with the Ministry of Economic Welfare. In documentary fashion, the film underlines the importance of the economic blockade which Britain directed against Germany. An all-star cast (Michael Redgrave, Leslie Banks, John Mills, Robert Morley etc.) appears in brief sketches dramatizing the effect of the blockade and the reactions of the British public. While it received good reviews at the time, The Big Blockade quickly fell out of favor once it served its wartime purpose. ~ Hal Erickson, Rovi

Rex Harrison astonished his fans by donning a Nazi uniform in the British suspenser Night Train (originally titled Night Train to Munich). Actually he's a British agent, working undercover to rescue a Czech inventor from the Gestapo. The inventor's daughter (Margaret Lockwood) becomes the unwitting pawn of a genuine Nazi (Paul von Hernreid, just before he became Paul Henreid) during a long train ride from Germany to France and back again. Director Carol Reed never denied that his inspiration for Night Train was Hitchcock's The Lady Vanishes (both films were written by Frank Launder and Sidney Gilliat). The homage was solidified by the presence in Night Train of two carryovers from the Hitchcock film: those ardent British cricket fans Charters and Caldicott (Basil Radford and Naunton Wayne). Night Train was liberally adapted from the Gordon Wellesley novel Report on a Fugitive. ~ Hal Erickson, Rovi

In this lively spy caper, the male half of a married song-and-dance duo moonlights as a government spy. The trouble begins when he is assigned to monitor a sexy foreign spy, something he must keep from his wife, who soon gets jealous when she sees the two constantly together. To monitor her own husband, the wife gets herself hired as a maid to the seductive secret agent. Her husband, impressed by her natural surveillance skills, finally gives in and allows her to help. Using their special talents, the two investigate and expose a master-spy who has fitted a new kind of carburetor on his airplane. To get at it, the couple dresses up like mechanics and hides upon the plane. Once airborne, they force the pilot out and head back for England. ~ Sandra Brennan, Rovi