Leonardo Treviglio

1996 
 
The English title of this complex Italian film is apt. Featuring 65 main characters and 130 speaking parts (famous faces abound and many of the actors appeared gratis), and ranging in tone from tartly humorous to darkly tragic, it presents 30 interwoven slices from the lives of modern day Romans during a single day. The lone, silent figure of a lone jogger provides a sort of continuity between the vignettes. Beginning at sunset of the previous day, the jogger is seen warming up on his apartment terrace, looking for all the world as if he would like to jump. The rest of the stories seem to be randomly presented. Stories include the robbery of a Chinese restaurant that causes a birthday celebrant to die of fright, two different newlyweds who find themselves attracted to each other, an opportunistic mechanic's plan to capitalize on the death of a rival, a sneaky, sadistic meter maid and others. One uniting feature of the stories is their underlying bitter assessment of modern humanity. People are seen as selfish and basically cruel, still the stories move quickly and the balance between humor and drama, affection and cynicism, and shallowness and complexity is carefully maintained. ~ Sandra Brennan, All Movie Guide

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1996 
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This beautiful if ponderous soufflé of a film from director Bernardo Bertolucci serves more as an Italian travelogue than a drama. Liv Tyler stars as Lucy Harmon, an American teenager arriving in the lush Tuscan countryside to visit family friends residing there. Lucy visited four years earlier and exchanged a kiss with a handsome boy with whom she hopes to become reacquainted. Lucy's mother has committed suicide since then, and the teenager also hopes to discover the identity of her father, whom her mother hinted was a resident of the villa. Once she arrives, Lucy meets a variety of eccentric visitors, including a dying gay playwright (Jeremy Irons), a sculptor (Donal McCann), an entertainment lawyer (D.W. Moffet), and several others. Lucy has decided to lose her virginity and becomes an object of intense interest to the men of the household, but the suitor she finally selects is not the initial object of her affection. Stealing Beauty boasted an intriguing parallel between actress Tyler's role and her real life. The daughter of a famed rock and roll star, she was brought up believing that her father was someone else, a fact that Bertolucci may have had in mind when writing the story. ~ Karl Williams, All Movie Guide

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Starring:
Liv TylerSinĂ©ad Cusack, (more)
1989 
 
Tea (Eva Grimaldi) is a model for a lingerie company, and although she has a regular job as a waitress, and a regular (and quite decent) boyfriend, she is constantly being besieged by Karl, who tries to put the moves on her wherever she works. Eventually, his persistent "you're missing the best" come-on succeeds, and she gets a chance to sample his lovemaking prowess. Before long, however, she tires of his pretenses and returns to her old life. ~ Clarke Fountain, All Movie Guide

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Starring:
Eva GrimaldiLeonardo Treviglio, (more)
1987 
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Adapted from Mario Puzo's novel, The Sicilian is an attempt to chronicle the life and times of Mafia leader, patriot and real-life Robin Hood Salvatore Giuliano, the infamous bandit who, together with his rag-tag band of guerillas, attempted to liberate 1940s Sicily from Italian rule and make it an American state. Giuliano (Christopher Lambert) robs from the rich conservative landowners to give to the poor, serf-like peasants, who in turn hail him as their savior. As his popularity grows, so does his ego, and he eventually thinks he is above the power of his backer, Mafia Don Masino Croce (Joss Ackland). The Don, in turn, sets out to kill the upstart by convincing his cousin and closest advisor Gaspare (John Turturro) to assassinate him. Nearly thirty minutes of screen time were haphazardly hacked off director Michael Cimino's original cut by the studio. ~ Jeremy Beday, All Movie Guide

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Starring:
Christopher LambertTerence Stamp, (more)
1986 
 
In this stultifying mess, director Lamberto Bava and his co-writer, the ubiquitous Dardano Sacchetti, manage to rip off nearly every giallo cliche in history and still deliver a tedious film. Cop Leonardo Treviglio and his wife have a loud fight and she ends up stabbed to death with an ice-pick. His buddy Paolo Marco is put on the case and believes Treviglio did it, but criminal psychologist Valeria d'Obici (who often uses the technical term "maniac") believes he's innocent. She thinks it was a killer named Tribbo, who supposedly died in a fire many years before. Treviglio is shot to death by another cop, but the murders go on. Eventually, the killer follows Marco's daughter (Lara Wendel) and two friends to a secluded hotel for the lengthy final standoff. Viewers who have seen any of Dario Argento's thrillers (The Bird With the Crystal Plumage in particular) will guess who the killer is in about 15 minutes, and the hotel scenes -- borrowed wholesale from Torso -- fail to generate the least bit of suspense. It's hard to believe from a director who made the stylish A Blade in the Dark only a few years before, but even Bava's legendary father had his off-days. ~ Robert Firsching, All Movie Guide

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1984 
 
In director Anna Maria Tato's shallow depiction of an equally shallow dalliance, Lucia (Fanny Ardant) is unavoidably delayed in meeting her husband in Greece and so decides to take a detour (both geographically and emotionally) to visit her hometown in the south of Italy. Once there, she enters into a brief, afternoon fling with a local man of smoldering looks -- and overcome by what she has done, she hits him on the head with an ashtray and escapes while he is out cold. Soon she is joined by a young girl also running away (from her First Communion celebrations), and the two proceed to hide out from the understandably vexed young man who has regained consciousness and is piqued about his post-coital experience. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Fanny ArdantLeonardo Treviglio, (more)
1983 
 
This independent film noir by Paolo Bologna details the non-stop movement of one day in the life of a filmmaker as he struggles to fund his production -- with quite illicit means -- and demonstrates some bad temper with an underling and bad manners with others. The tricky juxtaposition of the filmmaker's editing of a chase scene and his own elusive dodging of pursuers provides a certain double-take on reality. The first-time director shows promise with this encouraging start to his career. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Leonardo TreviglioEnnio Fantastichini, (more)
1983 
 
This is an illogical film about a screenwriter who wants to set his story at a vacation resort, and although he does just that, when the director arrives to work and sees the script, disaster strikes. In the meantime, there are flashes of a hit-and-run accident that should be relevant to the story, but are unfathomable in the end. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Leonardo Treviglio
1978 
 
Confronted by the procrustean choice of their generation, which is either to engage in violent revolution or to rot away in a never-ending sea of sameness, some of the Italian college students in this 1978 film long for a less futile existence. ~ Clarke Fountain, All Movie Guide

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Starring:
Leonardo TreviglioMarcella Michelangeli, (more)
1976 
 
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Filmed entirely in vulgar Latin, this experimental film recounts the life of Sebastiane, a puritanical but beautiful Christian soldier in the Roman Imperial troops who is martyred when he refuses the homosexual advances of his pagan captain. When this film was released, it was the only English-made film to have required English subtitles, and it is an early film by the noted experimental and outspokenly homosexual director Derek Jarman, who died in 1994. ~ Clarke Fountain, All Movie Guide

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Starring:
Leonardo TreviglioBarney James, (more)

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