Curt Bois Movies

A Kiss in the Dark opens with a shot of Jane Wyman in a two-piece bathing suit. Alas, the dictates of cinematic construction demand that some sort of plot must follow this promising beginning. Wyman plays model Polly Haines, one of several mildly eccentric tenants in an apartment building owned by neurotic concert pianist Eric Phillips (David Niven). Requiring absolute peace and quiet, Eric intends to evict his tenants and thereby have the building all to himself. Soon, however, he is won over by the apartment dwellers, who in their own various ways are as high-strung as the musician. He also falls in love with Polly, just as expected. The supporting cast of Kiss in the Dark is peopled by such expert farceurs as Victor Moore, Broderick Crawford, Wayne Morris, Joseph Buloff, and Curt Bois. Making her final screen appearance is Maria Ouspenskaya as the building's resident "earth mother." ~ Hal Erickson, All Movie Guide

Previously filmed in 1933, Noel Coward's sentimental operetta Bitter Sweet was transformed by MGM seven years later into a Jeanette MacDonald-Nelson Eddy vehicle, complete with Technicolor. Set in late 19th century Vienna, the story focuses on the romance between music teacher Carl Linden (Eddy) and his prize pupil Sarah Milick (MacDonald). Eloping with Sarah, Carl writes an operetta specially tailored for her talents, which earns her fame and fortune. Alas, poor Carl does not live long enough to see Sarah's triumph, but it is clear that she will never forget him. Chock full of memorable tunes and familiar character faces in the supporting cast (best of all is Herman Bing as a Viennese shopkeeper), Bitter Sweet is musical moviemaking at its best. ~ Hal Erickson, All Movie Guide

The high batting average of 20th Century-Fox's Michael Shayne detective series remained intact with Blue, White and Perfect. Having prevented his sweetheart Merle Garland (Mary Beth Hughes) from marrying a bigamous fortune-hunter (Ivan Lebedeff), Mike Shayne (Lloyd Nolan) offers to marry the girl himself (at long last!) Merle agrees, but only if Mike gets out of the private-eye racket and takes an honest job. Shayne manages to land a job at an aircraft factory, only to discover that he's been hired to protect the company's valuable supply of industrial diamonds. When the gems are stolen during a highly suspicious break-in, Mike follows the trail of clues to a fancy dress shop managed by one Mr. Hagermann (Henry Victor). Sending his fiancee off on a wild goose chase, Mike trails Hagermann to a Honolulu-bound ocean liner, where he renews an acquaintance with former lady friend Helen Shaw (Helene Reynolds) and is introduced to overly effusive young playboy Juan Arturo O'Hara (George Reeves). Detective-movie logic dictates that at least one of these characters is inextricably linked with the elusive Hagermann-who is no mere diamond thief but a very clever German spy. All sorts of serial-like thrills await Shayne before he manages to uncover the "Mister Big" behind the stolen diamond racket (and it's a real surprise to boot!) Like most of Fox's Michael Shayne series entries, Blue White and Perfect was based not on a "Shayne" novel by Bret Halliday, but on a whodunit originally written for another fictional sleuth: In this instance, the source was a novel by Borden Chase. ~ Hal Erickson, All Movie Guide

Once a staple of summer stock and community theatres, Bella and Samuel Spewack's Broadway farce Boy Meets Girl dates rather badly when seen today. The 1938 movie version is also a bit mildewed, though it is saved by the dynamo-like energy of James Cagney and Pat O'Brien. The stars are cast as Robert Law and J.C. Benson, a pair of iconoclastic Hollywood screenwriters based upon Ben Hecht and Charlie McArthur. Cynically declaring that every film can be boiled down to "Boy meets girl, boy loses girl, boy gets girl", Law and Benson drive their studio-executive bosses crazy with their zany irreverence. Their pet target is bigwig C. Elliot Friday (Ralph Bellamy), a delicious take-off of 20th Century-Fox prexy Darryl F. Zanuck. Friday orders the boys to concoct a screenplay for cowboy star Larry Toms (Dick Foran), whose popularity is on the wane. Upon making the acquaintance of pregnant, unmaried waitress Susie (Marie Wilson), Law and Benson hit upon a brilliant scheme: they'll transform Susie's baby into a child star and team the kid with Toms in his latest epic ("based on an original story by William Shakespeare"). Complication piles upon complication, reaching a high point of hilarity when the baby gives Larry Toms the measles. Ronald Reagan appears briefly as a radio announcer covering the Hollywood premiere of Law and Bensen's newest masterpiece. Boy Meets Girl was originally conceived as a Marion Davies vehicle, with the comedy team of Olsen & Johnson playing the screenwriters, but things changed radically (and for the better) when Davies' sponsor William Randolph Hearst huffily pulled his Cosmopolitan Pictures unit off the Warner Bros. lot. ~ Hal Erickson, All Movie Guide

It doesn't take a nuclear scientist to figure out that Smith Ohrig, the character played by Robert Ryan in Caught, is a thinly disguised takeoff of Howard Hughes. But whereas Howard Hughes was merely paranoid and eccentric, Smith Ohrig is an all-out psycho. Impulsively marrying ambitious model Leonora Eames (Barbara Bel Geddes), Ohrig keeps the poor girl a virtual prisoner in his palatial mansion, tormenting her with twisted mind games while he continues his premarital playboy activities. Coming to the realization that wealth and creature comforts are no substitute for stability, Leonora takes a "normal" job in the offices of society doctor Larry Quinada (James Mason). Falling in love with her boss, Leonora nonetheless returns to Ohrig when he turns on his patented charm. Only an act of God (accelerated by Ohrig's hedonistic lifestyle) rescues Leonora from a life of lavish bondage. Billed as Max Opuls on the credits of Caught, director Max Ophuls manages to implant his own distinctive style upon what is essentially a slick Hollywood studio product. ~ Hal Erickson, All Movie Guide

Based on fact, The Boat is Full is set during World War II. A group of Jewish refugees desperately attempt to escape to the safety of neutral Switzerland. The problem: too many refugees, and too little room in the boat commissioned for the trip. Director Markus Imhoof is neither a polished nor a subtle filmmaker, nor is the acting of the highest calibre. This hardly matters: the intensity and sincerity of everyone involved in The Boat is Full compensates for any and all production crudities. ~ Hal Erickson, All Movie Guide

Edward G. Robinson portrays a hard-driving, hard-nosed perfectionist who causes dissension aboard the WWII destroyer he helped build before re-enlisting in the Navy. Coming aboard as a senior crewman and trying to emulate the perfection of his hero John Paul Jones, he drives himself as hard as he drives the younger generation of sailors he commands, even going so far as recounting the last battle of the Bon Homme Richard to the increasingly disgruntled crew. But it is not his words that earn him their respect. During a major battle Robinson proves himself a true hero. The harsh training also pays off and the young sailors successfully defeat the enemy. Afterward they realize that Robinson was right to be tough on them and never question him again. Meanwhile, the captain who stood by Robinson through the thick of it even winds up involved with the old salt's daughter. ~ Tana Hobart, All Movie Guide

The title translates as A Tremendously Rich Man, which indeed describes the financial condition of hero Curt Bois. Actually, all of Bois' assets are in his stomach: a jeweller's assistant, he has accidentally swallowed a valuable diamond. All sorts of misadventures befall the poor fellow until it is discovered that he hasn't ingested the gem at all, but instead a piece of rock candy. Leading man Curt Bois later emigrated to Hollywood where he appeared in dozens of small movie roles, most memorably the pickpocket in Casablanca. His career extended well into the 1980s, when he made his final film appearance in Wim Wenders' Wings of Desire. ~ Hal Erickson, All Movie Guide

Monogram's French Leave received an inordinate amount of press coverage because of its teaming of two former child stars. Jackie Cooper and Jackie Coogan play a couple of amorous merchant seamen on the loose in a small French village. Hoping to score with the local mademoiselles, the two Jackies become sidetracked with black market activities. The boys bend a few laws along the way, but everything turns out just fine. It was French Leave that convinced Jackie Cooper to seek out acting lessons rather than coast on his past fame; as for Jackie Coogan, he wouldn't truly make a comeback until losing his hair and re-emerging as a cantankerous character actor on such TV series as The Addams Family. ~ Hal Erickson, All Movie Guide

The Garden of the Moon is a fancy New York nightclub owned by Pat O'Brien. Margaret Lindsay (replacing a recalcitrant Bette Davis) is the girl who comes between O'Brien and his bandleader, John Payne. The duplicitous O'Brien spends most of his screen time figuring out various underhanded means to keep Payne from breaking his contract--and to keep Ms. Lindsay for himself. Though directed by Busby Berkeley, Garden of the Moon is surprisingly shy of dance numbers. Its musical highlight is that Looney Tunes standard "The Girlfriend of the Whirling Dervish," with vocal solos by John Payne, Johnnie "Scat" Davis, and Jerry Colonna. ~ Hal Erickson, All Movie Guide

The last and least of Warner Bros.' Gold Diggers musicals, Gold Diggers in Paris at least has the novelty of a Gallic setting. The stars this time are Rudy Vallee, Rosemary Lane, and Warners musical perennial Hugh Herbert. There aren't really any "gold diggers" (i.e. young ladies on the prowl for rich husbands), merely a troupe of stranded nightclub chorines whom Vallee passes off as a ballet troupe in order to win an international prize. Busby Berkeley's choreography is far from his best, especially since he's dealing with real dancers this time instead of geometrically arranged nonmoving bodies. The one song of note is "The Latin Quarter," later put to excellent use in countless Bugs Bunny and Pepe Le Pew cartoons. ~ Hal Erickson, All Movie Guide

In this drama, set in Paris, a devout communist is slowly seduced into becoming a capitalist by a persuasively pretty young woman. The tale begins as the young man shoots at a banker and then flees the police. He runs into the woman's apartment, and for some reason, she decides to let him stay. She then tells him that she is the banker's ex-wife, and they begin to converse; she is fascinated by communist philosophies and in turn shares her views on capitalism with him. He comes to like them and so abandons his other ideologies for the bourgeois life. ~ Sandra Brennan, All Movie Guide

Hold Back the Dawn begins with a shabby immigrant (Charles Boyer) wandering onto a Paramount sound stage and telling his life story to director Mitchell Leisen (who actually directed this film). In flashback, we see that Boyer was once a conscienceless gigolo, desperate to flee Nazi-occupied Europe. He makes it to Mexico, where he pretends to fall in love with shy schoolteacher Olivia de Havilland. It is his plan to marry her, thus be able to enter the United States; then he intends to dump her and pursue the woman he really loves. Boyer's regeneration, and the price he pays for his previous callousness, brings Hold Back the Dawn to its tearful conclusion. ~ Hal Erickson, All Movie Guide