Curt Bois

Damiel (Bruno Ganz) and Cassiel (Otto Sander) are angels who watch over the city of Berlin. They don't have harps or wings (well, they usually don't have wings) and they prefer overcoats to gossamer gowns. But they can travel unseen through the city, listening to people's thoughts, watching their actions and studying their lives. While they can make their presence felt in small ways, only children and other angels can see them. They spend their days serenely observing, unable to interact with people, and they feel neither pain nor joy. One day, Damiel finds his way into a circus and sees Marion (Solveig Dommartin), a high-wire artist, practicing her act; he is immediately smitten. After the owners of the circus tell the company that the show is out of money and must disband, Marion sinks into a funk, shuffling back to her trailer to ponder what to do next. As he watches her, Damiel makes a decision: he wants to be human, and he wants to be with Marion, to lift her spirits and, if need be, to share her pain. Wim Wenders' Wings of Desire is a remarkable modern fairy tale about the nature of being alive. The angels witness the gamut of human emotions, and they experience the luxury of simple pleasures (even a cup of coffee and a cigarette) as ones who've never known them. From the angels' viewpoint, Berlin is seen in gorgeous black-and-white -- strikingly beautiful but unreal; when they join the humans, the image shifts to rough but natural-looking color, and the waltz-like grace of the angels' drift through the city changes to a harsher rhythm. Peter Falk appears as himself, revealing a secret that we may not have known about the man who played Columbo, and there's also a brief but powerful appearance by Nick Cave & the Bad Seeds. Wings of Desire hinges on the intangible and elusive, and it builds something beautiful from those qualities. ~ Mark Deming, All Movie Guide

Based on fact, The Boat is Full is set during World War II. A group of Jewish refugees desperately attempt to escape to the safety of neutral Switzerland. The problem: too many refugees, and too little room in the boat commissioned for the trip. Director Markus Imhoof is neither a polished nor a subtle filmmaker, nor is the acting of the highest calibre. This hardly matters: the intensity and sincerity of everyone involved in The Boat is Full compensates for any and all production crudities. ~ Hal Erickson, All Movie Guide

Paul (Gert Froebe) is a gangleader who gives the former safecracker Georg (Mario Adorf) a job as a pimp after he is released from prison. Georg discovers his sweetheart Nelly (Karin Baal) has joined the joy girls he oversees. Jealousy among other mobsters cause them to make plans to eliminate Georg, who is more than willing to give up his job as flesh pedlar in this offbeat crime comedy. ~ Dan Pavlides, All Movie Guide

Herr Puntila und sein Knecht Matti (aka Herr Puntila and his Chauffeur Matti and Puntilla and His Hired Man) is based on the same-named play by Bertoldt Brecht. Curt Bois, best remembered as the oily pickpocket in Casablanca, stars as Puntila, a nasty Finnish landlord who turns into a nice guy whenever he's drunk (shades of Chaplin's City Lights). Puntila's chauffeur Matti (Heinz Engelman) shares several ribald adventures with his master, and at one point finds himself engaged to Puntila's nubile daughter Eva (Maria Emo). Brecht's merciless satire of class distinctions isn't quite as pungent as in the original, but audiences will get the point. Herr Puntila und sein Knect Matti was adapted for the screen by Vladimir Pozner (yes, that Vladimir Pozner!) ~ Hal Erickson, All Movie Guide

In Ham Fisher's original Joe Palooka comic strip, Joe's pal Humphrey Pennyworth was a blimp of a man. In Joe Palooka Meets Humphrey, Mr. Pennyworth is played by Robert Coogan, a slim, athletic chap who was then starring as TV's Captain Video. At least Joe Kirkwood Jr. was closer to Fisher's visual concept of soft-hearted pugilist Joe Palooka. The plot finds Joe pitted against Humphrey in a charity bout. Eschewing the gangster and murder-mystery subplots of Monogram's previous "Joe Palooka" entries, this one is played strictly for laughs, even unto having Leon Errol (cast as Joe's manager Knobby Walsh) going through his "Mexican Spitfire" paces in a dual role. Also good for a few chuckles is Joe Besser (who physically was better suited for the part of Humphrey) as a nervous hotel desk clerk. ~ Hal Erickson, All Movie Guide

Adapted from a play by Honore de Balzac, Lovable Cheat offers a veritable smorgasbord of Hollywood's top character actors. The title character, one Claude Mercadet, is played by Charlie Ruggles. Posing as a wealthy Parisian, Mercadet fleeces friends and casual acquaintances alike. He is forced into this life of crime to keep up appearances, so that his daughter Julie (Peggy Ann Garner) can land herself a rich husband. Iris Adrian enjoys one of her largest film roles as Ruggles' wife; Alan Mowbray is right in his element as an elegant butler; and future financial advisor Richard Ney is ironically cast as an impoverished bank clerk. Also on hand is Buster Keaton, as a nonplused creditor who spends his screen time waiting in vain for his missing business associate Godot (could playwright Samuel Beckett have seen this film?) Not entirely successful, Lovable Cheat is nonetheless a courageous exercise in the offbeat. ~ Hal Erickson, All Movie Guide

Another of 20th Century-Fox's Technicolor musical biopics, Oh You Beautiful Doll is allegedly the life story of popular composer Fred Fisher. As played by S. Z. "Cuddles" Sakall, Fisher is a serious musician who yearns to write opera rather than tin pan alley hits. Since the aged, portly Sakall couldn't be the romantic lead, he is third-billed in deference to June Haver as Fisher's daughter and Mark Stevens as a slick song plugger. Despite his shame at being popular, Fisher is gratified when his songs are given a classy symphonic arrangement at Aeolian Hall. Among the tunes heard in Oh, You Beautiful Doll are "Chicago," "Dardanella," "Peg o' My Heart" and the title song. ~ Hal Erickson, All Movie Guide

Sexual harassment can work both ways as can be seen in this romantic comedy when ad man endeavors to maneuver out of a relationship with his girlfriend. This is difficult as she controls a major account for his company and refuses to renew it unless he continues to go out with her. The frustrated fellow then begins having neurotic fits until, at last, he is taken off her account. For his new assignment, he must promote a psychiatrist's latest book. They meet and he is captivated by the lovely doctor. The nervous fellow then becomes her patient, and before long they both fall in love. Unfortunately, the other woman has not given up. His troubles are far from over when he later discovers that the shrink doesn't really love him--she is only using him for a case study. ~ Sandra Brennan, All Movie Guide

The Woman in White attempts to translate the archaic prose of 19th century gothic-mystery writer Wilkie Collins to the medium of film. Gig Young plays a 19th century painter who, while en route to a country estate, encounters a strange, ethereal young lady (Eleanor Parker) who both begs his help and insists that he keep their meeting a secret. He will meet the girl again at several crucial junctures -- though she will fail to recognize him. The painter has unknowingly stumbled upon a scheme by the diabolical Count Fosco (Sydney Greenstreet) to claim an inheritance on behalf of a dissipated nobleman (John Emery); the plan involves a marriage of convenience to the hapless lady of the house (Alexis Smith), blackmail, hidden siblings, and the suppression of a dark family secret involving Fosco's neurotic wife (Agnes Moorehead). The full plotline is far too labyrinthine to go into detail here -- in fact, it can barely be followed in the film itself. While The Woman in White suffers from excess verbiage, the film is at its best in its shadowy, nocturnal "conspiracy" set pieces and in the scenes with timorous aristocrat John Abbott, to whom every raised voice is a threat to his fragile health. And keep an eye on Sidney Greenstreet's pet monkey, Iago, easily the most well-adjusted character in the film. ~ Hal Erickson, All Movie Guide

In this crime drama the trouble begins when a murder occurs aboard a docked ship. Another murder occurs aboard an airplane in flight. An insurance investigator comes to Tangier to look into the theft of 50,000 pounds of sterling from the ship. He is assisted by a cafe entertainer. Together they solve the mysteries and recover the missing silver. ~ Sandra Brennan, All Movie Guide

On February 17, 1947, two efforts from Paramount's Pine-Thomas productions were tradeshown in tandem. The first was I Cover Big Town; the second was Jungle Flight.The latter film stars Robert Lowery and Douglas Blackley as Kelly Jordan and Andy Melton, troubleshooting freight pilots engaged in shipping mining equipment to a remote Latin-American company. Hoping to make a quick financial turnover, Melton overloads his plane, and as a result dies in a fiery crash. These leaves Jordan to "fly solo" in every sense of the phrase, attempting to rescue the victims of a second plane crash--and to save runaway wife Laurey Roberts (Ann Savage) from her crooked husband Tom Hammond (Douglas Fowley). Barton MacLane glowers his way through the role of the mine's owner. ~ Hal Erickson, All Movie Guide

Ingrid Bergman and Gary Cooper paired off again after For Whom the Bell Tolls (1943) with this overwrought melodrama based on the romance novel by Edna Ferber. Bergman plays Clio Dulaine, a beautiful half-Creole woman whose return to 1875 New Orleans from Paris creates a stir. Born out of wedlock, Clio's mother was a local woman who became pregnant by a wealthy, married landowner. Scandalized, his wife and family set about humiliating Clio's mother and even paid for Clio's voyage to France in an effort to get rid of the girl. Now Clio returns with a dwarf, Cupidon (Jerry Austin), and a maid, Angelique (Florence Robson) in her entourage. At the docks, Clio meets a handsome gambler from Texas, Colonel Clint Maroon (Cooper) and is smitten. To Clio's delight, their blossoming romance inspires calumny, but Maroon soon realizes that Clio is a gold digger. He departs for Saratoga Springs, where he is working on a venture involving the railroad. Clio follows him there, bent on marrying either Clint or his business partner, Bart Van Steed (John Warburton). Saratoga Trunk (1945) was exhibited to servicemen overseas in WWII for two years before it was released to the general public. ~ Karl Williams, All Movie Guide

MGM's notion of a "B" picture would be an "A" production at any other studio, and Blonde Fever is no exception. Philip Dorn heads the cast as restauranteur Peter Donay, happily married to the pleasant but plain Delilah (Mary Astor). Approaching "that certain age", Donay's head is turned by curvaceous waitress Sally Murfin (Gloria Grahame, in her first important film role). At first only mildly amused by the flirtatious Donay, Sally begins turning on the charms herself when she finds out that he's won a $40000 lottery. It takes six reels, but Donay finally realizes how much he loves and needs his faithful wife, and how little Sally truly cares about him. Blonde Fever is based on a play by Ferenc Molnar, though it must have taken a lot of cutting to cram the original into 65 minutes' running time. PS: Hume Cronyn and Jessica Tandy, personal friends of director Richard Whorf, show up in unbilled cameos. ~ Hal Erickson, All Movie Guide