Henry Travers Movies

Ronald Reagan plays a George Petty-type magazine illustrator who creates a "perfect girl" from a composite of the features of several models. While relaxing at the beach, Reagan meets a lovely young schoolteacher (Virginia Mayo) who is the living image of his imaginary girl. Sensing a terrific promotional angle, Reagan ingratiates himself with the girl and attempts to secure her services for a series of cheesecake poses. The film leads to a courtroom conclusion wherein Mayo must strut around in a bathing suit to win her case. Girl from Jones Beach is worth the admission price alone just to hear Ronald Reagan pose as a Czechoslovakian immigrant--complete with accent. ~ Hal Erickson, All Movie Guide

An older soldier enters West Point but remains haunted by nagging guilt. It all began in Tunisia during a tremendous battle. The soldier passed out during the fight, and when he awoke he discovered his commanding officer was dead. He blames himself for the death and after being released from the army, he goes to see the officer's wife. Love blossoms, and with her help he enrolls in West Point where he becomes a model cadet until a jealous plebe begins making trouble that eventually sends the soldier to a court-martial hearing. There the truth of the incident is finally revealed. ~ Sandra Brennan, All Movie Guide

Based on the novel by Marjorie Kinnan Rawlings, The Yearling is set in post-Civil War Florida. Claude Jarman Jr. plays Jody Baxter, the lonely son of just-getting-by farmers Pa and Ma Baxter (Gregory Peck and Jane Wyman). With all of his siblings dead and buried, Jody yearns to have a pet of some sort. When Pa is forced by circumstances to kill a doe, the animal's fawn-the yearling of the title-is adopted by Jody. The boy's love for the animal does not alter the fact that the fawn is eating all of the Baxters' crops. Sadly, Pa tells Jody that he must kill the yearling before all their crops are destroyed. Jody can't bring himself to do this, so he sets the animal free in the wilds. Time and again, however, the yearling returns to the farm. Finally, Ma Baxter, who'd been against having the fawn on the property in the first place, shoots and wounds the animal. Now, Jody has no choice: rather than see his beloved yearling writhe in agony, he kills it. Though this results in a rift between himself and his family, Jody at last realizes that, by taking the responsiblity of saving the farm at the expense of his own feelings, he has also taken the first step towards manhood. He himself is a "yearling" no more. MGM had intended to film The Yearling in 1941 with a different cast and director, but a series of personality clashes delayed production for five years. Watching the inspired performances of Gregory Peck, Jane Wyman and Claude Jarman Jr., it is nearly impossible to imagine the film with its originally intended cast of Spencer Tracy, Anne Revere and the unknown Gene Eckman. The studio had also intended to lens the film on location in Florida, but in the end it proved more practical and expedient to shoot in the studio and its environs. Oscars went to the Technicolor photography of Charles Rosher, Leonard Smith and Arthur Arling, and to the art direction/set decoration work of Cedric Gibbons, Paul Groesse and Edwin B. Willis. Originally released at 128 minutes, the film was reissued in a butchered 94 minute version; steer clear of this one and opt for the still-available original. ~ Hal Erickson, All Movie Guide

This is director Frank Capra's classic bittersweet comedy/drama about George Bailey (James Stewart), the eternally-in-debt guiding force of a bank in the typical American small town of Bedford Falls. As the film opens, it's Christmas Eve, 1946, and George, who has long considered himself a failure, faces financial ruin and arrest and is seriously contemplating suicide. High above Bedford Falls, two celestial voices discuss Bailey's dilemma and decide to send down eternally bumbling angel Clarence Oddbody (Henry Travers), who after 200 years has yet to earn his wings, to help George out. But first, Clarence is given a crash course on George's life, and the multitude of selfless acts he has performed: rescuing his younger brother from drowning, losing the hearing in his left ear in the process; enduring a beating rather than allow a grieving druggist (H.B. Warner) to deliver poison by mistake to an ailing child; foregoing college and a long-planned trip to Europe to keep the Bailey Building and Loan from letting its Depression-era customers down; and, most important, preventing town despot Potter (Lionel Barrymore) from taking over Bedford Mills and reducing its inhabitants to penury. Along the way, George has married his childhood sweetheart Mary (Donna Reed), who has stuck by him through thick and thin. But even the love of Mary and his children are insufficient when George, faced with an $8000 shortage in his books, becomes a likely candidate for prison thanks to the vengeful Potter. Bitterly, George declares that he wishes that he had never been born, and Clarence, hoping to teach George a lesson, shows him how different life would have been had he in fact never been born. After a nightmarish odyssey through a George Bailey-less Bedford Falls (now a glorified slum called Potterville), wherein none of his friends or family recognize him, George is made to realize how many lives he has touched, and helped, through his existence; and, just as Clarence had planned, George awakens to the fact that, despite all its deprivations, he has truly had a wonderful life. Capra's first production through his newly-formed Liberty Films, It's a Wonderful Life lost money in its original run, when it was percieved as a fairly downbeat view of small-town life. Only after it lapsed into the public domain in 1973 and became a Christmastime TV perennial did it don the mantle of a holiday classic. ~ Hal Erickson, All Movie Guide

Abbott and Costello's The Naughty Nineties offers a million laughs and a nickel's worth of plot. Most of the film takes place aboard a 19th century showboat, owned by kindly Captain Sam (Henry Travers). Bud Abbott plays the showboat's leading man Dexter Broadhurst, while Lou Costello is handyman Sebastian Dinwiddie. A group of slick gamblers (Alan Curtis, Rita Johnson and Joe Sawyer) cheat Captain Sam out of his boat, turning the place into a floating gambling palace, but Dexter and Sebastian foil the villains and save the day. The film is a virtual encyclopedia of wheezy but still hilarious comedy routines, many of them devised by veteran Laurel & Hardy and Three Stooges gagman Felix Adler. The film's highlight is a full-length performance of Abbott and Costello's verbal classic "Who's on First?"-and if one listens very closely, one can hear the cameramen and crew members laughing! ~ Hal Erickson, All Movie Guide

This lavish, 145-minute cinemadaptation of the Pearl Buck best-seller Dragon Seed was intended by MGM as a followup to the studio's successful film version of Buck's The Good Earth. In true Hollywood fashion, the Chinese protagonists are all played by Caucasian actors, with fascinating if not always convincing results. When a peaceful Chinese village is invaded by the Japanese prior to WW2, the men elect to adopt a peaceful, don't-rock-the-boat attitude towards their conquerors-and it is understood that the women will stoically acquiesce as well. But Jade (Katharine Hepburn), a headstrong young woman, intends to stand up to the Japanese whether her husband Lao Er (Turhan Bey) approves or not. She even goes so far as to learn to read and to handle a weapon, so that she may properly equipped for both psychological and physical combat. Jade's attitude spreads to the rest of the village, convincing even the staunchest of male traditional that the Japanese can be defeated only by offering a strong united front-male and female. Alas, there are a few Quislings in their midst, notably avaricious merchant Wu Lien (Akim Tamiroff), who learns all too late the terrible cost of collaboration. While it seems odd to see so many non-Orientals-Walter Huston, Agnes Moorehead, Hurd Hatfield, J. Carroll Naish-in the major roles, Dragon Seed manages to retain its power and entertainment value even 50 years after the fact (Incidentally, there are a few genuine Chinese in the cast-most of them playing Japanese!) ~ Hal Erickson, All Movie Guide

Though filmed while WW2 was still very much in progress, The Very Thought of You has the lighthearted ambience of a postwar picture. After 18 months' duty in the Aleutians, army buddies Dave (Dennis Morgan) and Fixit (Dane Clark) take a long-awaited furlough in Dave's home town of Pasadena. While Fixit is only interested in accumulating as many "dames" as possible, Dave falls deeply and genuinely in love with defense-plant worker Janet (Eleanor Parker). At a Thanksgiving dinner, Dave is given the going-over by Janet's family, some of whom approve of him while others give a thumbs-down. Deciding that they want to spend their lives together no matter the consequences, Dave and Janet opt for a quick marriage and 24-hour honeymoon. When he's called back to active duty, Dave wonders if he'll ever see his bride again?and so does the audience, at least until the very last scenes. Meanwhile, Fixit's casual affair with Janet's coworker Cora (Faye Emerson) likewise becomes a lot more serious than they'd intended. The early scenes of The Very Thought of You are filmed on location at Cal Tech, while other sequences are shot at the San Diego Navy Yards-a harbinger for such future films as On the Town, which also eschewed studio mockups in favor of genuine locales. ~ Hal Erickson, All Movie Guide

In this downbeat drama based on a novel by John Steinbeck (which was also adapted for the stage), German troops invade Norway during WWII, and Nazi forces occupy a small town. Col. Lanser (Cedric Hardwicke), the officer in charge of the occupation, believes that reason and the illusion of cooperation will achieve more than open hostility against the townspeople, and he tries to persuade the city fathers to work with him. However, an anti-Nazi resistance force soon springs into action, and they begin sabotaging German installations and materiel and assassinating Axis officers. Mayor Orden (Henry Travers) gently but stubbornly refuses to assist Lanser in any way, as he tacitly aids the resistance movement. Eventually, Lanser is forced to respond to the continuing anti-Nazi actions with a series of arrests and executions, but the Norwegians bravely remain steadfast against the enemies to the end. One of the children in the village is played by Natalie Wood, who was a mere five years old at the time (it was her second film, following a small role in Happy Land). ~ Mark Deming, All Movie Guide

As Academy Award-winning films go, Mrs. Miniver has not weathered the years all that well. This prettified, idealized view of the upper-class British home front during World War II sometimes seems over-calculated and contrived when seen today. In particular, Greer Garson's Oscar-winning performance in the title role often comes off as artificial, especially when she nobly tends her rose garden while her stalwart husband (Walter Pidgeon) participates in the evacuation at Dunkirk. However, even if the film has lost a good portion of its ability to move and inspire audiences, it is easy to see why it was so popular in 1942-and why Winston Churchill was moved to comment that its propaganda value was worth a dozen battleships. Everyone in the audience-even English audiences, closer to the events depicted in the film than American filmgoers-liked to believe that he or she was capable of behaving with as much grace under pressure as the Miniver family. The film's setpieces-the Minivers huddling in their bomb shelter during a Luftwaffe attack, Mrs. Miniver confronting a downed Nazi paratrooper in her kitchen, an annual flower show being staged despite the exigencies of bombing raids, cleric Henry Wilcoxon's climactic call to arms from the pulpit of his ruined church-are masterfully staged and acted, allowing one to ever so briefly forget that this is, after all, slick propagandizing. In addition to Best Picture and Best Actress, Mrs. Miniver garnered Oscars for best supporting actress (Teresa Wright), best director (William Wyler), best script (Arthur Wimperis, George Froschel, James Hilton, Claudine West), best cinematography (Joseph Ruttenberg) and best producer (Sidney Franklin). Sidebar: Richard Ney, who plays Greer Garson's son, later married the actress-and still later became a successful Wall Street financier. Mrs. Miniver was followed by a 1951 sequel, The Miniver Story, but without the wartime setting the bloom was off the rose. ~ Hal Erickson, All Movie Guide

First filmed in 1914, Edgar Selwyn's venerable North Country yarn Pierre of the Plains was thawed out once more in 1942. John Carroll plays the title role, a French-Canadian guide with an accent one could cut with a double-edged knife. Always in trouble with the law, Pierre manages to swagger through life with a smile on his lips and a song (the interminable "Saskatchewan") in his heart. Our hero proves that he's a splendid fellow by clearing Val Denton (Phil Brown), brother of heroine Daisy Denton (Ruth Hussey), of a murder charge. Bruce Cabot and Sheldon Leonard are the scowling villains, while Henry Travers (Clarence in It's a Wonderful Life) steals the show as a canny cardsharp. ~ Hal Erickson, All Movie Guide

In a manner of speaking, Humphrey Bogart had George Raft to thank for his ascendancy to stardom: after all, if Raft hadn't turned down both High Sierra and The Maltese Falcon, Bogart might have continued playing second-billed gangsters to the end of his days. Adapted from W. R. Burnett's novel by Burnett and John Huston, High Sierra opens with gangster Roy Earle (Bogart) being paroled after a lengthy prison term. Though he enjoys the fresh air and sunshine of the outside world, Earle has no intention of giving up his criminal ways. In fact, his parole has been arranged by Big Mac (Donald MacBride), so that Earle can mastermind a big-time heist at a fancy California resort hotel. After a few unkind words with a crooked cop, Kranmer (Barton MacLane), in Big Mac's employ, Earle heads toward a fishing resort, where he is to commiserate with his inexperienced, hot-headed cohorts Babe (Alan Curtis) and Red (Arthur Kennedy). En route, he befriends a farm family, heading to LA in search of work. He falls in love with the family's club-footed daughter Velma (Joan Leslie)--though she never really gives him any encouragement--and makes a silent promise to finance an operation on her foot once he's gotten his share of the loot. At the mountain cabin rendezvous, Earle meets Marie (Ida Lupino), Babe's tough-but-vulnerable girlfriend. He angrily orders her to scram, but she stubbornly remains. Earle also finds himself the owner of a "jinxed" dog, whose previous masters have all met with early demises (a none-too-subtle foretaste of things to come). Marie is strongly attracted to Earle, but he refuses to have anything to do with her, reserving his affections for Velma. He arranges an operation for the girl with mob doctor Banton (Henry Hull), never suspecting that the self-serving Velma is planning all along to marry someone else. The robbery goes off without a hitch, save for the fact that "inside man" Mendoza (Cornel Wilde) panics and nearly gives the game away. While escaping, Babe and Red are killed in a car accident, but Earle and Marie escape. Having been disillusioned by Velma's indifference and by the fact that the untrustworthy Kranmer has taken over the late Big Mac's operation, Earle at last realizes that the only person he can truly depend upon is the faithful Marie. With the police hot on his trail, Earle tells Marie to look after herself, then heads alone into the High Sierras--where, in Greek Tragedy fashion, he "busts out" of life. As in Petrified Forest, Humphrey Bogart plays a burnt-out anachronism from an earlier era in crime in High Sierra; in the latter film, however, Bogart has an innate nobility that allows the audience to empathize with him throughout. It is nothing short of amazing that, despite his superb performance in this 1940 film, he still had to wait until The Maltese Falcon for top billing in an "A picture." High Sierra was remade in 1949 as Colorado Territory and in 1955 as I Died a Thousand Times. ~ Hal Erickson, All Movie Guide

The girl is stenographer Dot Duncan (Lucille Ball); the guy is her boss, stuffy young shipping magnate Stephen Herrick (Edmond O'Brien); and the gob is a brash sailor known as Coffee Cup (George Murphy). Not surprisingly, the plot involves the efforts by the self-effacing Stephen and the self-confident Coffee Cup to woo and win the lovely Dot. And that's about all the "story" there is; the rest of the picture is jam-packed with round-robin comic misunderstandings and wild slapstick setpieces. A Girl, a Guy and a Gob was one of two RKO Radio films produced by silent-screen great Harold Lloyd, who reportedly dropped in on the set from time to time to offer a bit of sage comedy advice (note the "handkerchief" bit utlized by Edmond O'Brien; it had previously done service in Lloyd's own Welcome Danger). Not as big a moneymaker as Harold's starring features of the 1920s, the RKO film nonetheless turned a tidy profit for the studio. ~ Hal Erickson, All Movie Guide

In addition to being a fine Western in its own right, this film served to introduce perhaps Hollywood's oddest romantic couple: the gruff but lovable Wallace Beery and the tart but lovable Marjorie Main. Beery plays "Reb" Harkness who, with his Mexican pal Pete (Leo Carrillo), is almost caught red-handed attempting to rob a train carrying General Custer (Paul Kelly) and the cavalry. Double-crossed by his partner and with the cavalry in hot pursuit, Reb escapes to Wyoming where he finds shelter on a ranch belonging to orphaned Lucy Kinkaid (Anne Rutherford) and her kid brother Jimmy (Bobs Watson). The local ranchers are battling an unscrupulous empire builder, Buckley (Joseph Calleia), and Reb is involuntarily dragged into the feud. When plain-speaking blacksmith Mehitabel (Marjorie Main) loses her brother to Buckley's bullets, Reb takes matters into his own hands, and with the help of Custer's men, he manages to end Buckley's reign of terror. Casting plain-looking, twangy Marjorie Main as Beery's leading lady was a stroke of genius. The two actors complimented each other to the nth degree, and Main was seen as a worthy replacement of the late Marie Dressler. As a result, the former stage actress (Dead End) was put under a seven-year contract by MGM, who co-starred her with Beery in Barnacle Bill (1941), The Bugle Sounds (1941), Jackass Mail (1942), Rationing (1944), and Bad Bascomb (1946). Wyoming, which also benefitted from fine performances by Henry Travers as a sly sheriff and Stanley Fields as Buckley's chief henchman, was filmed on location at Jackson Hole, Wyoming, and the Grand Tetons National Park by a director, Richard Thorpe, who had worked in the Western field since the silent days. ~ Hans J. Wollstein, All Movie Guide