William Tracy Movies

No relation to the 1953 musical film of the same title, About Face is a 43 minute Hal Roach "Streamliner." Sgt. Doubleday (William Tracy), the man with the photographic memory, and his former topkick Sgt. Ames (Joe Sawyer), go on a night on the town. After accidentally sparking a barroom brawl, our heroes crash a society party overseen by perennial Marx Brothers foil Margaret Dumont. The evening is capped by a wild car chase. Marjorie Lord and Veda Ann Borg provide the scenic attractions in this old-fashioned slapsticker. ~ Hal Erickson, All Movie Guide

In the early 1940s, producer Hal Roach turned out several entertaining and profitable "streamliners" (each running approximately 45 minutes) about an army recruit with a photographic memory and his long-suffering sergeant. William Tracy portrayed Private (and later Sergeant) Doubleday, while Joe Sawyer was his topkick Sgt. Ames. In 1951, Hal Roach Jr. decided to revive the series, but only two 6-reel films resulted. The first, As You Were, finds Doubleday re-enlisting, much to the consternation of the bombastic Ames. This time both men find themselves at odds with their new "fellow" sergeant, lovely WAC Joan Vohs. Like its sequel Mr. Walkie Talkie, As You Were was released by Lippert Films. ~ Hal Erickson, All Movie Guide

America had not officially gone to war in November of 1941, but try telling that to the producers of the "preparedness" drama Cadet Girl. The title character is nightclub songstress Gene Baxter (Carole Landis), but the weight of the film rests on the shoulders of West Point cadet Tex Mallory (George Montgomery). Falling in love with Gene, Tex wants to marry her, even though this will force him to give up his military-academy appointment. Tex' innate patriotism is aroused by his bandleader brother Bob (John Sheppard, aka Sheppard Strudwick), Gene's boss, who writes a patriotic song called "Uncle Sam Gets Around." After a few bars of this flag-waving ditty, Tex realizes that his first duty is to his country, and he returns to West Point-but not before securing a promise from Gene that she'll wait for him until his tour of duty is over (little did she know that she'd have a four-year wait!). ~ Hal Erickson, All Movie Guide

What can a blackmailer do when his victim can no longer afford to pay up? In this case, he apparently has no option other than to beat up the victim (a cocktail lounge proprietor) and then rob and shoot the poor fellow. Luckily, Friday (Jack Webb) and Smith (Ben Alexander) are on hand to see that the guilty party is punished to the full extent of the law. ~ Hal Erickson, All Movie Guide

Fall In was the fourth of Hal Roach's 1940s comedies revolving around the misadventures of Doubleday, an army recruit blessed--or cursed--with a photographic memory. This time, Doubleday (William Tracy) and his pal Sgt. Ames (Joe Sawyer) crash a fancy fund-raising dinner. They redeem themselves by capturing a Nazi spy, who poses as a super-patriot named Arnold Benedict (!) A zany sequence at a gambling table and a wild climactic free-for-all highlight this above-average entry. A Hal Roach "Streamliner" designed for the lower half of double bills, Fall In clocked in at a swift 48 minutes. ~ Hal Erickson, All Movie Guide

The Moss Hart-George S. Kaufman Broadway hit George Washington Slept Here has herein been tailored to the unique talents of Jack Benny. In the original play, city dweller Bill Fuller, fired up with the spirit of "back to the soil," purchases a ramshackle Colonial-era farmhouse in upstate New York, dragging his reluctant wife, Connie, along for the ride. Everett Freeman's screenplay retains the basic set-up with one important difference: in the film, it is Connie Fuller (Ann Sheridan), an inveterate antique collector, who is all hopped up about buying and renovating the old farmhouse, while husband Bill (Jack Benny), with visions of abject poverty dancing in his head, hates the whole idea. This slight character alteration allows Jack Benny to indulge in the frustrated, put-upon slow-burn comedy he does so well, while still leaving Hart and Kaufman's dextrous plot twists and punch lines intact. Most of the humor derives from the thousand-and-one "little" flaws in the drafty old house -- collapsing walls and ceilings, antiquated plumbing, et al. -- all duly categorized by laconic caretaker Mr. Kimber (Percy Kilbride, in a brilliant performance). Also thickening the plot are the efforts by the near-bankrupt Bill and Connie to curry favor with their wealthy uncle Stanley (Charles Coburn), who turns out to be a cheerful old fraud. The resolution of the plotline is inherent in the title, but there's still one last indignity left to be dumped on poor Bill Fuller's head at fade-out time. ~ Hal Erickson, All Movie Guide

The first of Monogram's "Father" series was Henry, the Rainmaker, assembled in a fast seven days. Raymond Walburn stars as Henry Latham, an average family man who is galvanized into entering a mayoral race over the issue of garbage disposal. When incumbent mayor Colton (played by Walburn's lifelong friend Walter Catlett) solves this issue himself, Henry turns his attentions to the current water shortage. His efforts to become a rainmaker prove cataclysmic, to say the least. Henry, the Rainmaker did well enough on the neighborhood-house circuit to warrant a sequel, Leave it to Henry. ~ Hal Erickson, All Movie Guide

Hoping to start up where he left off before his studio was taken over by the government during WWII, Hal Roach turned out a brief series of "streamliners" (short-length feature films) under the umbrella title Hal Roach's Laff-Time. The third entry in this series was Here Comes Trouble, a Cinecolor attempt to revive a popular Roach military-comedy series from the early 1940s. William Tracy and Joe Sawyer return respectively as Doubleday and Ames, erstwhile army buddies with a predilection for trouble. Now in civilian clothes, Doubleday, he of the photographic memory, becomes a newspaper reporter, while the long-suffering Ames joins the police force. It doesn't take long for our heroes to become involved in a hectic search for a valuable missing diary. Former silent screen star Betty Compson provides a touch of class in the role of newspaper publisher's wife. ~ Hal Erickson, All Movie Guide

In Hitchcock's rare foray into comedy (courtesy of a wittily risque script by Norman Krasna), Mr. Smith (Robert Montgomery) makes the mistake of telling Mrs. Smith (Carole Lombard) that if he had it to do all over again, he might not have married her. Shortly thereafter, Mr. Smith discovers that his marriage is invalid. Rather than say goodbye, the newly aroused Mr. Smith attempts to entice Mrs. Smith into the bedroom, thrilled at the prospect of an "illicit" romance. But Mrs. Smith has also been apprised that her marriage is no more--and, remembering Mr. Smith's "second thoughts", she kicks him out of the house. This comedy of misunderstanding rolls merrily along from this point onward, accommodating an uproarious scene at a fancy restaurant, a near-liaison between Mrs. Smith and new beau Gene Raymond on the World's Fair parachute jump, and a farcical denouement at a ski lodge, with Mrs. Smith's conjugally crossed skis symbolizing the carnal pleasures ahead for both Mr. and Mrs. Smith. ~ Hal Erickson, All Movie Guide

Produced and distributed by legendary road-show entrepreneur Kroger Babb, One Too Many details the tragedy of alcoholism. Ruth Warrick stars as concert pianist Helen Mason, who destroys her life and career through drinking. Helen is finally saved from herself when she joins Alcoholics Anonymous. When originally released to theaters, One Too Many was screened in tandem with a live appearance by an ostensible expert on alcoholism, who delivered a cautionary lecture, then distributed pamphlets. Most Kroger Babb productions were shoddily put together: One Too Many is an exception, boasting a talented cast, competent direction (Erle C. Kenton) and reasonably attractive production values. As a bonus, the film features several guest stars, ranging from dancer Louis da Pron to Hollywood makeup artist Ern Westmore. ~ Hal Erickson, All Movie Guide

The senatorial campaign between Jason Foster (Richard Anderson) and Randolph Cartwell (Stewart Moss) gets down and dirty when political boss Harry Margis (Patrick McVey) tries to set up Foster's sister as a pawn in a fabricated scandal, using her romance with Cardwell's stepson David (Stewart Moss) as a means to an end. When David is murdered, suspicion falls upon Jason's wife Margaret (Jan Shepard), who thinks that Jason is the killer--and as such, refuses to cooperate with Perry Mason as he tries to defend her in court. Appearing as the ingenue Susan Foster is future Hollywood producer and studio executive Lynn Loring. ~ Hal Erickson, All Movie Guide

In this romantic comedy, a blue-blooded girl falls in love with a wealthy rake who wants to settle down and marry her. Unfortunately, the young woman's guardian and personal stockbroker refuses to sanction the match. This enrages the girl who decides to prove that she doesn't need a guardian by getting a job on Wall Street. Time passes and mayhem ensues until the lass realizes that she has fallen in love with her guardian. Her playboy lover, with great charm, defers to the new lover and leaves them to their happiness. ~ Sandra Brennan, All Movie Guide

Pop-music favorites Frankie Laine and Billy Daniels head the cast of The Sunny Side of the Street. Terry Moore plays Betty Holloway, receptionist at a major TV station. Hoping to secure a break for her singer boyfriend Ted Mason (Jerome Courtland), Betty enlists the aid of Laine. Mason's career really takes off when a team of TV writers discover that he's the childhood sweetheart of Gloria Pelly (Audrey Long), the daughter of an important sponsor. For a while, it looks as though poor Betty has lost Ted to Gloria, but there's still a few reels (and production numbers) left to go. Also featured in the cast are TV commercial spokeswoman Toni Arden as herself, and, in a minor role, future Gunsmoke co-star Amanda Blake. ~ Hal Erickson, All Movie Guide