Frederic Tozere Movies

One of the most ambitious productions ever undertaken during the era of "live" television, this adaptation of Walter Lord's best-seller A Night to Remember successfully conveys the full scope and horror of the sinking of the superliner Titanic on April 14, 1912. Utilizing seven cameras, 31 different sets and over 100 actors, director George Roy Hill (Butch Cassidy and the Sundance Kid, The Sting), meticulously recreates the last three hours of the Titanic from the moment it struck an iceberg in the North Atlantic to its final descent beneath the waves, carrying some 1500 souls to a watery grave. Like Lord's book, John Whedon's adaptation emphasizes the element of fate in the tragedy, noting the hundred-and-one ways in which the disaster could have been averted, and also offers brief, poignant character vignettes, illustrating individual moments of courage and cowardice. Although there is plenty of dialogue, the dominant voice in the proceedings is narrator Claude Rains, who dispassionately dispenses the chronology of the disaster, minute by minute, as the viewer watches them unfold. Featured in the enormous cast is a pre-Avengers Patrick Macnee as Thomas Andrews, benighted designer of the Titanic. This version of A Night to Remember was originally telecast as an episode of the NBC anthology Kraft Television Theater; it was subsequently restaged for British viewers by the BBC, and was ultimately adapted as a theatrical feature in 1958 (long, long before either Kate Winslet or Leonardo DiCaprio were even born). ~ Hal Erickson, All Movie Guide

MGM circumvented the censorship that would otherwise have prevented a film version of Gustave Flaubert's Madame Bovary by adding a prologue and epilogue that assured any and all bluenoses that the story was strictly a work of fiction. James Mason appears as Flaubert, defending his inflammatory novel before a French jury. Thus, the tragedy of Emma Bovary (Jennifer Jones) is offered as a product of Flaubert's imagination, rather than a real-life story. The body of the film concerns Emma's attempt to escape the boredom of her bourgeois existence by marrying a wealthy doctor (Van Heflin). She finds life with the physician even more tiresome than her previous experiences, thus begins taking a series of wealthy lovers-all of whom prove to be two-dimensional cads. Unable to tolerate a lifetime of dead-end affairs, Emma eventually commits suicide. The best sequence-indeed, one of the finest set pieces ever directed by Vincente Minnelli-is the "Emma Bovary Waltz" sequence, a dazzling experience in dizzying camera movements. ~ Hal Erickson, All Movie Guide

In this provocative drama, a stern hard-liner judge commits euthanasia to save his terminally ill wife from further suffering. He decides to kill her by driving the both of them off a cliff. He succeeds in ending her pain, but unfortunately he survives and ends up turning himself in with a full confession. Now it is up to his brilliant lawyer to defend him. He not only justifies the old judge's actions, he also proves that the wife took a fatal dose of poison before getting in the car; therefore she committed suicide. The judge is freed and returns to his courtroom where he oversees his cases with considerably more sympathy and understanding than he did before. ~ Sandra Brennan, All Movie Guide

This final entry in Warner Bros.' Nancy Drew series is the only one actually based on a novel by Nancy Drew creator Carolyn Keene. Bonita Granville returns as the ebullient titular teenaged sleuth, while Frankie Thomas portrays Nancy's best friend and fellow "gumshoe" Ted Nickerson. The plot concerns a bizarre codicil in a will, requiring two elderly sisters to spend every night in their family mansion over a period of 20 years in order to lay claim to the crumbling old house. The ladies plan to contribute their legacy to a local children's hospital, but certain sinister forces in town hope to erect a racetrack where the mansion presently stands. When the sisters' chauffeur is murdered, Nancy and Ted investigate, even though Nancy's attorney father, Carson Drew (John Litel), has expressly forbidden them to do so. Their tremulous journey through the cellar of the mansion leads to a surprising revelation -- and, very nearly, to a watery grave. Arguably the best of the series, Nancy Drew and the Hidden Staircase moves along at so fast a clip that the audience is left nearly as breathless as the heroine. ~ Hal Erickson, All Movie Guide

In this entry in the long-running series, the Dead End Kids are freshly out of reform school when they find themselves victimized by the tough, corrupt head of the Hell's Kitchen Shelter. A reformed racketeer tries to help out, but he winds up violating his parole and getting sent back to prison. As he goes, he gets some satisfaction out of seeing the crooked superintendent sent up the river too. ~ Sandra Brennan, All Movie Guide

In this family-style comedy, the trouble begins when a good father loses his job at the local newspaper when the publication is taken over by a major syndicate. To support his brood, he becomes a photographer. Meanwhile his son pursues his own hobby as a ham radio operator. When an enormous forest fire erupts nearby, both father and son find their occupations coming in mighty handy. ~ Sandra Brennan, All Movie Guide

In this touching drama, a young woman cons her father the Colonel to put their colt in the Kentucky Derby. They do, but the horse fails miserably and his rider is suspended. It is then discovered that the horse lost because it is blind. This does not dissuade the girl and her father who work hard to train the horse who goes on to win the Grand National. The jockey too is subsequently cleared of wrong-doing and is again allowed to race. ~ Sandra Brennan, All Movie Guide