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Uwe Bohm Movies

2007  
 
A relaxing vacation becomes an impromptu family reunion when a family of three takes a sun soaked trip to their summer cottage, only to find the entire extended family unexpectedly showing up on their doorstep. Anna, Robert, and their adolescent son Max were looking forward to a quiet retreat to the Uckermark region of Germany, but their peace is soon shattered by the arrival of children, parents, siblings, and grandchildren. At first everyone does their best just to get along, though it doesn't take long for old wounds to fester and buried secrets to surface. ~ Jason Buchanan, Rovi

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Starring:
Angela WinklerKaroline Eichhorn, (more)
 
1992  
R  
Anthony Perkins, in one of his last roles, is the sole highlight of this mundane, German-made psychological thriller, based on a novel by Ruth Rendell. Perkins plays Arthur, an obsessive-compulsive English bachelor with a history of far more destructive habits -- the worst of which include his reign of terror as the "Kenbourne Killer," who is responsible for the strangulation murders of several prostitutes. Like a certain legendary Perkins character of yore, Arthur has some Oedipal issues that need working out and fixates his mother fixation on the department-store mannequin he keeps in the secluded boarding house where he spends his "retirement." When this decidedly one-sided relationship is disrupted by the sudden loss of the dummy, poor Arthur goes 'round the bend again... but the blame for the new string of murders falls on one of his neighbors instead. Bogged down by pedestrian direction and a romantic subplot that serves little purpose, this attempt at a detailed portrayal of madness is kept aloft (barely) on the basis of Perkins' brooding, restrained performance. ~ Cavett Binion, Rovi

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1990  
 
Friedrich (Uwe Bohm) manages to escape from East Germany to the West in the 1950s. On his arrival, he is greeted with the words Herzlich Willkommen, or "cordial, heartfelt welcome." However, once he finds employment, what he experiences is anything but a cordial welcome at his new job, where he is a teacher/counselor for "wayward children" located in a former castle. The institution is headed by a former Nazi who runs it with the help of the more criminal, bullying boys. Despite these obstacles, Friedrich manages to establish a rapport with a boy who wants to go "straight," and also begins to have an affair with an attractive female teacher at the school. ~ Clarke Fountain, Rovi

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Starring:
Uwe BohmBarbara Auer, (more)
 
1988  
 
In this German and Turkish romance, a cocky young man joins a judo class and bets his male classmates that he can get any one of the female students to sleep with him in two days. His main target is a beautiful Turkish girl. Unfortunately, she has other things on her mind and rebuffs him. She is terribly upset with her family because her father will not allow her to pursue a higher education. Things get increasingly tense at home, and she begins seeing her romantic pursuant in a better light. ~ Sandra Brennan, Rovi

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Starring:
Ayse RomeyUwe Bohm, (more)
 
1984  
 
The unfortunate Traugot (Lou Castel) suddenly finds himself sandwiched between his former lover Freya (director Helke Sander) and his new love Irmtraut (Rebecca Pauly), both women are good friends -- or were. Traugot waffles between the two women and ultimately, seems to want both, why not. Freya vacillates between exasperation, a still-burning love for the waffler, anger against him, and the desire just to leave it all behind. As the story unfolds, she takes action while under the influence of her runaway emotions, and perhaps that is the catalyst that finally shakes up Traugot and forces him to make up his mind about his potentially monogamous future. As in previous films by director Helke Sander, women's issues are subtly raised and handled appropriately, in an engaging and relevant story told with wit and a visually sensitive camera. ~ Eleanor Mannikka, Rovi

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Starring:
Helke SanderLou Castel, (more)
 
1980  
 
This low-budget, thought-provoking drama uses both laughter and a slowly dawning symbolism to nudge social and political issues to the forefront. Christopher and Indian (director Hark Bohm's two adopted sons, Uwe Bohm and Dschingis Bowakow, of Mongolian descent) are both living on the fringes of society. Christopher is an angry young man who vents his frustrations by illegally killing deer and then selling the meat. Indian is the opposite, he would rather preserve life and nature and so he stays away from society. Both are after a mysterious elk that begins to move closer and closer to civilization. As the animal continues his journey, hunters stalk him and they ultimately send Chris into the hospital with a gunshot wound. Later Chris and Indian join forces when they encounter some aggressive born-again Christians. The scope of social commentary widens when a group of leftists, environmental pollution, and trigger-happy police are thrown into the mix. ~ Eleanor Mannikka, Rovi

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Starring:
Uwe Bohm