Fred "Snowflake" Toones Movies
During Hollywood's pre-"politically correct" era, it was not uncommon for African-American performers to be saddled with such demeaning professional monikers as "G. Howe Black," "Stepin Fetchit," and "Sleep 'n' Eat." One of the more egregious racially oriented nicknames was bestowed upon a talented black character actor named Fred Toones. From 1931 until his retirement in 1948, Toones was usually billed as "Snowflake," often playing a character of the same name. His standard characterization, that of a middle-aged "colored" man with high-pitched voice and childlike demeanor, was nearly as offensive as his character name. True to the Hollywood typecasting system of the 1930s and 1940s, "Snowflake" was generally cast as redcaps, bootblacks, and janitors. He appeared in dozens of two-reelers (including the Three Stooges' first Columbia effort, 1934's Woman Haters) and scores of B-Westerns. During the early '40s, Fred Toones was a semi-regular in the zany comedies of producer/director/writer Preston Sturges. ~ Hal Erickson, All Movie Guide
- 1947
The Bells of San Angelo was the second Republic Roy Rogers western to be filmed in the "new" Trucolor process (actually the old Magnacolor process). Set in the modern west, the story involves a silver-smuggling racket headed by rotten Rex Gridley (John McGuire). In a novel scripting touch, Roy Rogers doesn't outwit the villains-and in fact is soundly beaten by the bad guys halfway through the film. It's up to heroine Lee Madison (Dale Evans), a writer of fanciful cowboy novels, to save the day! By taking Roy Rogers off his "King of the Cowboys" pedestal, Bells of San Angelo succeeds in humanizing this western icon, and the film is all the better for it. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Rogers, Dale Evans, (more)
- 1946
One of two con-artists ends up arrested and given five days of freedom before he must go to jail. This comedy chronicles those five days. The man loves to eat; knowing that prison food is lousy, he decides to spend his days stuffing himself with the finest foods available. He is accompanied to numerous 4-star restaurants by his partner and the arresting officer. Each of these two are interested in learning where he stashed a half-million dollars in loot. Eventually the man begins looking at his lovely partner and thinking of things other than his stomach. This leads to marriage. After serving his time, he and his bride go on to lead honest lives. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lucille Ball, John Hodiak, (more)
- 1946
The second of William Boyd's self-produced "Hopalong Cassidy" films, Fool's Gold maintains the standards set by the first (Devil's Playground), though it's a step down from the vintage Cassidy films of the late 1930s-early 1940s. Once again, Hoppy (Boyd) is teamed with California Carson (Andy Clyde) and Lucky Jenkins (Rand Brooks). Our three heroes try to help Hoppy's old army buddy, whose son has been keeping company with a gang of crooks. Posing as a disgraced army captain, Cassidy infiltrates the gang and tries to save the boy from himself-if he can avoid detective by The Professor (Robert Emmet Keane), erudite leader of the criminals. Originally released at 63 minutes, Fool's Gold was cut to 54 minutes for its TV release, through the simple expedient of lopping off the entire first reel! ~ Hal Erickson, All Movie Guide
- Starring:
- Stephen Barclay, Bob Bentley, (more)
- 1946
William Powell plays a cynical con man who graduates from penny-ante operations to a big-time charity racket. The scam involves collecting money on behalf of St. Dismas, bringing Powell in close contact with several men of the cloth. As the racket rolls on, Powell is touched by the sincerity of the religious men and the plights of the charity's rightful recipients. He has a change of heart, confessing his original criminal intentions but seeing to it that the money goes to the right people. Hoodlum Saint was typical of the facile religiosity often found in MGM pictures of the period. The film is best remembered as the first non-aquatic performance of MGM swimming star Esther Williams. ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Esther Williams, (more)
Billy Wilder's searing portrait of an alcoholic features an Oscar-winning performance by Ray Milland as Don Birnam, a writer whose lust for booze consumes his career, his life, and his loves. The story begins as Don and his brother Wick (Philip Terry) are packing their bags in their New York apartment, preparing for a weekend in the country. Philip, aware of his brother's drinking problem, is keeping an eye of him, making sure he doesn't sneak a drink before the departure of their train. Arriving at the apartment is Don's girlfriend, Helen St. James (Jane Wyman), who has tickets to a Carnegie Hall concert that night. Don persuades Wick and Helen to go to the concert without him, hoping to find one of his well-hidden bottles of booze. But when Wick and Helen go to the concert, Don discovers that Wick has gotten rid of the liquor. Don has no money, so he can't visit the neighborhood bar -- that is, until the cleaning lady arrives to reveal money hidden in a sugar-bowl. Don grabs the cash and hits the street, heading off to Nat's Bar. Nat (Howard Da Silva), a bartender who has seen it all, is surprised to see Don. But when Don shows he can pay for his drinks, Nat reluctantly serves him, telling Don, "One's too many and a thousand's not enough." Soon Don plunges in an alcoholic haze, his boozing landing him in a harrowing drunk tank, presided over by the cynical attendant Bim (Frank Faylen). ~ Paul Brenner, All Movie Guide
- Starring:
- Ray Milland, Jane Wyman, (more)
- 1944
"Wild Bill" Elliott heads the all-star (by B-flick standards, at any rate) western Hidden Valley Outlaws. Elliott does battle with a cartel of ruthless landgrabbers, who are victimizing settlers throughout the Southwest. With such formidable villains as Roy Barcroft, Kenneth Duncan, Leroy Mason and Bud Geary to contend with, he certainly has his hands full. Anne Jeffreys provides the romantic interest, while George "Gabby" Hayes makes with the usual "Consarn it"s and "Gol'durn whippersnapper"s. It's uncanny how much sheer entertainment value Republic Studios was able to pack into a mere 56 minutes. ~ Hal Erickson, All Movie Guide
- 1944
The Yellow Rose of Texas is, at least in the case of this Roy Rogers vehicle, both the title of a song and the name of a fancy showboat. Rogers plays a frontier insurance investigator who is assigned to locate a company payroll stolen several years earlier. Working undercover, Roy poses as a singer on the aforementioned "Yellow Rose of Texas." The showboat's owner, Betty Weston (Dale Evans), is the daughter of the man who was arrested for the robbery. She's convinced that her dad is innocent, and Roy proves that she's right by capturing the genuine culprit. Running seven reels as opposed to the usual six, The Yellow Rose of Texas was marketed as a "special" by canny Republic Pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Rogers, Dale Evans, (more)
- 1944
In this convoluted western, a sickly cowboy sidekick gets into a terrible fix when he is mistaken for a notorious bank robber and tossed in the clink. There is a huge bounty on the villain's head, and the sheriff happily anticipates the arrival of that bounty on the next stage, unaware that the real crook is waiting in ambush to steal the money. Meanwhile the sidekick's heroic compadre convinces the sheriff that he has the wrong man. Unfortunately, the robbery takes place before they can free the sidekick. The sheriff and the hero ride off to capture the crook. Unfortunately, by this time, the villain has snuck into the jail and has exchanged places with his doppleganger so when the sheriff and the hero bring the outlaw into prison they once again have the wrong man. The hero is then left to try to figure out which of the look-a-likes is really his partner and save him before hanging day. ~ Sandra Brennan, All Movie Guide
- 1944
MGM's musical extravaganza Meet the People top-bills two future powerful TV executives: Dick Powell and Lucille Ball. Ball plays a popular but stuck-up Broadway star who leaves the bright lights to become a welder in a shipyard. Here she meets and falls in love with coworker Powell. This being a wartime musical, the plotline is periodically abandoned for the guest-star turns of the likes of Virginia O'Brien, Bert Lahr, Spike Jones and His City Slickers, Vaughn Monroe, and Mata and Hari. Buried beneath this cornucopia of corn is a stage play by Louis Lantz, upon which Meet the People was supposedly based. (Note: some sources mistakenly list Edward Dmytrk as the director of this film). ~ Hal Erickson, All Movie Guide
- Starring:
- Lucille Ball, Dick Powell, (more)
- 1943
One can't deny that Monogram's Spy Train never stops moving; after all, it is set on a speeding train. Richard Travis and Catherine Craig are the not-what-they-seem hero and heroine, who get mixed up with enemy agents, a myserious travel bag, and a time bomb. The Travis-Craig banter is incredibly sexist (he even gets away with gently slapping her face!), which in way is oddly endearing. Naturally, the Nazis are foiled in a spectacular and very final fashion. One question: this being a Monogram picture, why didn't their resident funster Mantan Moreland play the comedy-relief pullman porter, instead of Fred "Snowflake" Toones. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Travis, Catherine Craig, (more)
The Range Busters bust the range once more in Monogram's Land of Hunted Men. This time around, the star trio consists of Ray "Crash" Corrigan (returning to the Range Busters series after a brief hiatus), Dennis Moore and Max Terhune. The villains, led by good old Charles King, are terrorizing a small town, setting up an "outlaw's hideaway" for themselves. Their reign lasts about 58 minutes of screen time. Best to revel in the ridin' and shootin' in Land of Hunted Men and ignore the alleged comedy relief of black actor Fred "Snowflake" Toones. ~ Hal Erickson, All Movie Guide
The Triangle W Ranch is indeed haunted in this Monogram Range Busters series entry, though not by the spirit of the late outlaw Reno Red as the townsfolk are led to believe, but by nasty Rance Austin (Glenn Strange) and his gang on the premises searching for a stolen gold bullion. Enter the Range Busters, one of whom, Dusty (John "Dusty" King), impersonates the heir to half of the ranch. The other half belongs to Helen Weston (Julie Duncan), and together with Dave (Dave Sharpe), Alibi (Max "Alibi" Terhune), and Red (Rex Lease) they finally nail Rance and his men and locate the gold bullion hidden in -- of all things -- a music box that plays "Little Brown Jug." Co-star Dave Sharpe entered the service during the filming of Haunted Ranch and was replaced in the latter part of the Western by Rex Lease. ~ Hans J. Wollstein, All Movie Guide
- 1942
This rambling historical drama covers 109 years in the life of one woman. Encased in convincing old-age makeup, Barbara Stanwyck reminisces on her experiences in the American West. As a young woman, she is squired by gambler Brian Donlevy, but her heart belongs to dreamer Joel McCrea. She chooses McCrea, and the first years of their marriage are poor but happy. Then McCrea strikes oil, becoming one of his state's richest men. With Stanwyck at his side, McCrea climbs up the ladder of success all the way to the political arena--while Donlevy lurks in the background in hopes of reclaiming his girl. The Great Man's Lady is a surprisingly sedate vehicle for both Stanwyck and action director William A. Wellman. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Stanwyck, Joel McCrea, (more)
As for the opening reels, the principal motivating factor is money. After a deliberately confusing pre-credit sequence (not explained until the film's punch line), Tom Jeffers (Joel McCrea) and Gerry Jeffers (Claudette Colbert) are married. "And so they lived happily ever after," exults a title card, "...or did they?" Well, they didn't. After five years of marriage, Tom hasn't raised a dime with his pie-in-the-sky inventions. Using the sort of logic common to Sturges heroines, Gerry decides that the only way to help her husband is to divorce him, marry a wealthy man, and use the second husband's money to finance Tom's schemes. Borrowing money from a generous self-made business mogul known only as the Wienie King (Robert Dudley), Gerry boards a train to Palm Beach, FL, where all the rich folk go. En route, she is "adopted" by the Ale & Quail Club, a group of perpetually drunken millionaires whose idea of a good time is to shoot their rifles at everything that moves (among the club members are such Sturges regulars as William Demarest, Robert Warwick, Jimmy Conlin, Robert Greig, Jack Norton, and Dewey Robinson). Taking refuge from this rowdy crew, Gerry makes the acquaintance of likeable stuffed shirt John D. Hackensacker III (Rudy Vallee), who happens to be one of the wealthiest men in the Western Hemisphere. While Gerry spoons with Hackensacker in Palm Beach, the confused Tom (remember him?) dallies with Hackensacker's man-crazy sister, Princess Centimillia (Mary Astor). How all this straightens itself out is better seen than described, which is pretty much the case whenever one discusses Sturges' singular work, and The Palm Beach Story is vintage Sturges with one side-splitting sequence after another. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Joel McCrea, (more)
- 1942
There are no queens and very little Broadway (except for an opening establishing shot) in Queen of Broadway. Instead, this sentimental B-picture is the story of a gambler (Rochelle Hudson), who tries to clean up her act and adopt an orphan (Donald Mayo). She is challenged by the welfare associations, but with the help of tough guy Buster Crabbe, Hudson manages to prove her worth as a foster mother. Like many PRC films, Queen of Broadway looks as though it was shot in two days in someone's basement, but the film is saved by the conviction of the leading actors and some amusing bits from the Runyonesque supporting cast. The film was shown to excess in the early days of TV, and recently popped up on the syndicated series All Night at the Movies. ~ Hal Erickson, All Movie Guide
- 1942
In this Victorian-era adventure, a blue-blooded girl is dismayed to discover that her recently deceased father, a compulsive gambler, has left her destitute and deeply in debt. At one time, he'd had a silver mine but even that was lost at the card table. The man who won the mine learns the circumstances of the girl's state of affairs, meets her, and falls in love. Unfortunately, she is to marry a wealthy young man so she can regain her previous social standing. The card-player demonstrates his love by giving her the deed to the mine as a wedding present, but she never sees it. Later she heads out west and opens a large saloon. It is a great success and she is finally able to pay her father's debts. She sends the money to her husband, who squanders it, looking for more silver. Now it is up to the gambler to rectify the situation. ~ Sandra Brennan, All Movie Guide
- Starring:
- George Brent, Priscilla Lane, (more)
- 1942
The Andrews Sisters headline this musical. They play the lead act at a popular nightclub. The trouble begins when they hire a few students from a financially foundering dance school for their newest production. One of the dancers, a rich young socialite, desperately wants to be in it too, but her prurient maiden aunts refuse to allow her to disgrace their family by becoming a common chorine. She and the club owner (who must have the aunt's permission because the girl is underage) try to convince them, but it's not easy. Meanwhile the talented girl finds herself falling hopelessly in love with the club bandleader. In desperation, the ingenious club owner has the obliging Andrews dress up as the aunties and sign the consent forms. The real aunts are infuriated when they discover the ruse and in a tizzy rush down to the club. They arrive just in time to catch the girl's performance and a predictably happy ending ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- The Andrews Sisters, Grace McDonald, (more)
- 1942
Don "Red" Barry is unjustly accused of being a Missouri Outlaw. The real bad guys are a gang of crooks who've been conning the local merchants and farmers out of their hard-earned dollars. Barry decides to use his bad reputation to his advantage by infiltrating the criminal gang. Our Hero may be small, but he's wiry, as the villains discover to their painful chagrin. Watch for former cowboy star Kermit Maynard, brother of Ken, in a character bit. ~ Hal Erickson, All Movie Guide
- Starring:
- Don "Red" Barry, Lynn Merrick, (more)
- 1942
In this western, a frontier detective disguised as an entertainer performs for the leader of an outlaw gang. At the same time, he learns the whereabouts of the outlaws' hideout. Unfortunately, his true identity is revealed and he must escape if he is to bring the gang to justice. ~ Sandra Brennan, All Movie Guide
- 1941
The studio concocted the film as a showcase for its 9-year-old discovery Joan Carroll, here cast as precocious Bridget Potter. Little Bridget has been willingly "kidnapped" by secretary Linda Norton (Ruth Warrick), who hopes that the girl's disappearance will precipitate a reunion between Bridget's divorcing parents (John Miljan, Marjorie Gateson). Instead, Linda's well-intentioned crime results in a film-length slapstick chase, largely involving two rival newspaper reporters (Eve Arden and Edmond O'Brien). Obliging Young Lady was directed by Richard Wallace, who as a former employee of Hal Roach Studios was well-grounded in this sort of frenetic farce. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Carroll, Edmond O'Brien, (more)
- 1941
- NR
While listening to a recording of "Penny Serenade," Julie Gardiner Adams (Irene Dunne) begins reflecting on her past. She recalls her near-impulsive marriage to newspaper reporter Roger Adams (Cary Grant), which begins on a deliriously happy note but turns out to be fraught with tragedy. While honeymooning in Japan, Julie and Roger are trapped in the 1923 earthquake, which results in her miscarriage and subsequent incapability to bear children. Upon their return to America, Roger becomes editor of a small-town newspaper, just scraping by financially. Despite their depleted resources, Julie and Roger want desperately to adopt a child. It seems hopeless until kindly adoption agency head Miss Oliver (Beulah Bondi) helps smooth their path. Alas, their happiness is once more short-lived: their new daughter, Trina (Eva Lee Kuney), succumbs to a sudden illness at the age of six. Reduced to hopelessness, Julie and Roger decide to dissolve their marriage, but Miss Oliver once more comes to the rescue. Sentimental in the extreme, Penny Serenade is also enormously effective, balancing moments of heartbreaking pathos with uproarious laughter. Only director George Stevens could have handled a scene with a copiously weeping Cary Grant without inducing discomfort or embarrassment in the audience. Since lapsing into the public domain in 1968 (though released by Columbia, the film was owned by Stevens' production firm), Penny Serenade has become almost as ubiquitous a cable-TV presence as It's a Wonderful Life. ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Cary Grant, (more)
- 1941
Produced and directed by George Sherman, Death Valley Outlaws starred James Cagney-lookalike Donald Barry as Johnny Edwards, a cowboy saving lovely Carolyn Johnson (Lynn Merrick) from a gang of vigilante raiders. When his friend, Bill Weston (Michael Owen), becomes the next target of the vigilante gang, Jim promises the dying boy to avenge him. He does so by infiltrating the gang disguised as an outlaw, learning along the way that the leader is bank president Charles Gifford (Karl Hackett). The latter's right-hand man, Jeff Edwards (Milburn Stone), is Johnny's long-lost brother, but the undercover cowboy can only watch as Jeff is mortally wounded by his boss. Enraged, Johnny rushes to the bank where Gifford and the crooked sheriff (Rex Lease) are in the midst of robbing the store, so to speak. Alerted by local veterinarian Doc Blake (Robert McKenzie) and his African-American servant, Snowflake (Fred Toones), the angry citizenry help Johnny round up the gang. A former producer/director/actor from the silent era, rotund and jovial Robert McKenzie was given several good opportunities to shine in the Red Barry series, which was otherwise without a continuing comic sidekick. Less appealing were several appearances by Toones, who in Death Valley Outlaws was treated more or less in the same vein as Barry's horse, Cyclone, and dog Duke. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Don "Red" Barry, Lynn Merrick, (more)
- 1941
Skating star Sonja Henie and the Glenn Miller Orchestra share the spotlight in Sun Valley Serenade. Henie plays a Norwegian refugee adopted by band pianist John Payne, who mistakenly thought that the full-grown Miss Henie was a 10-year-old little girl. Payne's girlfriend, Lynn Bari, is a soloist with the Miller band, and also a violently jealous sort. When Bari quits Miller out of pique, Henie stages an elaborate ice show as a substitute. This impromptu spectacular thrills the audience at the Sun Valley resort hotel where most of the action takes place. Joan Davis and Milton Berle provide comic relief to the music and romance (you haven't lived until you've seen Berle on skis), while The Nicholas Brothers and Dorothy Dandridge perform a lively chorus of "Chattanooga Choo Choo." ~ Hal Erickson, All Movie Guide
- Starring:
- Sonja Henie, John Payne, (more)
- 1941
Don "Red" Barry, Republic's answer to Jimmy Cagney, stars in The Apache Kid. Barry plays Pete Dawson, a pugnacious cowboy who dons a mask and becomes a stagecoach robber. It's all in a good cause, however: Dawson is stealing from the town boss (Leroy Mason) who has ripped off a group of miners. Heroine Lynn Merrick is the daughter of the local judge, so naturally she misunderstands Barry's motives, at least until fadeout time. Writer/director George Sherman managed to squeeze all of The Apache Kid into a zippy 56 minutes. ~ Hal Erickson, All Movie Guide
- Starring:
- Don "Red" Barry, Lynn Merrick, (more)
On the occasion of the twentieth anniversary of commercial radio, 20th Century-Fox cooked up the pageantlike entertainment The Great American Broadcast. Opening with clips of such airwaves favorites as Dick Powell and Fred Allen (courtesy of earlier Fox films like Thanks a Million), the picture gets under way in 1918, as ambitious army buddies Bix Martin (John Payne) and Chuck Hadley (Jack Oakie) try and fail to establish themselves in the business world. At long last, our heroes enter the new field of radio broadcasting, where after several technical and tactical mishaps they achieve success. But Bix and Chuck are strictly small-timers, and soon they're left behind by the big-city stations. The partners break up, while Bix's songstress wife Vicki Adams (Alice Faye) seeks out a loan to get her husband back on his financial feet. When she approaches her wealthy ex-boyfriend Bruce Chadwick (Cesar Romero), Bix burns up and walks out on her. But old pal Chuck comes to the rescue, staging a reunion between Bix and Vicki during the first-ever coast to coast network broadcast. Rather shaky as history, The Great American Broadcast works best on a nostalgia level, offering guest appearances by such specialty performers as The Ink Spots, The Nicholas Brothers, and The Wiere Brothers (of Road to Rio fame). ~ Hal Erickson, All Movie Guide
- Starring:
- Alice Faye, Jack Oakie, (more)
