Geoffrey Toone Movies

In this drama, a young man desires to be like his father and graduate from the Royal Military College, but before he can, he must overcome his fear of horses. ~ Sandra Brennan, All Movie Guide

In this psychological drama set in a small English village, the villagers become hysterical after a series of damning anonymous letters are posted accusing different residents of scandalous acts. The townsfolk are soon so panicked that murder and suicide ensue until the police hire an expert to analyze the handwriting. The results lead to the vicar's spinster sister--a virtuous, and highly respected local philanthropist. ~ Sandra Brennan, All Movie Guide

North Sea Patrol is a remake of the 1927 film of the same name; both were adapted from Luck of the Navy, a stage play by Mrs. Clifford Mills. Using a few clips of actual battleships for versimilitude, the film concerns a covert plan by an unnamed enemy nation to invade the sacred shores of England. The spies disguise themselves as the household servants of an admiral, so it can be said with some assurance that this is one picture in which the butler did it. Coming to the rescue is the admiral's daughter (Judy Kelly) and her dashing young navy officer beau (Geoffrey Toone). Made just before the outbreak of WW2, North Sea Patrol was promoted as "up to date" entertainment, even though its source material was nearly twenty years old. ~ Hal Erickson, All Movie Guide

In this British wartime propaganda film, a Nazi spy creeps into England and is taken in by a kindly family who have no idea who he really is. He repays their kindness by using their home as a radio base for his communiqués to other Nazis regarding the location of British targets for German planes and paratroopers. The plot really thickens when the Nazi falls in love with the daughter. When the Nazis attack, the Nazi houseguest kills one of his own officers. He is then dragged out and shot just before the British bombers fly over and destroy the home. ~ Sandra Brennan, All Movie Guide

Young Britisher Susanne Mallinson (Claire Bloom) is visiting the occupied city of postwar Berlin, as the guest of her brother, Major Martin Mallinson (Geoffrey Toone) and his wife Bettina (Hildegarde Neff), whom he met during his initial stay in Berlin as a British Army doctor. They seem happily married, but Susanne soon notices that Bettina is trying to hide something, both from her and from Martin -- a secret involving a young boy (Dieter Krause) on a bicycle who seems to turn up everywhere she does, and figure whom she initially doesn't see. The truth finally comes out amidst a new skirmish between the British on one side and the East Germans in the Soviet zone on the other, and a man named Olaf Kastner (Ernst Schroeder), who seems to make a lot of mystery-shrouded trips in and out of the city's Russian Zone. Bettina was married to the mysterious Ivo Kern (James Mason), a handsome, smooth-talking former German army officer (with his own record during the Second World War -- as well as after -- to hide from) who was presumed dead after 1944, and declared so by the authorities. But now Ivo has turned up alive, an event that nullifies Bettina's and Martin's marriage, among other personal repercussions; and he has been working for the Russians in the eastern zone, engineering the kidnapping of people out of West Berlin. And he wants Olaf Kastner, who has been an embarrassment to the East Germans, and especially Kern's superior Halendar (Albert Waescher), with his success at rescuing people from the Eastern Zone; and Ivo might just get him if he can charm the wide-eyed, innocent Susanne sufficiently . . . . ~ Bruce Eder, All Movie Guide

Rock Hudson stars as Michael Martin, a naive and impetuous young would-be rebel in 1815 Ireland, who turns to robbery in his desire to support the cause against England. Now wanted by the British and forced into hiding, he crosses paths with the renowned rebel leader Captain Thunderbolt aka John Doherty (Jeff Morrow), who takes him under his wing. Impressed with Michael's bravery, Thunderbolt makes him his second-in-command, a job that becomes twice as difficult when Thunderbolt is wounded and must drop out of sight. Michael must replace him, not only as a rebel leader, but also in running the business that Doherty fronts as a cover, and in his household -- and that puts Michaal on a collision course with Doherty's equally impetuous, headstrong daughter Aga (Barbara Rush). Sparks fly between them, as the English draw ever closer in their pursuit of the rebels. ~ Bruce Eder, All Movie Guide

The King and I, Richard Rodgers and Oscar Hammerstein's 1951 Broadway musical hit, was based on Margaret Landon's book Anna and the King of Siam. Since 20th-Century-Fox had made a film version of the Landon book in 1946, that studio had first dibs on the movie adaptation of The King and I. Deborah Kerr plays English widow Anna Leonowens, who comes to Siam in the 1860s to tutor the many wives and children of the country's progressive King (Yul Brynner, recreating his Broadway role-and winning an Oscar in the process). The culture clash between Anna and the King is but one aspect of their multilayered relationship. Through Anna, the King learns the refineries and responsibilities of "modern" western civilization; Anna meanwhile comes to realize how important it is for an Oriental ruler to maintain his pride and to uphold the customs of his people. After a successful evening entertaining foreign dignitaries, Anna and the King celebrate with an energetic dance, but this is cut short by a bitter quarrel over the cruel punishment of the King's new Burmese wife Tuptim (Rita Moreno), who has dared to fall in love with someone else. Despite the many rifts between them, Anna and the monarch come to respect and (to a degree) love one another. When the King dies, Anna agrees to stay on to offer help and advice to the new ruler of Siam, young Prince Chulalongkhorn (Patrick Adiarte). In general, The King and I tends to be somewhat stagey, with the notable exception of the matchless "Small House of Uncle Thomas" ballet, which utilizes the Cinemascope 55 format to best advantage (the process also does a nice job of "handling" Deborah Kerr's voluminous hoopskirts). Most of the Broadway version's best songs ("Getting to Know You", "Whistle a Happy Tune", "A Puzzlement", "Shall We Dance" etc.) are retained. None of the omissions are particularly regrettable, save for Anna's solo "Shall I Tell You What I Think of You?" This feisty attack on the King's chauvinism was specially written to suit the talents of Gertrude Lawrence, who played Anna in the original production; the song was cut from the film because it made Deborah Kerr seem "too bitchy" (Kerr's singing, incidentally, is dubbed for the most part by the ubiquitous Marni Nixon). When all is said and done, the principal attraction of The King and I is Yul Brynner, in the role that made him a star and with which he will forever be identified. ~ Hal Erickson, All Movie Guide

This suspenseful air-borne adventure can rightfully lay claim to being the Mother of All subsequent in-flight disaster films of the '70s. The trouble begins when the pilot and crew of a Canadian passenger plane suddenly find themselves doubled over from accidental ptomaine poisoning and unable to continue flying the plane. The only other person on board who can save the terrified crew is a former WW II flying ace who is petrified of flying again. Fortunately, a courageous steel-nerved ground controller is there to offer full-radio support. Later the film became the basis of a TV movie Terror in the Sky and the hilarious parody Airplane (1980). Arthur Hailey, who wrote the teleplay on which this was based, went on to write the novel and the screenplay for 1970's Airport. ~ Sandra Brennan, All Movie Guide

"Site Three" is a top-secret missile base in this British meller. Geoffrey Toone stars as Sexton Blake, the Sherlock Holmes clone created by committee for the "pulps" and comic books. With his faithful young assistant Tinker (Richard Burrell), the all-knowing, all-seeing Blake try to ferret out an espionage ring operating within Britain's space program. A key ingredient to the proceedings is the truth serum developed and utilized by Blake. Murder at Site Three was based on Crime is My Business, a novel by W. Howard Baker. ~ Hal Erickson, All Movie Guide

Laurence Olivier recreates his stage role of Archie Rice in this in-your-face film adaptation of John Osborne's play. The son of a legendary music hall comedian (Roger Livesey), Archie is strictly a third-rater, headlining a tacky music hall revue in a seedy seaside resort town. Archie can't admit that he's a failure, and his grim insouciance destroys everyone around him. Archie finagles his dying father into financing one last revue; he cheats shamelessly on his alcoholic wife (Brenda De Banzie); and he all but forces one of his sons (Albert Finney) to run off to join the army, only to die in the Suez. Through all his personal crises, Archie jigs and jabbers before his ever-diminishing audience, but by the end of the film he isn't even entertaining himself. Joan Plowright, who married Olivier shortly after completing The Entertainer, plays the film's one sympathetic character: Archie's daughter, whose love for her father blinds her to his flaws. The Entertainer was remade for television in 1976, with Jack Lemmon as Archie Rice and original songs by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

Future "Phantom of the Opera" star Michael Crawford) appears in this episode as Tony Hudson, a young medical student who conducts an after-dinner experiment by hypnotizing Mary Low (Elizabeth Sellars), wife of his best friend Jim Low (Geoffrey Toone). While under Tony's spell, Mary sees and hears a woman trapped in an elevator, and becomes hysterical. Now the only way that Mary can preserve her sanity is to locate that mysterious elevator--and the woman inside. This is one of several One Step Beyond episodes filmed in England. ~ Hal Erickson, All Movie Guide

A spy ring is responsible for the death of Betty McDowall's husband as discovered by reporters. ~ All Movie Guide