Taiji Tonoyama Movies

1988  
R  
A young New York City rock singer decides to try her hand at fame in Japan so makes the journey. Upon her arrival she meets a Japanese musician who needs an American girl to front his band. Fortunately, she joins up, and the band makes it big while she and the musician engage in a comedic romance. ~ Kristie Hassen, All Movie Guide

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Starring:
Carrie HamiltonYutaka Tadokoro, (more)
1987  
 
In this elegance drama, a fourteen-year-old boy is taken aside by his father for a heart-to-heart chat about the older man's life and regrets. It seems that the boy's mother was his father's mistress, and he left his wife to be with her when she became pregnant. This is now something the father regrets. Soon after that conversation, the man dies of a heart attack, and the boy and his mother must seek out the wronged woman in order to survive. With some difficulty, everyone makes the best of a difficult situation, though the boy is forced to take adult responsibilities at a very young age. ~ Clarke Fountain, All Movie Guide

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Starring:
Rentaro MikuniYukiyo Toake, (more)
1986  
 
Comic Magazine is a powerhouse reenactment of a 1985 ethics scandal that rocked the Japanese journalistic world. Pop star Yuya Uchida plays a TV entertainment reporter who is egged on by his bosses to "pump up" his telecasts. He gets his opportunity when a prominent investment manager, caught in the middle of a fraudulent gold investment scheme, locks himself in his lavish home. While Uchida and the other reporters try to gain entrance, two disreputable-looking gentlemen, announcing that they've been paid to assassinate the crooked investor, walk into the home unmolested--then walk out a few moments later, soaked in blood. No one lifts a finger to stop the two hit men from leaving....and it sure makes a swell TV story. Astonishingly, many of the characters in Comic Magazine--reporters, investors, even a pair of Yakuza mobsters-are the genuine article. Voyeuristic to the nth degree, Comic Magazine was highly praised when it was first released in Japan under the title Komikku Zasshi Nanka Irani. ~ Hal Erickson, All Movie Guide

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Starring:
Yuya UchidaYumi Asou, (more)
1983  
 
The 1981 American film Tattoo told the story of an artist whose obsession with the woman he loves leads to his covering her body with irremovable tattoos. This film has little to recommend it. On the other hand, the strikingly similar Japanese Irezumi (Spirit to Tattoo) is a consistently fascinating tale of sexual obsession and fetishism. Perhaps this is because the Japanese film is told from the point of view of the woman who allows her bare back to be "decorated" at the insistence of her lover. The film also makes a potent cultural statement: by permitting her body to be tattooed, the woman is defying a traditional taboo against this form of artistic expression. Whereas the balance of power in Tattoo was in the hands of the victimizer, Irezumi suggests that the so-called victim might be wielding more power than anyone suspects. ~ Hal Erickson, All Movie Guide

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Starring:
Tomisaburo WakayamaMasayo Utsunomiya, (more)
1983  
 
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In this second, award-winning interpretation of a novel by Shichiro Fukazawa, director Shohei Imamura has inserted some scenes of violence and ritual sex that are shocking and were absent in the first, 1958 film. The story is set in the 19th century in a remote and severely impoverished mountain village in northern Japan. In this fictional society, once the elderly have reached the age of 70 they are brought up Mount Nara, where ancient gods reside, and left to die hopefully blessed by the deities -- this sacrifice will free up food for someone else in the village. Orin (Sumiko Sakamoto) is a 69-year-old grandmother living with one of her sons and three grandchildren and she prepares for her departure for an entire year. Among other activities (not always morally acceptable), she gets a new wife for her oldest son, and then shows the wife where the best place is for catching fish and how to take care of the family. At the top of the mountain, hundreds of skeletons and hungry black crows wait for the next arrivals as the resigned grandmother and one grieving son make the final ascent together, the woman strapped to her son's back. Director Imamura has trenchantly probed the nature of inhumanity and survival in a small, everyman's village. Narayama Bushi Ko won the Palme d'Or at Cannes in 1983. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Sumiko SakamotoKen Ogata, (more)
1982  
 
A group of old men take over an empty house and proclaim it to be a new "country" they have founded, called Yama. ("Yamato" is one of the oldest names for Japan, "yama" itself means "mountain.") The men basically refuse to be thrown out of this domicile by some gangsters, and they are successful for several months. Their resistance started on December 8th, the date Pearl Harbor was bombed (not the 7th because one crosses the International Date Line and gains a day while heading west from the U.S.) and lasts until August 15th, the date when Japan officially surrendered at the end of World War II. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Yu Fujiki
1981  
 
Set at the mouth of a river in Osaka, Japan less than 10 years after WW II, this touching drama centers on the life lessons learned by two disparate young boys. Asahara's parents own a small restaurant. Sakurai is his new friend. He lives with his mother in a houseboat.. It does not take long for Sakurai and Asahara to become close friends, but the latter is puzzled by Sakurai's unwillingness to talk about his mother and his refusal to allow Asahara to visit his home. ~ Sandra Brennan, All Movie Guide

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1980  
 
The setting is postwar Japan in this standard melodrama from director Yoshishige Yoshida. Shinko (Mariko Okada) is a young teen living in Akitsu when she meets Shusaku (Hiroyuki Nagato). He is a student who comes to Akitsu just before the end of the war to try to regain his health, and Shinko helps take care of him. The couple fall in love, but when they both hear that Japan has surrendered, they attempt suicide together and fail. The two lovers separate as Shusaku leaves town in the aftermath of their failed attempt, then fate tragically intervenes nearly two decades later. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Mariko OkadaHiroyuki Nagato, (more)
1978  
 
This unsentimental Japanese tragedy chronicles the lonely life and quiet death of a blind Geisha girl whose desire for sexual freedom causes her to become an outcast. ~ Sandra Brennan, All Movie Guide

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Starring:
Shima IwashitaYoshio Harada, (more)
1978  
R  
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Also known as Phantom Love, the French/Japanese co-production L'Empire de la Passion follows famed Japanese director Nagisa Oshima's multinational production, the chilling and erotic In the Realm of the Senses, which was banned in several countries and was disqualified from appearing at the Cannes Film Festival. This straightforward Japanese murder-mystery and ghost story, unlike that previous movie, does not focus on eroticism but concerns the aftermath of passion and the fruits of crime. In the story, based on an 1895 incident in rural Japan, Seki (Kazuko Yoshiyuki), a beautiful peasant woman, and her young lover Toyoji (Tatsuya Fuji), conspire to murder her husband when their erotic games get out of hand. After getting the husband drunk, the two lovers kill him and throw his body down an abandoned well, claiming that he has gone to do business in Tokyo. In order to avoid suspicion, the two only see each other seldom. In the meantime, Seki begins seeing visions of her husband, and her grown stepdaughter has dreams of him. Guilt consumes both of them, and their nemesis, in the form of a bumbling police inspector sent to investigate an unrelated murder, pursues them. ~ Clarke Fountain, All Movie Guide

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Starring:
Kazuko YoshiyukiTatsuya Fuji, (more)
1977  
 
After over 50 years of wandering up and down Japan, finally in the 1970s the rough-hewn blind shamisien player and folk-song collector named Chikuzan became a musical sensation. This biographical drama chronicles his wanderings and his life, with a particular focus on his humble beginnings as a peasant on a remote and arid island. ~ Clarke Fountain, All Movie Guide

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Starring:
Nobuko Otowa
1976  
 
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Based upon a true incident in 1930s Japan, Nagisa Oshima's controversial film effectively skirts the borderline between pornography and art -- making Bernardo Bertolucci's Last Tango in Paris of four years earlier look like children's programming in comparison. The story concerns servant and former prostitute Sada Abe (Eiko Matsuda) who becomes sexually obsessed with her employer Kizicho (Tatsuya Fuji), a businessman, after seeing him making love to his wife. After making love to Sada, Kizicho becomes obsessed with her as well. As their love-making becomes more and more intense, they find themselves unable to separate themselves from each other, until every waking hour is spent in more and more dangerous sexual acts with Sada becoming more and more of the aggressor. Finally, for the ultimate in eroticism, Kizicho agrees to be strangled during sexual ecstasy for the ultimate in orgasmic fulfillment. ~ Paul Brenner, All Movie Guide

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Starring:
Eiko MatsudaTatsuya Fuji, (more)
1973  
 
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When everyone connected with a mysterious boat systematically fall prey to an unknown killer, sexy martial arts expert Rica teams with a rough and tumble detective in order to get to the bottom of the case and make sure that justice is served. Rica (Rika Aoki) is the daughter of a Japanese prostitute who was viciously raped by American GIs. As a young girl Rica always had to fend for herself, and now as a grown woman she metes out punishment to those who take advantage of the downtrodden and defenseless. Rica's no stranger to the underworld, so when a series of dead bodies begin to turn up she knows that something is stirring among the criminal elite. Upon discovering that a dangerous drug cartel is behind the killings, Rica enlists the aid of a crime fighting detective in taking out her targets and cleaning up the streets. ~ Jason Buchanan, All Movie Guide

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1972  
 
Dear Summer Sister (alternate English title: Summer Sister), released in the US in 1985, was completed in 1972 by Japanese director Nagisa Oshima. Hardly the most important work of this prolific filmmaker, it probably earned a non-Japanese release on the strength of Oshima's 1983 critical success Merry Christmas, Mr. Lawrence. Summer Sister, like many of Oshima's films, is an experimental exploration of moral corruption, partly based on a true story. Its uncompromising viewpoint was evidently not widely appreciated by Japanese filmgoers of the period, inasmuch as Oshima was forced shortly afterward to relinquish his independent-filmmaker status. Dear Summer Sister was originally titled Natsu no imoto. ~ Hal Erickson, All Movie Guide

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1969  
 
East China Sea is a "life is cheap" melodrama in which the American characters are the least appealing. A sociopathic gangster offers to shepherd a Japanese boat crew to safety. What the crew doesn't know is that the gangster is leading them into a trap. The U.S. Air Force is on maneuvers, and the crook hopes to provide a target for American gunners. Just why he does this is made clear (though not abundantly so) within the storyline. East China Sea was originally shown under the title Higashi Shinakai. ~ Hal Erickson, All Movie Guide

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1968  
 
A mother leaves her husband and small village and travels to Kyoto with her teenage daughter. Their quaint country ways are soon discarded as they don negligees and bilk bar customers with sad stories of need. Their rural dialect is quickly replaced by the seductive siren calls of big-city painted women. They encounter trouble when they try to fleece a kind-hearted farmer, and his powerful and overbearing mother steps in before the conniving country girls can pull off their scheme. Mother and daughter try to raise all the money they can before returning home to their life on the farm. ~ Dan Pavlides, All Movie Guide

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Starring:
Nobuko OtowaHideo Kanze, (more)
1968  
 
Set in feudal Japan, this atmospheric and violent ghost story (whose title literally translates as The Black Cat in the Bush) begins with the brutal murder of two women by a band of mercenary samurai, whose leader is subsequently tracked down, seduced, and murdered by a young woman possessed by the shape-shifting specter of his victim. Called upon to avenge the warrior's death is none other than the woman's former husband, who has been ordered by his superiors to assassinate the guilty party. Plot twists abound as the older, vengeful spirit seeks to exact poetic justice despite the younger ghost's reluctance to destroy the man who once loved her. Though not on the epic level of Kwaidan or Onibaba, this adaptation of an ancient folk tale benefits from the same cultural richness, as well as a touch of social allegory. ~ Cavett Binion, All Movie Guide

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Starring:
Kichiemon NakamuraNobuko Otowa, (more)
1968  
PG  
In this film, director Shohei Imamura collides traditional Japanese myth with Japan's current modernized incarnation. The result is a surreal biting commentary on Japanese society. A family living alone on an isolated island begins developing unique cultural norms concerning sexual behavior. The family father views incest as acceptable and practical behavior. He is simultaneously a father and grandfather to his boy who is involved with one of his sisters. Another sister is mentally retarded and addicted to sexual pleasure. A stranger comes to the island with the hopes of building a sugar refinery there. He is soon seduced by the retarded sister. He also begins to rather like their customs. In the end, the other brother and sister are morally chastised for their love. As punishment, the brother must dig a giant hole to bury a large boulder brought in by a tsunami. ~ All Movie Guide

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Starring:
Kanjuro ArashiRentaro Mikuni, (more)
1968  
 
After students prankishly steal the clothes of two people swimming nude in the ocean, the swimmers return to land and wander around au naturel. They are assumed to be Korean illegal immigrants, and are chased and hounded. This comedy takes a rare look at Japanese racism. ~ Clarke Fountain, All Movie Guide

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1967  
 
During his final hospital stay before the end of his life, an older man is extremely infatuated by the girl in the bed next to him. One day, he attempts to kiss her. His wife is in the room at the time, and she completely understands and accepts the situation, but the man's children are horrified. The boy of the family takes up with the girl and seduces her; the girl simply remains in shock. Eventually, after leaving the hospital, the older man dies, and the family disperses. Along the way, the movie develops tremendous introspective insight into the older man's state of mind, which is far from being that of a dirty old man, despite the fact that everyone else holds that opinion. ~ Clarke Fountain, All Movie Guide

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Starring:
Taiji TonoyamaNobuko Otowa, (more)
1966  
 
The unstable social milieu of postwar Japan is brought into play in Violence at Noon. Two young women, whose lives are far from blissful, are raped by an equally disenfranchised assailant. Director Nagisa Oshima seems to argue that it is the horrid living conditions endured by the rapist and his victims, rather than the rape itself, that should be condemned. Oshima sustains audience interest with his lightning-paced editing, offering some 2000 separate shots in the space of 90 minutes. Violence at Noon begins simply, but ends in so complex a fashion that more questions are raised than can ever possibly be answered. The film's original Japanese title was Hakuchu no Torima. ~ Hal Erickson, All Movie Guide

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Starring:
Kei SatoSaeda Kawaguchi, (more)
1964  
 
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A landmark in fantasy cinema, this lyrical ghost story is set in medieval Japan amid a bloody conflict between rival fiefdoms. While the warrior Kichi's impoverished wife (Jitsuko Yoshimura) and mother (Nobuko Otowa) wait for his return from battle, they maintain a humble existence by luring lost soldiers into the surrounding fields of tall grass and murdering them in order to sell their armor and weapons for food; the bodies are then disposed of in a deep cavern. After learning that her son has been killed in battle, Otowa begins to concoct a scheme to frighten her daughter-in-law into staying at home with her indefinitely. After killing a soldier clad in a hideous demon mask -- which hides his grotesque, scarred face -- the mother dons the mask and succeeds in frightening Yoshimura away from her new lover's house. To her own horror, the mother quickly discovers that the mask is now securely stuck to her face, and her attempts to remove it culminate in the greatest horror of all. Fraught with sexual tension, nefarious schemes, and Freudian symbolism, this compelling masterpiece, by turns hypnotically beautiful and shockingly brutal, represents the finest in horror filmmaking, driven by powerful imagery and aided by sumptuous black-and-white photography. ~ Cavett Binion, All Movie Guide

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Starring:
Nobuko OtowaJitsuko Yoshimura, (more)
1963  
 
The Insect Woman covers 45 years in the life of long-suffering Japanese woman Tome Matsuki, played brilliantly by Sachiko Hidari. Thrust into the cold world at age 20, the pregnant Tome takes a factory job. She gives this up for the relative comfort of the life of an American GI's mistress. Once her American benefactor heads home, she seeks shelter in a house of prostitution, eventually becoming the Madam. Late in life, she is introduced to the daughter she'd abandoned years earlier, whose life has followed pretty much the same path as her mother's had. The winner of 14 Japanese film awards, The Insect Woman details the decline of cultural values as mirrored by one single misspent life. ~ Hal Erickson, All Movie Guide

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Starring:
Sachiko HidariJitsuko Yoshimura, (more)
1961  
 
The titular island in this Japanese domestic drama is an agrarian flyspeck, almost completely cut off from contact with the mainland. Here the island's residents mechanically go through their everyday farming tasks. The film concentrates on a family of five, content with their existence despite its hardships. When the oldest son dies, it is the first of many devastating blows that nearly rip the family asunder. Originally titled Hadaka No Shima, the film was also released as Naked Island. ~ Hal Erickson, All Movie Guide

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Starring:
Nobuko OtowaTaiji Tonoyama, (more)

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