Sammee Tong Movies

Fluffy the lion is featured in this comedy. He plays the subject of an ambitious experiment done by Daniel Potter (Tony Randall) -- a scientist trying to prove that even a wild animal like a lion can be made into a pet with proper training. Wherever he goes, Potter's ponderous pet incites mayhem amongst the region's fearful residents. To escape his panicky neighbors, Potter and Fluffy hide out in a hotel. There the owner's plucky daughter (Shirley Jones) falls for the unlikely duo. ~ Sandra Brennan, All Movie Guide

With this all-star Cinerama epic, producer/director Stanley Kramer vowed to make "the comedy that would end all comedies." The story begins during a massive traffic jam, caused by reckless driver Smiler Grogan (Jimmy Durante), who, before (literally) kicking the bucket, cryptically tells the assembled drivers that he's buried a fortune in stolen loot, "under the Big W." The various motorists setting out on a mad scramble include a dentist (Sid Caesar) and his wife (Edie Adams); a henpecked husband (Milton Berle) accompanied by his mother-in-law (Ethel Merman) and his beatnik brother-in-law (Dick Shawn); a pair of comedy writers (Buddy Hackett and Mickey Rooney); and a variety of assorted nuts including a slow-wit (Jonathan Winters), a wheeler-dealer (Phil Silvers), and a pair of covetous cabdrivers (Peter Falk and Eddie "Rochester" Anderson). Monitoring every move that the fortune hunters make is a scrupulously honest police detective (Spencer Tracy). Virtually every lead, supporting, and bit part in the picture is filled by a well-known comic actor: the laughspinning lineup also includes Carl Reiner, Terry-Thomas, Arnold Stang, Buster Keaton, Jack Benny, Jerry Lewis, and The Three Stooges, who get one of the picture's biggest laughs by standing stock still and uttering not a word. Two prominent comedians are conspicuous by their absence: Groucho Marx refused to appear when Kramer couldn't meet his price, while Stan Laurel declined because he felt he was too old-looking to be funny. Available for years in its 154-minute general release version, the film was restored to its roadshow length of 175 minutes on home video; the search goes on for a missing Buster Keaton routine, reportedly excised on the eve of the picture's premiere. ~ Hal Erickson, All Movie Guide

American-International's Suicide Battalion was filmed virtually simultaneously with the studio's Jet Attack; both films were originally released on a double bill. Michael Connors plays Lt. Matt McCormick, who leads the eponymous battalion on a suicide mission in the Philippines during WW II. Their objective: to destroy valuable American documents, left behind when the area was evacuated just before the Japanese takeover. Before long, only two of the volunteers are left alive to complete the mission -- and they're none too fond of each other. Hawaiian entertainer Hilo Hattie unexpectedly shows up as the proprietress of a native saloon. ~ Hal Erickson, All Movie Guide

Humphrey Bogart stars in this improbable tale that marked Gene Tierney's return to the screen after battling mental illness for a number of years. Bogart plays Jim Carmody, an American soldier of fortune who, after crashing his plane in China, takes up with the Chinese warlord General Yang (Lee J. Cobb). Jim becomes Yang's advisor, but after watching one of the General's flunkies brutally kill a priest, Jim decides to leave. Unfortunately, Yang has declared that any deserter will be shot. Disguising himself as the slain priest, Jim sneaks out of the General's headquarters and makes his way to a mountain village where missionaries Beryl (Agnes Moorehead) and David (E.G. Marshall) take him in. Jim still is posing as the priest but his vows of celibacy are challenged when he falls in love with the attractive mission nurse Anne Scott (Gene Tierney). Anne feels ashamed because she is also attracted to him, but Jim writes to the bishop confessing that he is an impostor. At that moment, General Yang arrives, insisting that Jim rejoin his army or else he will burn down the village. ~ Paul Brenner, All Movie Guide

Virtually a textbook example of Howard Hawks' "macho" mode, Only Angels Have Wings takes place high in the Peruvian Andes. Cary Grant heads a ramshackle airmail and freight service, forced to fly in the most perilous of weather conditions to the most treacherous of destinations. Facing death on a near-hourly basis, Grant and his flyers have adopted a casual, all-in-day's-work attitude towards mortality. If a pilot cracks up and dies, it's simply because he didn't have what it took, and that's that. Stranded showgirl Jean Arthur can't stand this cavalier attitude at first, but before long she becomes, in true Hawksian fashion, "one of the guys". Complicating the story is the presence of Richard Barthelmess, who has been persona non grata with the other pilots ever since his carelessness cost the life of one of their number. In addition to a surfeit of guilt, Barthelmess is saddled with a faithless wife, played by Rita Hayworth in her first important A-picture role. Hayworth makes a play for Grant, but he spurns her, finally realizing that, in spite of himself, he's in love with Arthur. Grant himself is riddled with guilt when near-blind pilot Thomas Mitchell insists upon taking on one final flight. Having lost his best friend, Grant drops his hard-bitten shell, and for the first time opens himself up emotionally to Arthur-which of course leads to a nail-biting climax wherein Arthur suffers mightily as Grant faces certain death. Scripted by Jules Furthman from a story by Hawks, Only Angels Have Wings is a treasure trove of terse, pithy dialogue: our favorite scene occurs when, upon discovering that he's about to die, Thomas Mitchell says he's often wondered how he'd react to imminent death-and, now that death is but a few moments away, he'd rather that no one else be around to witness his reaction. Though sometimes laid low by obvious miniatures, the aerial scenes in Only Angels Have Wings are by and large first-rate, earning a first-ever "best special effects" Oscar nomination for Roy Davidson and Edwin C. Hahn. ~ Hal Erickson, All Movie Guide

Love Before Breakfast was the scintillating title Universal chose over Spinster Dinner, the Faith Baldwin novel upon which this airy comedy is based. Carole Lombard is a Park Avenue beauty squired by Preston S. Foster and Cesar Romero. Since neither gentleman is a prize catch, Lombard is fey and fickle throughout the film. That's all there is to Love Before Breakfast, which might have been completely forgotten had it not been for a famous 1930s-era painting in which a detailed poster for the film is the focus of attention. There's one iconoclastic alteration in the painting: Carole Lombard has been given a black eye. ~ Hal Erickson, All Movie Guide