Franchot Tone Movies

The first of Allen Drury "all names changed to protect the guilty" political novels, Advise and Consent was brought to the screen by producer/director Otto Preminger. The film hinges upon the appointment of Robert Leffingwell (Henry Fonda) to Secretary of State. Leffingwell has been hand-picked by the President (Franchot Tone), meaning that there'll be a battle on the Senate floor between adherents of and opponents to the current administration. Among the participants are veteran Dixiecrat Charles Laughton, freshman Senator Don Murray and powerseeker George Grizzard. Burgess Meredith also shows up as a man who is brought into the Senate to "prove" that Leffingwell is a communist. To neutralize Murray, Grizzard threatens to dredge up a homosexual incident in Murray's past, which results in the latter's suicide. Advise and Consent is a slow and old-fashioned film, coming to life only when Laughton and Grizzard are on screen--and in the climax, in which the fate of Leffingwell's appointment is left in the hands of acting President Lew Ayres. ~ Hal Erickson, All Movie Guide

As appealing as ever in 1946, Deanna Durbin was admittedly getting a bit long in tooth for her ingenue-like role in Because of Him. Durbin is cast as Kim Walker, an aspiring actress determined to become the protegee of famed Broadway actor/producer Sheridan (Charles Laughton). The only person not charmed by Kim's herculean efforts to achieve stardom is playwright Paul Taylor (Franchot Tone), who balks when ordered to write a play for her. But even Taylor is won over by fadeout time, leaving Sheridan, who'd also had designs on Kim, in the lurch. Evidently intended as a "straight" comedy, Because of Him was turned into a musical at the last minute, with a handful of pleasant but irrelevant songs wedged into the proceedings. ~ Hal Erickson, All Movie Guide

The tempestuous love affair between a young surgeon and a pretty but married nurse provides the basis for this melodrama. The nurse would much rather be with the good doctor as she is married to a wretched alcoholic but she cannot bear to leave her husband in his hour of need. Later the surgeon falls in love with a wealthy young woman. Shortly after removing her appendix in emergency surgery, they get married. Unfortunately, the new wife hates her husband's devotion to his career and begins nagging him. He finally gives in and takes her out on the town. Meanwhile the nurse's drunken husband has a medical emergency. Unfortunately, the surgeon is not there to save him. Fortunately, the husband's death frees the would-be lovers to follow their hearts, but not before the surgeon divorces his wife first. ~ Sandra Brennan, All Movie Guide

B-picture auteur Jacques Tourneur served as director for the October 15, 1960 Bonanza episode "Denver McKee." The title character, played by Franchot Tone, is a former lawman who wants to give his beloved daughter Connie (Natalie Trundy) everything that money can buy. To that end, McKee has secretly aligned himself with an outlaw gang, accepting huge amounts of cash in return for his cooperation. Things come to a head when Connie returns home from a fancy Eastern school, just as McKee is sent out of town to capture the very outlaws with whom he is in cahoots-and to further complicate matters, Joe Cartwright falls in love with Connie. Also in the cast are Ken Mayer (Miles), Stephen Courtleigh (Harley), William Fawcett (Pete), Jack Lester (Johnson), Pete Robinson (Fleming), and Bob Barker (Mort). "Denver McKee" was written by Fred Freiberger and Steve McNeil. ~ Hal Erickson, All Movie Guide

Not even considered a good film back in 1935, Dangerous is held together by the mesmerizing performance of Bette Davis. The star is cast as alcoholic, self-destructive stage actress Joyce Heath, a character obviously based on Jeanne Eagels. Wealthy architect Don Bellows (Franchot Tone) becomes convinced that Joyce can be rehabilitated with the "right" stage vehicle, and begins pulling strings to bring her back to the footlights. She rises to the occasion, falling in love with Don in the process. But Joyce becomes convinced that she's a jinx to any man who gets near her, as proven by her spineless, dissolute husband, Gordon Heath (John Eldredge), who refuses to give her a divorce. Deliberately hurting Don's feelings so he will escape her "curse," Joyce determines to rid the world of both herself and her husband. But things don't work out that way, and as a result Joyce is left in an inextricable Ethan Frome-like dilemma at film's end, while Don finds happiness with his socialite Gail Armitage (Margaret Lindsay). It is generally conceded that Bette Davis won her Academy Award for Dangerous because she was denied the Oscar for her performance in the previous season's Of Human Bondage. Dangerous was remade (and considerably reshaped) in 1941 as Singapore Woman. ~ Hal Erickson, All Movie Guide

Cary Grant met his future wife Betsy Drake on the set of the appropriately titled Every Girl Should be Married. Grant plays well-known baby specialist Madison Brown, who is Dr. Spock in everything but name. After a chance meeting with headstrong young Anabel Sins (Drake), poor Brown finds his every move and thought monitored by Anabel, who intends to become his wife come heck or high water. Upset that Brown steadfastly resists her charms, Anabel decides to make him jealous by playing up to her boss Roger Sanford (Franchot Tone). When Brown still won't bite, our plucky heroine mounts a campaign enlisting everybody in town to wear down the doctor's resistance. Nowadays, this is called "stalking"; in 1948, it was called "funny." Produced, directed and written by Don Hartman, Every Girl Should be Married was a box-office winner to the tune of $775,000. ~ Hal Erickson, All Movie Guide

Harry Kurnitz' fictional book-dealer/detectives Joel and Garda Sloane appeared in three MGM "B"s of the late 1930s, each with different stars in the leads. Fast and Furious, the last of the mini-series, featured Franchot Tone and Ann Sothern as the Sloanes. The couple attends a seaside beauty contest, where a murder occurs. As Joel Sloane tries to solve the mystery, he is hindered by Garda, who isn't too keen on the many bathing belles present. Unlike the previous Sloane mysteries, no rare books are involved in the crime, and the film more closely resembles a pocket-edition Thin Man. Fast and Furious was directed by none other than Busby Berkeley, proving he was just as adept with corpses as with chorus girls. ~ Hal Erickson, All Movie Guide

In 1933, at the height of the bleakness and desperation of the Depression, MGM released this genuine curiosity piece -- directed by comedy (!) director Gregory La Cava -- concerning a Warren G. Harding-like partisan hand-shaker President of the United States who, after seeing a vision, revokes the Constitution, becomes a reigning dictator, and solves all of the nation's problems. Walter Huston plays Judson Hammond, recently elected President of the United States, who treats his elected office as a joke and acts as a dispenser of Party favors. But after an automobile accident, he sees the Archangel Gabriel, who inspires him to declare himself dictator. His first line of business after his conversion is to fire his Cabinet. This leads to impeachment proceedings, but Hammond enters the Senate chamber and takes over the Congress. He then tackles unemployment by meeting with John Bronson (David Landau), the leader of masses of marching unemployed men. When gangster Nick Diamond (Henry C. Gordon) and his goons assassinate Bronson, Hammond uses his brown-shirted storm troopers to blast their way into Diamond's headquarters and blow him away. The President then intimidates the leaders of countries that owe money to the United States to pay their debts then forces them to disarm and pledge world peace. Hammond rapidly becomes the most popular fascist President in United States history. ~ Paul Brenner, All Movie Guide

Hollywood's archetypal "good woman" Greer Garson pulls off an astonishing about-face as the wicked, scheming Regina Giddens in this 90-minute Hallmark Hall of Fame adaptation of Lillian Hellman's 1939 stage drama The Little Foxes. Set in the post-Civil War South, the plot involves the underhanded machinations of the hateful Hubbard family to increase their already considerable financial holdings. Despising each other as much as their neighbors, the Hubbards also connive to cut each other out of the windfall and end up with the lion's share of the money. But the plan hinges upon the financial largess of ailing Horace Giddens (Franchot Tone), estranged husband of the beautiful but deadly Regina Hubbard Giddens (Garson) -- and he's not interested in doing anything to benefit his wife's despicable siblings. This first-ever TV version of The Little Foxes originally aired live and in color. ~ Hal Erickson, All Movie Guide

Here Comes the Groom was the second collaboration between director Frank Capra and star Bing Crosby. Though not as "socially relevant" as previous Capra productions, the film is a thoroughly likeable yarn about a happy-go-lucky newspaperman named Pete (Bing Crosby). In order to legally adopt a brace of war orphans, Pete must marry within a week. His plans to wed his longtime sweetheart Emmadel (Jane Wyman) come acropper when she, tired of waiting for him to pop the question, becomes engaged to wealthy Wilbur Stanley (Franchot Tone). Conspiring with Wilbur's cousin Winifred (Alexis Smith), Pete spends the balance of the film trying to win Emmadel back. From all accounts, the set of Here Comes the Groom was a happy one, the conviviality extending to Alexis Smith's willingness to be on the receiving end of several jokes concerning her height (she seems nearly a head taller than Crosby!). The film's best scene is the Bing Crosby-Jane Wyman duet "In the Cool, Cool, Cool of the Evening," reportedly filmed in one take without post-dubbing. As a bonus, Here Comes the Groom introduces a bright new singing talent, Anna Maria Alberghetti, and is festooned with uncredited guest stars, ranging from Dorothy Lamour to Louis Armstrong. ~ Hal Erickson, All Movie Guide

Honeymoon stars an attractively grown-up Shirley Temple as Barbara, the sweetheart of a GI corporal named Phil (Guy Madison). Eloping to Mexico City, Barbara discovers that her boy friend, stationed in the Panama Canal zone, is tied up in bureaucratic red tape and may not make it to his own wedding. The headstrong bride-to-be enlists the reluctant aid of American consul Flanner (Franchot Tone), leading to any number of compromising situations involving Barbara, Flanner, and Flanner's own girl friend Raquel (Lina Romay). The film extracts most of its laughs from the legal and language barriers facing Barbara and her beau while south of the Border. Posting a $675,000 loss, Honeymoon unfortunately proved that Shirley Temple's drawing power had slipped considerably since her 1930s heyday. ~ Hal Erickson, All Movie Guide

In Harm's Way, based on James Bassett's novel Harm's Way, has enough plot in it for four movies or a good miniseries (when it was shown on network television in prime time, it was broken into two very full nights). On the morning of December 7, 1941, a heavy cruiser, commanded by Captain Rockwell Torrey (John Wayne), and the destroyer Cassidy, under acting commander Lieutenant (jg) William McConnell (Thomas Tryon), are two of a handful of ships that escape the destruction of the Japanese attack on Pearl Harbor. Under Torrey's command, the tiny fleet of a dozen ships carries out its orders to seek out and engage the enemy fleet. But lack of fuel and a daring maneuver (but tragic miscalculation) by Torrey causes his ship to be seriously damaged. He's relieved of command and assigned to a desk job routing convoys in the shakeup following the attack, and his exec and oldest friend, Commander Paul Eddington (Kirk Douglas), is reassigned after a brawl, the result of his anger after identifying the body of his wife (Barbara Bouchet) who was killed during the attack while cavorting with an Marine Corps officer.

Torrey's shore assignment leads him to reestablish contact on a very hostile level with his estranged son, Ensign Jere Torrey (Brandon de Wilde), from his long-ended marriage; he establishes a romantic relationship with Lt. Maggie Haynes (Patricia Neal), a navy nurse; and he also befriends Commander Egan Powell (Burgess Meredith), a special-intelligence officer. Partly as a result of his contact with Powell, Torrey is chosen by the commander of the Pacific Fleet (Henry Fonda) to salvage an essential operation called Sky Hook, which has become bogged down through the indecisiveness of its area commander, Vice Admiral Broderick (Dana Andrews). Promoted to rear admiral, with Eddington -- who'd been rotting away on a shore assignment, drunk most of the time -- assigned as his chief of staff, Torrey gets Sky Hook rolling and finally finds his purpose in this war, gaining the belated admiration of his son in the process. Eddington is similarly motivated but is still haunted by the violent, ultimately self-destructive demons that blighted his marriage and his life -- he is particularly attracted to a young nurse, Annalee Dohrn (Jill Haworth), not knowing that she is already involved romantically with Jere Torrey. Meanwhile, McConnell survives the sinking of his ship and is ordered to join Torrey's staff. Matters all come to a head when the Japanese begin a counter-offensive to Torrey's planned troop landing. And just at the time Torrey needs his men at their best, Eddington's violence and rage boil to the surface in a way that will destroy him and blight both men's lives. In a final attempt at redemption, Eddington provides Torrey with the information he needs to set up a battle that he has at least a chance of winning, pitting his small task group of destroyers and cruisers against the Japanese task force led by the Yamato, the largest battleship ever built. ~ Bruce Eder, All Movie Guide

In this romantic drama, a middle-aged gambler tells a casino croupier her life story. The story is told in flashback and chronicles the woman's romantic exploits with men. Though she was involved with many men, only one really touched her heart. He was a bartender who was tragically shot and killed during an attempted robbery. She later marries and has a daughter. Unfortunately she alienates herself from her daughter when she has an affair with her daughter's fiance. Her remorse is short lived. The film jumps back to the present with the woman leaving the casino on the arm of a handsome millionaire. ~ Sandra Brennan, All Movie Guide