Franchot Tone Movies

A love triangle forms the basis of this drama set during WWI. The screenplay was written by the story's original author William Faulkner. It centers on a pleasure-seeking British girl who is romantically involved with her brother's naval buddy. She then sees and falls for an American pilot. He leaves to fly a combat mission over France and is later listed as dead, causing her to return to the sailor. Fortunately, the flyer didn't actually die and eventually the two are joyfully reunited. ~ Sandra Brennan, All Movie Guide

Loaned to MGM by her home studio of Warner Bros., Loretta Young suffers her way through the title role in Midnight Mary. A good girl led astray, Mary (Young) endeavors to save the life of her boyfriend Tom (Franchot Tone) by killing the aptly named Leo the Rat (Ricardo Cortez). As her case is heard in court, the clerk goes over Mary's record, and at this point the flashbacks begin, stretching all the way back to her days as an unwanted orphan. One bad break leads to another, and by the time she reaches adulthood Mary is mixed up with a gang of crooked gamblers. For the sake of Tom, a well-connected socialite who loves her unquestioningly, Mary tries to go straight, but her past, and the ill-fated Leo the Rat, catch up with her. No matter what disaster befalls her in Midnight Mary, Loretta Young always manages to look as though she's just stepped out of a beauty salon. ~ Hal Erickson, All Movie Guide

Jean Harlow is the "bombshell" of the title, a popular movie actress named Lola. Though she seemingly has everything a girl could possibly want, Lola is fed up with her sponging relatives, her "work til you drop" studio, and the nonsensical publicity campaigns conducted by press agent Lee Tracy. She tries to escape Hollywood by marrying a titled foreign nobleman, but Tracy has the poor guy arrested as an illegal alien. Finally Lola finds what she thinks is perfect love in the arms of aristocratic Franchot Tone, but she renounces Tone when his snooty father C. Aubrey Smith looks down his nose at Lola and her profession. Upon discovering that Tone and his entire family were actors hired by Tracy, Lola goes ballistic--until she realizes that Tracy, for all his bluff and chicanery, is the man who truly loves her. Allegedly based on the career of Clara Bow (who, like Lola, had a parasitic family and a duplicitous private secretary), Bombshell is a prime example of Jean Harlow at her comic best. So as not to mislead audiences into thinking this was a war picture, MGM retitled the film Blonde Bombshell for its initial run. ~ Hal Erickson, All Movie Guide

After the death of her circus-aerialist husband, Kitty Lorraine (Alice Brady) dedicates herself to transforming her daughter Shirley (Maureen O'Sullivan) into a celebrity. Kitty is so determined that Shirley will hit the "big time" that she continues to issue instructions to the girl even while undergoing an emergency appendectomy. Artist Warren Foster (Franchot Tone) upsets Kitty's plans by falling in love with Shirley, so mom plans to throw Foster off the scent by marrying her daughter off to titled nobleman Lord Aylesworth (Phillips Holmes). Finally realizing that she may be loving her girl to death, Kitty reunites Shirley with ever-patient Warren. A blend of themes previously explored by such dramas as Applause and Stella Dallas, Stage Mother was the film that introduced the syrupy ballad Beautiful Girl, later showcased (and gently mocked) in Singin' in the Rain. The film's best scenes are Alice Brady's verbal duels with her brash business partner Ted Healy -- and incidentally, one of Healy's stooges, the inimitable Larry Fine, shows up in a one-line bit. ~ Hal Erickson, All Movie Guide

Based on John Golden's stage play Four Walls, MGM's Straight is the Way offers the monumentally miscast Franchot Tone as tough ex-convict Benny Horowitz, who announces his plans to go straight. This warms the heart of Benny's Jewish mama (May Robson), but his ex-moll Shirley (Gladys George) is unable to join in the happiness, since she is now the mistress of Italian gang boss Monk (Jack LaRue). Despite his efforts to stay out of trouble, Benny is required to bump off Monk before he can lead a clean life. Meanwhile, nominal heroine Bertha (Karen Morley), Benny's stepsister, pines away of unrequited love. The original Four Walls had starred Paul Muni, who was certainly better suited to the ethnicity of the piece than the markedly WASPish Franchot Tone. ~ Hal Erickson, All Movie Guide

In the tradition of Fox Studios' Oscar-winning Cavalcade, The World Moves On covers over one hundred years in the lives of two Louisiana families: The Girards, of French extraction, and the Warburtons, formerly of Manchester. Forming an alliance by marriage in 1825, the families rapidly corner the cotton business in the South. Years later, three of Girard/Warburton sons split up to head business operations in England, France and Germany: as a result, descendants of the original families find themselves fighting on opposite sides during WW I (this episode is similar to a memorable sequence in the 1928 silent Four Sons, which like World Moves On was directed by John Ford). Surviving the war, Richard (Franchot Tone), the last of the descendants becomes a sharkish Wall Street speculator in the 1920s, ultimately losing his fortune in the Wall Street Crash. Bloody but unbowed, Richard and his wife Mary (Madeleine Carroll) cut their losses and return to their ancestral home, to start all over again. Both The World Moves On and the subsequent Fox production Road to Glory rely to a considerable extent upon stock footage from the grim 1931 French antiwar drama Wooden Crosses. ~ Hal Erickson, All Movie Guide

Originally titled Eadie was a Lady, this Jean Harlow vehicle was slated for release under the title Born to be Kissed, but the new Production Code vetoed this "suggestive" cognomen. After a brief and uncomfortable period as One Hundred Percent Pure, the film was finally shipped to theaters as The Girl From Missouri. Harlow plays Eadie, a sexy gold-digger who promises to remain chaste until she finds a wealthy husband. Travelling to New York in the company of her best friend Kitty (Patsy Kelly), Eadie manages to keep that promise, though for a while it looks as though she'll succumb to the charms of playboy T. R. Paige Jr. (Franchot Tone). Once Paige has proven that his intentions are basically honorable, Eadie must break down the resistance of T. R. Paige Sr. (Lionel Barrymore), who is dead-set against his son's romance and intends to frame the girl in a compromising position. She gets even with Paige Sr. by framing him, but there's still a couple of reels to go before the happy ending. Except for some provocative costuming, Jean Harlow's character is essentially decent, thereby "cleansing" some of the more risque elements of this enjoyable romantic comedy. The film's best line is delivered by Patsy Kelly who, when propositioned by an elderly roue, snarls "Look at this! Death takes a holiday!" ~ Hal Erickson, All Movie Guide

In this western, a cowpoke from Wyoming rides into the big city to look for a wife. Instead he finds himself investigating the mysterious death of a man in the hotel room next to his. In the corpse's room, the cowpoke found a lost bracelet. He and the hotel phone operator use this clue to solve the mystery. Later he marries the operator and they return back to wild Wyoming. ~ Sandra Brennan, All Movie Guide

Not even considered a good film back in 1935, Dangerous is held together by the mesmerizing performance of Bette Davis. The star is cast as alcoholic, self-destructive stage actress Joyce Heath, a character obviously based on Jeanne Eagels. Wealthy architect Don Bellows (Franchot Tone) becomes convinced that Joyce can be rehabilitated with the "right" stage vehicle, and begins pulling strings to bring her back to the footlights. She rises to the occasion, falling in love with Don in the process. But Joyce becomes convinced that she's a jinx to any man who gets near her, as proven by her spineless, dissolute husband, Gordon Heath (John Eldredge), who refuses to give her a divorce. Deliberately hurting Don's feelings so he will escape her "curse," Joyce determines to rid the world of both herself and her husband. But things don't work out that way, and as a result Joyce is left in an inextricable Ethan Frome-like dilemma at film's end, while Don finds happiness with his socialite Gail Armitage (Margaret Lindsay). It is generally conceded that Bette Davis won her Academy Award for Dangerous because she was denied the Oscar for her performance in the previous season's Of Human Bondage. Dangerous was remade (and considerably reshaped) in 1941 as Singapore Woman. ~ Hal Erickson, All Movie Guide

Reckless is a delightfully breezy screwball comedy from the same director (Victor Fleming) and star (Jean Harlow) responsible for the celebratedBombshell (itself a film à clef loosely based on Clara Bow) -- with the added appeal of William Powell. One can readily see the chemistry between the two stars at work, which would lead to their impending marriage at the time of Harlow's death a year later. The sets for the Broadway number that Harlow's Mona Leslie performs in are also extraordinary. Mona Leslie (Jean Harlow) is an up-and-coming Broadway actress, dancer, and singer, who leads a happy-go-lucky, freewheeling lifestyle; bailed out of jail by family friend Ned Riley (William Powell), a sports promoter who loves Mona but won't slow down his lifestyle long enough to give her the satisfaction of admitting it, she performs in a bizarre "benefit" show, only to discover that she has an audience of one, wealthy admirer Bob Harrison (Franchot Tone). He declares his love for her and a romance does develop, but when he proposes marriage, he discovers that his upper-crust set won't accept a showgirl as one of their blue-blood crowd.

Their romance leads to a marriage and desperate unhappiness for all concerned, most of all Harrison, whose basic neurotic nature gets worse as the marriage deteriorates. When Harrison takes his own life, Riley and Mona find themselves accused of every foul deed possible, and when Mona gives birth to a son, a legal battle ensues over custody of the child, with Harrison's family claiming that she is unfit. Finally, Mona decides to fight back -- she gets Harrison's family to stand down by giving up any claim to her late husband's money, but she must now contend with the nation's self-appointed moral guardians. No producer will take the risk of backing a show with Mona in it, but she finally gets a helping hand from Ned Riley. The movie has a few too many changes in tone, which detracts from the verisimilitude. The whole story is a film à clef based on the tragic romance between torch singer Libby Holman and tobacco heir Smith Reynolds (which also provided fodder for such à clef films as Brief Moment, Sing, Sinner, Sing, and Written on the Wind) -- and Harlow's singing is obviously dubbed, just as her dancing is doubled. Also, the songs -- except for the final two numbers -- don't quite fit with the melodrama, and the Damon Runyon-esque comic antics feel completely out of left field at times. But when she and Powell are onscreen together, the film just lofts into the air, past all of those flaws. ~ Bruce Eder, All Movie Guide

Former newspaperman Martin Mooney based his script for Exclusive Story on the racket-busting activities of New York district attorney Thomas E. Dewey. Franchot Tone plays the lawyer for a major newspaper which is conducting a campaign against gang boss Joseph Calleia. The paper can't get any charges to stick, thanks to Calleia's clever legal maneuvers. Tone takes matters in his own hands and nails down the evidence to convict Calleia. The gangster retaliates by kidnapping Tone's girlfriend (Madge Evans), leading to a climactic burst of violence. ~ Hal Erickson, All Movie Guide

Suzy is the film in which Cary Grant, overcome by the beauty and vivacity of Jean Harlow, sings her a love ballad! This lighthearted moment aside, Suzy, adapted from a novel by Herbert Gorman is a standard-issue love triangle, set against the tapestry of World War I. Harlow plays a London showgirl, married to Irish engineer Franchot Tone. When foreign spy Benita Hume shoots Tone, mistaking him as a threat against her mission, the terrified Harlow flees into the night, certain that she will be accused of her husband's murder. After the war breaks out, Harlow, believing herself a widow, falls in love with handsome aviator Cary Grant. She marries the well-bred but irresponsible young ace, only to discover that Tone has not been killed after all! This being an idealized World War I film, somebody is going to end up sacrificing his/her life on behalf of somebody else, but we're not about to reveal any more. ~ Hal Erickson, All Movie Guide