James Tolkan Movies

Alan Rudolph directed this offbeat, boy-meets-girl romance in which boy dies, dead boy meets dead girl, dead boy loses dead girl, and dead boy tries to find dead girl again. The tale begins is a small Pennsylvania town, where Mike Shea (Timothy Hutton) dreams of escaping small town life and moving to California with his girlfriend Brenda (Mare Winningham). But Brenda leaves him with his motor running and Mike takes off alone. On the way, he rescues a woman and her children from an icy river but perishes himself. He finds himself in Heaven, where he is greeted by Aunt Lisa (Maureen Stapleton), who explains the rules and regulations. Once in the ethereal realm, Mike falls in love with a heavenly lass with flaxen locks named Annie (Kelly McGillis). But their love is torn asunder because Annie has not yet earned her wings on Earth; she must leave on a tour of duty and put in time inhabiting a human body. Mike is beside himself in despair, but the heavenly powers, in the form of Emmett (Debra Winger), chain-smoking and sporting an orange crewcut like a ghostly Laurie Anderson, offer him a deal. Mike can return to Earth, but only on the stipulation that neither he nor Annie will remember each other. They then have thirty years in which to find one another again. ~ Paul Brenner, All Movie Guide

In this charming comedy that lives up to its title, Judge Reinhold stars as Joe Gower, a librarian's assistant posing as a police officer and trying to win the heart of a beautiful police officer, Rachel Wareham (Meg Tilly). A complex chain of events is put in place when Joe agrees to help out a good friend who's a policeman by taking his place at an audition for the cop's annual benefit show. Once at the auditions, Joe falls for Rachel, who will be dancing in the benefit. Joe starts hanging out with the choreographer in order to spend more time with Rachel. Unfortunately, this gets him into his borrowed police uniform more than he would like, and soon he's carrying out the duties of a beat cop while wearing his disguise. ~ Eleanor Mannikka, All Movie Guide

Devil-may-care navy pilot Pete Mitchell (Tom Cruise) is sent to Miramar Naval Air Station for advanced training. Here he vies with Tom Kasansky (Val Kilmer) for the coveted "Top Gun" award. When not so occupied, Mitchell carries on a romance with civilian consultant Charlotte Blackwood (Kelly McGillis). Shaken up by the death of a friend, Mitchell loses the Top Gun honor to Kasansky. Worried that he may have lost his nerve, Mitchell is given a chance to redeem himself during a tense international crisis involving a crippled US vessel and a flock of predatory enemy planes. The story wasn't new in 1986, but Top Gun scored with audiences on the strength of its visuals, especially the vertigo-inducing aerial sequences. The film made more money than any other film in 1986 and even spawned a 1989 takeoff, Hot Shots. An Academy Award went to the Giogio Moroder-Tom Whitlock song "Take My Breath Away." ~ Hal Erickson, All Movie Guide

Timothy Hutton stars in this rabble-rousing movie in the tradition of Rocky, directed by Bob Clark. Hutton plays Jimmy Lynch, the younger brother of New York City firefighter Terry (Robert Urich). Terry is off-duty and has been drinking but rescues a young girl for a dangerous fire. When he injures himself in the fire and is hospitalized, New York City refuses to pay for his medical expenses because he was intoxicated during the rescue. Incensed that Mayor Tyler (Robert Culp) refuses to look after his brother, Jimmy decides to take them all on and mounts a series of public stunts designed to embarrass the mayor. Along the way, Jimmy becomes a folk hero, since he hides his identity behind the signature "Turk 182!" Jimmy is now a celebrity and consents to sit down for a television interview to reveal his true identity. But when the television station fails to broadcast the interview due to political pressure, Jimmy takes it upon himself to stage one final elaborate stunt to make the public aware of Terry's plight. ~ Paul Brenner, All Movie Guide

This socially conscious family farm drama from director Mark Rydell was his follow up to the Oscar-winning On Golden Pond (1981). Mel Gibson and Sissy Spacek star as Tom and Mae Garvey, struggling Tennessee farmers constantly one step away from foreclosing. Their farm sits next to a river that both nourishes their land and constantly threatens to overflow its banks and destroy their crops. The Garveys sell some of their equipment for obscenely low prices at a foreclosure auction, at which some of their neighbors are forced to give up everything they own. The stoic Tom takes a job as a scab at a mill where the union workers are striking. Meanwhile, Mae has a platonic flirtation with local bank manager Joe (Scott Glenn), who saves her life when she's trapped under a heavy piece of farm equipment. Tom's homecoming is cut short by a flood, but the raging waters allow him to become a hero to his family again. The River was the third in a trio of dramas depicting the plight of the American family farmer released that same year. ~ Karl Williams, All Movie Guide

Once more, a wise-guy teenager tries to prove he's smarter than any adult-and nearly destroys the whole world in the process-in WarGames. Computer-game aficionado Matthew Broderick inadverently taps into a hush-hush Pentagon computer, then proceeds to inaugurate his favorite game, "Global Thermonuclear War". What we know, but Broderick doesn't, is that the Pentagon, hoping to eliminate the chancy "human element" in the event of an actual war, has given its computer total, irreversable control over the launching of nuclear weaponry. Broderick and government official Dabney Coleman race against time to reverse the computer's resolve to send bombers to Russia. WarGames scored a hit, especially with teenage filmgoers. ~ Hal Erickson, All Movie Guide

Successful playwright Al Pacino can't get any work done as long as he is pestered by his wacko wife Tuesday Weld. Making things worse are the couple's obstreperous children, many of them products of her previous marriages. Just as Pacino is completing his latest work, his wife walks out on him. That's the good news: the bad news is that he's saddled with a bunch of snot-nosed kids. Still and all, Pacino finds time to inaugurate an affair with his play's leading lady, played by Dyan Cannon, while attempting to juggle the stresses of opening night with the needs of the demanding, often obnoxious children. ~ Hal Erickson, All Movie Guide

Inspired by a true story, Prince of the City stars Treat Williams as a Manhattan detective who agrees to help the US Department of Justice weed out corruption in the NYPD. Williams agrees on the assurance that he'll never have to turn in a close friend. Wired for sound, Williams almost immediately stumbles upon a police conspiracy to smuggle narcotics to street informants in order to insure cooperation. While this might be condonable in a stretch, the fact is that the many cops are using the drugs on their own, and are also highly susceptible to bribes. Williams gets the goods on the miscreants, but in so doing he breaks the "code" and becomes a pariah to his fellow officers. As we learn in the unsettling final scene, Williams will always be considered a "fink," even by honest cops. Prince of the City is too long for its own good, but its opening expository sequences and its final twenty minutes more than compensate for the duller stretches. ~ Hal Erickson, All Movie Guide

"For God's sake, GET OUT!" was the ad campaign for the 1979 shocker The Amityville Horror. The film was based on the allegedly true story of the luckless Lutz family, who move lock, stock, and barrel into a new home, only to find that it is possessed by the demonic spirits of its previous owners. Variations of the Seven Deadly Plagues emanate from virtually every household fixture, while other forms of otherworldly mischief are suffered by the Lutz children. Enter kindly Father Delaney (Rod Steiger), who does his utmost to exorcise the house. The Amityville Horror was frequently greeted with laughs from its first-run audiences, especially after it was discovered that the "actual" events depicted in the film (based on a book by Jay Anson) were complete fabrications. ~ Hal Erickson, All Movie Guide

Woody Allen's Love and Death is purportedly a satire of all things Russian, from Leo Tolstoy and Fyodor Dostoyevsky novels to Sergei Eisenstein films, but it plays more like a spin on Bob Hope's Monsieur Beaucaire. Allen plays Boris, a 19th century Russian who falls in love with his distant (and married) cousin Sonja (Diane Keaton). Pressed into service with the Russian army during the war against Napoleon, Boris accidentally becomes a hero, then goes on to win a duel against a cuckolded husband (Harold Gould). He returns to Sonja, hoping to settle down on the Steppes somewhere, but Sonja has become fired up with patriotic fervor, insisting that Boris join a plot to kill Napoleon. Intellectual in-jokes abound in Love and Death, and other gags are basic Allen one-liners; for instance, after being congratulated for his lovemaking skills, Boris replies nonchalantly, "I practice a lot when I'm alone." The pseudo-Russian ambience of Love and Death is comically enhanced by the Sergey Prokofiev compositions on the musical track. ~ Hal Erickson, All Movie Guide

Adapted by Waldo Salt and Norman Wexler from Peter Maas's book, Sidney Lumet's drama portrays the real-life struggle of an honest New York City cop against a corrupt system. Neophyte officer Frank Serpico (Al Pacino) is determined not to let his job get in the way of his individuality. Despite his colleagues' leery reactions, he keeps one foot firmly planted in the counterculture, sporting a beard and love beads and living in bohemian Greenwich Village, while he performs his police duties with dispatch. Serpico's peers genuinely ostracize him, however, when he refuses to take bribes like everybody else. Appalled by the extent of police corruption, Serpico goes to his superiors, but when he discovers that they have ignored his charges, he takes the potentially fatal step of breaking the blue wall of silence and going public with his exposé. Serpico's revelations trigger an independent investigation by the Knapp Commission, but they also make him a marked man, permanently changing his life. Shot on location with a gritty emphasis on documentary-style realism, Serpico presents a city in decay both literally and morally, as everybody is in on the take, and the cops and criminals are almost interchangeable. Released in late 1973, after months of revelations of Presidential malfeasance in the breaking Watergate scandal, Serpico's true story of bureaucratic depravity touched a cultural nerve, and the film became a hit with both critics and audiences, particularly for Pacino's complex performance as the honest, long-haired whistleblower. One year after his star-making triumph in The Godfather, Pacino was nominated for an Oscar again, and lost again; Lumet and Pacino would reunite two years later for another true New York story, Dog Day Afternoon. ~ Lucia Bozzola, All Movie Guide

Cesare (Alex Cord) is the foreign car dealer who caters to the jet set. A previous favor by a mobster who saved his life has him indebted to the mafia to repay the kindness. With a stiletto, he kills three enemies of the organization, but is hung out to dry when the gang refuse to acknowledge his actions or even admit they know him. As the police close in on the auto dealer, he is caught between the law and the mob with no protection from either side. Britt Eklund and Barbara McNair are the main female leads. Roy Scheider has a small part in this violent and erotic crime drama. ~ Dan Pavlides, All Movie Guide