Kenneth Tobey Movies

In this psychological thriller, a needy young woman finds fulfillment by trying to literally become her successful roommate. Attractive Manhattanite Allison Jones (Bridget Fonda) has it all: a handsome beau, a rent-controlled apartment, and a promising career as a fashion designer. When boyfriend Sam (Steven Weber) proves unfaithful, Allison strikes out on her own but must use the classifieds to seek out a roommate in order to keep her spacious digs. In steps Hedra Carlson (Jennifer Jason Leigh), who's timid and frumpy but puppy-dog sweet. The self-centered Allison finds Hedra's eager friendship flattering, but soon she grows annoyed as Hedra begins emulating everything about her. After Allison gets back with Sam and asks Hedra to please vacate the premises, the pert beauty really gets to see her weird new roomie's bad side -- Hedra, it seems, is downright homicidal. Directed by Barbet Schroeder, who wowed Hollywood with Barfly and Reversal of Fortune. Single White Female was the second screenplay from future Opposite of Sex director Don Roos. ~ Brian J. Dillard, All Movie Guide

In the sequel to Honey, I Shrunk the Kids, a bumbling but brilliant scientist (Rick Moranis) accidentally makes his two-year-old son into a giant who becomes larger every time he comes in contact with electricity. Though he and his wife try to control their son, the child inevitably escapes and wreaks havoc, eventually terrorizing the streets of Las Vegas. ~ Stephen Thomas Erlewine, All Movie Guide

When a movie star's ghost takes to haunting a writer's home on the beach, the two put their heads together to uncover the truth behind her suspicious demise. ~ Iotis Erlewine, All Movie Guide

Paul Reubens's followup to the box-office hit Pee-Wee's Big Adventure is just as outrageous and cartoonish, though not as good. This time, child-man Pee-Wee runs a colorful farm, chock full of talking animals and outsized produce. On the morning after a tornado of Wizard of Oz dimensions, Pee-Wee awakens to discover that a travelling circus has been deposited in his back yard. Befriended by circus owner Kris Kristofferson, Pee-Wee takes an acrobatic job, hoping to impress lovely trapeze artist Valeria Golino--thereby incurring the jealous rage of his hometown sweetie Penelope Ann Miller. When the circus is faced with bankruptcy, Pee-Wee comes up with a brilliant idea: why not stage a three-ring spectacular celebrating the wonders of agriculture? A partial takeoff of such earlier sawdust-trail flicks as Martin and Lewis' Three Ring Circus and Disney's Toby Tyler, Big Top Pee-Wee is generally entertaining, but goes off in too many directions at once, leaving a lot of loose plot ends and underdeveloped characters. Also, Pee-Wee's overactive libido (at least in this film!) is not all that suitable for his younger fans. Even so, there are plenty of hilarious set-pieces. Big Top Pee-Wee was produced and cowritten by Paul Reubens. ~ Hal Erickson, All Movie Guide

Hunter (Rick Hunter) and McCall (Stepfanie Kramer) are faced with an ethical dilemma while investigating the murder of Latino crime boss Max Santiago (Fred Asparagus). Early on, the detectives figure out that the killer was a prominent community leader, and are also able to determine the motive for the killing. Painfully aware of the ramifications of revealing this information, Hunter and McCall are on the verge of giving up the case--and quitting the force! Rudy Ramos joins the regular cast in the role of Reuben Garcia. ~ Hal Erickson, All Movie Guide

A cross between a skin flick and a futuristic fantasy, this unfunny parody is set on a remote Pacific Island where the insidious Dr. Sin Do (Angus Scrimm) whose life began long ago under the name of Li Chuk, has made a pact with Satan that gives him power over the weather. Now he is tracking down the lost "Eye of the Avatar," created by the extinct race of Lemurians before their civilization disappeared -- that jewel, when combined with Sin Do's own special jewel, will endow him with indomitable power. Sent to combat the evil "doctor" are some comely female warriors (Melanie Vincz, Raven de la Croix and others) whose bodies get more screen time than the dialogue itself -- an indication of where the main interest lies. ~ Eleanor Mannikka, All Movie Guide

This groundbreaking, darkly-comic horror film from director Joe Dante changed the look and feel of werewolf movies in ways light-years distant from Universal's horror classic The Wolf Man. The story begins with television reporter/anchor Karen White (Dee Wallace) taking part in a dangerous police operation intended to trap psychopath Eddie Quist (Robert Picardo). When confronted by Eddie face-to-face, she witnesses something horrifying enough to trigger selective amnesia. Plagued by a series of violent nightmares, Karen decides to admit herself to a posh recovery resort known only as "The Colony," run by her eccentric New Age therapist Dr. Wagner (Patrick MacNee), and brings along her husband Bill (Christopher Stone) for support. The night after they arrive, Karen and Bill are unnerved by eerie howling in the woods. Back in the city, Karen's coworkers Chris (Dennis Dugan) and Terry (Belinda Balaski) have been investigating Eddie's background after discovering that his body has disappeared from the morgue. Sifting through Eddie's possessions, they find a strange collection of artwork depicting wolf-like creatures, and decide to consult with Walter Paisley (Dick Miller, of course), the owner of an occult bookshop, on werewolf lore. Though he claims not to believe in the stuff he's selling, Paisley nevertheless convinces Chris to purchase a handful of silver bullets... just in case. Back at the colony, Dr. Wagner has organized a hunting party after hearing Karen's account of the nocturnal howling, but the men find nothing but a rabbit, which Bill is told to bring to the cabin of the sultry Marsha (Elisabeth Brooks) to prepare for dinner. After resisting Marsha's less-than-subtle sexual overtures, Bill is attacked by a wolf while returning to his cabin. The following moonlit night, the sleepless Bill wanders outside to find Marsha waiting and the two make love by the campfire, their bodies undergoing a frightening transformation. Just as Karen is beginning to suspect that her husband is hiding a secret far more threatening than marital infidelity, Chris and Terry have come to realize -- too late, in Terry's case -- that Eddie Quist is not only still alive, but not quite human... and he knows he's being followed. Chris arrives at the colony too late to save Terry, but manages to find Karen just as the colony's residents -- all of whom are werewolves, including Dr. Wagner -- are assembling to decide her fate. Dante fills his film with heartfelt homages to The Wolf Man and other classic horror movies, as well as a few clever visual puns and in-jokes from his tenure with Roger Corman, but never strays from the path to genuine horror, particularly when Rob Bottin's chilling monsters are onscreen. ~ Cavett Binion, All Movie Guide

John Ritter plays an unsuccessful actor who takes a job posing as comic-book hero Captain Avenger at comics stores and conventions. While thus garbed, Ritter foils a grocery store robbery. He skedaddles from the scene when the cops show up, leading witnesses to assume that he is a genuine costumed superhero, the sort that shows up to foil the villains and then modestly retreats after his job is done. Ritter is hired by the mayor's staff, who hope that the Captain Avenger tie-in will help the mayor win an upcoming election. This plan comes acropper, and Captain Avenger finds himself on the outs with the public. Prodded by his girlfriend Anne Archer to be himself and not rely on a costume and mask to gain adulation, Ritter becomes a bonafide hero when he rescues several citizens from a fire. Thanks to the enthusiastic performance of John Ritter, Hero at Large remains amusing even when you know what's going to happen next (a common occurrence in this film). ~ Hal Erickson, All Movie Guide

This spoof of the Airport series of disaster movies relies on ridiculous sight gags, groan-inducing dialogue, and deadpan acting -- a comedy style that would be imitated for the next 20 years. Airplane! pulls out all the clichés as alcoholic pilot Ted Striker (Robert Hays), who's developed a fear of flying due to wartime trauma, boards a jumbo jet in an attempt to woo back his stewardess girlfriend (Julie Hagerty). Food poisoning decimates the passengers and crew, leaving it up to Striker to land the plane, with the help of a glue-sniffing air traffic controller (Lloyd Bridges) and Striker's vengeful former captain (Robert Stack), who must both talk him down. Along the way, we meet a clutch of stock disaster movie passengers like the guitar-strumming nun, a sick little girl, a frightened old lady, and two African-American travelers whose "jive" has to be subtitled. Leslie Nielsen portrays the plane's doctor, launching a new phase of the actor's career that carried him through the next two decades in several similarly comedic roles. The trio of directors Jim Abrahams, Jerry Zucker, and David Zucker responsible for the film would eventually go on to solo careers, but not before making Top Secret! and Ruthless People. ~ Perry Seibert, All Movie Guide

Star Gregory Peck went into MacArthur disliking the title character that he was slated to play, but emerged from the experience with a deeper understanding and respect for this complex historical figure. The film is framed in flashback, with an octogenarian General
Douglas MacArthur (Peck) making his final address before his alma mater of West Point. We flash back to the fall of Corregidor in 1942, with MacArthur promising "I shall return" to the beleaguered (and eventually imprisoned) American and Filipino troops. The story follows MacArthur's subsequent victories in the South Pacific, occasionally pausing to show us the General's omnipresent sense of "showmanship" (e.g. his wading ashore on the beaches of the Philippines for the benefit of the newsreel cameras). The greater part of the film involves MacArthur's attempts to restore dignity to the defeated postwar Japan, and to keep the Russian Communists from overtaking the orient as they had Eastern Europe. MacArthur is eventually fired from his post by President Truman after the general defies orders during the Korean conflict. MacArthur was intended as Universal's "answer" to 20th Century-Fox's enormously successful Patton (1970), but box-office returns were disappointing. ~ Hal Erickson, All Movie Guide

W.C. Fields and Me is the film version of the Fields biography written by the comedian's former mistress Carlotta Monti. W. C. Fields was a great comedian in vaudeville and early talking films, who was noted for his ability to say the most hilariously cutting and mean things in a cheery, bright tone of voice. He had amazing skills in the manipulation of objects, from pieces of paper to crooked cue sticks. Rod Steiger plays Fields, while Valerie Perrine portrays Ms. Monti. Jack Cassidy is also on hand as Fields' close friend and drinking crony John Barrymore. The film is not above sacrificing facts for a good story, notably in its recreation of Fields' celebrated "dentist" routine which. W. C. Fields and Me depicts the great juggler/comedian as a straightforwardly mean-spirited man, whereas he is generally believed to have been more complex than that. ~ Hal Erickson, All Movie Guide