Jaime Tirelli Movies

Adrift in Manhattan, the third feature effort of Hispanic writer/director Alfredo de Villa (Washington Heights, Yellow), intercuts three intensely dramatic stories of life during a cold New York winter, each of which revolves around the concept (and thematic motif) of vision. In the first, an eye doctor grieving from a traumatic loss (Heather Graham) must reexamine her life and priorities; in the second, an artist of advanced age must contend with encroaching blindness -- thus losing the one of his five senses that represents his greatest asset; in the third, a photographer grapples with inner turmoil. De Villa brings these stories together for an unanticipated intersection on a Manhattan subway line, and watches as these individuals -- initially, complete strangers to one another -- help to guide each other through their struggles, pain, and angst. William Baldwin and Erika Michaels co-star. ~ Nathan Southern, All Movie Guide

Successful playwright Al Pacino can't get any work done as long as he is pestered by his wacko wife Tuesday Weld. Making things worse are the couple's obstreperous children, many of them products of her previous marriages. Just as Pacino is completing his latest work, his wife walks out on him. That's the good news: the bad news is that he's saddled with a bunch of snot-nosed kids. Still and all, Pacino finds time to inaugurate an affair with his play's leading lady, played by Dyan Cannon, while attempting to juggle the stresses of opening night with the needs of the demanding, often obnoxious children. ~ Hal Erickson, All Movie Guide

More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical. ~ Hal Erickson, All Movie Guide

A man finds himself caught between several worlds -- rough real life and a number of parallel fantasy lands -- in this blend of drama and fantasy. Jorge (Octavio Gómez Berríos) is a painfully shy young man from Ecuador who has immigrated to the United States. Jorge keeps body and soul together by washing dishes at a greasy-spoon diner in a Queens, NY, neighborhood that's dominated by a wide variety of fellow immigrants. Jorge spends most of his days at work being harassed by Rick (Mandy Patinkin), the diner's owner, and loud-mouthed manager Jerry (Aaron Paul). One of the only people at the diner who shows any kindness to Jorge is Amy (Eugenia Yuan), an Asian waitress, and Jorge has become deeply infatuated with her. However, Jerry also has his eyes on Amy, only adding to the tension between him and Jorge. As Jorge struggles to escape his grim circumstances, he passes into a variety of alternate realities, ranging from a pastel-colored wonderland ruled by animated bunnies to a grassy sylvan past a fence. Choking Man was written and directed by Steve Barron, best known for his groundbreaking work in music videos; the film received its world premiere at the 2006 Tribeca Film Festival. ~ Mark Deming, All Movie Guide

A political consultant in the midst of a bitter divorce attempts to delicately divulge the truth about his past relationships to his curious young daughter, who simply won't stop asking questions until she's satisfied with all the answers. Ten-year-old Maya (Abigail Breslin) is heartbroken to see her parents splitting up, but she's determined to find out precisely how it was that mom and dad came together in the first place. When Maya starts questioning her father Will (Ryan Reynolds) about his life before marriage, dad's memories soon drift back to the time when, as a naïve Wisconsin native and aspiring politician hoping to work on the presidential election, he first arrived in New York City. As Will gradually became savvy to the ways of the big city, he gradually developed romantic relationships with three very different women: Emily (Elizabeth Banks) was the girl-next-door that he could always depend on, apolitical April (Isla Fisher) was the best friend and confidante who was always there to listen, and free-spirited journalist Summer (Rachel Weisz) was both beautiful and ambitious. In order to prevent his perceptive little girl from predicting the outcome before his story is told, Will carefully changes the names of his three romantic interests, creating a hopelessly romantic puzzle that highlights both the joys and hardships of true love. ~ Jason Buchanan, All Movie Guide

Karyn Kusama makes her debut with this sensitive, subtly told coming-of-age story about boxing and love. Diana (Michelle Rodriguez) is a tough though painfully honest girl living in Brooklyn. Surly, frustrated, and directionless, Diana seems to have a ticket on the express train to expulsion; she repeatedly finds herself in detention and schoolyard fights. At home, her weak though abusive single father Sandro (Paul Calderon) clearly favorites her bookish brother Tiny (Ray Santiago) over her. While running an errand for her father, Diana finds herself in one of New York's more renowned boxing gyms, and she instantly connects to the same. Though traditionally a thoroughly male pastime in Latino culture, Diana perseveres and gains self-worth thanks to the help of gruff Panamanian trainer Hector (Jaime Tirelli). Soon Hector assumes the role of Diana's father from her deadbeat biological progenitor. As Diana gains physical strength and agility in the ring, she finds herself drawn to the dashing boxer Adrian (Santiago Douglas), who is supposedly involved with someone else. Slowly though, the two give into their mutual attraction and fall completely in love. Fate intervenes when the two lovers are scheduled to fight one another in the ring, forcing each to choose boxing or love. Executive-produced by none other than John Sayles, this film received rave reviews at the 2000 Sundance Film Festival. ~ Jonathan Crow, All Movie Guide

After his partner is killed, a police officer's vow of vengeance threatens to expose a cocaine dynasty. ~ All Movie Guide

Alfred Kinsey was an entomologist who taught at Indiana University and had a keen interest in an area of human behavior that had seen little scholarly research -- human sexuality. While the courtship and reproductive patterns of animals had been carefully documented, Kinsey believed that most "established facts" about human sexual behavior were a matter of conjecture rather than research and that what most people said about their sex lives was not born out by the evidence (a subject that had personal resonance for him given the troubles he and his wife Clara Kinsey had in the early days of their marriage). After introducing a course in "Marriage" at Indiana University which offered frank and factual information on sex to students, Kinsey began an exhaustive series of interviews with a wide variety of people from all walks of life in order to find out the truth about sex practices in America. When he published Sexual Behavior and the Human Male in 1948, his findings were wildly controversial, indicating that most men had a wider variety of sexual experiences than most people imagined, including a number of practices commonly thought to be dangerous or perverted (including pre-marital sex, same-sex contacts, and masturbation). An even greater outcry greeted Kinsey's next volume, Sexual Behavior and the Human Female, which contradicted common notions than most women went into marriage sexually inexperienced. Kinsey is a film biography written and directed by Bill Condon which examines Kinsey's life and work from his strict childhood until his death in 1956. Liam Neeson plays Alfred Kinsey, and Laura Linney co-stars as Kinsey's wife and colleague Clara. John Lithgow highlights the supporting cast as Kinsey's repressed and moralistic father, while Chris O'Donnell, Peter Sarsgaard, and Timothy Hutton play members of Kinsey's research team and Tim Curry appears as an IU faculty member at odds with Kinsey's teachings. ~ Mark Deming, All Movie Guide

When a white teenager is murdered in Harlem, the police at first assume the victim was killed in a botched robbery. Later on, a couple of black kids are heard bragging about the killing and seen brandishing the victim's jacket, thereby fomenting a dangerous racial situation. But as the evidence mounts up, the DA's office shifts its attention to a pair of police officers. ~ Hal Erickson, All Movie Guide

The emphasis is more on law than order as the viewer follows detectives Briscoe (Jerry Orbach) and Logan (Chris Noth) through an extremely eventful 24 hours. Their unusually heavy case load includes five murders -- all unrelated -- and a violent, domestic quarrel, in which the husband gets the worst of it. Evidently, this episode made quite an impression on the series' producers; not only was it referred to in the tenth-season Law & Order episode "Entitled," but its memory was also invoked in a first-season episode of the spin-off series Law & Order: Special Victims Unit. ~ Hal Erickson, All Movie Guide

Doc Levy (Roy Scheider) is an American secret agent who has been running interference between the U.S. government and escaped Nazi war criminal Szell (Laurence Olivier). Believing that Doc has stolen a valuable cache of gems, Szell emerges from his South American hiding place and heads for New York. He has Doc killed, then kidnaps Doc's in-the-dark brother, Babe (Dustin Hoffman). Repeating the phrase "Is it safe?" over and over, Szell, a onetime concentration camp dentist, tries to extract information from Babe by performing sadistic "oral surgery" upon him. Babe, who still doesn't know about the gems, escapes, breaking his own self-imposed rule of nonviolence to defend himself against his pursuers and gearing up for sadistic revenge. ~ Hal Erickson, All Movie Guide

Penn & Teller are magicians who are known for putting on a jet-black, fake blood-soaked comedy magic show. This inky comedy is imbued with their off-beat humor as it chronicles Penn's newest scheme to have a fan try to kill him. ~ Sandra Brennan, All Movie Guide

Set in the Manhattan street milieu that served him well in West Side Story, Robert Wise’s Rooftops tells the story of T, a quiet, soft-spoken teen-ager who has left his broken home and is living in a makeshift shelter in an old water tower on top of an abandoned tenement building. There are other kids like him, including Squeak, a talented graffiti artist who joins T after an altercation involving his mother’s boy friend. T and Squeak manage to scrape together what little money they need through minor sins (stripping cars, etc.), and at night all these street inhabitants get together in a vacant lot to “combat” dance, in which they use a combination of karate and dancing to force an opponent off of a platform. Into this mix comes Lobo, a drug dealer who moves into T’s building and turns it into a crack house. Lobo’s beautiful cousin Elana serves as his lookout – not because she wants to, but because her father’s heart attack has left her family in dire financial straits. T and Elana become interested in each other, but T and Lobo are at odds with each other – which fact leads to a showdown in which T must put his “combat” skills to good use. ~ Craig Butler, All Movie Guide