Jaime Tirelli Movies

Doc Levy (Roy Scheider) is an American secret agent who has been running interference between the U.S. government and escaped Nazi war criminal Szell (Laurence Olivier). Believing that Doc has stolen a valuable cache of gems, Szell emerges from his South American hiding place and heads for New York. He has Doc killed, then kidnaps Doc's in-the-dark brother, Babe (Dustin Hoffman). Repeating the phrase "Is it safe?" over and over, Szell, a onetime concentration camp dentist, tries to extract information from Babe by performing sadistic "oral surgery" upon him. Babe, who still doesn't know about the gems, escapes, breaking his own self-imposed rule of nonviolence to defend himself against his pursuers and gearing up for sadistic revenge. ~ Hal Erickson, All Movie Guide

When a young, single, neurotic New Yorker finds the perfect woman, he tries desperately to get her to fall for him. Young director Jonathan Kaufer has been compared to Woody Allen with this, his first feature. ~ Kristie Hassen, All Movie Guide

Filmmaker John Sayles' first bonafide box-office success, Brother from Another Planet centers on a black escaped slave from a faraway planet (Joe Morton) who finds himself on the mean streets Harlem. Though the locals are put off by the slave's inability to speak, they are won over by his technical wizardry. He is adopted as a "brother" by his new friends, who protect him from pursuing white aliens played by director Sayles and David Strathairn. ~ Hal Erickson, All Movie Guide

More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical. ~ Hal Erickson, All Movie Guide

The first of several 1980s TV movies based on official FBI files, In the Line of Duty: The F.B.I. Murders premiered on November 27, 1988. Veteran TV "good guys" David Soul and Michael Gross do a typecasting about-face, playing two vicious, homicidal Miami-based bank robbers. The deadly duo's crime spree was climaxed by a bloody 1986 gun battle. Extremely violent, the film tempers its bloodshed with several instructive scenes showing how the FBI pieced together the clues that enabled them to track down their quarry. Doug Sheehan, Ronny Cox and Bruce Greenwood represent the forces of the Law. ~ Hal Erickson, All Movie Guide

This directorial effort from Phil Joanou stars Sean Penn as an Irish-American undercover cop working the Hell's Kitchen beat. Penn is ostensibly on a sentimental journey to his old neighborhood. Actually he's been assigned to infiltrate a criminal gang led by Ed Harris, the brother of Sean's best friend Gary Oldman. Penn suffers the requisite honor vs. duty anguish when he renews his childhood romance with Harris' sister Robin Wright. State of Grace would have had more clout had it been more clear as to time and place: it's supposedly set in the 1990s, but the attitudes and behavior are pure 1970s. ~ Hal Erickson, All Movie Guide

This adaptation of Hemingway's classic story adds a few characters but keeps the basic plotline of an old fisherman's greatest battle intact. ~ Sandra Brennan, All Movie Guide

A city pulses with racial problems, political corruption, and small-time crime in this ambitious microcosm of urban life, written and directed by John Sayles. Nick Rinaldi (Vincent Spano), a lost soul usually high on drink and drugs, has spent his life in one New Jersey city, getting free rides from his connected father (Tony LoBianco) and hearing the locals talk of his brother's death in Vietnam. Searching for more control, Nick quits the cushy contractor's job provided by his Dad, feeling that major events are about to happen to him. That feeling proves accurate -- by film's end his life will change, as will the lives of many others. Nick is only the center of the movie's sprawling collection of people and plotlines; Sayles takes full advantage of this expansive landscape, as he often begins shooting one conversation, only to pull back and eavesdrop on another, in one smooth, intriguing shot. By listening in, we slowly learn about the citizens and their dilemmas, as the city's woes bubble to a narrative climax. Many of Sayles' regular players are on-screen (the movie features 52 roles), including Joe Morton as a frustrated councilman and David Strathairn as a disturbed street person. ~ Norm Schrager, All Movie Guide

Bille August directed this film version of the Isabel Allende novel, featuring a cast that includes Jeremy Irons, Meryl Streep, and Glenn Close. The story is a sweeping and brooding melodrama, spanning generations and filled with violence, revenge, and telekinesis. The tale begins in South America in 1926, when a young man, Esteban (Jeremy Irons), falls in love with the daughter of a rich man, Rosa Del Valle (Teri Polo). He vows to become rich enough to make her his wife and spends months of toil in the gold fields to earn enough money to do just that. Before the two marry, however, Rosa is killed by poison meant for her father. After the tragedy, Esteban moves to Trés Marias, an abandoned ranch, and spends 20 years of his life turning the ranch into a thriving estate, exploiting the labor of the poor who live off the land. When he returns to the city, he comes across Rosa's younger sister Clara (Meryl Streep), now a woman with telekinetic abilities. Clara took a vow of silence years before, but upon the arrival of Esteban, she speaks for the first time in years -- "You have come to propose marriage to me," she says. Esteban and Clara marry, and Esteban takes her back to the ranch, where they have a daughter, Blanca (Winona Ryder). Their daughter falls in love with the son of one of Esteban's foremen, a hot-headed revolutionary named Pedro (Antonio Banderas). Now, the country is in the throes of revolution. Esteban banishes his sister Ferula (Glenn Close) from the ranch, beats his wife, and rapes a peasant woman. The product of Esteban's rape (Joaquin Martinez) grows into an angry young man who convinces Esteban to send him away to military school. When there is a military coup, the illegitimate son returns to Trés Marias with revenge and torture on his mind. ~ Paul Brenner, All Movie Guide

Carlito's Way is a tale of a former hood trying to escape his former life. Al Pacino is Carlito Brigante, a high-level Puerto Rican drug dealer sprung from a three-decade jail sentence after only five years, thanks to a technicality and his sleazy, cocaine-addled lawyer, Dave Kleinfeld (Sean Penn). Carlito renounces his previous ways and takes a job as the manager of a club that Kleinfeld has invested in, planning to save enough money so that he can eventually move to the Caribbean. But no sooner is Carlito back on the streets of New York than his old life claws at him in the form of both old partners (Luis Guzman) and vicious up-and-comers (John Leguizamo). Nevertheless, Carlito stays clean and even restarts his relationship with a dancer named Gail (Penelope Ann Miller), until he is finally led astray by Kleinfeld, who manipulates Carlito into participating in the murder of a Mafia don from whom Kleinfeld has stolen a million dollars. At that point, the race is on to see whether Carlito and Gail can escape his world for good. The film is based on two novels about Carlito written by New York State judge Edwin Torres. ~ Don Kaye, All Movie Guide

In this action comedy, director Gregg Champion relies on the premise that, indeed, "country boys can survive," as Sonny (Kiefer Sutherland) and Pepper (Woody Harrelson, always game) head off to the Big Apple in order to rescue a mutual friend's daughter from the clutches of an evil sweatshop owner. Naturally, there are lots of encounters highlighting the two fishes out of water; there are opportunities to lasso bad guys; there's even a chase on horseback through the city streets after Sonny and Pepper steal a pair of NYPD horses. ~ Jeremy Beday, All Movie Guide

The lives of four hardworking people living in modern Brooklyn provide the basis of this upbeat drama. Hank is the only high school graduate on his basketball team; he works for Flo in a neighborhood liquor store and is dating Joy, Flo's step daughter. Joy and Hank are 18-year old virgins who are giving careful consideration to sleeping with each other. Hank's father, Milton is a divorced street musician and recovering alcoholic. The story revolves around an upcoming lottery with a $27million jackpot, and everyone in their neighborhood is hoping to win. Joy's father, whom she hasn't seen in ages, bought seven tickets just before he was arrested and sent to jail; Hank, who, unlike his friends, has no taste for drugs or drug dealing, himself has purchased $100 worth of the tickets. The drawing is made and the authorities state that the unclaimed winning ticket is somewhere in their neighborhood. ~ Sandra Brennan, All Movie Guide

Karyn Kusama makes her debut with this sensitive, subtly told coming-of-age story about boxing and love. Diana (Michelle Rodriguez) is a tough though painfully honest girl living in Brooklyn. Surly, frustrated, and directionless, Diana seems to have a ticket on the express train to expulsion; she repeatedly finds herself in detention and schoolyard fights. At home, her weak though abusive single father Sandro (Paul Calderon) clearly favorites her bookish brother Tiny (Ray Santiago) over her. While running an errand for her father, Diana finds herself in one of New York's more renowned boxing gyms, and she instantly connects to the same. Though traditionally a thoroughly male pastime in Latino culture, Diana perseveres and gains self-worth thanks to the help of gruff Panamanian trainer Hector (Jaime Tirelli). Soon Hector assumes the role of Diana's father from her deadbeat biological progenitor. As Diana gains physical strength and agility in the ring, she finds herself drawn to the dashing boxer Adrian (Santiago Douglas), who is supposedly involved with someone else. Slowly though, the two give into their mutual attraction and fall completely in love. Fate intervenes when the two lovers are scheduled to fight one another in the ring, forcing each to choose boxing or love. Executive-produced by none other than John Sayles, this film received rave reviews at the 2000 Sundance Film Festival. ~ Jonathan Crow, All Movie Guide