Richard Boes Movies

Character actor Steve Buscemi made his debut as a writer and director with this seriocomic tale of a guy who is going through something but doesn't know just what it is. Tommy is a 31-year-old auto mechanic who lost his last job after "borrowing" 1,500 dollars from the cash register and heading to Atlantic City, where he wasted no time losing it all at the tables. The fact that he can't get his own car to run isn't impressing any prospective employers, so Tommy spends much of his time at the Trees Lounge, a local watering hole conveniently located downstairs from his apartment. Eventually Tommy lands some work driving an ice cream truck and becomes acquainted with his ex-girlfriend's 17-year-old niece, Debbie (Chloë Sevigny). When they half-heartedly fall into a romance, it's just one more thing for Tommy to be confused about. Buscemi draws upon a rich cast of supporting actors, including Elizabeth Bracco, Anthony LaPaglia, Carol Kane, Debi Mazar, Samuel L. Jackson, and Mimi Rogers. ~ Mark Deming, All Movie Guide

Alexandre Rockwell's quirky autobiographical comedy stars Steve Buscemi as Adolpho Rollo, a would-be screenwriter who is obsessed with getting his 500-page script "Unconditional Surrender" produced. Desperate for money, he places an ad for financial backing, which is answered by con man Joe (Seymour Cassel). The film was shot in color, but was released theatrically in black & white. Both verisions eventually made their way to home video release. ~ Jason Ankeny, All Movie Guide

Tom DiCillo directed this surrealistic black comedy starring Brad Pitt as Johnny Suede, a young man with an attitude and an immense pompadour, who wants to be a rock n' roll star like his idol Ricky Nelson. He has all the stylistic accouterments, except a pair of black suede shoes. And one night, after leaving a nightclub, like manna from heaven, a pair of black suede shoes falls at his feet. Soon afterwards, the recently completed Johnny meets Darlette (Alison Moir), a sultry bohemian whom he beds down for the night. In spite of Darlette's abusive boyfriend with a gun, Johnny begins to see Darlette everyday. But when Johnny is forced to pawn his guitar for rent money, Darlette mysteriously leaves him. Johnny's pal Deke (Calvin Levels) fronts him the money to get his guitar out of hock, and the two form a band. Depressed about Darlette's desertion, he wanders aimlessly, and he meets Yvonne (Catherine Keener), a woman much wiser than Johnny who teaches him that there are things in life much more important than a pair of black suede shoes. DiCillo based his independent comedy Living in Oblivion upon his experiences working with Brad Pitt on this film. ~ Paul Brenner, All Movie Guide

Written and directed by the ever-unpredictable Jim Jarmusch, Mystery Train is comprised of three short anecdotes involving foreign tourists in Tennessee. Each story is set in a fleabag Memphis hotel which has been redressed as a "tribute" to Elvis Presley. Story #1 involves two Japanese tourists whose devotion to '50s American rock music blinds them to everything around them. Story #2 finds eternal victim Nicoletta Braschi sharing a room with stone-broke Elizabeth Bracco and having her problems solved by a spectral vision of The King. And story #3 offers the further misadventures of Bracco, her no-good boyfriend and her dysfunctional family. ~ Hal Erickson, All Movie Guide

Jim Jarmusch follows his groundbreaking Stranger Than Paradise with another rambling, character-driven film with a twisted sense of humor. Set in a seedy New Orleans summer, Down By Law details the meeting of three unlikely convicts and their just as unlikely escape. Zack (Tom Waits) is an out-of-work DJ who is accused of murder when a body is found in the trunk of a stolen car he was hired to drive across town. Jack (John Lurie) is a pimp set up for a fall by a competitor. These two sullen souls are locked in a cell with Roberto (Roberto Benigni), a cheerful Italian immigrant who happens to have killed a man. The chemistry between the members of this loosely bound "team" is fascinating: Zack and Jack are forever laughing at Roberto, yet they rely on his energy and good will to escape their dire situation. The three mismatched miscreants eventually bust out of jail and head into the Louisiana bayous. Tired and hungry, they separate to search for food: Waits goes one way, Lurie another, and the frightened Benigni decides to risk stepping into a ramshackle diner. Somehow or other, he winds up in the arms of gorgeous Italian girl Nicoletta Braschi -- and is even able to provide new clothes and escape routes for his astonished comrades! ~ John Voorhees, All Movie Guide

Although Jim Jarmusch made his directorial debut with Permanent Vacation (1982), Stranger than Paradise (1984) marked his breakthrough as a major American filmmaker. One of the most deadpan comedies ever committed to film, Stranger than Paradise suggests a Buster Keaton film written by Samuel Beckett and Jack Kerouac and directed by Andy Warhol. Willie (John Lurie) is a small-time gambler whose distant cousin Eva (Eszter Balint) is moving to America from Eastern Europe and informs him that she'll need to stay with him for ten days. Willie isn't happy to have Eva around, but after Willie introduces her to the joys of American cigarettes and TV dinners ("You got your meat, you got your potatoes, you got your vegetables, you got your dessert and you don't have to wash the dishes -- this is how we eat in America!"), Eva steals a frozen meal and a pack of smokes from the corner store, and Willie is both surprised and impressed. His buddy Eddie (Richard Edson) happens by, and they hang out with Eva just long enough to develop a fondness for her before she moves on to Ohio, where she'll live with her Aunt Lottie (Cecillia Stark). Months later, Willie and Eddie score $600 in a poker game and decide to visit Eva in Ohio. However, it's the dead of winter, and they have nothing to do except look at the frozen surface of the lake. The three eventually head down to the tacky paradise of Miami, where Willie and Eddie try their luck with the ponies and Eva decides what to do next. Stranger than Paradise is a film that defines the notion, "It's not what you say, but how you say it." Shot in long, static takes, its style is minimalism itself, but the post-beatnik cool of John Lurie, Richard Edson and Eszter Balint somehow betrays the fact that they care about each other, and a loopy charm and subtle but potent humor seeps through the film's stark black-and-white images. Stranger than Paradise began as a short subject which was made possible by German director Wim Wenders, who gave Jarmusch a supply of film stock left over from one of his projects, and it went on to become one of the most influential movies of the 1980s, casting a wide shadow over the new generation of independent American filmmakers to come. ~ Mark Deming, All Movie Guide