Alan Tilvern Movies

Martin (William Hurt) and Jack (Timothy Hutton) are World War II soldiers who go from being army buddies to bitter enemies during the war in this uneven melodrama. Not realizing they are brothers-in-law, Martin eventually learns that Jack is married to his sister Josie (Melissa Leo). On their wedding night, Josie's father Jorge (Francisco Rabal) had abducted her in an attempt to dominate her with his old-world ideals of marriage. When Jorge drowns in a lake after the car skids off the road, black-sheep Martin returns home to learn of his father's death, vowing to avenge his father after he learns his buddy is his sworn enemy. ~ Dan Pavlides, Rovi

It started as a 1960 Roger Corman horror comedy, filmed in two days; it then inspired a lavish 1982 Broadway musical with music and lyrics by Alan Menken and Howard Ashman. Finally in 1986, Little Shop of Horrors (1960) graduated into a multimillion-dollar, all-star film musical. Rick Moranis plays nebbishy Seymour Krelborn, who works in a rundown flower shop on Skid Row. While his boss (Vincent Gardenia) bemoans the lack of business, Seymour seeks a way of bringing the shop -- and himself -- fame and fortune. He purchases a strange plant from an even stranger oriental street vendor (Vincent Wong), naming the plant after his girlfriend Audrey (Ellen Greene, one of the few carry-overs from the Broadway version). Gradually, Seymour learns to his horror that "Audrey II" (given the voice of R&B performer Levi Stubbs) craves blood and flesh. With each of Audrey II's "FEEED MEEE"s, Seymour must scare up human food to satisfy the plant's appetite. One such victim is dentist Steve Martin, a leather-jacketed Elvis type (the dentist's ultra-masochistic patient played by Jack Nicholson in the 1960 original is here impersonated by Bill Murray). The lighthearted tone of the film darkens as Audrey II grows in monstrosity, but the unhappy ending of the Broadway version is avoided herein. ~ Hal Erickson, Rovi

Producer/director/star Clint Eastwood takes his sweet time getting Firefox started. Eastwood plays Mitchell Gant, a past-his-prime U.S. pilot, smuggled into the Soviet Union to steal a new Russian supersonic fighting plane. Fortunately the KGB men are as burnt out as Gant, enabling him to abscond with the plane with the greatest of ease. The rest of the film is a protracted chase, pitting Gant against scores of impersonal MIG pilots. Based on a novel by Craig Thomas. ~ Hal Erickson, Rovi

Controversial animator Ralph Bakshi's literal adaptation of J.R.R. Tolkien's classic fantasy trilogy, The Lord of the Rings, is brought to the screen in a reverent, stilted way, with Bakshi forsaking his sharp-edged animated looniness for a rotoscoped dullness. Although the film's title encompasses the entire Tolkien trilogy, this longish Bakshi feature, in fact, covers only the first book, The Fellowship of the Ring, and the first half of the second, The Two Towers. Given the complexity of the original story line, this unfortunately means that only those intimately familiar with the books will be able to understand what is happening in the movie. In brief, however, an evil sorcerer from a previous era created a magical ring which enables its users to call upon its tremendous powers to rule the world, but it inevitably warps them to evil. It was believed lost, but during a resurgence of magical evil in the world, Bilbo, a simple, plain-spoken hobbit, recovers it from its hiding place. The forces of good give his nephew Frodo the choice to bear the awful burden of the ring to a place where it may be destroyed. ~ Clarke Fountain, Rovi

Richard Donner's big-budget blockbuster Superman: The Movie is an immensely entertaining recounting of the origin of the famous comic book character. Opening on Krypton (where Marlon Brando plays Superman's father), the film follows the Man of Steel (Christopher Reeve) as he's sent to Earth where he develops his alter-ego Clark Kent and is raised by a Midwestern family. In no time, the movie has run through his teenage years, and Clark gets a job at the Daily Planet, where he is a news reporter. It's there that he falls in love with Lois Lane (Margot Kidder), who is already in love with Superman. But the love story is quickly sidetracked once the villainous Lex Luthor (Gene Hackman) launches a diabolical plan to conquer the world and kill Superman. Superman: The Movie is filled with action, special effects and a surprising amount of humor. ~ Stephen Thomas Erlewine, Rovi

Woody Allen's Love and Death is purportedly a satire of all things Russian, from Leo Tolstoy and Fyodor Dostoyevsky novels to Sergei Eisenstein films, but it plays more like a spin on Bob Hope's Monsieur Beaucaire. Allen plays Boris, a 19th century Russian who falls in love with his distant (and married) cousin Sonja (Diane Keaton). Pressed into service with the Russian army during the war against Napoleon, Boris accidentally becomes a hero, then goes on to win a duel against a cuckolded husband (Harold Gould). He returns to Sonja, hoping to settle down on the Steppes somewhere, but Sonja has become fired up with patriotic fervor, insisting that Boris join a plot to kill Napoleon. Intellectual in-jokes abound in Love and Death, and other gags are basic Allen one-liners; for instance, after being congratulated for his lovemaking skills, Boris replies nonchalantly, "I practice a lot when I'm alone." The pseudo-Russian ambience of Love and Death is comically enhanced by the Sergey Prokofiev compositions on the musical track. ~ Hal Erickson, Rovi

This low-budget horror film offers a veritable feast of campy fare as it tells the tale of an insane scientist's attempt to bring back the Third Reich by thawing out the prominent Nazis he has been storing in a deep freeze since WW II. He successfully thaws them out and gets them moving, but unfortunately their brains do not function correctly. In an attempt to rectify the situation, the doctor shaves and cuts off a young woman's head, lays it on a table, wires it to a strange machine, and forces her to control the zombie men telepathically. Unfortunately, she is mule-stubborn and refuses to do this. Instead, she telepathically calls for help, and then using her increasing powers, reanimates a few handy severed arms to take care of the wicked Nazis. ~ Sandra Brennan, Rovi

After declaring a holy war to rid the Sudan of Anglo-Egyptian rule in the 1880s, the fanatical Sudanese leader Muhammad Ahmad (Laurence Olivier) massacres a British-led force of 8,000 and marches on the strategic city of Khartoum at the confluence of the Blue Nile and the White Nile. The British government of Prime Minister William Ewart Gladstone (Ralph Richardson) then sends one of its greatest generals, Charles George Gordon (Charlton Heston), to Khartoum to make peace and save the city. Gordon had previously served with distinction in the Crimea, China, India and South Africa. Most important, he had also served as governor of the Sudan in the late 1870s at the request of the khedive of Egypt, instituting administrative reforms, reducing the slave trade and bolstering the economy. However, before Gordon reaches Khartoum with his aide, many of his former Sudanese friends defect to the Mahdi. Nevertheless, Gordon receives a rousing reception when he arrives in the city in February 1884. Heartened, he meets in the desert with the Mahdi to try to forge a peace agreement, but the Arab leader tells Gordon he is bent on taking Khartoum. What's more, he means to conquer other cities -- Cairo, Mecca, Baghdad and Constantinople -- to establish a vast empire under his leadership. Convinced that more war is inevitable, Gordon and the loyal Egyptian troops under his command prepare for battle. Meanwhile, in London, the Gladstone government is reluctant to dispatch troops to support the outnumbered Khartoum forces because colonial meddling has become bad politics. To forestall disaster, Gordon diverts the Nile to create a moat around Khartoum and leads a foray in which he steals cattle from the Mahdi's herd to supply the besieged city with food. But when the Nile recedes, the stage is set for the final battle that will decide the fate of Khartoum. ~ Mike Cummings, Rovi

In the final episode of the three-part story arc "Planet of Giants," the Doctor (William Hartnell) and his companions have finally managed to reach the authorities with their story of a diabolical germ-warfare plot hatched by businessman Forester (Alan Tilvern). Unfortunately, no one listens -- mainly because the crew of the TARDIS has shrunk to a height of one inch. Further perils await the Doctor and his entourage when they are designated as "aliens" and hunted down like -- well, like bugs. Written by Louis Marks, "Crisis" originally aired on November 14, 1964. ~ Hal Erickson, Rovi

In the second episode of the three-part story arc "Planet of Giants," the crew of the TARDIS, still shrunk to a height of one inch, tries to alert the authorities to the evil plans of Smithers (Reginald Barrett) and Forester (Alan Tilvern) to spread the deadly pesticide DN6 throughout the world. Unfortunately, the Doctor (William Hartnell) and his companions must make their way through a veritable jungle of giant matchboxes, deep sinkholes, and "huge" domestic pets. Even worse, our heroes must also face what one Doctor Who chronicler has described as "a new sort of death." Written by Louis Marks, "Dangerous Journey" originally aired on November 7, 1964. ~ Hal Erickson, Rovi

In this crime drama, a young woman goes undercover at a stripjoint to investigate the murder of her brother, a police detective. ~ Sandra Brennan, Rovi

In this British comedy set in Saudi Arabia, a gentle British travel-agency clerk decides that it would be a smashing idea to open up a desert resort in Arabia. He heads to the desert and immediately finds himself on the bad side of a local sheik as the fellow tries to build his resort atop oil-rich land. A war erupts between rival desert bands as they vie for the rights to the oil, but it is the travel agent who wins out in the end. ~ Sandra Brennan, Rovi

"Invisible Man" Peter Brady is disheartened by the news that eminent British scientist Professor Owens (Walter Fitzgerald) is losing all his money at the gambling tables in Italy. But appearances are deceiving: Owens is actually being forced to pose as a "ruined" man as part of a scheme hatched by gangsters who have kidnapped his daughter Suzy (Julia Lockwood). With the assistance of his sister Diana (Lisa Daniely, Peter utilizing his invisibility to foil the scheme and save the Owenses from a particularly nasty demise. ~ Hal Erickson, Rovi