Kevin Tighe Movies

Swedish director Lasse Hallstrom's follow-up to the underrated Once Around earned far more attention than its predecessor thanks to the judicious casting of perennial thinking woman's heartthrob Johnny Depp and a certain up-and-coming thespian by the name of Leonardo DiCaprio. A prisoner of his dysfunctional family's broken dreams in tiny Endora, IA, Gilbert (Depp) serves as breadwinner and caretaker for his mother and siblings following his father's suicide and his older brother's defection. Momma (Darlene Cates) is a morbidly obese shut-in who hasn't left the house in seven years; her children include retarded Arnie (DiCaprio), who's about to turn 18 despite a host of negative medical forecasts, and terminally embarrassed Ellen (Mary Kate Schellhardt), who's emerging from an awkward adolescence. When he's not taking care of the difficult but tender Arnie, Gilbert spends his time fixing up the family's tattered farmhouse, working at a failing mom-and-pop grocery store and hanging with local misfits Bobby (Crispin Glover), an overly ambitious junior undertaker, and Tucker (John C. Reilly), a handyman who hankers after a job at the new burger franchise. Into this complicated but essentially unchanging social universe steps Becky (Juliette Lewis), a thoughtful young woman who's been escorting her nomadic grandmother from state to state in a mobile-home caravan. As Becky teaches Gilbert to finally consider his own happiness for a change, she disrupts both his family obligations and his long-running affair with a lonely housewife (Mary Steenburgen). Adapted by Peter Hedges from his own novel of the same name, What's Eating Gilbert Grape was the first and only film role for non-actress Cates, whom the filmmakers discovered on an episode of the Sally Jesse Raphael Show titled "Too Heavy to Leave Their House." ~ Brian J. Dillard, All Movie Guide

Walter Hill directs John Milius's script (co-written by Larry Gross) depicting a revisionist perspective on the "Geronimo Campaign" and how Geronimo, with 34 men, managed to elude 5000 U.S. cavalry men between 1885 and 1886 before his surrender at the Canyon of the Skeletons in September 1886. The film centers upon Charles Gatewood (Jason Patric), the U.S. Cavalry lieutenant who is charged with capturing the elusive Apache leader. Gatewood is torn by a grudging respect for Geronimo and his people and his duty to his country. But then all the white men in the film have a respect for Geronimo, even as they are trying to hunt him down and kill him. General Charles Crook (Gene Hackman), charged with overseeing the forced settlement of the Apaches on reservations, has nothing but admiration for Geronimo. ~ Paul Brenner, All Movie Guide

An assemblage of young Hollywood actors poised for stardom marked this tale of anti-Semitism at a 1950s prep school. Brendan Fraser stars as David Greene, a working-class Jewish quarterback from Scranton, Pennsylvania, who is offered a senior year scholarship to a prestigious New England academy. It's David's ticket to an Ivy League education and a way out of his Rust Belt hometown, but there's one condition: the school's elders ask him to be discreet about his religion. At first willing to do so, David struggles with his silence about his faith as his popularity grows. David strikes up a friendship with his roommate Chris Reece (Chris O'Donnell) and a possible romance with Sally Wheeler (Amy Locane), a student at a nearby girls' school. When jealous classmate Charlie Dillon (Matt Damon) learns David's secret at an alumni party, he exposes the school's new gridiron hero, and David faces the full force of religious intolerance from the prejudiced WASP institution. Also featuring early performances from Ben Affleck, Anthony Rapp, and Cole Hauser, School Ties was loosely based on the real-life experiences of producer Dick Wolf, creator of TV's popular series Law & Order. ~ Karl Williams, All Movie Guide

This contemporary western stars Dermot Mulroney as a Montana teenager whose sanity is being eroded by his parent's domestic squabbles. Linking up with Lili Taylor, a Wyoming-bound transient with a checkered history, Mulroney embarks upon an odyssey of self-discovery. Unfortunately, he persists in crossing the paths of people even more emotionally disturbed than his mother and father. Adapted by Richard Ford from two of his short stories, Bright Angel is a film of short, pithy vignettes, handled with subtlety and sensitivity-at least until the unexpectedly brutal finale. ~ Hal Erickson, All Movie Guide

A city pulses with racial problems, political corruption, and small-time crime in this ambitious microcosm of urban life, written and directed by John Sayles. Nick Rinaldi (Vincent Spano), a lost soul usually high on drink and drugs, has spent his life in one New Jersey city, getting free rides from his connected father (Tony LoBianco) and hearing the locals talk of his brother's death in Vietnam. Searching for more control, Nick quits the cushy contractor's job provided by his Dad, feeling that major events are about to happen to him. That feeling proves accurate -- by film's end his life will change, as will the lives of many others. Nick is only the center of the movie's sprawling collection of people and plotlines; Sayles takes full advantage of this expansive landscape, as he often begins shooting one conversation, only to pull back and eavesdrop on another, in one smooth, intriguing shot. By listening in, we slowly learn about the citizens and their dilemmas, as the city's woes bubble to a narrative climax. Many of Sayles' regular players are on-screen (the movie features 52 roles), including Joe Morton as a frustrated councilman and David Strathairn as a disturbed street person. ~ Norm Schrager, All Movie Guide

At times, Another 48 Hrs. seems less like a sequel to than a parody of the first 48 Hrs., especially when Nick Nolte, repeating his role from the earlier film, begins commenting on the cliched absurdity of the goings on. This time, Nolte risks life, limb and career as he obsessively tries to bring an elusive master criminal known as "The Iceman" to justice. Eddie Murphy, who stole the show in the first 48 Hrs. as the wheeler-dealer convict who becomes Nolte's reluctant partner, is brought into the plotline of the second film when a contract is taken out on his life. The adversarial relationship between Nolte and Murphy, supposedly dissipated by the end of the first film, is revivified in the sequel via a couple of plot devices. Still, Murphy rallies to the occasion, in the process saving Nolte from being thrown off the force. Though not as successful as the first film, Another 48 Hrs. proved that there were still enough Eddie Murphy fans around in 1990 to insure a strong box-office showing. ~ Hal Erickson, All Movie Guide

In this entry in the long-running mystery series, Perry Mason listens to the pleas of a 13-year-old girl and helps her father who was falsely accused of murdering a gambler. ~ Sandra Brennan, All Movie Guide

Adam Horovitz, of Beastie Boys fame, plays a troublesome teen who is shipped off by his wealthy parents to an institute for "problem" youths. This is the sort of place where any sign of rebellion is dealt with in draconian fashion. The strapped-down Horovitz tells his life story to psychiatrist Donald Sutherland. In flashback, we see a fairly docile young Horovitz, whose chance involvement in a rumble instigated by gang leader Don Bloomfield leads to an arrest. Appearing in court, Horovitz is railroaded into the institute by his father, more as a means of getting even with his divorced wife than out of any concern for his son. Sutherland tries to help, but Horovitz betrays the doctor's trust once too often. Only by extricating himself from the influence of Bloomfield does Horovitz have any chance for redemption--and only by undergoing a domestic reversal of his own is Sutherland truly able to aid the boy. ~ Hal Erickson, All Movie Guide

Writer/director John Sayles' dramatization of the most infamous episode in professional sports -- the fix of the 1919 World Series -- is considered by many to be among his best films and arguably the best baseball movie ever made. This adaptation of Eliot Asinof's definitive study of the scandal shows how athletes of another era were a different breed from the well-paid stars of later years. The Chicago White Sox owner, Charlie Comiskey (Clifton James), is portrayed as a skinflint with little inclination to reward his team for their spectacular season. When a gambling syndicate led by Arnold Rothstein (Michael Lerner) gets wind of the players' discontent, it offers a select group of stars -- including pitcher Eddie Cicotte (Sayles regular David Strathairn), infielder Buck Weaver (John Cusack), and outfielder "Shoeless" Joe Jackson (D. B. Sweeney) -- more money to play badly than they would have earned to try to win the Series against the Cincinnati Reds. Sayles cast the story with actors who look and perform like real jocks, and added a colorful supporting cast that includes Studs Terkel as reporter Hugh Fullerton and Sayles himself as Ring Lardner. ~ Tom Wiener, All Movie Guide

Gage and DeSoto work their medical magic at a convention with an exasperated sniper and a choking conventioneer in this 2-part feature-length episode of Emergency! ~ All Movie Guide

This drama was taken from the popular TV series Emergency! and chronicles the exciting experiences of two LA paramedics who are sent to San Francisco to observe the paramedics there. Mayhem and romance ensues. ~ Sandra Brennan, All Movie Guide

Emergency: Survival on Charter No. 220 was a special 2-part, 2-hour installment of the weekly TV series Emergency. The emphasis is on paramedics Gage (Randolph Mantooth) and DeSoto (Kevin Tighe), who spring to action when a small private plane collides with a chartered jetliner. The enormity of the disaster requires Gage and DeSoto to work in tandem with medical personnel from Ramparts Hospital, as well as a team of municipal firefighters. Those familiar with Emergency should be able to determine that from this slim plot premise will blossom a multitude of major crises and minor irritations. Survival on Charter #220 was originally telecast on March 25, 1978. ~ Hal Erickson, All Movie Guide

It will be recalled that the Jack Webb-produced TV series Emergency! was originally networkcast from 1972 and 1977. Viewers may also remember that the series was headquartered at LA Ramparts hospital, where doctor Robert Fuller dispatched paramedics DeSoto (Kevin Tighe) and Gage (Randolph Mantooth) to various disasters, major and minor. Viewers may likewise remember that real-life husband and wife Bobby Troup and Julie London rounded out the cast as, respectively, doctor and nurse. For those with fuzzy memories, the made-for-TV clipfest Greatest Rescues of Emergency! will serve as a refresher. Originally telecast December 31, 1978, Greatest Rescues consists of highlights from Emergency's five-year run. Among these: rescues of air crash victims, would-be suicides, and a girl whose toe is stuck in a faucet (no, it isn't Mary Tyler Moore). Unifying these "flashbacks" are newly filmed scenes of paramedics Gage (Mantooth) and DeSoto (Tighe), recalling their careers just before both men are promoted to Fire Department captains. ~ Hal Erickson, All Movie Guide