Pamela Tiffin Movies

Originally made for French television, Iranian filmmaker Rafi Pitts directs the English-language documentary Abel Ferrara: Not Guilty. Pitts explores the life and work of maverick American filmmaker Abel Ferrara, shooting the director in his hometown of New York City. Ferrara provides ample interview footage and is seen through the eyes of actress Echo Danon, production designer Frank DeCurtis, and screenwriter Simone Lageoles. He discusses some of his films (King of New York, Bad Lieutenant) and is shown directing a music video, rehearsing with actors, and working with writers. Abel Ferrara: Not Guilty was shown at the 2003 Locarno Film Festival. ~ Andrea LeVasseur, All Movie Guide

In this unusual spaghetti western departure for exploitation filmmaker Paolo Cavara (La Tarantola dal Ventre Nero), two friends help Sam Houston work for Texas statehood. Johnny Ears (Franco Nero) and his deaf-mute sidekick Erastus "Deaf" Smith (Anthony Quinn) go after a Mexican general (Franco Graziosi) under orders from Germany to agitate the populace. The film looks terrific, thanks to cinematography by Tonino Delli Colli (Once Upon a Time in America), but is often lacking in the story department. Perhaps part of the blame belongs to co-screenwriter Harry Essex, fresh off the dreadful sci-fi flop Octaman (1971). Pamela Tiffin appears as a prostitute, and the film co-stars Tom Felleghy and Renato Romano. ~ Robert Firsching, All Movie Guide

Luigi Bazzoni (Le Orme) directed this outstanding giallo thriller starring Franco Nero as a hard-drinking newspaperman who gets involved in a string of brutal murders. After he investigates the first, he becomes a suspect himself but eventually manages to unravel a complex plot involving blackmail, adultery, and private sex shows. Wolfgang Preiss plays a creepy doctor, and Edmund Purdom is around as well. The impressive score is by Ennio Morricone, and the film looks great thanks to cinematographer Vittorio Storaro, on his way to his triumph with Last Tango in Paris. ~ Robert Firsching, All Movie Guide

A romance between a young woman factory worker and a barber is stopped when her parents raise protests over her relationship with the man. When rumors of the romance run rampant in the small town, she leaves for Rome. She takes a job as an assistant to a deaf-mute tailor and eventually accepts his proposal of marriage. The barber attempts suicide and is hospitalized. His depression is cured when he wins the lottery and he travels to Rome to reclaim his old love. They rekindle their romance and plan the demise of her husband by planting a bomb in the stove. The explosion miraculously restores the hearing and speech of the intended victim. The miracle prompts the husband to enter a monastery and help those with the disabilities that he himself overcame in the explosion. ~ Dan Pavlides, All Movie Guide

Screenwriter William Goldman has claimed that Paul Newman agreed to do Harper, the film that established the grateful writer's career, only because he was working unhappily on Lady L. (1965) in Europe, and was looking for something as unlike that film as possible. He stars as Lew Harper, a hip L.A. private dick whose business has gotten so bad that he's re-using his coffee grounds. At the suggestion of his friend, attorney Albert Graves (Arthur Hill), the detective takes on the investigation of the disappearance of the wealthy husband of waspish cripple Elaine Sampson (Lauren Bacall). After finding a photograph of former actress Fay Estabrook (Shelley Winters), Harper locates the alcoholic actress in a bar, plies her with booze, and takes her home to search her apartment while she's unconscious. There he takes a call which leads him to another bar to meet Betty Fraley (Julie Harris), a singer with a heroin problem. To curtail his inquisitive behavior, some large and unpleasant gentleman beat him up outside the saloon. Hoping for sympathy from his soon to be ex-wife (Janet Leigh), who has just filed divorce papers, the weary detective is much more successful than he has any right to expect. ~ Michael Costello, All Movie Guide

Marcello Mastroianni stars in this film which combines much of the 1965 release Paranoia with new footage. A police inspector is told of the bizarre behavior of a pistol-packing papa who shoots blanks at his wife to keep her intimidated. He inserts a real bullet every so often just to let her know she should pay attention. Another story has Mastroianni as a man who tries to sell his blonde wife to a wealthy sheik with a large harem. His wife has her own ideas and sells her husband instead as an addition to a male harem. He is condemned to servitude as the beautiful blonde steps into a luxury car and leaves him in the desert. ~ Dan Pavlides, All Movie Guide

In this beach movie, a group of teenagers hang out at the Silver Palms everyday after school. Because things can get quite raucous in the club, the protagonist's grandfather wants to shut it down. When the clever kids discover that grandpa used to be a bootlegger, they blackmail him into keeping it open. ~ Sandra Brennan, All Movie Guide

The lives and loves of a trio of airline hostesses is the whole story in this piece of fluff from MGM. Each of these perky women have cute and cuddly romances from an assortment of wealthy men as they offer coffee or tea on a flight from New York to Paris. Dolores Hart is searching for a rich sugar-daddy and thinks she's found one in a well-to-do baron (Karl Boehm). Lois Nettleton, on the other hand, opts for hooking a multi-millionaire Texan (Karl Malden). Pamela Tiffin, unluckier than the other two, finally flies starry-eyed for handsome pilot Hugh O'Brien. ~ Paul Brenner, All Movie Guide

This is the third time around for the Rodgers and Hammerstein musical. The action takes place in urban Texas instead of the traditional setting in rural Iowa. This film version contains five extra songs written exclusively by Richard Rodgers. Box office results were adequate at best, and movie going public deemed this version the least interesting of the three. The youth audience was lured by the casting of Ann-Margaret, Pat Boone and Bobby Darin. Alice Faye returned to the big screen after a sixteen year absence as Melissa Frake. Tom Ewell plays her husband, Abel. The plot finds a family traveling to Dallas for the Texas State Fair. Singing commences on the ferris wheel, the merry-go-round and in other locales. The only real action is the anticipation of a drag race between Wayne (Pat Boone) and the carrot topped, malevolent motorhead Red (Edward "Tap" Canutt). ~ Dan Pavlides, All Movie Guide

In his last starring film (it was supposed to be his last film, but Ragtime came along in 1981), James Cagney plays Coca-Cola executive C.R. MacNamara. Assigned to manage Coke's West Berlin office, MacNamara dreams of being transferred to London, and to do this he must curry favor with his Atlanta-based boss, Hazeltine (Howard St. John). Thus, MacNamara agrees to look after Hazeltine's dizzy, impulsive daughter, Scarlett (Pamela Tiffin), during her visit to Germany. Weeks pass, and on the eve of Hazeltine's visit to West Berlin, Scarlett announces that she's gotten married. Even worse, her husband is a hygienically challenged East Berlin Communist named Otto Piffl (Horst Buchholz). The crafty MacNamara arranges for Piffl to be arrested by the East Berlin police and to have the marriage annulled, only to discover that Scarlett is pregnant. In rapid-fire "one, two, three" fashion, MacNamara must arrange for Piffl to be released by the Communists and successfully pass off the scrungy, doggedly anti-capitalist Piffl as an acceptable husband for Scarlett. MacNamara must accomplish this in less than 12 hours, all the while trying to mollify his wife (Arlene Francis), who has learned of his affair with busty secretary Ingeborg (Lilo Pulver).

Seldom pausing for breath, Billy Wilder's film is a crackling, mile-a-minute farce, taking satiric scattershots at Coca-Cola, the Cold War (the film is set in the months just before the erection of the Berlin Wall), Russian red tape, Communist and capitalist hypocrisy, Southern bigotry, the German "war guilt," rock music, and even Cagney's own movie image. Not all the gags are in the best of taste, and most of the one-liners have dated rather badly, but Cagney's mesmerizing performance holds the whole affair together. Billy Wilder and I.A.L. Diamond adapted their screenplay from an obscure play by Ferenc Molnár. Watch for Red Buttons in an unbilled cameo as a military policeman, and listen for the voice of Sig Rumann, emanating from the mouth of actor Hubert Von Meyerinck (the Count von Droste-Schattenburg). ~ Hal Erickson, All Movie Guide