Lawrence Tierney Movies
A one-time model with a long rap sheet of less-than-ideal behavior, character actor Lawrence Tierney nevertheless managed to amass scores of film credits over a five-decade acting career before he passed away in 2002. Born in Brooklyn, NY, five years before actor/ brother Scott Brady, Tierney excelled in high school track, winning a scholarship to Manhattan College. Rather than stay in school, however, Tierney dropped out and became an itinerant laborer before his looks brought him a job as a catalogue model. In the early '40s, Tierney began acting in theater and was subsequently signed by RKO. Strengthening his skills with supporting roles in such films as Val Lewton's moody thriller The Ghost Ship (1943) and early teen drama Youth Runs Wild (1944), Tierney sealed his fame, and his image, with his performance as the eponymous gangster in the superb B-picture Dillinger (1945). Cashing in on Dillinger's success, RKO slotted Tierney into numerous tough guy roles, including two turns as archetypal Western outlaw Jesse James in Badman's Territory (1946) and Best of the Badmen (1950), a murderer in cult noir Born to Kill (1947), a sociopath in The Devil Thumbs a Ride (1947), and a career criminal in The Hoodlum (1951). His B-movie stardom also garnered Tierney a typically villainous role in Cecil B. De Mille's Oscar-winner The Greatest Show on Earth (1952). Tierney became just as well known in this period, though, for his offscreen exploits involving copious booze and physical violence. Tierney was such a regular in the Los Angeles jail that cops assured fellow RKO star and hell-raiser Robert Mitchum after his famous 1948 drug arrest, "We're keeping Lawrence Tierney's cell warm for ya." By the mid-'50s, Tierney's roles were becoming smaller and scarcer. His professional situation unchanged despite appearing in John Cassavetes' praised mental hospital drama A Child Is Waiting (1963), Tierney moved to Europe but he continued to get in trouble with the law. After he returned to New York in the late '60s, Tierney supported himself with a variety of jobs, including bartending, and maintained his pugnacious, drunken ways; he was stabbed in a brawl in 1973 and questioned in connection with a woman's suicide in 1975. Still, Tierney managed to score the occasional acting gig, appearing in Otto Preminger's Such Good Friends (1971), Andy Warhol's Bad (1977), and the blockbuster comedy Arthur (1981). Dry by 1983, Tierney returned to Hollywood to resurrect his career in earnest, and soon landed regular work on TV as well as in movies. Along with a role on NBC's Hill Street Blues, Tierney also appeared in Star Trek: The Next Generation and played a sheriff in the TV movie Dillinger (1991). On film, Tierney was as comfortable in John Sayles' thoughtful drama City of Hope (1991) as in John Huston's esteemed Mafia black comedy Prizzi's Honor (1985) and the tastelessly hilarious The Naked Gun (1988); he drew attention for his vigorous turn as Ryan O'Neal's alcoholic father in Tough Guys Don't Dance (1987). Tierney's most memorable late-career performance, however, was his no-nonsense, dryly funny criminal mastermind Joe Cabot in Quentin Tarantino's heist film Reservoir Dogs (1992). His longevity assured by Dogs, Tierney remained active into the late '90s, appearing in the Arnold Schwarzenegger comedy Junior (1994) and stylish Tarantino rip-off 2 Days in the Valley (1996), as well as playing Joey Buttafuoco's father in the TV yarn Casualties of Love: The "Long Island Lolita" Story (1993). Following the crime drama Southie (1998) and playing hard-nosed oil driller Bruce Willis' gruff father in Armageddon (1998), Tierney's health began to fail. He died in his sleep in February 2002. ~ Lucia Bozzola, All Movie Guide
This horror anthology is hosted by Vincent Price and features a quartet of chilling stories, all of which took place in a single town that seems to inspire people to do horrendous things to each other. The stories contain scenes of graphic violence and considerable gore. The film is also known as From a Whisper to a Scream. ~ Sandra Brennan, All Movie Guide
- Starring:
- Vincent Price, Clu Gulager, (more)
An officer of the law becomes a wanted man while trailing a killer in this crime drama. Jack Murphy (Charles Bronson) is a police detective who helped to put Joan Freeman (Carrie Snodgress), a psychotic murderer, behind bars ten years ago. However, Joan is now back on the street and determined to get revenge on Jack. She kills Jack's ex-wife and her new husband, and she cleverly frames the detective for the crime. Jack is arrested and taken into custody handcuffed to Arabella McGee (Kathleen Wilhoite), a rough-and-ready young hoodlum picked up for theft. Jack is able to escape, and has to track down Joan in order to clear his name with Arabella as his unwitting accomplice. Murphy's Law also features Lawrence Tierney and Richard Romanus. ~ Mark Deming, All Movie Guide
- Starring:
- Charles Bronson, Kathleen Wilhoite, (more)
Richard Condon's delicious black comedy was lovingly translated to the screen by legendary director John Huston in one of his last movies. The Prizzis are a powerful family of mobsters, as devoted to their code of honor as they are to bending laws and breaking skulls. Charley Partanna (Jack Nicholson), a Prizzi hit man, is not quite so honorable, at least where affairs of the heart are concerned. While attending a mob wedding, he throws over his longtime sweetheart Maerose Prizzi (Anjelica Huston) in favor of gorgeous Irene Walker (Kathleen Turner). Supposedly a tax consultant, Irene is actually a paid killer like Charley--and this endears her to him all the more. But when it turns out that Irene has betrayed the Prizzis, Charley finds himself on the horns of a dilemma: does he kill Irene or marry her? Fortuitously, Irene helps Charley make up his mind by attempting to kill him. The film's strongest suit is its matter-of-fact approach to Charley and Irene's profession; in the movie's most memorable scene, the two lovers calmly discuss their dinner plans while disposing of the corpse of their latest victim. Nominated for eight Academy Awards, including Best Picture and Best Director, Prizzi's Honor won Best Supporting Actress for Huston's daughter Anjelica, playing the "art imitates life" role of Nicholson's cast-off girl friend. The win made Anjelica, John, and Walter Huston the only three generations of one family all to win Oscars. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Nicholson, Kathleen Turner, (more)
In this undistinguished Stephen King horror adaptation, the good residents of Tarker's Mill are dense enough to ignore or explain away a series of violent deaths until a little boy is torn to pieces while flying his kite after dark. At that point, the men gang up and go into the fog-shrouded woods to hunt down whatever slasher is out there. The most they achieve is the sighting of one hairy arm and a few more sacrificial victims. But life goes on, and when the summer fireworks show is cancelled because people have deduced it might be fatal to stay out after dark, the Coslaw family's invalid, wheelchair-bound son Marty goes coasting off to the bridge to shoot his own fireworks. Needless to say, the hairy killer beast that is certain to be lurking there gets shot in the eyeball by one of Marty's rockets and is now an unhappy hairy killer beast. Even when a respected town biggie starts wearing an eyepatch, no one really takes notice. They must not watch many horror films. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Gary Busey, Corey Haim, (more)
In this gory (the special effects are especially well done) slice-n-dicer, the happiness and the sanity of a W.W.II vet is destroyed when he returns home and finds his girl in the arms of another at the town's annual dance. Outraged, he kills both with a pitchfork and the town does not hold the dance again for the next 35 years. The story jumps to the future and the town prepares to hold the dance again. Unfortunately, the vet hears about the dance and comes back to do a little more killing. ~ Sandra Brennan, All Movie Guide
- Starring:
- Vicki Dawson, Christopher Goutman, (more)
The ads for Arthur suggested that this was an obnoxious film about an obnoxious man, an eternally drunken millionaire indulging his every whim. Instead, Arthur (Dudley Moore) is a sweet, somewhat pathetic character whose millions have left him lonely and with no motivation in life. When the film opens, Arthur is on the threshold of an arranged marriage with simpering socialite Susan (Jill Eikenberry), whom he does not love. Everyone expects Arthur to behave himself, but nobody truly cares for his well-being, with the exception of father-figure butler Mr. Hobson (John Gielgud, who won an Oscar for his performance) and blue-collar shoplifter Linda (Liza Minnelli). Arthur would prefer to marry the lowly Linda, but his iron-willed grandmother (Geraldine Fitzgerald) threatens to pull the plug on his huge inheritance if he doesn't honor his position in life and go through with his marriage to Susan. A sequel, Arthur 2: On the Rocks, followed in 1988. ~ Hal Erickson, All Movie Guide
- Starring:
- Dudley Moore, Liza Minnelli, (more)
In this occult horror film, director John Russo, best known for Night of the Living Dead, has created a few twists on the plot of a heroine escaping one evil, only to encounter another, even worse. Some asides on the nature of racism are thrown in for good measure. After Nancy Johnson (Melanie Verlin) runs away from home because her drunken stepfather (Lawrence Tierney) tried to rape her, she is given a ride by two men who are actually thieves, and they all end up prisoners of a Southern family of Satanists. They plan on offering Nancy to the Devil himself at midnight on Easter Sunday. Some cinematic goofs -- Easter Sunday apparently falls in autumn since the leaves are turning color outside, and the "South" looks a lot like Pittsburgh -- are somewhat off-set by the make-up artistry of Tom Savini and a lively performance by Lawrence Tierney. Yet the pace is slow and the lesser protagonists solidly one-dimensional, tipping the balance more toward the minus -- which may be a plus to some viewers. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Lawrence Tierney, Melanie Verlin, (more)
- 1979
In this graphic and gory crime drama, a police officer hits the streets to get revenge upon the one who murdered his prostitute girl friend. On video, this is known as Bloodrage. ~ Sandra Brennan, All Movie Guide
- 1978
- PG
In this mystery, a woman is telepathically linked to houseplants. That link comes in handy when a plant witnesses the murder of her sister. The film is most interesting for its photography. Many of the striking auras were created using Kirlian photography, which manifests the auras that seem to surround all living things. ~ Sandra Brennan, All Movie Guide
- Starring:
- Nancy Snyder, Joel Colodner, (more)
The final film released under the Andy Warhol moniker (which Warhol executive produced) is a much more polished affair than Flesh, Trash or Heat, but preserves the oddball wit and eccentric flair that made those films so memorable. Directed by Warhol film editor Jed Johnson, Andy Warhol's Bad focuses on Hazel Aiken, a New York housewife who has to support a houseful of relatives on her own. She pays the bills by operating an electrolysis service out of her home and also by running a murder-for-hire service staffed exclusively by women that specializes in unsavory jobs like killing children and house pets. As a result of her latter job, she has to deal with unwanted attention from Detective Hughes, a corrupt cop who wants her to surrender one of her employees so he can make an arrest. Hazel's complex life grows even more difficult with the arrival of her nephew J.T. (Perry King), a sleazy layabout who wants to join her hit squad. As the bodies pile up around her, Hazel discovers that her cold-blooded take on capitalism and family values comes with a price she didn't imagine. Andy Warhol's Bad differs from previous Warhol productions because of its higher production values and Hollywood-friendly casting, but retains its sense of underground credibility thanks to a wild story line that trashes every taboo in arm's reach to create a memorably bizarre satire. Some sources erroneously list the year of release in 1971; it was in fact produced in 1976 and issued to theaters by Roger Corman's New World Pictures in 1977. The MPAA classified that version of the film with an X. It was later reedited to receive an R, which is the version available on video. ~ Donald Guarisco, All Movie Guide
- Starring:
- Carroll Baker, Perry King, (more)
- 1975
If familiar with the Patty Hearst episode, the viewer will likely believe this is a spin-off because it has most of the elements: wealthy white upper-class gal abducted by terrorists and held for big stakes--this time the ransom is the demand that a wealthy-man's palace (a high-rise condominium) be bombed in defiance of capitalist policy. However, the real source of the movie was a Harrison James novel published before the Hearst drama. This is an exploitative film, focused upon violence, nudity, lesbianism and of course, sex. ~ All Movie Guide
- Starring:
- Judith-Marie Bergan, David Pendleton, (more)
- 1971
- R
Based upon the novel by Lois Gould and adapted (under the pseudonym Esther Dale) by Elaine May, Such Good Friends focuses on Julie Messinger (played by Dyan Cannon), a woman with intense, often wild emotions that are held in check beneath a rather conventional façade. After her chauvinistic and self-centered husband Richard checks into the hospital for a simple mole removal that goes seriously wrong, Julie discovers that he has been titanically unfaithful to her. This is the straw that breaks the camel's back, and Julie decides it is time for her to break out of her shell, no matter what the consequences. She begins to exhibit a sexual interest in other men (sometimes indiscriminately, as when she seduces her family doctor, played by James Coco), and speaks her mind to others, including her egocentric mother (Nina Foch) and her hypocritical best friend (ennifer O'Neill). At the end, Julie wanders into Central Park and, presumably, a new life. ~ Craig Butler, All Movie Guide
Opening with a montage depicting its subject's Civil War exploits, Custer of the West carries us across four years of fighting in less than four minutes of screen time. The Civil War ended, George Armstrong Custer (Robert Shaw) longs for action and to hold onto his rank of general, so General Phil Sheridan (Lawrence Tierney) sends him West, admitting that there will be no nobility to his cause there -- the government and the people want the land, and that means getting the Indians off of it by any means necessary. He arrives in time to see a party of Cheyenne (whom the real Custer never fought) kill a pair of miners by sending them rolling down a long hill in a runaway wagon -- that motif is repeated, in ever more striking, elaborate, and violent fashions, in two subsequent action scenes. Custer organizes his command around Major Marcus Reno (Ty Hardin), depicted as an ambitious officer with a drinking problem, and Captain Benteen (Jeffrey Hunter), a humane officer with a strange, almost mystical streak, who understands the Indians better than anyone else in Custer's command. Also present are Mary Ure as Custer's loving wife and Robert Ryan in a very flamboyant performance as a larcenous sergeant who comes to no good end after being stricken with gold fever. After getting his command into the shape it needs to be -- mostly by running everyone except a lone sergeant into the ground in an extended drill -- he carries out his mission, quietly detesting the motives behind his orders but executing them out to the letter. Regarded as a hero in the East, Custer returns to Washington only to jeopardize his career by testifying about the corruption he's found around him in the West. He is left a political pariah but once more. Sheridan intercedes, again getting Custer posted with the Seventh Cavalry now engaged against the Sioux. He is, by this time, disillusioned with the army that he serves and the politicians and the business interests in whose service it functions. Though he craves the glory that comes with battle, he sees soldiering of the type he is being asked to carry out as little more than organized slaughter, even relying on machines to do the killing in ever more indiscriminate ways with none of the contest between men, of strategies, and arms and resourcefulness -- that was his real joy. The demons and goals that drive him culminate with Custer's disastrous action at Little Big Horn, which is beautifully (if not necessarily accurately) staged, in a stunning visual and aural denouement. ~ Bruce Eder, All Movie Guide
- Starring:
- Robert Shaw, Mary Ure, (more)
- 1966
A witch doctor is blamed for a series of murders in this thriller. The detective investigating the deaths discovers that the voodoo man is actually a servant who does his devilish work in a deep, dark basement. ~ Sandra Brennan, All Movie Guide
- 1963
Victor Jory stars as veteran police officer Paul Reardon, who vows to avenge the murder of his rookie-cop son, Philip (Peter Brown). Although ordered by the higher-ups to lay off, Paul is determined to bring drug kingpin Herbie Lane (Lawrence Tierney), the man responsible for Peter's death in a shoot-out, to justice. In fact, Paul will go to any length to settle accounts with Herbie -- even if his efforts kill both men. This 300th episode of Alfred Hitchcock's popular TV anthology is also the final episode of the series' eighth season. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Jory, Peter Brown, (more)
- 1963
Produced by Stanley Kramer, A Child is Waiting is set in an institution for the mentally handicapped, with many actual residents playing supporting and bit roles. Doctor Burt Lancaster and instructor Judy Garland often find themselves at odds over teaching methods, with Garland preferring an intense one-on-one approach with her students. Bruce Ritchey, a non-developmentally challenged youth, plays the retarded son of Gena Rowlands and Steven Hill, whose intellectual and social progress becomes the focal point of the film. The most uplifting sequence in A Child is Waiting takes place during a play staged by the genuinely handicapped children for their parents; while director John Cassavetes gilds the lily with close-ups of the teary-eyed audience, the kids themselves are earnest, engaging, and totally devoid of self-pity. According to Stanley Kramer, Judy Garland left her best work in this film on the cutting room floor; whenever completing a scene in which she'd exercised professional restraint, she'd insist upon a retake, then resort to the sobbing and breast-beating that her fans had come to expect. ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Lancaster, Judy Garland, (more)
- 1956
Yiddish Theater favorite Moishe Oysher heads the cast of the English-language Singing in the Dark. Oysher plays Leo, a concentration-camp survivor suffering from amnesia. He manages to ayed by Evelyne Cormand (acting) and Annie Feibermeyer (singing), and so forth. Because director H. W. Kolm-Vetee can't seem to make up his mind what approach to take with the material at hand, the audience is likewise confused. The English subtitles for Don Juan were written by film historian and essayist Herman G. Weinberg, best known for his biographical studies of Ernst Lubitsch and Erich von Stroheim. ~ Hal Erickson, All Movie Guide
- Starring:
- Moishe Oysher, Joey Adams, (more)
- 1956
Held back from release for nearly a year, The Female Jungle finally received bookings on the strength of its "star", Jayne Mansfield. In fact, Jayne plays the relatively minor role of a trashy nympho; the emphasis is on neurotic police dectective Lawrence Tierney. Circumstantial evidence suggests that Tierney is responsible for the murder of a gorgeous film star--and since he was drunk at the time of the killing, even Tierney suspects himself. For a while, the number one candidate for the gas chamber is slimy gossip columnist John Carradine, but he's a bit too obvious to be culprit. Without giving away the ending, it can be noted that the murderer is played by a member of the film's production staff. Female Jungle was later reissued as Hangover. ~ Hal Erickson, All Movie Guide
- Starring:
- Lawrence Tierney, John Carradine, (more)
- 1954
Like its predecessor Duffy of San Quentin, The Steel Cage is made up of episodes from a never-telecast TV series based on the career of progressive prison warden Clinton T. Duffy. Paul Kelly plays Duffy, while his wife is portrayed by Maureen O'Sullivan. Divided into three separate playlets, the film begins with the semi-comic story of an ill-tempered chef (Walter Slezak) who is railroaded into San Quentin by a gourmet prisoner. The second story concerns a tense hostage situation fomented by would-be escapees John Ireland and Lawrence Tierney. The closing story deals with an incarcerated painter (Kenneth Tobey), whose belief in God is renewed by an idealistic young priest (Arthur Franz). ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Kelly, Maureen O'Sullivan, (more)
Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines concerning romance and rivalry beneath the big top. DeMille's film includes spectacular action sequences, including a show-stopping train wreck. The Greatest Show on Earth won Academy Awards for Best Picture and Best Story. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Betty Hutton, Cornel Wilde, (more)
Also known as The Rebel, The Bushwackers was coscripted by director Rodney Amateau and actor Tom Gries (later the director of such big-budgeters as Will Penny). Tired of senseless bloodshed, civil war veteran John Ireland vows never to use a gun again. This proves difficult when Ireland runs afoul of town despot Lon Chaney Jr. It seems that Chaney takes special delight in tormenting the local newspaper editor, who happens to be the father of pretty heroine Dorothy Malone. Effectively avoiding stereotypes and cliches, The Bushwackers is a virtually a model of everything a good program western should be. ~ Hal Erickson, All Movie Guide
- Starring:
- John Ireland, Wayne Morris, (more)
The Hoodlum is tailor-made for the roughneck talents of actor Lawrence Tierney. The film details the rise and fall of a habitual criminal, and the havoc he wreaks on the lives of his loved ones. Things really go downhill when the "hero" (Tierney) seduces and abandons his brother's sweetheart (Allene Roberts), whereupon the girl commits suicide. Lawrence Tierney's "reel" brother is played by his real brother Edward; presumably, Tierney's more famous sibling Scott Brady was occupied elsewhere. The best performance is delivered by Lisa Golm as the Hoodlum's long-suffering mother. ~ Hal Erickson, All Movie Guide
- Starring:
- Lawrence Tierney, Allene Roberts, (more)
- 1950
Though RKO Radio Pictures was, in 1951, still faithful to the concept of "B" westerns starring Tim Holt, the studio was more than capable of turning out an "A" oater from time to time. Best of the Badmen stars Robert Ryan as a former Union officer who persuades a fictional vigilante group which closely resembles Quantrill's Raiders to lay down their arms and seek out new and honest lives. Ryan is undercut by shifty Pinkerton man Robert Preston, who wants to collect the rewards on the heads of the ex-vigilantes; to that end, he frames Ryan for murder. With the help of Preston's embittered wife Claire Trevor, Ryan escapes and turns outlaw with the men whom he'd earlier convinced to turn honest. Best of the Badmen was produced in Technicolor, enhancing its already potent box-office appeal. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Ryan, Claire Trevor, (more)
- 1950
Kill or be Killed is a leisurely crime caper, largely filmed in Mexico. Playing a sympathetic role for a change, Lawrence Tierney stars as Robert Warren, a tough but honest lug who is framed on a murder charge. Hiding out at a jungle plantation, Warren falls in love with Maria (Marissa O'Brien), the wife of plantation owner Marek (Rudolph Anders). Luck of luck, Marek and his partner Sloma (George Coulouris) are inextricably linked with the murder for which Warren is being pursued. The last two reels make up in excitement what they lack in credibility. ~ Hal Erickson, All Movie Guide
- Starring:
- Lawrence Tierney, George Coulouris, (more)
- 1950
Two-bit photographer Howard Duff wins a big newspaper assignment by romancing his lady boss (Peggy Dow). Duff is sent to take a picture of criminal Brian Donlevy, who doesn't like to be captured on celluloid. Donlevy takes a liking to Duff and asks him to frame one of the crook's less cooperative henchmen (Lawrence Tierney). Duff plays both sides of the fence, informing the henchman that his boss had planned to frame him. Shortly afterward, Donlevy is killed by a car bomb, and Duff becomes famous taking a picture of the event. Eventually Duff pulls one double-cross too many and is himself killed by the surly henchman--but not before taking a snapshot of his murderer in the act. Hard to believe, but Howard Duff makes his character in Shakedown somewhat likable, so that the audience is eager to see what sort of scam he'll pull next. ~ Hal Erickson, All Movie Guide
- Starring:
- Howard Duff, Brian Donlevy, (more)
