Jack Albertson Movies

A young married couple struggle with their personal problems and their union and the forthcoming birth oftheir unwanted child in this grim domestic drama. Much of the story centers on the husband, a former high school basketball star who is unable to leave the glory days behind and fashion a future for himself and his wife. Though pregnant, the wife is constantly drunk and the two constantly bicker. One night, they have row and the husband takes off to stay with his now-impoverished former coach thereby setting the stage for further turmoil and tragedy. The plot for Rabbit, Run is based on a John Updike novel. ~ Sandra Brennan, All Movie Guide

The Monk stars George Maharis as neither simian nor seminarian. Instead, he plays Gustavus "Gus" Monk, a San Francisco private eye/bodyguard created by Blake Edwards. The Monk is hired by an underworld lawyer (William Smithers) to deliver an envelope containing damning information about a powerful gangster. Monk isn't interested until he meets the lawyer's sexy wife (Janet Leigh)--and then he's off on a corpse-laden path of deceit and double-cross, with the man who hired him as Victim Number One. The Monk has a large cast of familiar faces (from Jack Albertson to Joe Besser) in its favor; unfortunately, this wasn't enough to secure a series sale for this one-shot TV pilot film. ~ Hal Erickson, All Movie Guide

Friends don't let friends mess around on the side in this comedy, though it quickly becomes obvious that making this happen isn't as easy as it may sound. When David Sloane (Dean Martin), a single lawyer with an eye for the ladies, learns that his best friend, Harry Hunter (Eli Wallach), has been cheating on his wife, he finds himself worried for his pal and decides to help him get his life back on the straight and narrow. David thinks that Harry is having an affair with his secretary, Carol Corman (Stella Stevens), so David begins romancing her himself, and soon he has Carol installed in a cozy love nest of their own. However, David has been using his seductive powers on the wrong woman; Harry has actually been fooling around with Muriel Laszlo (Anne Jackson), who lives nearby. When David tells Harry that he's stolen his mistress away from him, Harry isn't sure what's going on, but the message has the intended effect, and Harry patches things up with his wife Mary (Katherine Bard). But when Carol and Muriel compare notes, they decide that something is fishy, and the two draw up a series of demands -- Muriel insists that Harry leave Mary and marry her, while Carol wants David to make it legal with her. ~ Mark Deming, All Movie Guide

Frank D. Gilroy's Pulitzer-winning "kitchen sink" theatrical piece The Subject Was Roses was given a no-frills film transference in 1968. Martin Sheen and Jack Albertson re-create their stage roles as a returning serviceman and his alcoholic father. Patricia Neal takes over from the play's Irene Dailey as Nettie Cleary, Timmy's (Sheen) overly protective mother, long at odds with husband John (Albertson) over his drinking. Mother and Father try to put on a facade of happiness for the benefit of their son, but soon the three of them are squabbling again, just as if the boy had never been away. With the exception of adding a few extraneous characters, the film version of The Subject Was Roses is essentially the same as its 1964 Broadway counterpart. The film helped establish the career of Martin Sheen, launched a whole new dramatic career for Jack Albertson, and represented a triumphant comeback for Patricia Neal, who'd recently recovered from a debilitating stroke. ~ Hal Erickson, All Movie Guide

Michael Sarrazin plays Curley, a young man gone AWOL from the Army who soon makes the acquaintance of Mordechai (George C. Scott), a veteran confidence man. Mordecai takes a liking to Curley, and offers to show him the tricks of the trade as they drift through the American South, pulling one scam after another. But when Curley meets Bonnie Lee Packard (Sue Lyon), romance rears its head and Curley decides to go straight. Mordecai is not so easily convinced to leave his trade behind, however, and when a car theft goes spectacularly wrong and Mordecai ends up in jail, Curley has to pull a fast one to got his pal out of stir. The Flim Flam Man also features a host of notable character actors, including Slim Pickens, Alice Ghostley, and Strother Martin. ~ Mark Deming, All Movie Guide

George Axelrod's script for How to Murder Your Wife isn't politically correct in the least, but you're likely to get a charge out of it -- provided you are of the male persuasion, that is. Jack Lemmon stars as Stanley Ford, a successful cartoonist and a confirmed bachelor who shares a lavish apartment with his misogynistic manservant, Charles (Terry-Thomas). While attending a friend's bachelor party, Stanley falls head over heels in love with the gorgeous bikini-clad girl (Virna Lisi) who pops out of a cake. He impulsively marries her, but thinks better of it the next day. Alas, Stanleycan't get a divorce because his bride is an Italian Catholic (this is 1966). Dicier still, she is a "domestic goddess," lovingly plying her hubby with rich Italian food until Stanley's once-athletic physique is as bloated as the dirigible Hindenberg. Stanley's descent into husbandhood is reflected in his work: his popular adventure comic strip "Bash Brannigan" metamorphoses into a Blondie-like "idiot husband" daily. As a catharsis, Stanley vicariously "kills" his lovely wife by having Bash Brannigan murder his missus. Stanley's wife sees the finished strip on his desk and runs tearfully out of his life (at least temporarily). The publication of the strip, coupled with his wife's disappearance, results in Lemmon being put on trial for murder. We won't tell you how things turn out; suffice it to say that most feminists will be outraged, while most husbands will laugh immoderately. Eddie Mayehoff and Claire Trevor provide sparkling support as Lemmon's bombastic editor and his dragon-like wife. ~ Hal Erickson, All Movie Guide

After a dangerous tiger turns on its trainer and escapes from the circus, a small town in Texas finds itself in an uproar over its capture. As it is hunted by numerous parties, a young girl begins protesting and starts a nationwide movement to plead for the tiger's safety. As the situation gains more attention, the local attitude is torn by politics and outside pressure. At the time of its release, this feature (taken from a book by Ian Niall) was quite different for Disney as it portrayed realistic small-town politics rather than an ideal community. The titular tiger, on the other hand, seemed to have an uncanny knack of choosing baddies to prey upon while leaving all well-meaning folks alone. ~ Kristie Hassen, All Movie Guide

Toward the end of Jerry Lewis's Paramount studio period, Lewis slapped together this bitter comedy about Hollywood phoniness and fame that has to be the most rancid portrait of the Hollywood star system in the Rat Pack era this side of Clifford Odets. When a famous entertainer suddenly is killed in an airplane crash, his team of flunkies -- producer Caryl Fergusson (Everett Sloane), writer Chic Wymore (Phil Harris), press agent Harry Silver (Keenan Wynn), director Morgan Heywood (Peter Lorre in his final film role), valet Bruce Alden (John Carradine), and secretary Ellen Betz (Ina Balin) -- decide to continue their life style by finding a complete unknown and manufacturing him into a Hollywood star. That unknown turns out to be the nervous and inept bellboy Stanley Belt (Jerry Lewis). They train Stanley to become an over-night singing sensation, and despite a disastrous recording session and a failed nightclub performance, the public relations blitz makes Stanley's recording of "I Lost My Heart in a Drive-In Movie" a smash single. So much so that Stanley is given a shot at appearing on "The Ed Sullivan Show." Expecting the worst, Stanley's management team abandons him right before his performance. But Stanley musters up enough confidence to go on the live program alone and manages to surprise his pessimistic ex-staff. A collection of Hollywood celebrities circa 1964 --George Raft, Ed Wynn, Ed Sullivan, Mel Torme, Rhonda Fleming and Hedda Hopper -- make cameo appearances. High spots include an apocalyptic music lesson with voice teacher Dr. Mule-rrr (Hans Conried), Ed Sullivan performing a bizarre impersonation of himself, and an ending that would make even Jean-Luc Godard blush. ~ Paul Brenner, All Movie Guide

Written by John Furia, Jr., this hilarious 60-minute Twilight Zone entry stars Howard Morris as nebbishy George P. Hanley, who, while seeking out a birthday present for his secretary Ann (Patricia Barry), purchases a battered old oil lamp. Sure enough, the lamp contains a Genie (played with withering sarcasm by Jack Albertson), who grants George the standard three wishes. Unable to decide what to wish for, George mulls over several possibilities, including one scenario that finds him serving as President of the U.S. His indecision results in a variety of comic complications, capped by an outrageous denoument. A scattershot satire of early 1960s pop culture and politics, "I Dream of Genie" was originally telecast March 21, 1963. ~ Hal Erickson, All Movie Guide

Lawyer Dean Martin's gambling habit is beginning to get on the nerves of his wife Lana Turner. To keep the money in the family, Lana talks Dino's law partner Eddie Albert into acting as Martin's bookie. Not only does this plan not work, but it also rouses the ire of Runyonesque gangster Walter Matthau. In the cutest of the film's cute twist, Lana saves herself and her husband by solving Matthau's financial and domestic problems. A minor but efficiently assembled star comedy, Who's Got the Action benefits from tasty production values and a knockout supporting cast, including Paul Ford, John McGiver, Nita Talbot, Ned Glass, and fabled pin-up girl June Wilkinson. ~ Hal Erickson, All Movie Guide

In this addiction melodrama, Joe Clay (Jack Lemmon), a promising adman, meet his future wife Kirsten (Lee Remick) at a party. Once married, the pressures of his business lead Joe to seek solace in liquor. Kirsten joins him in his nocturnal drinking sessions, and before long both are confirmed alcoholics. After several frightening episodes, Joe is able to shake the habit thanks to AA, but Kirsten finds it impossible to get through the day without liquor. The two split up, although Joe clings to the hope that someday he and Kirsten will be reunited, if for no reason other than the sake of their young daughter. J.P. Miller adapted the screenplay from his own 1958 Playhouse 90 television script. Though nominated in several categories, Days of Wine and Roses won only the Best Song Oscar for Henry Mancini's title tune. ~ Hal Erickson, All Movie Guide

This was the first feature-length film directed by the very successful George Roy Hill. Based on a Tennessee Williams' novel, this standard comedy-drama focuses on two married couples who are both having a hard time of it, at least for now. The first couple, Isabel and George Haverstick (Jane Fonda in an early role, and Jim Hutton), are in trouble because George has bouts of intense fear ultimately brought on by his need to appear to be as macho as he can -- basically his problem is performance anxiety. The second couple, Ralph and Dorothea Baitz (Tony Franciosa and Lois Nettleton) have their problems centering on the fact that he married her for her money -- and she knows it. What she may not realize is that after six years of marriage he has fallen in love with her. Added to that difficulty is the problem of meddlesome in-laws. ~ Eleanor Mannikka, All Movie Guide

One of the few Twilight Zone episodes with virtually no sci-fi/fantasy trappings whatsoever, this is nonetheless a disturbing and unsettling half hour. In the midst of a surprise birthday party, the revellers are shocked to hear a Civil Defense announcement on the radio, declaring that America is under attack from UFOs. Only Dr. Stockton (Larry Gates) has had the foresight to build a bomb shelter, and before long, he and his family are besieged by desperate neighbors, demanding to be allowed to take refuge in Stockton's cellar. As tensions reach a fever pitch, all of the suppressed hostilities and prejudices of the neighbors come rushing to the surface -- a dangerous situation reminiscent of the finale of the first-season episode "The Monsters are Due on Maple Street," minus the extraterrestrial punchline. Written by Rod Serling, "The Shelter" first aired on September 29, 1961. ~ Hal Erickson, All Movie Guide