Rachel Ticotin Movies

Filmed in Canada for American television, Love Mary is based on the true story of Dr. Mary Groda Lewis. When we first meet Mary, she's neither a Lewis nor a doctor, but instead a troubled young girl played by Kristy McNichol. Diagnosed as retarded and incorrigible, Mary is shunted off to a reform school. Here, counselor Rachel Ticotin discovers that Mary's handicap is not retardation but dyslexia. After years of intense and compassionate therapy, Mary is allowed to re-enter the outside world--where two illegitimate pregnancies and a debilitating stroke do not dissuade the girl from her goal of becoming a doctor. Refreshingly, there is no individual human villain in Love Mary; her parents (Piper Laurie and Matt Clark) are supportive throughout the film, while the other authority figures are shown to be subservient to a faulty, pigeonholing "system." ~ Hal Erickson, Rovi

When a small-time businessman (Richard Pryor) needs a loan, he goes to a loan shark and ends up in jail on false pretenses. After feigning madness to get out, he is tossed into the mental ward of a hospital. ~ John Bush, Rovi

In Paul Verhoeven's wild sci-fi action movie Total Recall, Arnold Schwarzenegger plays a 21st-century construction worker who discovers that his entire memory of the past derives from a memory chip implanted in his brain. Schwarzenegger learns that he's actually a secret agent who had become a threat to the government, so those in power planted the chip and invented a domestic lifestyle for him. Once he has realized his true identity, he travels to Mars to piece together the rest of his identity, as well as to find the man responsible for his implanted memory. Verhoeven has created a fast, furious action film with Total Recall, filled with impressive stunts and (literally) eye-popping visuals. Though the film bears only a passing resemblance to the Philip K. Dick short story it was based on ("We Can Remember It For You Wholesale"), the movie is an entertaining, if very violent, ride. ~ Stephen Thomas Erlewine, Rovi

An honest man struggles to do the right thing, even if it means breaking the law, in this drama. Artie Lewis (Michael Keaton) is a scrupulously ethical cop who believes in his work, loves his wife Rita (Rene Russo), and stands by his partner Stevie Diroma (Anthony LaPaglia). Stevie is a single parent, and when he's shot and killed on duty, his three daughters (Grace Johnston, Rhea Silver-Smith, and Blair Swanson) are left with nowhere to go. Artie and Rita want to adopt Stevie's girls, but Child Welfare Services decides that their apartment is too small for three children. Artie needs to buy a house, which would require a $25,000 down payment that he doesn't have. Desperate, Artie grabs his gun and robs Beniamino (Tony Plana), a particularly scummy drug dealer who was peripherally involved in Stevie's death. Artie uses most of the take to buy the house, and he gives the rest to Father Wills (Vondie Curtis-Hall), who runs a local orphanage. However, what Artie doesn't know is that Beniamino's girlfriend Grace (Rachel Ticotin) is actually an undercover cop who won't stand by as Artie plays Robin Hood. ~ Mark Deming, Rovi

In F/X 2: The Deadly Art of Illusion, Bryan Brown returns as movie special-effects designer Rollie Tyler. Having barely escaped with his life after being duped and exploited by the villains in the first F/X, he isn't too eager to channel his talents into police work again. He'd much rather design harmless playthings for the kiddies. Still, detective Mike Brandon (Tom Mason) manages to convince Rollie to help the cops trap a dangerous voyeur. When Brandon is killed, Rollie suspects there's more to the story than meets the eye. With the aid of his old buddy Leo McCarthy (Brian Dennehy, likewise a veteran of the first F/X), Rollie uncovers a vast conspiracy involving both the police and organized crime. Of course, this compels Rollie to come up with a series of dazzling live-action special effects to confound the bad guys. ~ Hal Erickson, Rovi

Based on a novel by Thomas McGuane, this made-for-TV feature stars William Petersen as Joe Starling, a painter suffering from creative block. For inspiration, he returns to his family's Montana home, only to find the land coveted by a malevolent developer (Jack Palance). ~ Jason Ankeny, Rovi

It's just not William Foster's (Michael Douglas) day. Laid off from his defense job, Foster gets stuck in the middle of the mother of all traffic jams. Desirous of attending his daughter's birthday party at the home of his ex-wife (Barbara Hershey), Foster abandons his car and begins walking, encountering one urban humiliation after another (the Korean shopkeeper who obstinately refuses to give change is the worst of the batch). He also slowly unravels mentally, finally snapping at a fast-food restaurant that refuses to serve him breakfast because it's "too late." Running amok with an arsenal of weapons at the ready, Foster -- also known as "D-FENS" because of his vanity license plate -- rapidly becomes a source of terror to some, a folk hero to others. It's up to reluctant cop Prendergast (Robert Duvall), on the eve of his retirement, to bring D-FENS down. ~ Hal Erickson, Rovi

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone's extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo's eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson's hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film's extreme violence -- numerous edits were required to win an R rating -- became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape. ~ Judd Blaise, Rovi

Former war hero Cameron Poe (Nicolas Cage) is sentenced to eight years in prison when he accidentally kills a man in a barroom brawl while defending his pregnant wife. When his release comes through, he's eager to see the daughter he's never met. However, Poe's original flight is delayed, so he's put aboard a flight transporting ten of the most dangerous men in the American penal system to a new high-security facility. One of the criminals, Cyrus "The Virus" Grissom (John Malkovich), is a serial killer and insane genius who has hatched a diabolical plot: with the help of several other hoods, including Diamond Dog (Ving Rhames), Johnny 23 (Daniel Trejo), and Garland Greene (Steve Buscemi), Cyrus and his men will hijack the plane and fly to a neutral nation where they can live as free men. Poe finds himself stuck in the middle; he has to find a way to get home, keep himself alive, look after his cellmate Baby-O (Mykelti Williamson), who will die without proper medicine, and try to help the cops on the ground, including agent Vince Larkin (John Cusack). Producer Jerry Bruckheimer's first film after the death of his partner Don Simpson, Con Air shows he learned well how to assemble the formula all by himself, with plenty of action, stunts, and special effects and not a lot of story to get in the way. ~ Mark Deming, Rovi

In this drama, a young drug dealer is sent to a strict and difficult boot camp in hopes that discipline and self-confidence will help him create a better life. ~ Sandra Brennan, Rovi

A boy tries to solve the mysteries of growing up with the help of a ghostly friend in this comedy-drama. Thirteen-year-old Danny (Bryan Burke) is having more than his share of problems adjusting to life after the death of his father, and it doesn't help that he's falling in love with Julie (Michelle Trachtenberg), a girl who has been his best friend for years. Julie happens to have a crush on Archie (Michael Galeota), a new kid at school, and she finds Danny's attempts to win her heart more comical than convincing. While visiting his father's grave to play him a song he's been learning for the school band, Danny encounters the ghost of Hubbie Darling (Ralph Macchio), a jazz saxophonist from the '30s who is waiting for the spirit of the woman he loved. Hubbie takes Danny under his wing and tries to give him a few pointers on the fine art of dealing with the fairer sex -- while also showing him how to play his horn like a pro. Forever Together (which was produced under the title Can't Be Heaven) also features Diane Ladd, Garry Marshall, and Matt McCoy. ~ Mark Deming, Rovi