Rachel Ticotin Movies

The 2008 sequel to the female buddy film The Sisterhood of the Traveling Pants constitutes an adaptation of Ann Brashares' novel Forever in Blue: The Fourth Summer of the Sisterhood. Like the premier installment, this picture explores the seriocomic events that unfold one summer in the lives of four temporarily estranged friends as an extremely special pair of jeans works its way from one girl to the next. In one subplot, Lena (Alexis Bledel) travels to Providence, RI, and enrolls in a painting course; in another, Bridget (Blake Lively) embarks on an archaeological excavation in Greece; in a third, Carmen (America Ferrera) works on the backstage crew for a Vermont-based theater festival; and in the fourth, Tibby remains in New York and enrolls in summer courses. Sanaa Hamri, best known for her Prince and Mariah Carey music videos, directs; Elizabeth Chandler, who co-scripted the first film, adapts the Brashares book. ~ Nathan Southern, Rovi

Ann Brashares' best-selling novel for young adults comes to the big screen in this engaging comedy drama. Carmen (America Ferrera), Bridget (Blake Lively), Lena (Alexis Bledel), and Tibby (Amber Tamblyn) are four teenage girls who have been close friends since they were babies (and even before -- their mothers all knew each other from attending the same prenatal exercise class). However, fate has dictated that for the first time ever the young women will be spending their summer apart -- Carmen will be visiting her father, whom she hasn't seen in years, Lena will be visiting her grandparents in Greece, Bridget is attending a soccer camp in Mexico, while Tibby is stuck working at a discount store. A few days before Carmen, Lena, and Bridget leave, the four go shopping, and while at a thrift shop they discover an unusual pair of blue jeans that, despite the fact they're all of different height and weight, fits all four women perfectly. The girls buy the jeans and pledge to each look after them for a week at a time, hoping they'll bring one another good luck as the girls deal with a variety of new life experiences, both good and bad. ~ Mark Deming, Rovi

In keeping with the light and slick tones of her earlier film What Women Want, Nancy Meyers writes and directs the romantic comedy Something's Gotta Give. Jack Nicholson plays Harry Langer, a swinging sixtysomething entertainment executive surrounded by plenty of young girlfriends. His latest romance is young petite sophisticate Marin (Amanda Peet), who takes him to her mother's beach house in the Hamptons for a weekend fling. However, Marin's successful Broadway playwright mother Erica Barry (Diane Keaton) is already vacationing at the house with her sister Zoe (Frances McDormand). Marin and Harry stay anyway, and Harry ends up having a heart attack. He goes to the hospital and is looked after by thirtysomething doctor Julian Mercer (Keanu Reeves). Impressed by her writing, Dr. Mercer finds himself pursuing a romance with Erica. Because of his serious health condition, he orders Harry to stay near the hospital. While Marin returns to Manhattan, Erica agrees to stay on and look after Harry. Of course they are repulsed by each other at first, but they end up falling in love throughout the recovery process. Also starring Jon Favreau as Harry's assistant. ~ Andrea LeVasseur, Rovi

Beyond the fact that it was seen on PBS, the dramatic series American Family bore no relation to the classic docudrama series of the 1970s. Created by filmmaker Gregory Nava, the series focused on a "typical" Latino family in East L.A., and as such was the only program on "regular" TV to feature an almost exclusively Latino cast. Edward James Olmos starred as patriarch Jess Gonzalez, a Korean war veteran, barber, and staunch conservative. Jess often found himself at ideological war with his daughter Nina (Constance Marie), a feminist attorney who'd returned to the family home in the wake of a personal tragedy. Also on hand was Jess' semi-estranged wife Berta (Sonia Braga); his older son Esteban (Esai Morales), a recent prison parolee who struggled to maintain custody of his own son Pablito (Austin Noah Marques); younger offspring Cisco, who incessantly videotaped his family and posted his handiwork on his own website; and the family's zany Aunt Dora (Raquel Welch), who, perhaps inevitably, lived next door. According to Gregory Nava, the series' dramatic thrust was that the Gonzalezes were "trying to deal with their identity -- who they are, where they came from, and where they are now." American Family began its 12-episode run on January 23, 2002. ~ Hal Erickson, Rovi

Hard-drinking newspaper reporter John McWhirter (Fred Ward) finds himself in the middle of a messy political assassination plot when he is compelled to keep in his house an on-the-lam Palestinian operative, Armiti Khalq (Rachel Ticotin). McWhirter, who is being heavily pressured by his editor (Virginia Madsen) to come up with a scoop, has no choice but to keep the woman safe as a payback to two old friends he apparently betrayed when they were university radicals during the turbulent 1960s. The overreaching FBI bureau chief, Robert Lecker (Christopher Plummer), is anxious to find the woman and send McWhirter and his companions away -- unless they happen to die first. Meanwhile, a manic hit woman, Michelle (Penelope Ann Miller), discovers Armiti's hiding place and closes in for the kill, just as McWhirter returns home. ~ Buzz McClain, Rovi

A boy tries to solve the mysteries of growing up with the help of a ghostly friend in this comedy-drama. Thirteen-year-old Danny (Bryan Burke) is having more than his share of problems adjusting to life after the death of his father, and it doesn't help that he's falling in love with Julie (Michelle Trachtenberg), a girl who has been his best friend for years. Julie happens to have a crush on Archie (Michael Galeota), a new kid at school, and she finds Danny's attempts to win her heart more comical than convincing. While visiting his father's grave to play him a song he's been learning for the school band, Danny encounters the ghost of Hubbie Darling (Ralph Macchio), a jazz saxophonist from the '30s who is waiting for the spirit of the woman he loved. Hubbie takes Danny under his wing and tries to give him a few pointers on the fine art of dealing with the fairer sex -- while also showing him how to play his horn like a pro. Forever Together (which was produced under the title Can't Be Heaven) also features Diane Ladd, Garry Marshall, and Matt McCoy. ~ Mark Deming, Rovi

Airplane travel is a precarious thing at best, and despite the billions of miles traveled safely, the notion of being trapped in a thin metal shell miles above the ground with someone who deliberately imperils lives never fails to chill. In this thriller, serial killer Ryan Weaver (Ray Liotta) gets loose in the plane which is taking him to prison. Suicidal, he manages to kill or incapacitate the pilot, copilot and navigator, only to have his death wish thwarted by the brave actions of flight attendant Teri Halloran (Lauren Holly). Teri manages to keep the plane in the air and more or less on course with groundside help from air traffic controller Sam Bowen (Ben Cross). Teri is Weaver's favorite type of victim and he has made her believe that he may be innocent. Will she be able to resist the killer's sinister charm and save the plane? ~ Clarke Fountain, Rovi

A psychiatrist treats a most unusual patient, only to find that the doctor is the one who gains the most from their sessions in this philosophical romantic comedy. A young man in a mask and cape (played by Johnny Depp) is standing atop a billboard, threatening to jump. When the potential suicide is finally talked down, he's brought to a psychiatric facility where after one doctor washes his hands of the case, he's placed under the supervision of Dr. Jack Mickler (Marlon Brando), an aging psychiatrist soon to retire. The patient informs Mickler that he is actually the great lover Don Juan, who has seduced over 1,500 women, but has fallen into a deep depression after being unable to win the hand of the woman of his dreams. Mickler has ten days to work with "Don Juan," after which he will either be released on medication or committed to a long-term stay in a mental hospital. As Mickler talks with the young man, who speaks rapturously of the art of love, the doctor finds that his philosophies are helping to kick start his failing relationship with his wife (Faye Dunaway), and he slowly becomes convinced that his patient might really be Don Juan after all. Don Juan DeMarco's theme song, "Have You Ever Really Loved a Woman," became a major hit for singer and songwriter Bryan Adams; after working with Marlon Brando on this film, Johnny Depp cast the legendary actor in a key supporting role in his directorial debut, The Brave. ~ Mark Deming, Rovi

Director Andrew Davis followed up the action blockbuster The Fugitive (1993) with this Capra-esque box office dud that nevertheless featured engaging dual performances by Andy Garcia. Garcia stars as Ruben and Robby, twin brothers who were raised separately and have become total opposites. Ruben has recently inherited a 40,000-acre Santa Barbara estate from his eccentric guardian, Mona (Holland Taylor). A friend to artisans and migrant workers, Ruben wants to transform the land into a commune, while the cold-hearted Robby wants to steal it from his brother, develop it and make millions. Muddying the waters are Lou (Alan Arkin), a quick-thinking ex-cop and pal of Ruben's who is able to manipulate the law to his own purposes, Eddie (Joe Pantoliano), a shark lawyer who plays both sides against the middle, and Ruben's ex-wife Laura (Rachel Ticotin). When each brother masquerades as the other for a time, however, some insights are gained by both. ~ Karl Williams, Rovi

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone's extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo's eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson's hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film's extreme violence -- numerous edits were required to win an R rating -- became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape. ~ Judd Blaise, Rovi

Marc Rocco's gritty drama Where the Day Takes You stars Dermot Mulroney as King, a street-smart hustler who acts as a father figure to a motley collection of young runaways. Among the people in his sphere are the young self-destructive drug addict Greg (Sean Astin), self-hating gay prostitute Little J (Balthazar Getty), and newcomer Heather (Lara Flynn Boyle). The film is structured as a series of flashbacks triggered by King's conversations with a prison psychologist (Laura San Giacomo). Included in the impressive cast are such soon-to-be-famous names as Will Smith and Ricki Lake, and the already established Kyle MacLachlan, Christian Slater, and Alyssa Milano. ~ Perry Seibert, Rovi

This made-for-TV cop drama is deliberately reminiscent of Joseph Wambaugh's previous video success Police Story. LA Law star John Spencer plays a big-city cop with deep and serious emotional problems. His inner turmoil is exacerbated when he plunges into a troublesome murder case. Among the many personal demons with which the cop is wrestling is the memory of how a brief act of impulsiveness in his past led to tragedy. From the Files of Joseph Wambaugh: Jury of One debuted November 29, 1992. ~ Hal Erickson, Rovi