Karl Heinz Böhm Movies

The son of famed conductor Karl Böhm, German actor Karl Heinz Böhm began his performing career on stage. He appeared in his first film in 1952 and went on to play romantic leads in films throughout Europe. He also occasionally appeared in American films. He is best known for working in the "Sissi" series of films. ~ Sandra Brennan, All Movie Guide
1963  
 
A pre-Star Trek Leonard Nimoy guest stars as Neumann, a German-speaking American private who acts as interpreter when Sgt. Saunders (Vic Morrow) and the squad capture an enemy hospital. Speaking through Neumann, German medic Bauer (Karl Boehm) tries to persuade Saunders to let him retrieve some much-needed plasma from a wrecked convoy, but the sergeant suspects trickery and turns him down. The situation reverses itself in sudden and startling fashion when Neumann is seriously wounded. ~ Hal Erickson, All Movie Guide

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1963  
 
The lives and loves of a trio of airline hostesses is the whole story in this piece of fluff from MGM. Each of these perky women have cute and cuddly romances from an assortment of wealthy men as they offer coffee or tea on a flight from New York to Paris. Dolores Hart is searching for a rich sugar-daddy and thinks she's found one in a well-to-do baron (Karl Boehm). Lois Nettleton, on the other hand, opts for hooking a multi-millionaire Texan (Karl Malden). Pamela Tiffin, unluckier than the other two, finally flies starry-eyed for handsome pilot Hugh O'Brien. ~ Paul Brenner, All Movie Guide

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Starring:
Dolores HartHugh O'Brian, (more)
1963  
 
In this melodrama a prodigal son returns to his home village after he is acquitted of his stepfather's death to find that most of his former neighbors now shun him. At least his best friend sticks by him. Soon the young man finds himself drawn to his loyal buddy's lover. He and the woman have an affair. Later his friend finds out and vows to kill him. He cannot do it. At the same time, the young man cannot keep hurting his only true friend. As a result he spurns the woman, who runs off into the darkness and gets hit by a car driven by her first lover's mother's car. ~ Sandra Brennan, All Movie Guide

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1958  
 
Based on an operetta by Franz Schubert, the film is partially biographical. Franz (Karlheinz Boehm) is in love with Hannerl (Johanna Matz) but is too shy to reveal his feelings. After composing a love song, he engages a young baron to sing to her. Hannerl instead falls in love with the baron. The girl's parents lament over the problems of Hannerl and her two sisters, who are all young women living at home and eligible for marriage. Beethoven (Ewald Balser) and legendary music publisher Diabelli (Richard Romanowsky) are Schubert's famous contemporaries, giving historical perspective to the three music legends. ~ Dan Pavlides, All Movie Guide

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Starring:
Karl Heinz BöhmGustav Knuth, (more)
1955  
 
At the end of World War II, US soldier Desny comes back to his German girlfriend and has problems with her brother, who owns an amusement park and dabbles in the black market. ~ All Movie Guide

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Starring:
Ivan DesnyGertrud Kückelmann, (more)
1954  
 
Swiss actress Signe Hasso, who'd previously toted up several respectable Hollywood credits, improved the international marketability of Die Sonne von St. Moritz (The Sun of St. Moritz). Hasso plays Gertie Selle, the wife of a seriously ill older man. Tending to the husband's needs is Dr. Robert Frank (Karlheinz Boehm, later billed as Karl Boehm), who falls in love with Gertie. When the wife administers a fatal overdose of medicine to her husband, Dr. Frank -- correctly suspecting that she has committed murder -- elects not to report the particulars of the death. This turns out to be a big mistake later on, when Gertie attempts to blackmail the doctor. The crisis seems to end with the death of one of the principals, but in fact it's only the beginning. Die Sonne von St. Moritz is based on a novel by P. O. Hoecker. ~ Hal Erickson, All Movie Guide

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Starring:
Karl Heinz BöhmSigne Hasso, (more)
1976  
 
This West German historical fantasy, based on the novel by Felix Pinner, examines what might have happened beginning in 1910 if the Ruhr valley steel mills had continued their normal civilian operations rather than being switched over to produce war materials. ~ Clarke Fountain, All Movie Guide

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Starring:
Grischa HuberMargret Homeyer, (more)
1955  
 
1974  
NR  
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Rainer Werner Fassbinder's adaptation of a late 19th-century novel by Theodor Fontane is an austere period piece that may be the least characteristic of the German director's films. The titular heroine, played by Fassbinder regular Hanna Schygulla, is a 17-year-old girl forced into a loveless marriage with an old count. Living as the aristocrat's trophy wife, Effi endures her provincial existence unhappily. Her circumstances lead to a brief affair with a young lieutenant that attracts the attention of the townspeople, but not her unsuspecting husband's. Years later, however, the count discovers the love letters between his wife and her lover. As dictated by convention, he challenges the lieutenant to a duel and throws his wife out of their home. The shamed Effi is forced to live by herself, shunned by society and spurned by her family. Effi eventually returns to her unsympathetic parents, who reluctantly take in their disgraced daughter. ~ Elbert Ventura, All Movie Guide

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1975  
 
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Faustrecht der Freiheit (Fox and His Friends) was one of the many films in the short, but prolific, career of German auteur Rainer Werner Fassbinder. Fassbinder plays Franz Biberkopf, a financially poor gay man who performs in a traveling circus as Fox the Talking Head. One day, he lucks into winning half a million marks in a lottery. This attracts the attention of numerous swindlers, including Eugen (Peter Chatel), who becomes Fox's lover, gets Fox to spend the money on Eugen, and then dumps Fox mercilessly once the money is gone. Unable to come to terms with how he has been used, and miserable at being in the same place he was before he won the money, Fox commits suicide. The cast is rounded out by El Hedi ben Salem and Brigitte Mira, the stars of Fassbinder's celebrated Ali: Fear Eats the Soul. ~ Perry Seibert, All Movie Guide

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Starring:
Rainer Werner FassbinderPeter Chatel, (more)
1952  
 
Aka House of Life, this German film takes place in a busy maternity hospital. The multicharactered, multistoried narrative is somewhat reminiscent of the 1930s Hollywood production Life Begins. The expectant mothers run the usual stereotypical gamut, from the unwed mom worthy of love and motherhood to the selfish socialite who really shouldn't be permitted to procreate. Linking the stories together are Dr. Haidt (Gustav Froelich) and his female assistant (Cornell Borchers), who has her own deeply personal reasons for her choice of profession. Not unexpectedly, romance blooms between hero and heroine. ~ Hal Erickson, All Movie Guide

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Starring:
Gustav FroehlichCornell Borchers, (more)
1955  
 
This delightful presentation is a variation of the "Ugly Duckling" theme. The wallflower and the actor both decide to change their lives in this German film. ~ All Movie Guide

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1993  
 
The title of this documentary on Rainer Maria Fassbinder is just slightly changed from the title of a film that director made in 1976, entitled Ich Will Doch Nur, Dass Ihr Mich Liebt (I Only Want You to Love Me). The wunderkind of postwar German filmmaking died at age 36 in 1982 after making over 50 films in his short fifteen year career. He tended to produce resolutely experimental films using members of his theatrical troupe, the "Anti-Theater." Hanna Schygulla, frequently the female lead in his films, speaks about the man and his character as a director, as do others who were members of his extended filmmaking family. This is the first attempt to produce a documentary of the audacious, controversial director since his death, and it is interesting that it shuns personal controversies (his homosexuality, drug use) that he never shied away from in real life. Those looking for a deeper perspective on the man's character and development will have to wait for another feature; his complex and far-reaching career will surely yield quite a few. ~ Clarke Fountain, All Movie Guide

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Starring:
Rainer Werner FassbinderHanna Schygulla, (more)
1959  
 
In this war drama, three Nazi survivors are rescued after their battleship sank. Initially they are given heroes' accolades for their courage, but then it becomes apparent that these men actually jumped ship three hours before the boat sank. The men are tried and subsequently executed. ~ Sandra Brennan, All Movie Guide

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1966  
 
Originally L'Heure de la Verte, the French Hour of Truth Stars Brett Halsey, Corinne Marchand and Karl Boehm. At the end of World War 2, a Nazi escapes arrest by assuming the identity of concentration camp victim. 20 years later, he is threatened with exposure. The only way out would seem to be murder. Hour of Truth was lensed largely on location in Israel. ~ Hal Erickson, All Movie Guide

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1961  
 
Too lugubrious and downbeat to come off as believable, this routine tragedy by director Yvan Govar contains several misunderstandings leading to multiple deaths. Gus (Karl Boehm) has just gone through a harrowing trial for the murder of his stepfather, and he was acquitted. Once back home again, he discovers that the townspeople still consider him to be a murderer. His one remaining friend soon loses that distinction when his girlfriend falls for Gus, and leaves him. That is bad enough, but then she is killed in an accident and as might be expected, everyone blames Gus. His situation goes from bad to much worse -- but the count of victims has not ended. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Pascale PetitKarl Heinz Böhm, (more)
1973  
 
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Martha is a wealthy and totally self-involved woman -- so much so that on a trip during which her father dies, she does indeed cry, but only because she lost her purse. She marries a stranger who claims not to be at all attracted to her, and their wedding is only the beginning of a battle between them to determine who will get the upper hand over the other. Martha holds her own in this genuinely sado-masochistic relationship, until a tragic accident paralyzes her. ~ Clarke Fountain, All Movie Guide

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1975  
 
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Mother Kusters (Brigette Kira) is the wife of a factory worker who goes beserk one day, killing himself and the boss' son. Mother finds herself a media celebrity, which only serves to make herself and her late husband look like idiots. Later, Mother is "adopted" by a Communist couple who wish to exploit her husband's "act of defiance" for their own purposes. Finally left alone, Mother Kusters decides to stop living off her husband's notoriety and turn into a human being again. Director Rainer Werner Fassbinder used the 1929 film Mother Krausen's Journey to Happiness as a springboard for his own mysoginistic slant on opportunism. The film hit a bit too close to home in his own country, where it was banned from entering the Berlin Film Festival. ~ Hal Erickson, All Movie Guide

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1954  
 
1958  
 
Based on a novel by George Simenon, Le Passager Clandestin was one of the few French-Australian co-productions of the 1950s -- or of any decade, for that matter. Shot on location in Tahiti, the film stars Martine Carol as a stowaway on a naval vessel. She hopes to eventually be reunited with her former lover, but instead falls for a handsome ship's officer. The two men detest one another on sight, culminating in a deadly confrontation. With no one else left standing, Carol switches her allegiance to a feckless young sailor. One of Carol's amours is played by Karlheinz Boehm, who later gained international stardom as Karl Boehm. ~ Hal Erickson, All Movie Guide

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Starring:
Martine CarolRoger Livesey, (more)
1960  
 
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Michael Powell's controversial meditation on violence and voyeurism effectively destroyed his career when it was first released, but later generations have come to regard it as a masterpiece. Karl Heinz Boehm stars as Mark, the son of a psychologist who kept a video journal of the boy's upbringing for research purposes. The constant intrusions profoundly affected the boy, who grew up to be a photographer himself; but his principal subject matter consists of women whom he murders before the camera. He then runs the films of his victims in their final throes so that he can study their reactions to death--a perverse extension of his father's experiments, which tormented Mark to analyze his reactions to raw fear. The British press had long been hostile to the unorthodox films of Powell and his partner Emeric Pressburger; when Peeping Tom came around, they used the film to castigate him as "sick" and tawdry. The passage of time has proven Peeping Tom as profound and accomplished as any of Powell's earlier films, and it ranks with Alfred Hitchcock's Rear Window (1954) and Vertigo (1958) as a landmark exploration of the links among voyeurism, violence, and male sexual desire. Powell himself plays the evil father in the flashback sequences, and his son Colomba plays Mark as a child. ~ Hal Erickson, All Movie Guide

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Starring:
Karl Heinz BöhmMoira Shearer, (more)

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