Karl Heinz Böhm Movies

Aka House of Life, this German film takes place in a busy maternity hospital. The multicharactered, multistoried narrative is somewhat reminiscent of the 1930s Hollywood production Life Begins. The expectant mothers run the usual stereotypical gamut, from the unwed mom worthy of love and motherhood to the selfish socialite who really shouldn't be permitted to procreate. Linking the stories together are Dr. Haidt (Gustav Froelich) and his female assistant (Cornell Borchers), who has her own deeply personal reasons for her choice of profession. Not unexpectedly, romance blooms between hero and heroine. ~ Hal Erickson, All Movie Guide

Swiss actress Signe Hasso, who'd previously toted up several respectable Hollywood credits, improved the international marketability of Die Sonne von St. Moritz (The Sun of St. Moritz). Hasso plays Gertie Selle, the wife of a seriously ill older man. Tending to the husband's needs is Dr. Robert Frank (Karlheinz Boehm, later billed as Karl Boehm), who falls in love with Gertie. When the wife administers a fatal overdose of medicine to her husband, Dr. Frank -- correctly suspecting that she has committed murder -- elects not to report the particulars of the death. This turns out to be a big mistake later on, when Gertie attempts to blackmail the doctor. The crisis seems to end with the death of one of the principals, but in fact it's only the beginning. Die Sonne von St. Moritz is based on a novel by P. O. Hoecker. ~ Hal Erickson, All Movie Guide

At the end of World War II, US soldier Desny comes back to his German girlfriend and has problems with her brother, who owns an amusement park and dabbles in the black market. ~ All Movie Guide

Based on a novel by George Simenon, Le Passager Clandestin was one of the few French-Australian co-productions of the 1950s -- or of any decade, for that matter. Shot on location in Tahiti, the film stars Martine Carol as a stowaway on a naval vessel. She hopes to eventually be reunited with her former lover, but instead falls for a handsome ship's officer. The two men detest one another on sight, culminating in a deadly confrontation. With no one else left standing, Carol switches her allegiance to a feckless young sailor. One of Carol's amours is played by Karlheinz Boehm, who later gained international stardom as Karl Boehm. ~ Hal Erickson, All Movie Guide

Michael Powell's controversial meditation on violence and voyeurism effectively destroyed his career when it was first released, but later generations have come to regard it as a masterpiece. Karl Heinz Boehm stars as Mark, the son of a psychologist who kept a video journal of the boy's upbringing for research purposes. The constant intrusions profoundly affected the boy, who grew up to be a photographer himself; but his principal subject matter consists of women whom he murders before the camera. He then runs the films of his victims in their final throes so that he can study their reactions to death--a perverse extension of his father's experiments, which tormented Mark to analyze his reactions to raw fear. The British press had long been hostile to the unorthodox films of Powell and his partner Emeric Pressburger; when Peeping Tom came around, they used the film to castigate him as "sick" and tawdry. The passage of time has proven Peeping Tom as profound and accomplished as any of Powell's earlier films, and it ranks with Alfred Hitchcock's Rear Window (1954) and Vertigo (1958) as a landmark exploration of the links among voyeurism, violence, and male sexual desire. Powell himself plays the evil father in the flashback sequences, and his son Colomba plays Mark as a child. ~ Hal Erickson, All Movie Guide

Too lugubrious and downbeat to come off as believable, this routine tragedy by director Yvan Govar contains several misunderstandings leading to multiple deaths. Gus (Karl Boehm) has just gone through a harrowing trial for the murder of his stepfather, and he was acquitted. Once back home again, he discovers that the townspeople still consider him to be a murderer. His one remaining friend soon loses that distinction when his girlfriend falls for Gus, and leaves him. That is bad enough, but then she is killed in an accident and as might be expected, everyone blames Gus. His situation goes from bad to much worse -- but the count of victims has not ended. ~ Eleanor Mannikka, All Movie Guide

There's a rumor that the MGM executive who thought that Glenn Ford could fill Rudolph Valentino's shoes in the 1962 remake of Valentino's Four Horsemen of the Apocalypse would have been arrested had it been sufficiently proven that he was competent to stand trial. The World War I setting of the original Blasco-Ibanez novel has been updated to World War II, but the basic plot remains the same. A well-to-do Argentinian family, rent asunder by the death of patriarch Lee J. Cobb, scatters to different European countries in the late 1930s. Before expiring, Cobb had warned his nephew Carl Boehm that the latter's allegiance to the Nazis would bring down the wrath of the titular Four Horsemen: War, Conquest, Famine and Death. Ford, Cobb's grandson, has promised to honor his grandfather's memory by thwarting the plans of Boehm. At the cost of his own life, Ford leads allied bombers to Boehm's Normandy headquarters. As unsuited as Glenn Ford was for his role, co-star Ingrid Thulin was even worse: her Swedish accent proved so impenetrable that MGM was obliged to have Angela Lansbury dub Ms. Thulin's voice. A major misfire for director Vincente Minnelli, The Four Horseman of the Apocalypse was an expensive flop, forcing MGM to hope and pray that their upcoming epic How the West Was Won would save the studio's hindquarters (it did). ~ Hal Erickson, All Movie Guide

The lives and loves of a trio of airline hostesses is the whole story in this piece of fluff from MGM. Each of these perky women have cute and cuddly romances from an assortment of wealthy men as they offer coffee or tea on a flight from New York to Paris. Dolores Hart is searching for a rich sugar-daddy and thinks she's found one in a well-to-do baron (Karl Boehm). Lois Nettleton, on the other hand, opts for hooking a multi-millionaire Texan (Karl Malden). Pamela Tiffin, unluckier than the other two, finally flies starry-eyed for handsome pilot Hugh O'Brien. ~ Paul Brenner, All Movie Guide

A pre-Star Trek Leonard Nimoy guest stars as Neumann, a German-speaking American private who acts as interpreter when Sgt. Saunders (Vic Morrow) and the squad capture an enemy hospital. Speaking through Neumann, German medic Bauer (Karl Boehm) tries to persuade Saunders to let him retrieve some much-needed plasma from a wrecked convoy, but the sergeant suspects trickery and turns him down. The situation reverses itself in sudden and startling fashion when Neumann is seriously wounded. ~ Hal Erickson, All Movie Guide

In this spy thriller, Robert Vaughn, who then starring on TV's The Man from U.N.C.L.E., plays Bill Fenner, an ex-CIA agent who is called upon by his former boss, Frank Rosenfeld (Ed Asner), to investigate an apparent murder-suicide in Vienna. An American diplomat exploded a bomb at a peace conference, killing himself and all the attendees. Rosenfeld fired Fenner because his wife, Sandra Fane (Elke Sommer), was unmasked as a Communist. Now Rosenfeld tells Fenner that his wife may have been involved with Soviet agents behind the Vienna incident. Fenner eventually finds Sandra, who is hiding from the real bombing culprit, Robert Wahl (Karl Boehm). The story was based on a novel by Helen MacInnes. ~ Michael Betzold, All Movie Guide