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Uma Thurman Movies

An actress noted as much for her exotic, almost otherworldly beauty as she is for her considerable talent, Uma Thurman is one of the most renowned actors of her generation. The daughter of celebrated professor of Buddhist studies Robert A.F. Thurman and Nena von Schlebrugge, a model and psychotherapist who was once married to Timothy Leary, Uma was born in Boston on April 29, 1970. Raised with three brothers in Amherst, where her father taught at Amherst College, she enjoyed a fairly bohemian upbringing, one that was marked by visits from Eastern holy men and Tibetan refugees. Encouraged to think for herself and be independent, Thurman, who had been interested in acting from an early age, left her Massachusetts boarding school at the age of 15 to pursue an acting career. Moving to New York, she earned a living by washing dishes and modeling, though the latter means of support never agreed with her.

The fledgling actress made her debut in Kiss Daddy Goodnight (1987), a forgettable film that cast her as a teen vamp who seduces and robs unsuspecting men. She had a starring role in the teen comedy Johnny Be Good (1988) and also made an eye-catching appearance in Terry Gilliam's underseen fantasy adventure film The Adventures of Baron Munchausen (1988). But it wasn't until her casting in Stephen Frears' Dangerous Liaisons (1988) as Cécile de Volanges, the impressionable convent girl deflowered by John Malkovich's slimy Vicomte de Valmont, that Thurman first gained recognition. Her scenes with Malkovich, particularly the one in which he offers to teach her a few bedroom terms in Latin, proved to be some of the most memorable of the year, resulting in a sizable helping of fame for the young actress. Further recognition followed with Thurman's portrayal of Henry Miller's wife -- and the object of both his and Anaïs Nin's affections -- in Philip Kaufman's Henry & June (1990). Unfortunately, the actress' role in the NC-17 film -- which required her to take part in explicit love scenes with Maria de Medeiros -- inspired a great deal of unwelcome, stalker-like attention from any number of "fans," causing Thurman to shy away from doing a subsequent number of films. The projects she did take part in all proved to be forgettable affairs: Robin Hood (1991), Final Analysis (1992), Jennifer 8 (1992), Mad Dog and Glory (1993), and Gus Van Sant's Even Cowgirls Get the Blues (1994).

By the time Thurman received the script for Quentin Tarantino's Pulp Fiction, her career was in great need of resuscitation. Fortunately, Pulp Fiction provided just that. A huge, unanticipated success, it was the most talked-about film of the year, eventually becoming recognized as one of the most influential films of the decade. For her part, Thurman gave a sly, smoldering performance as Mia Wallace, the coke-snorting wife of gangster Marsellus Wallace (Ving Rhames), and soon found herself enjoying both a Best Supporting Actress Oscar nomination and an accompanying resurgence in Hollywood popularity. She followed the success of Pulp Fiction with three relatively modest romantic comedies: A Month by the Lake (1995), The Truth About Cats & Dogs (1996), and Beautiful Girls (1996). The 1997 future dystopia Gattaca did little for Thurman but introduce her to co-star and future husband Ethan Hawke. (The two married in May of 1998 and had a daughter later that year; Thurman had been married once before, to Gary Oldman). Batman & Robin, that same year, was less than a high point in Thurman's career. 1998 proved to be similarly disappointing, with both The Avengers, which cast the actress as the cat-suited Emma Peel opposite Ralph Fiennes' John Steed, and Bille August's Les Miserables experiencing swift deaths at the box office.

Thurman resurfaced in 1999 in Woody Allen's widely acclaimed Sweet and Lowdown. The story of a famed jazz guitarist (Sean Penn) whose talent is inversely proportional to his merits as a human being, the film cast Thurman as his worldly, unfaithful wife. The following year, she had starring roles in two lavish period dramas, Merchant-Ivory's The Golden Bowl and Roland Joffé's Vatel. The former, a Henry James adaptation that premiered to great acclaim at the 2000 Cannes Festival, featured Thurman as a commoner caught up in a forbidden love affair with an impoverished prince (Jeremy Northam); the latter, which also premiered at Cannes, cast Thurman as a French noblewoman during the reign of King Louis XIV. Supporting performances in Richard Linklater's Tape and husband Hawke's Chelsea Walls (both 2001) were soon to follow, and though Thurman's performances were solid as ever, the limited release of both films found her gaining minimal exposure. Though Thurman was virtually unrecognizable in her role as a lovelorn Jersey girl in the HBO feature Hysterical Blindness (2002), her bravado performance earned her a Best Actress Golden Globe and the downbeat drama found audiences once again compelled by her marked versatility. Little did audiences know that her next role couldn't be more different.

Thurman may had done action before in such efforts as Batman & Robin and The Avengers, but her role as the vengeful Bride in Quentin Tarantino's eagerly anticipated Kill Bill nevertheless found viewers' jaws planted firmly on the popcorn-littered multiplex floors. With the production initially delayed due to Thurman's pregnancy, the two-time mother quickly shed her excess weight shortly after giving birth to son Roan; after a vigorous training program, the violent revenge epic was back on track. Even though Thurman made no secret of the fact that balancing the difficult tasks of motherhood and superstardom often took their toll on her during the production of Kill Bill, the dedicated actress pulled off the physically demanding role without a hitch. Debuting in October 2003 to overwhelmingly positive reviews, Kill Bill Vol. 1 (the film was split into two halves after being deemed too long by studio Miramax) still managed to split audiences due to its virtually nonstop, extremely graphic violence. With Kill Bill Vol. 2 scheduled to roll into theaters four months later, fans wasted no time in speculating on The Bride's carnage-laden quest to even the score with the titular Bill (David Carradine) after the ruthless killer gunned her down on her wedding day.

In the wake of the Kill Bill extravaganza, it seemed that Thurman was having an especially difficult time finding her footing at the box office when the Get Shorty sequel Be Cool, the romantic comedy Prime, and the musical comedy remake The Producers failed to make any real impact with viewers. Her career in serious need of a pick-me-up after three notable misfires, Thurman would make yet another grab for laughs when, in the summer of 2006, she starred as needy superhero who uses her powers to seek revenge against an ex-boyfriend attempting to move on in My Super Ex-Girlfriend.

In 2010, Thurman joined the cast of Percy Jackson and the Lightning Thief in the role of Medusa, the snake-haired gorgon who could turn a man to stone with no more than a look. The actress played a decidedly different type of character in Ceremony (2010), a critically acclaimed independent comedy that featured Thurman as a woman in her late thirties with a tendency to date the wrong type of guy. In 2012, Thurman co-starred in the period drama Bel Ami. ~ Rebecca Flint Marx, Rovi
1997  
PG13  
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This was the third follow-up to Tim Burton's Batman (1989), the original revisionist look at the Gotham City legend, as well as the second in the Batman series directed by Joel Schumacher and the first featuring George Clooney as the Caped Crusader; it features not one but two super-villains, and a new heroine to fight crime alongside Bruce Wayne (aka Batman) and Dick Grayson (aka Robin) (Chris O'Donnell). The experiments of Dr. Victor Fries (Arnold Schwarzenegger) to preserve his late wife cryogenically have gone horribly wrong, turning him into the evil genius Mr. Freeze, who must keep his body at sub-zero temperature in order to say alive -- and he wants to put Gotham City on ice. Shy horticulturist Pamela Isley (Uma Thurman) goes a bit wild with a Venus Fly Trap-like creation she's been working on and mutates into Poison Ivy, who wants to kill all the people on Earth so plants can take over. Can Batman and Robin stop these fiends before their plans go too far? Meanwhile, Bruce and Dick's faithful butler Alfred (Michael Gough) isn't feeling well, so his niece Barbara (Alicia Silverstone) comes to pay a visit. When Barbara finds out what her uncle's employers do in their spare time, she decides she wants in on the action, and she joins the crime fighting twosome as Batgirl. Batman & Robin also features Jesse Ventura in a small role as a prison guard; it would be his last film role before becoming Governor of Minnesota in 1998. ~ Mark Deming, Rovi

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Starring:
Arnold SchwarzeneggerGeorge Clooney, (more)
 
1996  
R  
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A high-school reunion in a snowy New England town brings together a diverse band of former classmates. They include NYC pianist Willie Timothy Hutton who has found only small success playing night clubs and is considering taking a job as a supply salesman. While in town, Willie, who is having relationship problems with his girlfriend, finds himself becoming friends with 13 year-old Marty Natalie Portman. Then there's Tommy Matt Dillon, the aging jock who though seriously involved with Sharon Mira Sorvino, cannot resist the occasional walk down memory lane by sleeping with the former prom-queen Darian Lauren Holly, who is married but believes that her husband won't find out. Paul Michael Rapaport is dumped by his waitress girlfriend Jan Martha Plimpton, in part because of the swimsuit-clad supermodels plastered all over his walls. Paul then becomes attracted to Andera Uma Thurman, who is visiting her cousin Stinky Pruitt Taylor Vince, a local tavern owner. Also among the group -- Gina Rosie O'Donnell, who fancies herself a feminist counselor and who, in one of the film's highlights, delivers a poignant rant against how magazines present unrealistic images of women. ~ Michael Hastings, Rovi

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Starring:
Timothy HuttonMatt Dillon, (more)
 
1996  
PG13  
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In this updated and gender-reversed variation on Cyrano de Bergerac, Janeane Garofalo stars as Abby, the host of a radio talk show for people who have problems with pets. One day, she gets a call from Brian (Ben Chaplin) who is having trouble with his Great Dane (who enjoys roller skating). After a few minutes on the phone, Brian is immediately taken with Abby, and she's certainly interested in him. However, while Abby is not unattractive, she's terribly self-conscious about her appearance. When he asks her for a description, instead of telling him she's a diminutive brunette with big brown eyes, she describes her neighbor Noelle (Uma Thurman), a tall, rail-thin, blue eyed blonde. When Ben sets up a date, Abby is frantic and convinces Noelle to take her place. However, while Abby sounds smart, witty and charming over the radio (or the telephone), Noelle speaks like -- well, I think the phrase dumb blonde is called for here. Brian becomes puzzled -- why is it Abby is so great on the phone but so inarticulate in person? And what's the story with her friend, the cute brunette who sounds so smart? Noelle is even more confused; she wants to help her friend, but she's finding herself falling for Brian as well. The Truth About Cats and Dogs gave Ben Chaplin his first role in an American film and Janeane Garofalo's first starring turn after several notable supporting performances. ~ Mark Deming, Rovi

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Starring:
Uma ThurmanJaneane Garofalo, (more)
 
1995  
PG  
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This romantic comedy is set upon Italy's beautiful Lake Como just before WW II erupted in Europe. British, middle-aged, but still-attractive Miss Bentley has come to the lake to visit the family resort. She has not been there since her father died and since her 14-year relationship with a married man broke up. The place has changed since she was there last and there is only one other Britisher there, the single, handsome Major Winslow, a wealthy industrialist. He and she engage in a few rounds of tennis, and begin a tentative romance that is interrupted when flirtatious American-upstart Miss Beaumont shows up and begins toying catlike, with the affections of the vulnerable major. Meanwhile, Miss Bentley finds herself dallying with a handsome young Italian. ~ Sandra Brennan, Rovi

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Starring:
Vanessa RedgraveEdward Fox, (more)
 
1994  
R  
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Writer/director Gus Van Sant's early bid for big-time commercial success -- a success he didn't manage to achieve until Good Will Hunting -- is based on Tom Robbins' 1976 feminist bestseller. Uma Thurman plays Sissy Hankshaw, a woman born with very large thumbs. After her parents (Grace Zabriskie and Ken Kesey) take her to a doctor (Buck Henry), who offers her parents no remedy for their daughter's condition, the film races ahead to the 1970s. Sissy is now a popular feminine hygiene spray model for a product called Yoni Yum, the product of a company owned by The Countess (John Hurt in drag). Sissy travels to the Rubber Rose beauty ranch, also owned by The Countess, to shoot a Yoni Yum commercial. At the ranch, she makes the acquaintance of the inscrutable Chink (Pat Morita) and Bonanza Jellybean (Rain Phoenix). But under the nose of The Countess, the cowgirls on the ranch are talking mutiny, with the women trying to liberate the Rubber Rose Ranch from the chains of patriarchal oppression. ~ Paul Brenner, Rovi

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Starring:
Uma ThurmanJohn Hurt, (more)
 
1994  
R  
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Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic. ~ Leo Charney, Rovi

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Starring:
John TravoltaSamuel L. Jackson, (more)
 
1993  
R  
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John McNaughton directed this Richard Price-scripted comedy about a cop who learns to love an unwanted gift from a gangster. Robert De Niro plays Wayne Dobie, a shy and reclusive Chicago cop who has never fired a gun. Dobie is an evidence technician who takes photographs at crime scenes, earning the moniker of "Mad Dog" for his diffident attitude. One day Dobie walks in on a convenience store holdup and saves the life of Chicago mob boss Frank Milo (Bill Murray). Frank is impressed by the way Dobie handled the holdup and wants to pay him back for saving his life. In thrall to Frank is Glory (Uma Thurman), who is working off her brother's gambling debts by living with the mobster. One day, Glory turns up at Dobie's house, explaining that Frank is giving her to him for one week as a gift. Initially Dobie wants nothing to do with Glory, but as the week goes on, he realizes he is becoming intensely attracted to her. ~ Paul Brenner, Rovi

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Starring:
Robert De NiroUma Thurman, (more)
 
1992  
R  
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In Final Analysis, Richard Gere stars as Isaac Barr, a San Francisco psychiatrist whose alluring patient Diana Baylor (Uma Thurman) is being treated for traumatic memories. In order to find out more about her trauma, Diana suggests that Isaac speak to her sister and question her about what went on between them in the past. But when Isaac sets eyes on Diana's sister Heather (Kim Basinger), they become involved in a torrid and steamy sex affair. Unfortunately, Heather is married to psychotic sadist Jimmy Evans (Eric Roberts). ~ Paul Brenner, Rovi

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Starring:
Richard GereKim Basinger, (more)
 
1992  
R  
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Stressed out LA detective John Berlin gets too near the edge following the destruction of his marriage and decides to leave the violence an un-ending hub-bub of the big city and take a job in the supposedly quiet northern tow of Eureka. Unfortunately, he isn't there long before he finds himself obsessed with pursuing a serial killer with a thing for blind young women. The case isn't new and Berlin's old-time buddy, Freddy Ross and his boys have spent the last six months investigating a string of seven murders. They have dubbed the case "Jennifer 8" because Berlin is positive that he knows the identity of the next victim. She is beautiful blind student Helena Robertson, the roommate of the latest victim. As he steps up his investigation, Berlin finds himself falling for Helena. Meanwhile, he has become so obsessed with finding the killer that pal Ross begins worrying that Berlin is having a breakdown and so goes with him on a late night surveillance of Helena's school. A tragedy ensues leaving Berlin to not only go it alone, but also to clear his own name. ~ Sandra Brennan, Rovi

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Starring:
Andy GarciaUma Thurman, (more)
 
1991  
 
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Initially conceived as a theatrical feature, but originally aired on television in the United States, Robin Hood puts slight, but effective, twists on the legendary tale. Starring Patrick Bergin in the title role, the film follows Robin and his group of bandits as they fight Prince John and save Maid Marion (Uma Thurman). This version is a little grittier than both Errol Flynn's classic movie or the contemporary extravaganza starring Kevin Costner, since Bergin is quite down-to-earth and Thurman makes Marion into a brat, not a helpless maiden. However, these qualities and the stately photography make the film quite entertaining, and it easily equals Costner's version, even if it can't match Flynn's timeless movie. ~ Stephen Thomas Erlewine, Rovi

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Starring:
Patrick BerginUma Thurman, (more)
 
1990  
R  
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In this comedy from writer-director John Boorman, wealthy real estate mogul Stewart McBain (Dabney Coleman) owns a demolition firm which specializes in blowing up old buildings to make way for upscale new ones. When neighbors protest his plans to raze a dilapidated old building to make way for a new Brooklyn subdivision, television crews film the confrontation, and McBain comes off like a fool. His three spoiled children ridicule him. Tired of their carping, McBain gives them each 750 dollars and drops them off at the old building, known as the Dutch House. Daphne (Uma Thurman), Chloe (Suzy Amis), and Jimmy (David Hewlett) are at first completely lost, because they have no idea how to live in the real world. As McBain and his wife, Jean (Joanna Cassidy), monitor their children's progress, the three youngsters learn to get along with the neighborhood people and eventually set up a commune of sorts, into which they invite their friends and various homeless people. ~ Michael Betzold, Rovi

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Starring:
Dabney ColemanUma Thurman, (more)
 
1990  
NC17  
The real-life relationship between two of the most controversial literary figures of the 20th century forms the basis for this drama. Anaïs Nin (Maria de Medeiros) is a struggling author trying to finish her first book, a study of the work of D.H. Lawrence. She also has a keen sexual curiosity that is not being satisfied by her sweet but unexciting husband, Hugo (Richard E. Grant). Through Hugo's friend Richard (Kevin Spacey), Anaïs is introduced to Henry Miller (Fred Ward), a writer from America who shares Anaïs' passion for both eros and literature; she is later introduced to June (Uma Thurman), Henry's wife and a practicing bisexual. While Anaïs is attracted to Henry, to her surprise, she's even more strongly drawn to June; June, however, must return to America, and with her approval, Henry and Anaïs begin an affair. Anaïs' newfound sense of sexual liberation leads her to several new lovers over the next several months, but she and Henry find themselves pursuing the same object of affection when June returns to Paris. Henry & June's frank but tasteful treatment of sexual themes led the MPAA to threaten the film with an X-rating; instead, the film became the first feature released with the revised NC-17 classification. ~ Mark Deming, Rovi

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Starring:
Maria de MedeirosFred Ward, (more)
 
1989  
PG  
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Director Terry Gilliam adroitly applies his Monty Python sensibilities upon the "career" of famed German prevaricator Baron von Munchausen. Played herein by John Neville, the baron is seen quelling a war that he himself started, flying into the stratosphere on the back of a cannonball, ballooning to the moon, exploring the innards of a volcano, being swallowed by a whale....In short, all of Munchausen's fabulous lies are here presented as "truth," played out in full view of nonplussed witnesses Eric Idle, Charles McKeown, Jack Purvis, and Sarah Polley. Fringe benefits include several loving medium shots of jaybird-naked Uma Thurman as Boticelli's Venus and an extended unbilled cameo by Robin Williams -- that is, by the head of Robin Williams -- as the King of the Moon. Filmed under considerable duress on a budget eventually exceeding 45 million dollars, The Adventures of Baron Munchausen never quite caught on with moviegoers, though it has enjoyed a lucrative afterlife on videocassette. ~ Hal Erickson, Rovi

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Starring:
John NevilleSarah Polley, (more)
 
1988  
R  
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Adapted for stage and screen several times over the past century, French author Francois Choderlos de Laclos' 1782 novel Les Liasons Dangeureuses was the basis for this Academy Award-winning Stephen Frears film. The plot is motivated by a cruel wager between the beautiful but debauched Marquise de Merteuil (Glenn Close) and her misogynistic former lover, the Vicomte de Valmont (John Malkovitch). The Marquise challenges Valmont to seduce the virginal Cecile de Volanges (Uma Thurman) before the girl can be wed. Valmont offers a more difficult counter-challenge: He bets the Marquise that he will be able to bed the very moral and very married Madame de Tourvel (Michelle Pfeiffer). In the course of carrying out his plan, Valmont is stricken with a sudden case of honor and remorse, while the Marquise becomes all the more vicious. ~ Hal Erickson, Rovi

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Starring:
Glenn CloseJohn Malkovich, (more)
 
1988  
R  
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Johnny Walker (Anthony Michael Hall) is a hot-shot high-school quarterback who receives intoxicating offers from spirited college recruiters in this adolescent teen comedy. Bathroom humor and sight gags are strung together in a story involving booze, broads, and other benefits for the coveted quarterback. Robert Downey Jr., Uma Thurman, and Paul Gleason co-star. Even cameos from Jim McMahon and Howard Cosell can't save this feature from itself, though it isn't the fault of the cast. Originally rated PG-13, it was reedited to R (with scenes added) for a home video release. ~ Dan Pavlides, Rovi

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Starring:
Anthony Michael HallRobert Downey, Jr., (more)
 
1987  
R  
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This low-budget, avant garde feature marks the film debut of Uma Thurman. Laura (Thurman) dons different duds and wigs each night as she lures unsuspecting men into believing they will be having sex. She drugs and robs her them after she is taken home by her clueless victims. Steve Buscemi, Paul Dillon, and Paul Richards co-star in this 16m production. ~ Dan Pavlides, Rovi

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Starring:
Uma ThurmanPaul Dillon, (more)
 
1984  
PG  
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This impressive work from acclaimed Japanese director Hayao Miyazaki represents a significant departure from traditional anime. Foregoing the gritty storylines, extreme violence, and adult content found throughout many anime, Miyazaki's works borrow as much from fairy tales as they do from science fiction. Nausicaa of the Valley of Wind is no exception. Centuries after war has devastated the earth, Princess Nausicaa leads the people of the Valley of the Wind. Feuding clans fight with planes and tanks as well as swords in a world that is both primitive and futuristic. In addition to her people's conflicts with other factions, Nausicaa must also contend with the insects of the jungle including the Ohmu, a race of giant, intelligent bugs that poisons the surrounding atmosphere - and is spreading rapidly. The setting of this 1984 animation owes much to the post-apocalypse genre spawned by Mad Max and other films, and the political subplot is often compared to Frank Herbert's Dune. However, the heroine here has more in common with the female protagonists of the Disney musicals such as Pocohantas and Mulan; Nausicaa is more concerned with harmony and communication than with conquest and revenge. Sympathetic to the Ohmu, she learns she must approach them with understanding to achieve peace and restore the dying world. This film is beautifully animated and written, and the moral to this ecological fable is difficult to miss. The film was dubbed into English in the mid-2000s, hence the presence of such actors as Shia LeBoeuf, who wasn't born yet when the film was originally made. ~ Jonathan E. Laxamana, Rovi

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Starring:
Alison LohmanPatrick Stewart, (more)