William Thourlby Movies
- 1960
A short story by best-selling novelist Philip Roth (Goodbye Columbus, Portnoy's Complaint) is the basis for this sensitive -- and remarkably non-lethal! -- episode of Alfred Hitchcock Presents. Unlike his fellow kids at summer camp, Aaron Gold (Barry J. Gordon) wants nothing to do with athletics, but does enjoy attending the ceramics class taught by frustrated artist Bernie Samuelson (played by future film director Sydney Pollack). Despite efforts from the camp's swimming instructor Lefty James (William Thourlby) to "toughen up" the spindly Aaron, Bernie encourages the boy's artistic gifts. Even so, Bernie cannot hide his disappointment when Aaron makes a clay figure of a knight with only one arm. Convinced that the neurotic Aaron simply doesn't want to finish the figure, Bernie secretly adds a second arm himself -- which proves to be a major blunder! ~ Hal Erickson, All Movie Guide
- 1966
A bunch of hopeful heirs arrives on an isolated island to hear the will of a horribly scarred, mad scientist. They must not only find the person who is responsible for his disfigurement, but also survive the rampages of a vicious robot the scientist has made in his own image. ~ Kristie Hassen, All Movie Guide
- Starring:
- Scott Brady, Virginia Mayo, (more)
- 1966
An underwater research station headed by Dr LaSatier (Gary Merrill) finds evidence of a very fast-moving undersea craft, and request assistance from the United States Navy. which sends its top submarine officer, Commander Wayne (Scott Brady). He is able to confirm that there's no submarine, on our side or in the Soviet navy, that can match the size and speed of what has been tracked by LaSatier's people -- and the United States Navy wants to know what this object is. The visitor finally reveals itself as a saucer-like creation that sets down on the ocean floor near the sea-lab. Head diver Hugh Maddox (Mike Road) and photographer Sandra Welles (Wende Wagner) investigate the saucer and find a chamber containing an odd-looking capsule, which they bring back to the laboratory. No sooner do they get it aboard, however, then they realize that the capsule is getting larger, and starting to emit dangerous high-frequency sound-waves. Before anyone can prevent it, the capsule bursts open and a powerful and dangerous extra-terrestrial amphibian bursts out, attacking the scientists and crew and isolating them on the ocean floor. The creature's obvious intelligence, coupled with the fact that it carries a deadly microbe, convinces Wayne that the Earth is facing a full-scale invasion. ~ Bruce Eder, All Movie Guide
- Starring:
- Scott Brady, Sheree North, (more)
- 1966
In this thriller, a reporter begins helping the police by playing the bait in a trap designed to capture a dangerous psychopath. ~ Sandra Brennan, All Movie Guide
- 1964
Considered by many to be one of the worst films of all time, this hilarious anti-classic riffs on its one-note premise of two gigantic piles of crudely-stitched carpet swatches and rubber tubing running rampant through a hick town. Oh, and there's some pseudo-scientific blather about the two monsters being alien sample collectors of some sort, studying human weaknesses by gulping down every brain-dead redneck and 30-year-old teenager they can find. (The would-be victims are remarkably accommodating; most of them gape like stunned carp as the monster approaches, then suddenly swan-dive into the hungry fellow's maw.) Leaping bravely to Earth's defense are a severely inbred deputy and a smug, nattily-dressed pretend-scientist. It's hard to say whether the relentless, sleep-inducing narration obscuring most of the dialogue (apparently several reels of the film's original dialogue track were destroyed) is a blessing in disguise, sparing the viewer from the almost certain agony of watching the "leads" (i.e. the director's cousins and in-laws) attempt to act. At any rate, audiences are left with some of the goofiest setpieces ever committed to celluloid: the first alien's attack on a portly gentleman (who clearly outweighs his attacker by at least 300 pounds); the deputy's barely-concealed discomfort at watching his boss tongue-wrestle with his wife; the uncouth interruption of a hideous sock-hop by a slam-dancing monster; and the oft-noted tendency of the aliens to sport running shoes. ~ Cavett Binion, All Movie Guide
An unusually tense and intelligent political thriller, The Manchurian Candidate was a film far ahead of its time. Its themes of thought control, political assassination, and multinational conspiracy were hardly common currency in 1962, and while its outlook is sometimes informed by Cold War paranoia, the film seemed nearly as timely when it was reissued in 1987 as it did on its original release. It opens with a group of soldiers whooping it up in a bar in Korea as their commander, Sgt. Raymond Shaw (Laurence Harvey), arrives to inform them that they're back on duty. These men obviously have no fondness for Shaw, and he feels no empathy for them. While on patrol, Shaw and his platoon are ambushed by Korean troops. Months later, Shaw is receiving a hero's welcome as he returns to the United States to accept the Congressional Medal of Honor, and several of the soldiers who served under Shaw repeatedly refer to him as "the bravest, finest, most lovable man I ever met." It soon becomes evident that after their capture by the Koreans, Shaw and his men were subjected to an intense program of brainwashing prior to their release. While several are troubled by bad dreams and inexplicable behavior, it's Capt. Bennett Marco (Frank Sinatra) who seems the most haunted by the experience. In time, Marco is able to piece together what happened; it seems Raymond Shaw was programmed by a shadowy cadre of Russian and Chinese agents into a killing machine who will assassinate anyone, even a close friend, when given the proper commands. On the other side of the coin, Shaw is also used for political gain by his harridan mother (Angela Lansbury), who guides the career of her second husband, John Iselin (James Gregory), a bone-headed congressman hoping to win the vice-presidential nomination through a campaign of anti-Communist hysteria.
The Manchurian Candidate features a host of remarkable performances, several from actors cast cleverly against type. Frank Sinatra's edgy, aggressive turn as Marco may be the finest dramatic work of his career; Laurence Harvey's chilly onscreen demeanor was rarely used to s better advantage than as Raymond Shaw; James Gregory is great as the oft-befuddled Senator Iselin; and Angela Lansbury's ultimate bad mom will be a shock to those who know her as the lovable mystery writer from Murder, She Wrote. George Axelrod's screenplay (based on Richard Condon's novel) is by turns compelling, witty, and horrifying in its implications, and John Frankenheimer's direction milks it for all the tension it can muster. While Frankenheimer's career has had its ups and downs, The Manchurian Candidate and Seconds (1966) suggest that he deserves to be recognized as one of the most brilliantly paranoid American filmmakers of the '60s. Entertaining yet unsettling, both films indicate that things in the '60s were not what they seemed, with a resonance that still echoes uncomfortably in the present. ~ Mark Deming, All Movie Guide
The Manchurian Candidate features a host of remarkable performances, several from actors cast cleverly against type. Frank Sinatra's edgy, aggressive turn as Marco may be the finest dramatic work of his career; Laurence Harvey's chilly onscreen demeanor was rarely used to s better advantage than as Raymond Shaw; James Gregory is great as the oft-befuddled Senator Iselin; and Angela Lansbury's ultimate bad mom will be a shock to those who know her as the lovable mystery writer from Murder, She Wrote. George Axelrod's screenplay (based on Richard Condon's novel) is by turns compelling, witty, and horrifying in its implications, and John Frankenheimer's direction milks it for all the tension it can muster. While Frankenheimer's career has had its ups and downs, The Manchurian Candidate and Seconds (1966) suggest that he deserves to be recognized as one of the most brilliantly paranoid American filmmakers of the '60s. Entertaining yet unsettling, both films indicate that things in the '60s were not what they seemed, with a resonance that still echoes uncomfortably in the present. ~ Mark Deming, All Movie Guide
- Starring:
- Frank Sinatra, Laurence Harvey, (more)
A woman finds herself attempting to foil one office romance while debating if she should take a chance on another in this romantic comedy. Lucy Kelton (Sandra Bullock) is a top-flight attorney who has risen to the position of Chief Legal Counsel for one of New York's leading commercial real estate firms, the Wade Corporation. However, Lucy's job has one significant drawback -- George Wade (Hugh Grant), the eccentric and remarkably self-centered head of the firm. George seems entirely incapable of making a decision without Lucy's advice, whether it actually involves a legal matter or not, and while she's fond of George, being at his beck and call 24 hours a day has brought her to the end of her rope. In a moment of anger, Lucy gives her two weeks notice, and George reluctantly accepts, under one condition -- Lucy has to hire her own replacement. After extensive research, Lucy picks June Carter (Alicia Witt), a Harvard Law graduate determined to make a career for herself. Lucy soon begins to suspect, however, that June plans to hasten her rise up the corporate ladder by winning George's hand, leaving Lucy to wonder if she should warn George about his beautiful but calculating new attorney -- and whether she should tell George that she has finally realized she's in love with him. Two Weeks Notice was written and directed by Marc Lawrence, who had previously scripted two other box-office hits for Sandra Bullock: Miss Congeniality and Forces of Nature. ~ Mark Deming, All Movie Guide
- Starring:
- Sandra Bullock, Hugh Grant, (more)
- 1964
Vengeance is a low-key American "B" western with a largely unknown cast. William Thourlby plays ex-Confederate officer, who seeks revenge for his brother's death. Only after much blood is shed does Thourlby discover that the man he seeks is not the genuine culprit. Wrestlers Tiger Joe Marsh and the Great John L show up in bit roles. Vengeance attained a bit of regional drive-in play before being consigned to the Late Show. ~ Hal Erickson, All Movie Guide
