Russell Thorson Movies

In the conclusion of a two-part story, Jim Rockford (James Garner) and rookie private eye Richie Brockelman (Dennis Dugan) continue to investigate the suspicious death of their mutual mentor Joe Tooley. When the trail of clues leads to crooked computer-company CEO Garth McGregor (Jackie Cooper), he uses his influence to frame the two detectives and force them to take it on the lam. Ingredients essential to the outcome of the story are an underground storage silo, a conspiracy involving a corrupt congressman, and a wild helicopter-chase finale. This final episode of The Rockford Files' fourth season served to introduce the character of Richie Brockelman, who was subsequently spun off into his own TV series. ~ Hal Erickson, Rovi

In an intriguing change of pace, gimlet-eyed SFPD detective Mike Stone (Karl Malden) dons the greasepaint, red nose and floppy shoes of a circus clown. It's all part of an undercover assignment to ferret out the murderer of two retired circus riggers whose deaths occur just before a gala Big Top performance at San Francisco's Cow Palace. Featured in the cast as "Sparky" is former Sugarfoot star Will Hutchins, who in real life had retired from acting to pursue a career as a professional clown. ~ Hal Erickson, Rovi

A runaway box-office hit to the tune of 17 million dollars, Walking Tall is the unabashedly manipulative story of real-life Tennessee sheriff Buford Pusser. As played by Joe Don Baker, Pusser can either be regarded as a tireless champion of justice or a baseball-bat-wielding hooligan. But with some of the most scurrilous villains this side of a Republic serial as the main targets of Pusser's wrath, the audience cannot help but applaud the sheriff's strongarm methods. When the town baddies seek vengeance by killing Pusser's wife (Elizabeth Hartman), the you-know-what really hits the fan! Never resorting to subtlety, Walking Tall was such a winner that it spawned two sequels, a made-for-television movie, and a weekly TV series -- none of which were enjoyed by the real Buford Pusser, who had long since died under questionable circumstances. At the time of the film's theatrical release, the MPAA rating system was comparatively new, so the studio launched an ad campaign aimed at parents, letting them know that the R-rated Walking Tall contained violence and not sex, and therefore was good family entertainment. ~ Hal Erickson, Rovi

A valued member of a powerful crime ring, John Prentiss (Michael Callan) decides to go into business for himself when he falls in love with Ellen Conway (Katherine Justice). Prentiss' former associates aren't keen on this, so they take out a contract on his life. It is up to Inspector Erskine to keep Prentiss alive long enough to be placed behind bars--and what about Ellen? ~ Hal Erickson, Rovi

Circuitously commenting upon the drug culture of the 1970s, this Bonanza episode probes the dangers of the onetime "wonder drug" morphine. Future MASH regular Mike Farrell is cast as Dr. Will Agar, who is revealed to be a morphine addict after he inadvertently causes the death of a young patient during routine surgery. Also in the cast are Gary Busey as Dr. Agar's hapless victim Henry Johnson, David Huddleston as Henry's father, Melissa Murphy as Agar's wife Nancy, and Mons Kjellin (the son of director Alf Kjellen) as Agar's son Chris. Written by Stanley Roberts and Jack B. Sowards, "The Hidden Enemy" first aired on November 28, 1972. ~ Hal Erickson, Rovi

The fate of a Middle Eastern nation hangs in the balance as terrorist Ismet El Kabir (Michael Tolan) is scheduled to be pardoned from prison. The IMF must prevent Kabir's release, thereby forcing him into an escape attempt that will cost him his life. The plan involves the infiltration of Kabir's terrorist organization--and yet another of the IMF's patented "prison break-ins". Written by Laurence Heath, "Terror" made its network broadcast debut on February 15, 1970. ~ Hal Erickson, Rovi

Desperate for money to keep their troubled marriage afloat, Frank and Elizabeth Colling (Larry Blyden, Lois Nettleton) kidnap 7-year-old Jimmy Bowden (Brian Dewey) and hold him for ransom. Ironically, while the kidnapping merely intensifies Elizabeth's neuroses and exacerbates Frank's drinking problem, the ordeal brings the victim's estranged parents Anne (Joan Hotchkiss) and James (Lee Bergere) closer together. This F.B.I. episode is unique in at least one respect: the truck seen in the opening sequence is a Dodge rather than a Ford! ~ Hal Erickson, Rovi

Michael Callan guest stars as Harry Springer, an otherwise honest salesman who becomes an amateur extortionist. Actually, Springer's intentions are honorable: He intends to save his brother from a trumped-up murder charge by putting the heat on Alexander York (Simon Scott), prosecution witness whom Harry suspects of being the real killer. Unfortunately, Springer gets in way over his head--and as a result, it's likely that not even Inspector Erskine (Efrem Zimbalist Jr.) can save the salesman from a Mob rub-out. In a rare TV appearance, film favorite Laraine Day is cast as the murder suspect's wife. ~ Hal Erickson, Rovi

William Windom guest stars as Frank Converse, an embezzler who hopes to elude the FBI by crossing the Canadian border. Unfortunately, Virgil Phipps (Bruce Dern), Converse's driver, knows about the stolen money and demands a piece of the action, thereby setting the stage for a deadly showdown. The evening's acting honors are claimed by Lee Meriwether as Converse's invalid wife Marian, who spends the entire episode encased in an iron lung. ~ Hal Erickson, Rovi

Ex-lawman turned rancher Jed Cooper (Clint Eastwood) is moving a small herd of cattle when a group of nine men on horseback, led by Captain Wilson (Ed Begley Sr.), ride up and accuse him of having stolen the cattle and killed their owner. Refusing to believe his account, they string him up by the neck and leave him for dead, but they don't do the job right. Cooper is dangling there, barely alive, a few minutes later when Deputy U.S. Marshal Bliss (Ben Johnson) spots him and cuts him down. He survives the next few days in Bliss' tumbleweed wagon with the other prisoners, and is later cleared of any wrongdoing and released by Judge Fenton (Pat Hingle), just in time to witness the hanging of the man who really murdered the owner of the cattle and took Cooper's money. Cooper still wants revenge on the nine men who tried to hang him, but Fenton insists that he leave the bringing of them to justice to his deputy marshals. As it happens, Fenton is in desperate need of deputy marshals for the territory that he oversees, and he also knows that Cooper was a good lawman. Cooper, in turn, is now broke and in need of a job, and does want to see justice done. They strike an uneasy bargain, Cooper agreeing to wear a badge and bring in the men he's looking for -- alive -- for trial. The latter proves easier said than done, however, when the first of them that he spots tries to draw on him when he makes the arrest. One of the hanging party, Jenkins (Bob Steele), soon turns himself in and provides the names of the others. Cooper takes Stone (Alan Hale Jr.) alive, but the hapless blacksmith is later shot by the local sheriff (Charles McGraw) while trying to escape. The other men, led by Wilson, have no intention of dying, or even being brought to trial, without a fight. Two of them go on the run out of the territory, while Wilson and two of the others decide to take the law into their own hands once again. Meanwhile, Cooper becomes a hero when he single-handedly brings back a trio of rustlers who are also guilty of murder. This leads to Cooper's first confrontation with Judge Fenton, who, in a gripping scene, explains why it is essential that he be as seemingly quick to hang a man as he is. Unless the people are convinced that the law will do its job -- including hanging men who deserve it -- they will keep taking the law into their own hands and there will be more lynch mobs like the one that tried to kill Cooper. In the course of his quest for justice, Cooper also makes the acquaintance of Rachel (Inger Stevens), a young woman with her own search for justice, haunted by her own ghosts, and the two of them are drawn together, no more so than when Wilson and two of the others try to gun Cooper down in cold blood. The final confrontation between Cooper and Wilson escalates in violence to its savage, irony-laced conclusion. ~ Bruce Eder, Rovi

In the conclusion of a two-part story, Inspector Erskine (Efrem Zimbalist Jr.) steps up his search for kidnap victim Bob Griswold (Dave Macklin). Meanwhile, Bob's ex-convict father Max (Arthur Hill) reluctantly launches the final stage of an elaborate robbery that will net the kidnapper a cool three million dollars. A wild seagoing chase caps this nail-biting suspenser. ~ Hal Erickson, Rovi

In this courtroom drama, a Mexican American judge must preside over the case of the town ne'er-do-well, who is accused of killing his wife. The film is set during the 1920s in the Southwest. The murderer is convicted and sentenced to hang, but on execution day, he has a fight and kills the hangman. At the same time, another man confesses. While this gets the first man freed for the first killing, he must now stand trial for the hangman's death. ~ Sandra Brennan, Rovi

My Blood Runs Cold was a typically lurid horror chiller produced and directed by William Conrad during his 1960s tenure on the Warner Bros. staff. Heiress Joey Heatherton falls prey to the charms of a handsome young man (Troy Donahue) who claims to be the reincarnation of a legendary lothario. Troy further insists that Joey had been his lover in a previous life. Pretty soon Joey nearly has the opportunity to check out the veracity of Troy's story in the Hereafter, for Mr. Donahue is actually a psychopath who hopes to claim Ms. Heatherton's fortune and then bump her off. My Blood Runs Cold is silly enough to have been dreamt up by Bill Conrad while he was narrating Rocky and His Friends. ~ Hal Erickson, Rovi