Jon-Mikl Thor Movies

Master animator Chuck Jones has created this full length fantasy, his first since being name director of MGM's animation department. A young boy (Butch Patrick) is bored with his life in San Francisco and finds himself in a fantasy land where letters and numbers are at war with each other. He drives through the Phantom Tollbooth and into an animated fantasy land. The voices of Mel Blanc, June Foray and Daws Butler are featured in this story taken from the book by Norton Juster. The boy tries to rescue twin Princesses Rhyme and Reason, who have been banished to a castle suspended in mid air above the kingdom. ~ Dan Pavlides, All Movie Guide

Although the actual battle of the Coral Sea does not begin this standard wartime drama, there is plenty of action and suspense as the preparation stage of the battle is carried out. A submarine captained by Jeff Conway (Cliff Robertson) successfully scouts the location of enemy installations, ships, and subs and then starts to head back to friendly waters. Before chugging very far in that direction, the submarine is spotted and captured by the Japanese. The crew members are taken prisoner by an even-handed Commander Mori (Teru Shimada) and held on the Japanese forces' island base. While chaffing under a ticking clock as the day of the final confrontation draws near, an island woman is secretly enlisted to help smuggle out three of the prisoners. If they can make it off the island to their own base, then the all-important information on the Japanese positions will tip the scales in favor of the U.S. Navy. ~ Eleanor Mannikka, All Movie Guide

Directed with crisp efficiency by Dick Powell, The Hunters is a romantic melodrama with an aviation angle. Robert Mitchum plays veteran Air Force pilot Maj. Cleve Saville, in charge of a group of young flyboys in 1952 Korea. Among the men under Saville's command are cocksure Lt. Ed Peil (Robert Wagner) and timorous Lt. Abbott (Lee Phillips). Much against his better judgment, Saville falls in love with Abbott's gorgeous wife Kris (Mai Britt). When Abbott crashes behind enemy lines, Saville and Peil are sent out to rescue the downed pilot-and Peil has an inkling of the Major's feelings towards Mrs. Abbott. During their grueling journey back to their own lines, both Peil and Abbott benefit from the military expertise of the no-nonsense Saville, who knows where and when to separate his private life from his responsibilities. Distinguished by excellent aerial sequences, The Hunters is adapted from the novel by James Salter. ~ Hal Erickson, All Movie Guide

The real-life "Machine Gun" Kelly was a clumsy, two-bit petty thief, goaded into bigger and badder things by a publicity-hungry wife; legend has it that when Kelly was finally captured by the FBI, he had a smile on his face, as if relieved to get away from the gorgonlike Mrs. Kelly. This film version of Kelly's life alters the facts considerably: as played by Charles Bronson, "Machine Gun" is a cold-blooded sadist who kills because he's sensitive about his height. Together with his ever-lovin' moll Flo (Susan Cabot), Kelly decides to top off his criminal achievements with a high-profile kindapping, a decision that leads to his bloody downfall. Comedian Morey Amsterdam delivers a surprisingly effective performance as a stool pigeon who "gets his" from the business end of Kelly's eponymous weapon. Directed with sweaty intensity by Roger Corman, Machine Gun Kelly was originally released on a double bill with The Bonnie Parker Story. ~ Hal Erickson, All Movie Guide

Virtually every major city in the 1950s harbored some sort of political corruption or other, providing plenty of material for the "exposé" school of filmmaking. Portland Expose is a fact-based account of skullduggery in the Oregon metropolis. Inspired by revelations made during the Senate's McClellan Committee hearings, the story concentrates on an honest tavern owner named George Madison (Edward Binns) who is involuntarily sucked into the city's rotten-to-the-core political machine. When Madison refuses to allow his establishment to serve as the gathering place for hoods and delinquents, the powers-that-be threaten to harm his family. Only after his daughter is attacked by a syndicate flunkey does Madison decide to fight back. At great personal risk, he manages to tape-record damning evidence against Portland's "untouchable" criminal kingpin (Russ Conway). The supporting cast includes such radio and TV "regulars" as Virginia Gregg, Larry Dobkin, Frank Gorshin and Joe Flynn. ~ Hal Erickson, All Movie Guide

This suspenseful air-borne adventure can rightfully lay claim to being the Mother of All subsequent in-flight disaster films of the '70s. The trouble begins when the pilot and crew of a Canadian passenger plane suddenly find themselves doubled over from accidental ptomaine poisoning and unable to continue flying the plane. The only other person on board who can save the terrified crew is a former WW II flying ace who is petrified of flying again. Fortunately, a courageous steel-nerved ground controller is there to offer full-radio support. Later the film became the basis of a TV movie Terror in the Sky and the hilarious parody Airplane (1980). Arthur Hailey, who wrote the teleplay on which this was based, went on to write the novel and the screenplay for 1970's Airport. ~ Sandra Brennan, All Movie Guide

Frank Webster (John Ireland) is a man on the run. Newly broken out of prison, the former truck driver and convicted murderer takes Connie Adair (Dorothy Malone) hostage at a lonely roadside diner and commandeers her car, a racing job than she intended to drive in a rally. At first Connie is as frightened as any woman should be in such a situation, but she soon sees that Frank is more than a wanted criminal -- he's an innocent man trying to redeem his life, and forced by circumstance to commit acts of violence. Soon the two are on the run together, lovers and fugitives using the cover of the road rally as a dodge so he can get to the border and freedom. Connie tries to convince Frank to take a stand, get the evidence out that framed him, and redeem his honor, as the authorities close in on the fast-driving pair. The second movie ever produced by Roger Corman, The Fast and the Furious marked the first release of Samuel Z. Arkoff and James H. Nicholson and the beginning of their American Releasing Corporation, soon to be renamed American International Pictures. ~ Bruce Eder, All Movie Guide

Despite the lighthearted promotional campaign mounted by 20th Century-Fox when the film was first released, The Kid from Left Field is not a comedy. The title character is young Christy Mathewson Cooper (Billy Chapin), the son of former big-league ballplayer Larry Cooper (Dan Dailey), who is now reduced to hawking peanuts at the ballpark. Securing a job as a batboy with a team called the Bisons, Christy amazes the players and management by giving them tips on how to win games. What no one knows is that Christy is passing along information provided by his father. Impressed by Christy's apparent expertise, third baseman Pete Haines (Lloyd Bridges) tells team secretary Marion Foley (Anne Bancroft) about the boy. She, in turn, tells Bisons owner Whacker (Ray Collins), a "Bill Veeck" type ever on the alert for a new publicity gimmick. Whacker promptly appoints the pint-sized Christy as manager of the team, replacing the ill-tempered Billy Lorant (a truly venomous performance by Richard Egan). Larry is about to spill the beans concerning Christy's baseball knowledgeability, but he decides not to, considering himself a burnt-out has-been. And that's all that can be revealed without giving away the ending. Its whimsical premise notwithstanding, Kid from Left Field is treated as a straight drama, with several near-noir long shots of the shadow-drenched ballpark. The film was remade for television in 1978 as a vehicle for Gary Coleman. ~ Hal Erickson, All Movie Guide