Jack Thompson Movies

The directorial debut of Academy Award-nominated cinematographer Mikael Salomon (The Abyss), A Far Off Place is based on a pair of books by novelist Laurens Van der Post. Reese Witherspoon stars as Nonnie Parker, a young girl living on an African game preserve with her parents. Ethan Embry is Harry Winslow, the snooty son of a visiting dignitary. When Nonnie and Harry witness the murder of their parents at the hands of ruthless poachers, they suddenly find themselves braving the harsh Kalahari Desert in an attempt to escape the gang. Along the way, the pair encounters a bushman called Xhabbo (Sarel Bok) who shows them how to survive in the barren desert. Forced to work together to survive, Nonnie and Harry learn to overcome their differences and become friends. ~ Matthew Tobey, All Movie Guide

Omnibus films attained renewed popularity during the 1990s and 2000s; this particular seven-episode film-a-sketch arrived during that period, and involved several top-tiered international filmmakers including John Woo, Spike Lee, Ridley Scott, Emir Kusturica and three others. Each helmer was asked to shoot a segment of between 16-18 minutes in length, for UNICEF, on the subject of exploited and/or underprivileged children around the world. The package opens with "Tanza," helmed by Algerian novelist-cum-filmmaker Mehdi Charef and shot in Burkina Faso. It concerns the 12-year-old female title character - an adolescent freedom fighter - who trollops through the countryside accompanied by young male guerilla fighters who spout off deliberately nonsensical English-language dialogue. Kusturica takes the reins for the second segment, "Blue Gypsy," an overtly comical episode in the vein of Time of the Gypsies about a precocious young boy who makes the split from his alcoholic father and thieving family and goes to live in a juvenile detention center, finding it preferable to home. The third episode, helmed by co-producer Stefano Veneruso and entitled "Ciro," recalls neorealismo with its Naples-set tale of a young boy unloved and systematically neglected by his mother, who resorts to spending time with other neglected children and stealing watches, and then gets caught in the direst of ways. The fourth segment, Spike Lee's delicately-handled "Jesus Children of America," stars Hannah Hodson as Blanca, a young Brooklynite ostracized by her peers because her parents are junkies; when she learns of her HIV-positive status, her world crumbles. For the 5th episode, "Bilu and Joao," Brazilian director Katia Lund casts child actors Francisco Anawake de Freitas and Vera Fernandes as two impoverished tykes whose days involve walking around the outskirts of Sao Paulo and pulling a wooden cart, into which they pile aluminum and paper - but do so joyously, with the courage and grace of two individuals delighting in subhuman work despite the direst of circumstances. For the sixth segment, "Jonathan," Ridley Scott teams up to co-direct with daughter Jordan Scott; the episode stars David Thewlis (Naked) as an emotionally-traumatized war photographer who encounters a band of Eastern European orphans. And the closer, John Woo's "Song Song and Little Cat," studies the contrast between the lives of two young Asian girls from polar opposite ends of the socioeconomic spectrum: Oi Ruyi is Little Cat, an abjectly impoverished child discovered in the garbage, during infancy, by a homeless man; she grows up helping her discoverer forage for victuals until he dies, leaving her aimless and bereft. Woo cuts between her story and that of Song Song, a wealthy and pampered little girl whose story is equally tragic in its own way, as her parents are undergoing a bitter divorce. Though this film, as indicated, enlisted the support of at least two major Hollywood directors (Scott and Lee) it did encounter extreme difficulty securing U.S. theatrical and ancillary distribution, which effectively kept it out of North America in the years that immediately followed its global release. ~ Nathan Southern, All Movie Guide

Jack Thompson plays Stan Graham, a tragic and notorious figure of New Zealand's war years. Not the most easygoing person in the world to begins with, Graham is pushed over the edge when his farm is foreclosed. With seemingly no other options, he turns into a homicidal maniac, killing everyone he considers an enemy -- in short, everyone who crosses his path. Graham's murder spree plays right into the hands of Nazi propagandists, notably British turncoat Lord Haw-Haw. ~ Hal Erickson, All Movie Guide

Breaker Morant is one of the most acclaimed Australian films, telling a powerful tale of wartime betrayal and injustice. Henry "Breaker" Morant (Edward Woodward) is an Englishman living in Australia at the end of the 19th century. When war breaks out in 1899 between Britain and the Boers (descendants of Dutch colonists), Morant and a number of Australians volunteer for duty and are absorbed into the non-regular units of the British army. Acting under orders from his commanders, Morant oversees the execution of several Boer prisoners; it turns out that one of them was German, and in order to keep the peace with Germany, Britain agrees to courtmartial Morant and two other soldiers, sentencing two to death and one to life imprisonment. Based on a play by Kenneth Ross, Bruce Beresford's film is powerfully filmed and acted and has become a classic anti-war movie since its 1980 release; the script (co-written by Beresford) was nominated for an Academy Award. The final execution scene is nearly overpowering in its sense of tragedy and futility. ~ Don Kaye, All Movie Guide

Based on a true story, this film tells the tale of Robert O'Hara Burke (Jack Thompson) and William John Wills (Nigel Havers), who in 1860 set forth to create the first accurate maps of the interior region of the Australian continent. To this end, Irish explorer Burke and British scientist Wills journeyed from the Southern coast of Carpenteria to the North. While they succeeded with the first part of their voyage, on the return trip they and their compatriots fell victim to intense heat and diminishing supplies of food; of the 19 men who began the expedition, only one survived to tell the tale. However, while fate was cruel to Burke and Wills, history was kind, and their story is still taught in every Australian classroom. Graeme Clifford's biopic was praised for its striking visuals and realistic portrayal of Burke and Wills' difficult journey. ~ Mark Deming, All Movie Guide

Prolific television and film director Rod Hardy helms this tale of four young orphans coming of age in 1960s-era Australia. Soon after the quartet leaves the orphanage behind for a seaside holiday, rumors that one of them is about to be adopted lead to steadily rising tensions among the tightly knit group. Adapted from Michael Noonan's popular novel by screenwriter Marc Rosenberg, December Boys is headlined by Harry Potter film series star Daniel Radcliffe. ~ Jason Buchanan, All Movie Guide

An Australian cyber crime investigator stumbles across one of the internet's darkest mysteries in this thriller that proves even the most outlandish fantasies can come true in the cyberspace era. Phillip is no stranger to debauchery. In his time as an internet investigator, the relatively hot shot cyber cop has stumbled across some pretty repulsive fetishes. Upon learning of a bizarre new world of erotica in which men known as "feeders" seek out morbidly obese women known as "gainers," Phillip is discovers that one particularly exceptional "gainer" has gone missing after topping the scales at 600 pounds. When further investigation reveals that the website was created on Toledo, Ohio, the determined investigator books a flight to the Buckeye state against the wishes of his superior. As a result of his insubordinance, Phillip is fired from his job and forced to continue the investigation on his own watch, and at his own risk. Later, after discovering the horrific true nature of the "feeder" subculture, Phillip finds himself assuming the role of avenger as his sanity plunges into the darkest depths of despair. ~ Jason Buchanan, All Movie Guide

Ace Jones (Nick Adams) is a ex-stockcar racer who finds himself in need of repairs on his truck. The garage is owned by a young widow Sandy (Jeannine Riley), whose husband was killed in a racing accident at the local track. He gets a job as a mechanic helping the veteran wrench-man Toad (Vaughn Taylor) and eventually takes over the racetrack. Two of his friends are the victims of sabotage and lose their lives in a fiery crash. Ace decides to leave the life in the fast lane behind and settle down with Sandy. This was the last film for the late Nick Adams, whose once-promising career made him the talk of Hollywood akin to his buddy James Dean. Adams was best known as Johnny Yuma on the television series "The Rebel." Plagued by personal excesses, he will be remembered just as much for what he could have done in cinema as what he left behind. ~ Dan Pavlides, All Movie Guide

Ground Zero details a governmental cover-up as seen through the eyes of commercial photographer Colin Friels. Tipped off to the possibility that the death of his father was tied in with radioactive contamination, Friels runs into several official brick walls as he presses his investigation. At the root of everything is a hush-hush nuclear radiation test, conducted in Australia in the mid-1950s. With the help of a slightly-addled survivor (Donald Pleasence) of those tests, Friels uncovers the truth. Ground Zero was inspired by the real-life nuclear testings at Maralinga. ~ Hal Erickson, All Movie Guide

This comedy follows the exploits of Tony Petersen (Jack Thompson), a mature married man with two children who decides to go back to school for an undergraduate degree. Tony has one problem, which he probably feels is only a minor complication: he is like catnip for women. Luckily for him, he likes them back. Luckier still, his wife understands this. When things on the campus get dicey for a young woman, the incredible social skills of Petersen enable him to save the day. ~ Clarke Fountain, All Movie Guide

The relationship between an unproven lawyer and the female convict he attempts to save from execution is detailed in this death-row drama. Sharon Stone plays against type as Cindy Liggett, convicted of murder at the age of 19, who has spent over a decade in prison awaiting execution. Having resigned herself to her eventual death, she cares little when her case falls into the hands of newly appointed clemency board attorney Rick Hayes (Rob Morrow). Hayes devotes himself to her case, however, and uncovers several inconsistencies regarding her earlier trial. Seeing a chance to save Liggett's life, Hayes fights for a stay of execution but finds himself facing opposition from powerful political figures and even Liggett herself. Largely ignored at the box office, the film suffered in comparison to Dead Man Walking (1995), the Academy Award-winning drama whose treatment of the death penalty theme may still have been fresh in the minds of audiences. ~ Judd Blaise, All Movie Guide

Four Australian directors explore different angles of the title topic in this generally downbeat anthology. In "The Husband" a husband increases his arousal during lovemaking by imagining his wife in different sexual liaisons without realizing that his fantasy may based on fact. The second vignette "The Child" centers on the resentful son of a widow who is having an affair with another. While his mother is off galavanting with her new love, the boy is left in the care of a governess whom he grows to love. The poor boy begins to fear that his new friend will be fired as soon as his mother returns and so goes off on a walk to sort out his feelings. He wanders into a field and it is there he sees his governess making love to his mother's boyfriend. This causes the emotionally fragile lad to shatter and blindly run towards the river where he crazily hops into a boat and begins rowing into the current. The lover, wanting to save the child from harm dives in and tragedy ensues. In "The Priest," a priest wrestles with his love for a nun. Though they want to marry, the nun forces them to leave their orders in the correct way. It is a way filled with red-tape and takes so long that the relationship withers and they remain in their vocations. The final segment "The Family Man" deals with a slob of a husband who decides to celebrate the birth of his third child by having a little fling while his wife recuperates in hospital. He enlists the aid of a buddy and together they get drunk, pick up two floozies and head to his beachhouse. When the gals learn about his wife, they stomp out of the house. Time passes and the husband brings his family to the house for vacation. Much to his horror he finds that the two women have placed a large incriminating sign upon it leaving him to try to explain it all to his wife. ~ Sandra Brennan, All Movie Guide

Directed by Brett Leonard, Man-Thing is based on a comic book series of the same name. The Man-Thing himself was once a scientist, but after injecting himself with an untested serum in hopes of preventing it from falling into the wrong hands, he was unfortunately transformed into a mindless swamp beast who fatally burns those within whom he senses fear. The Man-Thing resembles a towering mound of algae and plant life, and lives in the Florida Everglades near a tribe of Seminole Indians. When one of real-estate tycoon F.A. Schist's crewmen is killed while developing the swamp for commercial use, it's the Seminoles who are blamed, though they know that the real culprit is the Man-Thing, who mirrors the emotion of any human that crosses his path and acts accordingly -- unfortunately, most people subjected to the sight of him react in sheer terror and are unceremoniously set aflame. Man-Thing features performances from Rawiri Paratene, Alex O'Lachlan, Rachel Taylor, Jack Thompson, and William Zappa. ~ Tracie Cooper, All Movie Guide