Jack Thompson Movies

Ace Jones (Nick Adams) is a ex-stockcar racer who finds himself in need of repairs on his truck. The garage is owned by a young widow Sandy (Jeannine Riley), whose husband was killed in a racing accident at the local track. He gets a job as a mechanic helping the veteran wrench-man Toad (Vaughn Taylor) and eventually takes over the racetrack. Two of his friends are the victims of sabotage and lose their lives in a fiery crash. Ace decides to leave the life in the fast lane behind and settle down with Sandy. This was the last film for the late Nick Adams, whose once-promising career made him the talk of Hollywood akin to his buddy James Dean. Adams was best known as Johnny Yuma on the television series "The Rebel." Plagued by personal excesses, he will be remembered just as much for what he could have done in cinema as what he left behind. ~ Dan Pavlides, Rovi

Four Australian directors explore different angles of the title topic in this generally downbeat anthology. In "The Husband" a husband increases his arousal during lovemaking by imagining his wife in different sexual liaisons without realizing that his fantasy may based on fact. The second vignette "The Child" centers on the resentful son of a widow who is having an affair with another. While his mother is off galavanting with her new love, the boy is left in the care of a governess whom he grows to love. The poor boy begins to fear that his new friend will be fired as soon as his mother returns and so goes off on a walk to sort out his feelings. He wanders into a field and it is there he sees his governess making love to his mother's boyfriend. This causes the emotionally fragile lad to shatter and blindly run towards the river where he crazily hops into a boat and begins rowing into the current. The lover, wanting to save the child from harm dives in and tragedy ensues. In "The Priest," a priest wrestles with his love for a nun. Though they want to marry, the nun forces them to leave their orders in the correct way. It is a way filled with red-tape and takes so long that the relationship withers and they remain in their vocations. The final segment "The Family Man" deals with a slob of a husband who decides to celebrate the birth of his third child by having a little fling while his wife recuperates in hospital. He enlists the aid of a buddy and together they get drunk, pick up two floozies and head to his beachhouse. When the gals learn about his wife, they stomp out of the house. Time passes and the husband brings his family to the house for vacation. Much to his horror he finds that the two women have placed a large incriminating sign upon it leaving him to try to explain it all to his wife. ~ Sandra Brennan, Rovi

This comedy follows the exploits of Tony Petersen (Jack Thompson), a mature married man with two children who decides to go back to school for an undergraduate degree. Tony has one problem, which he probably feels is only a minor complication: he is like catnip for women. Luckily for him, he likes them back. Luckier still, his wife understands this. When things on the campus get dicey for a young woman, the incredible social skills of Petersen enable him to save the day. ~ Clarke Fountain, Rovi

Dennis Hopper plays the title character in this true story of a 19th-century Australian gold-digger who is pressed into a life of crime. A six-year stint in jail doesn't provide reform, but does introduce him to an Aboriginal partner-in-crime (David Gulpilil). The duo then proceed to terrorize the province of New South Wales with no lack of violence. The TV version was retitled Mad Dog. ~ John Bush, Rovi

Based on a novel by Thomas Keneally, which was in turn inspired by actual events, this drama is a shocking indictment of the racism inflicted on the indigenous people of Australia. Jimmie (Tommy Lewis) is a half-white, half-aborigine young man raised by a Methodist minister. Feeling outcast among the aborigines, Jimmie moves to the city and gets a job working for a white family. When a white serving girl at the estate becomes pregnant, everyone is convinced that Jimmie is the father; to spare the girl's honor, Jimmie marries her and is allowed to live with her on the estate. But after the child is born, everyone realizes that the father was a white man, not Jimmie; he is still willing to accept the child and stand beside his wife, but his employers now feel that he married a white girl under false pretenses, and they bar him from the estate. Forbidden to see his wife and fired without receiving his pay, Jimmie finally explodes in a fury of violent revenge. Director Fred Schepisi's original cut of this film runs 122 minutes, though it was more widely distributed in a shortened version running 108 minutes. ~ Mark Deming, Rovi

In this slight, relatively charmless comedy, Australian television notable Jack Thompson plays Simon Morris, a recently separated journalist with two major problems: he is a girl-magnet and he can't tolerate pomposity. The first problem doesn't cause him much difficulty, as he likes the girls right back. The second, though, results in all sorts of difficulties when he is saddled with a pompous new boss, resigns from the paper he has been working with, and can't find a new job. ~ Clarke Fountain, Rovi

Breaker Morant is one of the most acclaimed Australian films, telling a powerful tale of wartime betrayal and injustice. Henry "Breaker" Morant (Edward Woodward) is an Englishman living in Australia at the end of the 19th century. When war breaks out in 1899 between Britain and the Boers (descendants of Dutch colonists), Morant and a number of Australians volunteer for duty and are absorbed into the non-regular units of the British army. Acting under orders from his commanders, Morant oversees the execution of several Boer prisoners; it turns out that one of them was German, and in order to keep the peace with Germany, Britain agrees to courtmartial Morant and two other soldiers, sentencing two to death and one to life imprisonment. Based on a play by Kenneth Ross, Bruce Beresford's film is powerfully filmed and acted and has become a classic anti-war movie since its 1980 release; the script (co-written by Beresford) was nominated for an Academy Award. The final execution scene is nearly overpowering in its sense of tragedy and futility. ~ Don Kaye, Rovi

In this drama, adapted from a W. Somerset Maugham novel, a philandering wife is accused of killing her lover. ~ Sandra Brennan, Rovi

Jack Thompson plays Stan Graham, a tragic and notorious figure of New Zealand's war years. Not the most easygoing person in the world to begins with, Graham is pushed over the edge when his farm is foreclosed. With seemingly no other options, he turns into a homicidal maniac, killing everyone he considers an enemy -- in short, everyone who crosses his path. Graham's murder spree plays right into the hands of Nazi propagandists, notably British turncoat Lord Haw-Haw. ~ Hal Erickson, Rovi

Merry Christmas, Mr. Lawrence was the first English-language project of Japanese director Nagisa Oshima (Death by Hanging, In the Realm of the Senses). In tune with his previous filmic essays on racism and brutality, Merry Christmas concentrates on a war of wills between rebellious POW David Bowie and camp commandant Ryuichi Sakomoto. Assuming that his other prisoners' unwillingness to protest their cruel treatment is a sign of weakness, Sakomoto is most impressed by Bowie's enigmatic defiance. While Bowie and Sakomoto seem to be operating on a high spiritual and intellectual plane, bilingual prisoner Tom Conti (the "Mr. Lawrence" of the title) engages in a more standard adversarial relationship with sadistic sergeant Takeshi Kitano. ~ Hal Erickson, Rovi

Based on a true story, this film tells the tale of Robert O'Hara Burke (Jack Thompson) and William John Wills (Nigel Havers), who in 1860 set forth to create the first accurate maps of the interior region of the Australian continent. To this end, Irish explorer Burke and British scientist Wills journeyed from the Southern coast of Carpenteria to the North. While they succeeded with the first part of their voyage, on the return trip they and their compatriots fell victim to intense heat and diminishing supplies of food; of the 19 men who began the expedition, only one survived to tell the tale. However, while fate was cruel to Burke and Wills, history was kind, and their story is still taught in every Australian classroom. Graeme Clifford's biopic was praised for its striking visuals and realistic portrayal of Burke and Wills' difficult journey. ~ Mark Deming, Rovi

The outlaws of country music--including Johnny Cash, Waylon Jennings and Willie Nelson--team up and head across the Southwestern desert braving Indians, brigands and conflict in this made-for television version of John Ford's classic film. ~ Sandra Brennan, Rovi

When a woman is suspected of killing her 2 young sons, New York police inspector Theo Kojak is called in to investigate. ~ Rovi