Emma Thompson Movies
One of the first ladies of contemporary British stage and cinema, Emma Thompson has won equal acclaim for her work as an actress and a screenwriter. For a long time known as Kenneth Branagh's other half, Thompson was able to demonstrate her considerable talent to an international audience with Oscar-winning mid-1990s work in such films as Howards End and Sense and Sensibility.Born April 15, 1959 in Paddington, West London, Thompson grew up in a household well-suited for creative expression. Both of her parents were actors, her father, Eric Thompson, the creator of the popular TV series The Magic Roundabout, and her actress mother, Phyllida Law, a cast member of This Poisoned Earth (1961), Otley (1968) and several other films. Thompson and her sister, Sophie (who also became an actress), enjoyed a fairly colorful upbringing; as Emma later said, "I was brought up by people who tended to giggle at funerals." She excelled at school, was well liked, and went on to enroll at Cambridge University in 1978. It was at Cambridge that Thompson started performing as part of the legendary Footlights Group, once home to various members of Monty Python, who provided a huge inspiration to the fledgling comedienne. Unfortunately, Thompson's studies and her work with fellow Footlights members Hugh Laurie and Stephen Fry were interrupted when her father had a debilitating stroke. Thompson went home for a few months, where she taught him how to speak again. After her return to Cambridge, she graduated in 1980 with a degree in English, and she got her first break working for a short-lived BBC radio show.
Personal tragedy struck for Thompson in 1982 when her father died of a heart attack. Ironically, it was in the wake of this turmoil that her professional life began to move forward: she got a job touring with the popular satire Not the Nine O'Clock News and worked with co-conspirators Fry and Laurie on the popular BBC comedy sketch show Alfresco. This led to Thompson's biggest break to date when she was picked for the lead in a revised version of the musical Me and My Girl. Coincidentally featuring a script by Fry, the show proved popular and established Thompson as a respected performer. She stayed with the show for over a year, after which she got her next big break when she was cast as one of the leads in the miniseries Fortunes of War (1988). The other lead happened to be Kenneth Branagh, and the two were soon collaborating off-screen as well as on. Following Thompson's BAFTA Award for her work on the series (as well as a BAFTA for her role on the TV series Tutti Frutti), she helped Branagh form his own production company, Renaissance Films. In 1989, the same year that she starred in the nutty satire The Tall Guy (which teamed her with Black Adder stalwarts Rowan Atkinson, Richard Curtis and Mel Smith)
and in a televised version of Look Back in Anger with Branagh, she appeared as the French queen in Branagh's acclaimed adaptation of Henry V.
Following the success of Henry V, Thompson had a droll turn as a frivolous aristocrat in Impromptu (1990) and then collaborated with Branagh on the noirish suspense thriller Dead Again in 1991. The film proved a relative hit on both sides of the Atlantic, and it further established the now-married Branagh and Thompson as the First Darlings of contemporary British theatre. The following year, Thompson came into her own with her starring role in Merchant Ivory's Howards End. She won a number of awards, including an Oscar, BAFTA, and Golden Globe for her portrayal of Margaret Schlegel, and she found herself an international success almost overnight.
After a turn in the ensemble comedy Peter's Friends that same year, Thompson starred as Beatrice opposite Branagh's Benedict in his adaptation of William Shakespeare's Much Ado About Nothing in 1993. That year proved an unqualified success for the actress, who was nominated for both Best Actress and Best Supporting Actress Oscars, the former for her portrayal of a repressed housekeeper in Merchant Ivory's The Remains of the Day and the latter for her role as Daniel Day-Lewis's lawyer in In the Name of the Father. Although she didn't win either award, Thompson continued her triumphant streak when -- after starring in Junior in 1994 -- she adapted and starred in Jane Austen's Sense and Sensibility in 1995. Directed by Ang Lee, the film proved popular with critics and audiences alike, and it won Thompson a Best Adapted Screenplay Oscar. She also earned a Best Actress Oscar nomination, a BAFTA Best Actress Award, and a Golden Globe for Best Adapted Screenplay.
1995 also proved to be a turning point in Thompson's personal life, as, after a much-publicized separation, she and Branagh divorced. Just as well publicized was Thompson's subsequent relationship with Sense and Sensibility co-star Greg Wise. The somewhat tumultuous quality of her love life mirrored that of Dora Carrington, the character she played that year in Carrington. This story of the famed Bloomsbury painter was not nearly as successful as Sense, and Thompson was not seen again on the screen until 1997, when she starred in Alan Rickman's The Winter Guest. The film -- which featured the actress and her mother, Law, playing an estranged daughter and mother -- received fairly positive reviews. The following year, Thompson continued to win praise for her work with a starring role in Primary Colors and a guest spot on the sitcom Ellen, for which she won an Emmy. In 1999, Thompson announced her plans for semi-retirement: pregnant with Wise's child, she turned down a number of roles -- including that of God in Dogma -- in order to concentrate on her family. The two married in July 2003.
In the years that followed Thompson would still remain fairly active onscreen, with roles as a frustrated wife in Love Actually (which found her BAFTA nominated for Best Supporting Actress) and a missing journalist whose husband (played by Antonio Bandaras) is looking for answers in Missing Argentina (which marked the second collaboration, after Carrington, between Thompson and director Christopher Hampton) serving to whet the appetites of longtime fans. For her role as a respected English professor who is forced to re-evaluate her life in Mike Nichols' made-for-television drama Wit (2001), the renowned veteran actress and screenwriter would earn Emmy nominations for both duties. Following an angelic turn in the HBO mini-series Angels in America, Thompson essayed a pair of magical roles in both Harry Potter and the Prisoner of Azkaban and Nanny McPhee - in which she potrayed a governess who utilizes supernatural powers to reign in her unruly young charges.
Thompson then joined the cast of Marc Forster's fantasy comedy Stranger than Fiction, which Columbia slated for U.S. release in November of 2006. She plays Kay Eiffel, an author of thriller and espionage novels suffering from a massive writer's block. The central character in Eiffel's book (an IRS agent played by Will Ferrell) hears Kay's audible narration and - realizing that she's planning to kill him off - tries to find a way to stop her, with the help of Professor Jules Hilbert (Dustin Hoffman).
She appeared opposite Dustin Hoffman in Last Chance Harvey, and in 2009 had a memorable turn as the head of the school in An Education. In 2010 she wrote and starred in the sequel Nanny McPhee Returns. In 2012 she had a hand in tow big hits, playing Agent O in the third Men In Black film, and voicing the mother in Pixar's Brave. ~ Rebecca Flint Marx, Rovi
Carrington is the true story of the peculiar love affair between two nonconformists in Victorian England: painter Dora Carrington (Emma Thompson) and author Lytton Strachey (Jonathan Pryce). Dora is a young English artist who is part of the Bloomsbury Group, an assemblage of British writers, painters, and eccentrics that includes the likes of Virginia Woolf and E.M. Forster, when she meets Strachey. A confirmed homosexual before meeting Carrington, Strachey inquires who the "ravishing boy" is and discovers that it's a woman. Shocked to discover this, he finds himself captivated by her, and they begin an unusual 17-year love affair/friendship. Strachey (most famous for the groundbreaking book Eminent Victorians) and Dora eventually move in together and have a series of offbeat sexual experiences with other members of the group and sometimes even with the same man; at one juncture, Dora even marries another man. Yet their relationship endures until Strachey's death years later. Pryce was honored as Best Actor at the Cannes Film Festival for his performance. ~ Don Kaye, Rovi
- Starring:
- Emma Thompson, Jonathan Pryce, (more)
The recipient of seven Oscar® nominations, this film version of Jane Austen's classic 1811 novel stars Emma Thompson as Elinor Dashwood. With her mother and sisters, Elinor struggles financially after the death of her father, who bequeathed the Dashwood estate to his oafish son by an earlier marriage. While sorting out the family's affairs, the shy, self-sacrificing Elinor secretly falls for her stepbrother-in-law, Edward Ferrars (Hugh Grant), a sensitive, well-educated bachelor who cannot court her because of his foolhardy youthful engagement to the greedy Lucy Steele (Imogen Stubbs). The grateful Dashwoods are offered a modest country home by family friends, which they accept. Once relocated, Elinor's brash, spirited sister Marianne (Kate Winslet) falls for a dashing local, John Willoughby (Greg Wise), a womanizer who nevertheless seems to share her affections. A prominent neighbor, Colonel Brandon (Alan Rickman), also falls in love with Marianne, but she is oblivious to the older man's affections. Eventually, Willoughby fails Marianne, breaking her heart, until she realizes Brandon's feelings. When Edward's family disowns him, Lucy marries his brother instead, leaving him free to pursue an exultant Elinor. Thompson won the film's sole Oscar® for her screenplay adaptation of Austen's novel. ~ Karl Williams, Rovi
- Starring:
- Emma Thompson, Alan Rickman, (more)
- 1994
The ghost of a dead child preoccupies a woman in this British made-for-television supernatural thriller. Emma Thompson stars as Marie, a woman trapped in an unhappy marriage to philandering husband Joe (Adrian Dunbar). When the couple goes on holiday, Marie gets obsessed with the ghost of a little boy who drowned in a nearby lake. ~ Bernadette McCallion, Rovi
Ultimate manly man Arnold Schwarzenegger learns what it's like to be an expectant mother in director Ivan Reitman's high-concept comedy. Schwarzenegger plays Dr. Hess, a medical researcher working on a revolutionary drug to help mothers carry endangered infants to term. When government regulations prevent Dr. Hess from testing the drug through normal channels, his partner Dr. Arbogast (Danny DeVito) develops an unorthodox solution: they will steal a female egg and implant it in Hess, who will carry the child himself. Predictably, much of the subsequent humor centers on the incongruous sight of the muscular Schwarzenegger undergoing the trials and tribulations of pregnancy, from morning sickness to labor pains. Emma Thompson returns to her comic roots and provides romantic interest as an incorrigibly clumsy but intelligent scientist who catches on to Hess' deception. Reitman, Schwarzenegger, and DeVito had previously had a hit with Twins (1988), which revolved around a similarly ludicrous medical premise, but they failed to repeat that film's success here, as audiences largely ignored the film and reviewers criticized the humor as disappointingly obvious. ~ Judd Blaise, Rovi
- Starring:
- Arnold Schwarzenegger, Danny DeVito, (more)
Disney not only recycled the French farce Mon Pere, Ce Heros but brought back the lead actor of the original, Gerard Depardieu, for the Americanized remake My Father, the Hero. Depardieu plays Andre, the loving but neglectful French father of fourteen-year old Nicole (Katherine Heigl), who now wants to be called Nicky. To make up for lost time, Andre picks up Nicole from the condo of his ex-wife Megan (Lauren Hutton) to take her on a vacation to the Bahamas. Nicole, bitter at her father's frequent absences and embarrassed to be seen with him in the Bahamas, concocts a tale in which she tells her fellow vacationers that Andre is her lover -- and an ex-con to boot. Andre, oblivious to whom everyone thinks he is, tries to act like a father taking his daughter on a trip, shocking everyone with unintentional double entendres. At the same time, Nicole is making eyes at the handsome Ben (Dalton James). ~ Paul Brenner, Rovi
- Starring:
- Gérard Depardieu, Katherine Heigl, (more)
Filmed with the usual meticulous attention to period and detail of films from Ismail Merchant and James Ivory, The Remains of the Day is based on a novel by Kazuo Ishiguro. Anthony Hopkins plays Stevens, the "perfect" butler to a prosperous British household of the 1930s. He is so unswervingly devoted to serving his master, a well-meaning but callow British lord (James Fox), that he shuts himself off from all emotions and familial relationships. New housekeeper Miss Kenton (Emma Thompson) tries to warm him up and awaken his humanity. But when duty calls, Stevens won't even attend his own dying father's last moments on earth. The butler also refuses to acknowledge the fact that his master is showing signs of pro-Nazi sentiments. Disillusioned by Hitler's duplicity, the master dies an embittered man, and only then does Stevens come to realize how his own silence has helped bring about this sad situation. Years later, regretting his lost opportunities in life, he tries once more to make contact with Miss Kenton, the only person who'd ever cared enough to seek out the human being inside the butler's cold veneer. ~ Hal Erickson, Rovi
- Starring:
- Anthony Hopkins, Emma Thompson, (more)
The My Left Foot team of star Daniel Day-Lewis and director Jim Sheridan were reunited to make this political docudrama about Irish citizen Gerry Conlon (Day-Lewis), who was wrongly convicted of taking part in an IRA bombing that killed five in Guildford, England in 1974. After a brutal interrogation forces him to sign a false confession, Gerry is sentenced to prison, his family is raked over the coals, and later his father Giuseppe (Pete Postelthwaite) is charged with being an accomplice and is also sent to prison where he lives out the last days of his life. Day-Lewis gives an outstanding performance as a man tormented by the injustice served him. Watch for Emma Thompson as the persevering lawyer who works for years, gathering evidence to clear Gerry's name. ~ Jason Ankeny, Rovi
- Starring:
- Daniel Day-Lewis, Pete Postlethwaite, (more)
Actor Kenneth Branagh made his directorial debut with a rousing screen adaptation of William Shakespeare's Henry V. Four years later, he returns to the bard's work with this lively version of one of Shakespeare's best comedies. Don Pedro (Denzel Washington), the Prince of Aragon, returns victorious from battle to the praises of the Governor of Messina, Leonato (Richard Briers). One of Don Pedro's bravest men, Claudio (Robert Sean Leonard), falls in love with Hero (Kate Beckinsale), Leonato's daughter, and they plan to marry. However, Don Pedro's devious half-brother Don John (Keanu Reeves) opposes the match, and he devises a plan to turn Hero against Claudio. Meanwhile, Benedict (Branagh), Don Pedro's second-in-command, detests Leonato's niece Beatrice (Emma Thompson), but Don Pedro cleverly brings them together by making each think that the other is secretly in love with them. Much Ado About Nothing also features Michael Keaton in a showy turn as Dogberry. ~ Mark Deming, Rovi
- Starring:
- Kenneth Branagh, Michael Keaton, (more)
- 1992
Emma Thompson guest stars as Nanny Gee, a popular children's singer whose sappy compositions make Barney the Dinosaur's ballads sound like Cole Porter. When Lilith (Bebe Neuwirth) suggests that baby Frederick might enjoy Nanny's upcoming Boston concert, Frasier (Kelsey Grammer) is forced into a startling confession. It seems that, before the ebullient entertainer was Nanny Gee, she was his first wife. ~ Hal Erickson, Rovi
One of the best Ismail Merchant/James Ivory films, this adaptation of E. M. Forster's classic 1910 novel shows in careful detail the injuriously rigid British class consciousness of the early 20th century. The film's catalyst is "poor relation" Margaret Schlegel (Emma Thompson), who inherits part of the estate of Ruth Wilcox (Vanessa Redgrave), an upper-class woman whom she had befriended. The film's principal characters are divided by caste: aristocratic industrial Henry Wilcox (Anthony Hopkins); middle-echelon Margaret and her sister Helen (Helena Bonham Carter); and working-class clerk Leonard Bast (Sam West) and his wife (Nicola Duffett). The personal and social conflicts among these characters ultimately result in tragedy for Bast and disgrace for Wilcox, but the film's wider theme remains the need, in the words of the novel's famous epigram, to "only connect" with other people, despite boundaries of gender, class, or petty grievance. Filmed on a proudly modest budget, Howards End offers sets, spectacles, and costumes as lavish as in any historical epic. Nominated for 9 Oscars, including Best Picture and Best Director, the film took home awards for Thompson as Best Actress, Ruth Prawer Jhabvala's adapted screenplay, and Luciana Arrighi's art direction. ~ Hal Erickson, Rovi
- Starring:
- Anthony Hopkins, Emma Thompson, (more)
This comedy drama, a sort of British version of The Big Chill (1983), was directed by Kenneth Branagh. Ten years after they were members of a music and comedy troupe at Cambridge University, a diverse group of friends in their early 30s gather at the expansive estate of Peter Morton (Stephen Fry), who's invited them there for a reunion. Among the guests are Andrew (Branagh), who has married Carol (Rita Rudner), the star of the American situation comedy he writes; lonely Maggie (Emma Thompson), who thinks she may be in love with Peter; Roger (Hugh Laurie) and Mary (Imelda Staunton), a couple in advertising who have lost a child; and single Sarah (Alphonsia Emmanuel), who's always attracted to the wrong men, including her latest boyfriend, the married Brian (Tony Slattery). Also on hand is Vera (Phyllida Law, the real-life mother of Thompson), a housekeeper who has protectively watched over Peter since childhood. Over the course of the weekend, various jealousies and fears are revealed between joyous feasts, but a startling, tragic announcement from Peter puts everyone's petty dramas into proper perspective. American stand-up comedienne Rudner wrote the screenplay with her husband, (Martin Bergmann). ~ Karl Williams, Rovi
- Starring:
- Kenneth Branagh, Emma Thompson, (more)
Set in contemporary Los Angeles as well as the Los Angeles of the 1940s, Dead Again explores a romance between two star-crossed lovers -- and the doomed passion they shared in their last lifetime. Los Angeles detective Mike Church (Kenneth Branagh) comes to the aid of mute, amnesia-victim Grace (Emma Thompson) and falls in love with her. He sets out to discover her true identity and the source of her terrible nightmares. Mike is aided in his investigation by hypnotist/furniture dealer Franklyn Madison (Derek Jacobi) who discovers that in a past life Grace was Margaret Strauss (also played by Thompson), who may have been mudered by her husband Roman (Branagh). ~ Linda Rasmussen, Rovi
- Starring:
- Kenneth Branagh, Emma Thompson, (more)
Amandine Aurore Lucie Dupin, better known in the literary world as George Sand, not only took a man's name, but trotted around wearing pants and smoking cigars in public. No great shakes today, but in the 1800s she was perhaps the most famous (or infamous) woman in the world. One of the first original celebrities, aside from her garb and literary output, she was known to inspire many duels and broken hearts among other famous hedonist artists. One character describes her in Impromptu, as "that graveyard." The film engages in a sexual roundelay among Sand's (Judy Davis) many friends -- Eugene Delacroix (Ralph Brown), Alfred DeMusset (Mandy Patinkin), Franz Liszt (Julian Sands), and Frederick Chopin (Hugh Grant). The entire crew heads off to the summer estate of the Duke and Duchess d'Antan (Anton Rodgers and Emma Thompson), invited there by the culture-vulture hosts. Sand takes a bead on the sickly Chopin and spends her time throwing herself at him. Also on hand is Liszt's mistress Marie d'Agoult (Bernadette Peters) and Felicien Mallefille (Georges Corraface), Sand's recently jilted lover. Mallefille is jealous of any of the other guests who glance in Sand's direction and continually challenges them to duels. Marie, on the other hand, is enlisted by Sand to deliver a note to Chopin. But Marie, jealous of Sand, delivers the note substituting her name for Sand's. And as the weekend continues, the sexual merry-go-round continues at full tilt. ~ Paul Brenner, Rovi
- Starring:
- Judy Davis, Hugh Grant, (more)
Kenneth Branagh makes his feature-film directorial debut with this adaptation of William Shakespeare's Henry V. After the Chorus (Derek Jacobi) introduces the play, young king of England Henry V (Kenneth Branagh) begins an angry dialogue with King Charles of France (Paul Scofield). The king's son, Dauphin (Michael Maloney), insults Henry and the argument escalates into war. In flashback, Henry is seen as a young man drinking in a tavern with Falstaff (Robbie Coltrane), Bardolph (Richard Briers), Nym (Geoffrey Hutchings), Pistol (Robert Stephens), and Mistress Quickly (Judi Dench). Meanwhile, Henry and his captain, Fluellen (Ian Holm), assemble an army and invade France. The French greatly outnumber the British troops, yet Henry leads them to victory in the Battle of Agincourt after delivering his famous St. Crispin's Day Speech. Throughout this struggle, Henry also courts Katherine (Emma Thompson) and eventually wins her over. ~ Andrea LeVasseur, Rovi
- Starring:
- Kenneth Branagh, Derek Jacobi, (more)
Dexter King (Jeff Goldblum) is an actor who spends his nights on-stage in London's West End as a comedic punching bag for obnoxiously self-centered comedian Ron Anderson (Rowan Atkinson). He gets hit in the head with hammers, he trips, and he stands by dumbly as Anderson gets all the laughs. His home life is little different. His roommate, Carmen (Geraldine James), is a nymphomaniac, so he's always surprised by naked men parading through the kitchen in the morning. A chance meeting with lovely nurse Kate Lemon (Emma Thompson) and a tryout for the lead in a new Andrew Lloyd Webber-ish musical based on The Elephant Man (called, not surprisingly, "Elephant!") jolt Dexter from his torpor. Not that it makes him much less of a loser, which is the quality the show's producers are looking for. "You're a victim," they tell him. His attempts to seduce Kate are equally jarring. She asks him if he is a big believer in having sex on the first date. "Why, no," he tells her, trying to impress her with his sensitivity. Too bad, she replies -- she doesn't believe in getting serious with someone if they're sexually incompatible. Romance and showbiz go on, with the show a hit, though Dexter's romance hits a temporary snag: his backstage romance with a co-star (Kim Thomson) gets found out. ~ Nick Sambides, Jr., Rovi
- Starring:
- Jeff Goldblum, Emma Thompson, (more)
Made for British television, 1989's Look Back in Anger is the third film adaptation of John Osborne's legendary "kitchen sink" stage drama. Kenneth Branagh plays working-class roisterer Jimmy Porter, the archetypal "angry young man" whose college education has led nowhere. Stuck in a go-nowhere job at a candy store, Porter rebels against the establishment through his boorish treatment of his wife (Emma Thompson) and mistress (Siobhan Redmond). Branagh's forceful performance allows us to ignore the structural shortcomings inherent in the play (Osborne writes in fluent tract). Earlier filmizations of Look Back in Anger starred Richard Burton and Malcolm McDowell. ~ Hal Erickson, Rovi
Originally produced for the BBC, the seven-part Fortunes of War was adapted from Olivia Manning's "The Balkan Trilogy" and "The Levant Trilogy". Kenneth Branagh and Emma Thompson, who in 1987 were husband and wife, star as Guy and Harriet Pringle, a British couple who move to Rumania in 1939. As the war clouds gather, Guy becomes involved in political resistance activities, which tends to make him neglectful of Harriet, who'd just as soon remain aloof from world events. While Guy goes off on such missions as destroying the German supply lines along the Danube, Harriet attempts to maintain decorum in her home-a task rendered well nigh impossible when such "guests" as Prince Yakimov (Ronald Pickup) drop in. Separated in mid-war, the Pringles are reunited in Greece, where the lonely Harriet becomes involved with handsome army officer Jeremy Brudenell. Then it's off to further adventures in Alexandria, Cairo, and finally, Damascus. Fortunes of War was first telecast in America from January 17 to February 28, 1988, as part of PBS' Masterpiece Theatre series. ~ Hal Erickson, Rovi
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