Charles P. Thompson Movies

Scheduled to give evidence in a Federal trial, Chief Ironside (Raymond Burr) is all too aware that there are those who hope to silence him before he can appear in court. In fact, the Chief gets word from the grapevine that a professional assassin has been hired to shut him up permanently. What makes this episode unique is that the coldblooded, super-efficient contract killer (James Olson) is depicted in his "off-hours" as a warm and loving family man (whose wife, incidentally, is played by future Happy Days costar Marion Ross). ~ Hal Erickson, All Movie Guide

Joe Cartwright's coquettish former fiancee Emily Anderson (Beth Brickell) returns to town, quickly wrapping the moonstruck Joe around her little finger once more. Unfortunately, Emily has neglected to inform Joe that she is now married to Deputy Marshal Wade McPhail (Ron Hayes). Furthermore, the girl is an habitual liar, and before long a wounded Joe has been accused of robbery and murder. Written by Preston Wood and Elliot Gilbert, "Emily" originally aired on March 23 1969. It is currently unavailable in most circulating Bonanza rerun packages. ~ Hal Erickson, All Movie Guide

Teenager Tom Parsegian (John Denos) falls in love with a Japanese girl, Ann Murakoshi Caroline Barrett. Though both Tom and Ann's families oppose the union, true love cuts through any and all racial barriers. For a film about racial tolerance, Dreams of Glass is surprisingly devoid of genuine Asian actors; one of the few exceptions is Pat Li, playing the heroine's mother. For fans of obscure 1960s rock groups, the film features a solo by The Smokestack Lightnin'. Produced independently, Dreams of Glass was picked up for distribution by Universal. ~ Hal Erickson, All Movie Guide

When milkman Walt Simpson's dairy horse Dolly is replaced by a truck, Opie agrees to look after the old nag. Pretty soon everyone in Mayberry is frettng over the fact that Dolly refuses to eat. Realizing that Dolly is yearning for her old job, Opie comes up with an ingenious solution. Leathery character actor Tommy Tully plays Walt Simpson, while Dolly is cast as "herself." Originally aired on March 6, 1967, "Goodbye Dolly" was written by Michael Morris and Seaman Jacobs. ~ Hal Erickson, All Movie Guide

New York newspaperman Ned Travis (Claude Akins) tracks down Jason McCord (Chuck Connors) in hopes of getting the "real story" of what happened at Bitter Creek. Under normal circumstances, McCord would like nothing better than to reveal the truth and clear himself of the charge of cowardice. But this proves uniquely difficult when McCord comes face to face with Sue Pritchett (June Lockhart), the widow of Jason's former commanding officer. This episode was directed by B-picture veteran Joseph H. Lewis, whose films include such cult favorites as The Big Combo and Terror in a Texas Town. ~ Hal Erickson, All Movie Guide

Now calling himself "Bill Martin", Kimble (David Janssen) arrives in a town where several women have fallen victim to a serial killer. A local vigilante committee, by nature suspicious of all outsiders, immediately assumes that Kimble is responsible for the killing spree. Joanne Mercer (June Harding), a mentally challenged girl shunned by the community, takes pity and Kimble and allows him to hide in her cellar--little imagining that the real murderer is likewise hiding only a few feet away. ~ Hal Erickson, All Movie Guide

Mayberry's customary calm is disrupted when Walker's Department Store is plagued with a wave of thefts. To catch the shoplifter red-handed, Barney poses as a store mannequin, with hilariously chaotic results. Andy and Barney eventually trap the crook, but in doing so they risk public ostracization (tune in, and see why). This episode was written by Bill Idelson and Sam Bobrick. "The Shoplifters" made its network broadcast premiere on March 2, 1964. ~ Hal Erickson, All Movie Guide

In his last Twilight Zone appearance, Burgess Meredith stars as Mr. Smith, a slightly demonic fellow who offers his services as a reporter and typesetter to small-town newspaper editor Doug Winter (Robert Serling). Knowing full well that Winter's Danzburg Courier is on the verge of folding, Smith promises to save the publication from ruin. This he does by reporting tragic incidents that haven't happened yet -- and then making certain that they do happen. Adapted by Charles Beaumont from his own short story "The Devil, You Say?", "Printer's Devil" first aired February 28, 1963. ~ Hal Erickson, All Movie Guide

Perry (Raymond Burr) and Della (Barbara Hale) return to their office to find that someone has left a four-month-old baby on Perry's desk. Soon thereafter, Ginny Talbot (Kaye Elhardt), claiming to be the child's mother, shows up--and not long after that, Perry receives evidence that the infant may be heir to the celebrated Kerrick fortune. The key to the child's true identity is the St. Christopher medal around its neck, but before this matter can be cleared up, Perry must defend Ginny on a charge of murdering one Lester Menke (Corey Allen). ~ Hal Erickson, All Movie Guide

Wanting to be free of her crippled husband but not his enormous fortune, a glamorous wife talks her lover, who is also her spouse's personal physician, into injecting poison into the ailing industrialist. This crime melodrama chronicles the chain of events that leads to the murderous lovers' downfall. Though they successfully offed the husband, the two are not allowed to enjoy their new wealth and happiness for a letter sent to the wife reveals that someone knows about the crime. Believing that the anonymous author is her late-husbands investment advisor, the wife and her lover quickly dispatch him. When his body later turns up, another is blamed with the crime. Unfortunately, the villainous twosome, the accused is to marry the granddaughter of the deceased tycoon. Matters don't improve when the doctor/lover's conscience flares up and he decides to confess. ~ Sandra Brennan, All Movie Guide

Young model Jean Dexter is knocked unconscious and drowned in her own bathtub in her Manhattan apartment, and a lot of jewelry that she supposedly owned is missing. The Naked City is actually about six days in the life of New York City that coincide with the murder and the subsequent investigation by Lt. Dan Muldoon (Barry Fitzgerald) and Detective James Halloran (Don Taylor). The account of their work, and the workings of the New York City police department, is interspersed with brief vignettes about the life of the city around them, and, especially, the reaction of residents to the murder and the newspaper reports of the progress of the case. Muldoon and Halloran first must determine why she was killed, which may (or may not) have to do with how a woman with a minimal income came by the jewelry -- was it a love affair gone bad (and if so, with whom?), or something more complex and sinister? Retracing the final 18 months of the victim's life, their investigation reaches out to a mysterious "Philip Henderson" with whom she was supposedly linked romantically, and to Frank Niles (Howard Duff), who's a little too fast-and-loose with the truth when he doesn't have to be to make Muldoon comfortable; to make things more complicated, Muldoon determines that there were at least two men involved with the actual commission of the murder. The victim turns out to have led a wild life, filled with men and parties, and was tied up with several sordid figures. Their investigation carries them into the highest and lowest ends of New York's social strata to find the killer, and it turns out there are a lot of interlocking reasons why at least three men might've wanted her dead. In the process, we get glimpses of the private lives of the detectives, which was something new in movies at this time; in the midst of all of this activity, the writers set up a fascinating contrast, in adjacent scenes, between Halloran, his wife, and their young son looking toward the future, with the parents of the dead woman, looking back with bitter regret and recriminations -- no movie ever presented in more subtle fashion the contrast between the zeitgeist of the 1930s and that of the postwar era. The final chase on the Williamsburg Bridge is one of the classic pieces of suspense cinema, as the armed and desperate killer races up the walkway past children playing and adults strolling, while detectives close in on foot from behind and patrol cars come up from ahead, with crowded subways rolling past, and then into the superstructure of the bridge for a stand-off and shootout. Sharp-eyed viewers will spot future character leads Paul Ford, James Gregory, John Marley, Kathleen Freeman, and Arthur O'Connell as well as familiar faces Tom Pedi, John Randolph, Molly Picon, and Walter Burke in the supporting cast. Cinematographer William Daniels and editor Paul Weatherwax won Oscars for their work, but awards might just as easily have been presented to director Jules Dassin, writers Albert Maltz and Malvin Wald, composers Miklos Rozsa and Frank Skinner, and, most notably, to producer/narrator Mark Hellinger, who intoned the closing monologue, which opens with one of the most famous tag lines in movie history: "There are eight million stories in the Naked City." ~ Bruce Eder, All Movie Guide