Lloyd Bochner Movies

The story begins as an astronomer notices that a blazing comet is headed straight for Phoenix Arizona. Unfortunately, no one believes him. They will eventually, but only after most of Phoenix has been reduced to cinders. Emmies went to the special effects (among the best ever seen on TV in those days before computer-generated special fx) and sound recording. The all-star cast includes Richard Crenna, Elizabeth Ashley, David Dukes, Joanna Miles, Lloyd Bochner, Merlin Olsen and Andrew Duggan, all of them superbly cast and none merely doing the usual celebrity walk-through. Originally telecast in a three-hour slot, Fire in the Sky debuted November 26, 1978. This film should not be confused with the 1993 alien-abduction film of the same name. ~ Hal Erickson, Rovi

In Part One of "Greetings from Earth", the Galactica encounters an "ancient" space shuttle that has seemingly originated on the elusive 13th Colony--namely, the Earth. On board the shuttle, six people are in a state of suspended animation. Once awakened, the six strangers hold out hope to the Colonists that their long and frustrating search for the 13th Colony is at last at an end. Veteran song-and-dance men Ray Bolger and Bobby Van head the guest cast. Originally telecast as a two-hour "special", "Greetings from Earth" has since been reedited as two one-hour episodes for syndication. ~ Hal Erickson, Rovi

Hoping to match her cousin Samantha's happiness by marrying a mortal, Serena subscribes to The Human Equation, a computer-dating service run by Mr. Beams (John Fiedler). Constitutionally incapable of telling the truth on her application form, Serena is paired up with sophisticated Franklyn Blodgett (Lloyd Bochner). Though at first things look rosy for Serena, it turns out that her new match has not been made in heaven. Written by Michael Morris, "Marriage, Witch's Style" was originally broadcast on February 20, 1969. ~ Hal Erickson, Rovi

The Cartwrights play host to two members of the Russian aristocracy, Count Alexis (Warren Stevens) and Countess Elena (Claire Griswold). Meanwhile, Russian-expatriate outlaw Peters (Lloyd Bochner) has other plans in store for the Count and Countess. The object of Peters' avaricious scheme are the Czar's crown jewels. Originally shown on April 2, 1967, "The Prince" was written by John Hawkins and Melvin Levy. ~ Hal Erickson, Rovi

Collision Course was adapted from Merle Miller's Plain Speaking, a biography of former President Harry Truman. E.G. Marshall plays Truman, while Henry Fonda costars as General Douglas MacArthur This made-for-TV movie recounts the events leading up to the 1951 firing of General MacArthur during the Korean conflict. In the pivotal scene, an apoplectic Truman verbally lambastes the arrogant MacArthur for failing to show proper respect to his commander in chief. Heavily slanted in favor of Truman's point of view, Collision Course was pilloried by conservative critics, who felt that MacArthur was depicted as a vainglorious zealot rather than a misguided patriot. ~ Hal Erickson, Rovi

Crowhaven Farm is a contrived creepy-crawly originally telecast on The ABC Movie of the Week. Hope Lange is probably the last person you'd expect to see in the middle of a witchcraft/reincarnation plot, but there she is, in the company of Paul Burke, Lloyd Bochner and (who else?) John Carradine. Lange and Bochner have the largest roles, playing a bickering couple who inherit a farm and adopt a child (Cindy Eilbacher). Maybe they should have checked the adoption papers a little more carefully; the thing of it is, their new kid seems to be possessed with the soul of a centuries-old witch. Some effective scary setpieces in John McGreevrey's script occasionally lift Crowhaven Farm out of the ordinary. ~ Hal Erickson, Rovi

Double Agent stars Michael McKean in a dual role as the Starbinder twins. One twin is a cool, nerveless secret agent; the other (the one with glasses) is a mild-mannered veterinarian and family man. It must needs be that the spy twin is incapacitated, forcing the veterinarian twin to take his place on a dangerous mission. Lloyd Bochner costars as "Secret Agent Vaughn"--a cute reference to Man From UNCLE star Robert Vaughn. Double Agent was first telecast March 29, 1987, on the Disney Sunday Movie series. ~ Hal Erickson, Rovi

There is good news and bad news for Denver oil tycoon Blake Carrington (John Forsythe) as Dynasty launches its first season. The good news is that Blake is about to wed his former secretary, Krystle Jennings (Linda Evans); the bad news is that the Carrington oil empire is teetering on the edge of bankruptcy, thanks to a major Mideast political crisis. And there's more trouble in store for Blake as the season progresses. Breezing into town to express their disapproval of his marriage are Carrington's children by a previous marriage: bisexual family "black sheep" Steven Carrington (Al Corley) and rapacious Fallon Carrington (Pamela Sue Martin), who will apparently sleep with anything in trousers. As Steven causes profound embarrassment for his major dad via his romance with boyfriend Ted, Fallon is besmirching the family name by fooling around with her sleazy chauffeur Michael, and later outrages her dad by marrying Jeff Colby (John James), the son of Carrington's hated business rival Cecil Colby (Lloyd Bochner). Meanwhile, Krystle's ex-lover Matthew Blaisdel (Bo Hopkins) hopes to win back his sweetie before the marriage -- and never mind that Matthew is employed as Blake's head geologist. As for Matthew's unstable wife, Claudia (Pamela Bellwood), she has taken it upon herself to "straighten out" the sexually confused Steven Carrington. On top of all this, the Blake-Krystle nuptials are nearly ruined when another of Blake's rivals, wildcatter Walter Lankershim (Dale Robertson), interrupts the ceremony with a shotgun. Season one ends on a cliffhanger, as Blake stands trial for the murder of Steven's lover Ted -- and a mysterious veiled lady appears out of nowhere as a witness for the prosecution. ~ Hal Erickson, Rovi

The emegency staff of Rampart Hospital swings into the second season of Emergency! as a radio malfunction forces paramedic Roy DeSoto (Kevin Tighe) to perform emergency surgery without medical supervision on a man trapped under his car. When the patient subsequently dies, DeSoto is mercilessly reprimanded by the victim's personal doctor (Lloyd Bochner)--and for a while, it looks as if Roy will drop out of the paramedic program entirely. Elsewhere, a bull gores a cyclist, a child is trapped I a fire, and a visiting surgeon suffers a heart attack. Michael Norell makes his first series appearance as Captain Hank Stanley. ~ Hal Erickson, Rovi

Hurriedly assembled to capitalize on the Paramount feature of the same name, Magna Pictures' Harlow was shot in less than two weeks, utilizing a glorified TV-kinescope process called Electronovision. Carol Lynley is physically an excellent choice to play 1930s Hollywood "platinum blonde" Jean Harlow, though she has little of Harlow's casual charisma. Pushed into a movie career by Mama Jean (Ginger Rogers) in order to support her dysfunctional family, Jean rises from 2-reel comedies to big-budget features in the space of a year. Though one of the highest-priced stars at MGM, Jean's fortune is rapidly depleted by her high-living (and, it is hinted, incestuous) stepfather Marino Bello (Barry Sullivan). Seeking happiness and security, Jean marries producer Paul Bern (Hurd Hatfield), only to have him commit suicide due to his impotence. Just when her misery is about to be ended by her marriage to movie star William Mansfield (Efrem Zimbalist Jr.)--a thinly disguised William Powell, who refused to allow his name or likeness to be used--Jean dies of uremia at the age of 26. If you can get past those miserable Laurel & Hardy imitators at the beginning of Harlow, you might be able to survive the rest of the picture, which gives a whole new meaning to the word "cheap." Watch for boxing champ Sonny Liston in a one-scene bit. ~ Hal Erickson, Rovi

In this routine action film, Danny Fairchild (Wayne Rogers) and Vincent Reblack (Patrick Macnee) are partners in an art-scam operation in which Danny forges valuable paintings and Vincent authenticates them; both pretend to run a company that legitimately authenticates art for sale at auction. Their illicit operation has been undetected for years until one day someone catches on and Severo (Lloyd Bochner) shows up, threatening to turn them in, or worse, if Danny does not forge a series of paintings that disappeared in World War II. Although the two partners have to agree, they begin to develop a scam that will get Severo and his unknown boss right where it hurts the most. ~ Eleanor Mannikka, Rovi

Ironside (Raymond Burr) and Ed (Don Galloway) head to London (courtesy of the Universal back lot), there to attend an international police convention. No sooner has he arrived than Ed witnesses the assassination of the British police official--and is subsequently targeted for death himself. To solve the murder and keep his assistant from harm, Ironside works side by side with his old friend and colleague, Superintendant Faber (Lloyd Bochner)...but gradually grows suspicious of Faber's mercurial and oftimes obstructive behavior. ~ Hal Erickson, Rovi

One of the first important distinctions to be made about this version of King Lear is that it is not the same version directed by Peter Brook in 1971. Brook was responsible for the staging of this 1953 version, but it was Andrew McCullough who put it to film. Orson Welles portrays the titular character, one of the most memorable and important characters from the Shakespearean canon. The story begins with the famous request Lear makes of his daughters: to express how much they love him. In exchange, Lear will divide his land and power amongst them based on the extent of their answers. Cordelia (Natasha Parry), the youngest and the one whom Lear loves the most, answers very modestly -- yet honestly --and incurs the wrath of Lear, who not only withholds his gift to her, but banishes her as well. Lear divides his lands and power between the two older daughters, Goneril (Beatrice Straight) and Regan (Margaret Phillips), who intend to take swift and complete control of their father's power almost instantaneously. Lear is reduced to an angry, bitter man who realizes too late what has happened. After a series of indignities are inflicted upon him by his daughters, he retreats into a storm, vowing revenge. This film is an above-average adaptation with a very capable cast and a well-staged presentation. The subplot of Gloucester and his sons has been removed, however, presumably in interests of time conservation, but it doesn't seriously hinder the story. ~ Ryan Shriver, Rovi