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Mary Thomas Movies

1956  
 
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A small Kansas town braces itself for the arrival of the first Texas trail herd. The marshal (Robert Ryan) expects trouble from the herd drivers, who'll be thirsty and lascivious after months on the trail. The town's saloon owner (Robert Middleton), anticipating a business boom, wants to remove the marshal and thus leave the town wide open. The marshal can expect little help from his deputy (Jeffrey Hunter), whose father was killed by the lawman. The Proud Ones builds slowly to an explosive climax, in which the deputy chooses the right side and Law & Order is maintained. ~ Hal Erickson, Rovi

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Starring:
Robert RyanVirginia Mayo, (more)
 
1951  
 
Take Care of My Little Girl is a genteel "expose" of college-sorority snobbery. Jeanne Crain stars as Liz Erickson a perky coed who is pledged to an old, established sorority. At first amused by such rituals as "rushing" and "Hell week," Liz eventually feels threatened by the tyranny of the sorority caste system. She is particularly upset with her "sisters"' preoccupation with doltish boyfriends and their disdain for their classwork. With the moral support of student Joe Blake (Dale Robertson), Liz finally gets her priorities in order. Take Care of My Little Girl would make a fascinating companion piece with For Men Only (1951), director Paul Henreid's vitriolic attack against the injurious rituals of male fraternities. ~ Hal Erickson, Rovi

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Starring:
Jeanne CrainDale Robertson, (more)
 
1944  
 
One of Hollywood's favorite film titles (next to Never a Dull Moment and The Man Who Dared) is given another go-round with 1944's Till We Meet Again. Ray Milland stars as an American combat pilot forced to crash-land in occupied France. He is sheltered by nun Barbara Britton, who finds herself attracted to the brash flyboy. Britton poses as Milland's wife when the twosome becomes involved with the activities of the French underground. This being a 1944 film, it wouldn't do for Britton to renounce her vows in favor of connubial bliss, so someone (guess who?) has to conveniently die before the climax of Till We Meet Again. ~ Hal Erickson, Rovi

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Starring:
Ray MillandBarbara Britton, (more)
 
1942  
 
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The winner of four Oscar nominations, Wake Island was one of the first major Hollywood films to deal with America's forced participation in World War II. The first two reels takes place in the weeks prior to Pearl Harbor, as Wake Island military commander Brian Donlevy carries on a friendly rivalry with Seabee supervisor Albert Dekker. Once the US is in the shooting war, all previous differences are forgotten and the Wake Island personnel begin pulling together. Despite being heavily outnumbered during the subsequent Japanese attack on Wake, the Americans put up a valiant fight, at great cost to the Imperial Forces. In a scene calculated to evoke long, loud cheers from the audience, Donlevy, weary and battle-stained, relays to the American mainland the legendary (if offensive) challenge "Send us more Japs!" As in the like-vintage Bataan, the military defeat of the Americans is treated-and justifiably so--as a moral victory. Utilizing some of the top male talents in Paramount's contract pool-Donlevy, Dekker Robert Preston, MacDonald Carey, William Bendix--Wake Island remains an excellent example of propaganda-as-entertainment ~ Hal Erickson, Rovi

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Starring:
Brian DonlevyRobert Preston, (more)
 
1942  
 
So far as W.C. Fields fans are concerned, Ann Hegan Rice's sentimental 1901 novel Mrs. Wiggs of the Cabbage Patch was definitively filmed in 1934. After seven reels' worth of a lachrymose plot about the impoverished Mrs. Wiggs (Pauline Lord) holding her large family together while her husband was off on a "mysterious mission," Fields strolled in as the mail-order husband to neighbor lady ZaSu Pitts, and promptly stole the show. The 1942 remake of Mrs. Wiggs substituted the amusing but hardly immortal Hugh Herbert for W.C. Fields, allowing star Fay Bainter to retain the spotlight. The story is substantially the same as before, including the mortgage on the home, the death of the frailest Wiggs child, and the eleventh-hour appearance of Mr. Wiggs, who solves all financial and emotional problems before lying down to take a nap. The 1942 Mrs. Wiggs of the Cabbage Patch was actually the third film version of the Rice novel; the first had been released in 1919, with Mary Carr in the title role. ~ Hal Erickson, Rovi

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Starring:
Fay BainterCarolyn Lee, (more)
 
1942  
 
In this grim melodrama, Barbara Stanwyck plays the eldest of three wealthy sisters who become orphans when their father dies in France. Threatened with the danger of losing the opulent family home, Big Sister makes a grand sacrifice and secretly marries a real estate developer so she can inherit her aunt's fortune. A few years later, she learns that he is after the family estate and wants to tear it down so she leaves him and tries to stop him. More time passes and the husband ends up taking her to court when he learns that she has borne him a son without telling him. The part of "Gig Young" was played by actor Byron Barr who later assumed the name before he became famous. ~ Sandra Brennan, Rovi

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Starring:
Barbara StanwyckGeorge Brent, (more)
 
1941  
 
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A seemingly quiet Midwestern town is the hiding place for a number of sordid secrets in this melodrama based on Henry Bellamann's best-selling novel. Parris Mitchell (Scotty Beckett) is a young boy growing up in the town of King's Row, where he becomes close friends with Cassandra (Mary Thomas), a quiet girl who isn't popular with the other children. Parris is also friends with Louise (Joan Duvalle), a rich girl who looks down on others; Drake (Douglas Croft), a good-natured but self-centered type; and Randy (Ann Todd), a girl with a wild tomboy streak. It's a testimony to Parris' character when Cassandra and Louise both invite him to parties on the same day and he decides to go to Cassandra's, because he's not sure who else might be there for her. However, his friendship with her begins to fade after her father, local psychiatrist Dr. Tower (Claude Rains), decides to withdraw her from public school and tutor her at home instead. Years later, Parris (now played by Robert Cummings) is a promising medical student studying psychiatry with Dr. Tower, and while he's stayed in contact with Cassandra (now played by Betty Field), she remains at a curious emotional distance from those around her. Randy (now played by Ann Sheridan) romances Drake (now played by Ronald Reagan), who has inherited a fortune and is living the high life to the fullest. However, Drake is also involved with Louise (Nancy Coleman), who is not allowed much of a social life by her father, Dr. Gordon (Charles Coburn), and she fears that the more outgoing Randy will steal Drake away from her. When Parris decides to travel to Europe to further his studies, Cassandra asks if she can join him; he's not keen on the idea, but he considers it. He is then shocked to learn that Cassandra has been killed by her father after he learned that she was with child, shortly before taking his own life. Drake, meanwhile, loses his money through a series of unfortunate circumstances and is forced to take a job with the railroad; when he is injured at work, he's taken to Dr. Gordon for treatment. However, the doctor never approved of Drake's romance with Louise and was even more upset when he decided to leave her for Randy; in retaliation, Dr. Gordon amputates Drake's legs, even though his condition in no way justified it. Meanwhile, Parris comes back from Europe and makes the acquaintance of a local resident, Dr. Sandor (Erwin Kalser), while becoming infatuated with his daughter, Elise (Kaaren Verne). He also learns of Dr. Gordon's shocking mutilation of Drake, who is determined to somehow live a normal life despite it all, with Randy by his side. Kings Row was nominated for three Academy Awards (including Best Picture of 1943), and is generally conceded to feature the best performance of Ronald Reagan's Hollywood career; he titled his autobiography Where's the Rest of Me?, after the key line of his most memorable (and challenging) scene in the picture.
~ Mark Deming, Rovi

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Starring:
Ann SheridanRobert Cummings, (more)
 
1940  
 
The moral of Preston Sturges' first directorial effort The Great McGinty seems to be: If you're a crook, stay a crook, because honesty will get ya every time. Brian Donlevy plays Dan McGinty, a Chicago hobo who is hired by local political bosses as a "professional voter", casting ballots under a variety of assumed names in various districts. McGinty chalks up $74 worth of votes, and when local ward heeler William Demarest can't pony up, McGinty takes direct action by trying to beat up The Boss (Akim Tamiroff). Though the two men can't get through an entire day without trying to kill each other, McGinty and the Boss are impressed by each other's raw abilities and become political partners. Through the Boss' patronage, McGinty works his way up to the mayor's office, with his politically expedient bride (Muriel Angelus) at his side. Though he never goes so far as to fall in love with his "arranged" wife, Donlevy is fond of both her and her children by a previous marriage, and for their sake he begins to reform--much to the dismay of the Boss. With the Governor's mansion within his grasp, McGinty makes the fatal error of fessing up to a graft-ridden bridge contract. It is this impulsive moment of honesty, rather than any of his past crimes, that gets McGinty thrown in the slammer, sharing a cell with the blood-in-his-eye Boss. Demarest separates the two combative men long enough to arrange an escape to South America, but not before McGinty has assured the financial security of his wife and family. The story is told in flashback form in a seedy South American dive, where McGinty works as a bartender and the Boss is the manager. The film ends with the two friendly enemies duking it out over a minor infraction, while bouncer Demarest looks on in disgust. Sick to death of watching other directors mangle his screenplays, Preston Sturges sold this rollicking political satire to Paramount only on the condition that he be allowed to direct (for the princely sum of $10). Paramount hedged its bets by giving Sturges a slim budget and inexpensive stars; as a result, the film made back its cost several times over, and Preston Sturges' directorial career was off and running. ~ Hal Erickson, Rovi

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Starring:
Brian DonlevyMuriel Angelus, (more)
 
1939  
 
The Carter Family finds itself in serious financial difficulty when its patriarch, druggist Doc Carter (Frank Craven), is all but forced out of business by a neighboring chain store. Doc isn't worried so much for himself and his wife Emma (Fay Bainter) as he is for his five children, played by Scotty Beckett, Bennie Bartlett, Donald Brenon, Mary Thomas and Gloria Carter (who real name is the same as her "reel" name). But there may be a way out: wealthy Bill and Gloria Hastings (Edmund Lowe, Genevieve Tobin), longtime friends of the Carters, have offered to adopt the couple's polio-stricken son Dickie (Beckett) for a substantial fee. Doc and Emma refuse this offer, but their somewhat more practical children offer themselves up for adoption rather than separate little Dickie from his parents. The ultimately happy denoument suggests that Paramount Pictures hoped to develop a "Carter Family" series, though no such project developed. ~ Hal Erickson, Rovi

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Starring:
Fay BainterFrank Craven, (more)