Frank M. Thomas Movies

Wednesday's Child, the song goes, is "full of woe." This is indeed the case for Bobby (Frankie Thomas), who is bundled off to military school when his father (Edward Arnold) and mother (Karen Morley) divorce. That Bobby was forced to testify during the divorce action was traumatic enough; now he must face the grim reality that neither of his parents really want him around. Eventually, Bobby's dad relents and brings the boy home -- not the painfully realistic original ending of the Leopold Atlas play upon which this film was based. When RKO Radio refilmed Wednesday's Child as Child of Divorce in 1946 (with Sharyn Moffett playing a distaff version of the Frankie Thomas role), Atlas' doleful ending was left intact. ~ Hal Erickson, All Movie Guide

Were it not for the deplorable Silly Billies, Mummy's Boys might well have been the weakest of the Bert Wheeler-Robert Woolsey comedies. The boys are cast as ditch diggers Stanley Wright and Aloysius Whittaker, who sign on as "excavators" for an archaeological expedition into Egypt. What our heroes don't know is that their destination, the tomb of King Pharantine, carries a deadly curse which has apparently claimed the lives of nine previous explorers. It turns out that the deaths have actually been caused by a member of the first Pharantine expedition, who has systematically poisoned his colleagues so that he can lay claim to all the tomb's treasures. The film wraps up with a slapstick chase through the surprisingly well-illuminated tomb, with Stanley and Aloysius doing their best to protect heroine Mary Browning (Barbara Pepper) from harm. Many of the best gags have nothing to do with the wearisome plotline, but even these lack the zip and spark of Wheeler & Woolsey's earlier routines. The film's best performance is rendered by Moroni Olsen as the maniacal, bug-eyed murderer (whose guilt is obvious the moment he's introduced to the audience!) ~ Hal Erickson, All Movie Guide

Future best-selling novelist Irwin Shaw made his screenwriting bow with the modest RKO Radio sports drama The Big Game. The story revolves around the efforts by a group of crooked gamblers to fix the outcomes of college football games. When star quarterback Clark (Philip Huston) refuses to be bribed, the villains kidnap him on the eve of the titular Big Game. Clark is rescued by his burly teammates just in the nick of time, but the film's not over yet: there's a riot on the football field during the final scenes, reportedly inspired by a real-life incident during a 1935 NYU-Fordham game. Adding to the enjoyment of The Big Game is the presence of several genuine members of the 1936 All-American football squad: The University of Chicago's Jay Berwanger, Notre Dame's William Shakespeare, Southern Methodist's Bobby Wilson, NYU's Irwin "King Kong" Klein, Ohio State's Gomer Jones, and Stanford's Robert "Bones" Hamilton, Monk Moscrip and Frank Alustiza. ~ Hal Erickson, All Movie Guide

In this crime drama a high-school principal's principles are put to the test when he, also a member of a parole board, is given the ultimate power to decide whether his son, a brutal criminal is to be paroled. The others do not know about the inmate's relationship to their colleague and the son tries to use this to his advantage. Sure enough his blackmail works and the heartless crook is freed to go on an unparalleled crime spree with his moll until his father comes forth and gives him final justice. ~ Sandra Brennan, All Movie Guide

Wanted: Jane Turner was inspired by an actual robbery-murder case of 1926. A gang of thieves use the Post Office's general-delivery service to pick up and send out their ill-gotten gains. To throw the cops off the scent, the crooks have established a P.O. box under the fictional name of "Jane Turner." Trouble starts brewing when a real Jane Turner (Judith Blake), who knows nothing about the criminal activity, shows up to collect her mail. With Jane's help, postal inspectors (Lee Tracy and Gloria Stuart) put the heat on the villains, who've already tipped their hand by killing a driver during a mail-truck heist. Wanted: Jane Turner was remade in 1941 as Lady Scarface. ~ Hal Erickson, All Movie Guide

A newspaper reporter vies with his arch rival, who is also his girl friend, for the scoop on a recent bank robbery. The race nearly destroys their relationship until he saves her from the evil crooks. ~ Sandra Brennan, All Movie Guide

In this screwball comedy, Valentine Ransome (Barbara Stanwyck) is an heiress who falls for Jonathan Blair (Herbert Marshall), a carefree playboy who owns part of a large steamship line. However, Valentine doesn't especially like Jonathan's brassy fiancé, Carol Wallace (Glenda Farrell), and thinks he needs to start taking a more serious attitude about his money and his investments. To teach Jonathan a lesson (and get closer to him in the process), Valentine arranges to buy enough stock in the shipping company that she's the majority owner, and begins giving him orders about how things should be done. Jonathan isn't about to stand for that, and set off for a cruise on one of his ships, with Carol in tow and every intention of having the ship's captain marry them. But Jonathan's sidekick Butch (Eric Blore) doesn't like Carol any more than Valentine, and seizes every available opportunity to throw a spanner into the works. The same year that the versatile Barbara Stanwyck starred in this comic trifle, she received an Oscar nomination for her dramatic work in the movie Stella Dallas. ~ Mark Deming, All Movie Guide

In this crime drama, a highly superstitious racehorse owner spends his time off the track helping the less fortunate in any way he can so that he will always have good luck. His ploy works until he is accused of murdering his ex-lover. Fortunately, the real culprit is discovered before he has to go to jail. ~ Sandra Brennan, All Movie Guide

In this comedy drama (a remake of 1932's Ladies of the Jury), an apparently bubble-headed but mule-stubborn jurist is convinced of the defendant's innocence and refuses to change her verdict. Unlike the others, she listens to her own common sense and looks carefully at the facts and decides that there is no way the accused could have committed the murder. She then sets off with a fellow jurist and long-time pal to prove it. ~ Sandra Brennan, All Movie Guide

Allegedly based on two factual works, Bouck White's The Book of Daniel Drew and Matthew Josephson's The Robber Barons, RKO's The Toast of New York is a largely fanciful account of the career of 1870s financier "Jubilee Jim" Fisk. As played by Edward Arnold in his usual "tycoon" mode, Fisk was a likable scoundrel who finagled his way into the upper rungs of Wall Street as much for fun as for profit. The film conveniently ignores Fisk's involvement with the infamous Tweed Ring, and skims over his complicity in 1869's "Black Friday," one of the most disastrous events in American economic history. We are also offered a sanitized version of Fisk's notorious mistress Josie Mansfield, who as played by Frances Farmer is an apple-cheeked lass who regards Fisk only as a loyal friend. Cary Grant is along for the ride as "Nick Boyd," a thinly disguised version of Fisk's actual partner in crime Ned Stokes. Too costly to post a profit, Toast of New York is nonetheless fine non-think entertainment, kept alive by a superb supporting cast ranging from Donald Meek as Daniel Drew and Clarence Kolb as Cornelius Vanderbilt to such bit players as Laurel & Hardy perennial James Finlayson, who plays the inventor of a self-tipping hat! ~ Hal Erickson, All Movie Guide

This back-stage crime comedy, a remake of Lights Out (1923), takes a healthy satirical stab at the powerful studio system of the times. The trouble begins when an ex-convict and a screenwriter together write a screenplay based on the bank robbery that got the criminal in trouble with the law. After the film's release, the police, following the clues set forth on screen, capture the ex-con's former partners who escaped before. When other mobsters see the film and hear the story, they fear that such films will become the rage and they could go to jail, so they launch an all-out assault on a Hollywood studio creating all sorts of behind-the-scenes mayhem. Ironically, soon after Crashing Hollywood was released, a hit man for the Bugsy Siegel-Meyer Lansky Mob in New York spotted an extra who turned out to be former mobster "Big Harry" Greenberg, who snitched on his bosses and then disappeared. The hit man informed his superiors and soon afterward, Greenberg was slain. ~ Sandra Brennan, All Movie Guide

Meet the Missus poked fun at the contest crazes of the 1930s. Helen Broderick stars as a woman who spends every spare moment entering contests, much to the discomfort of her browbeaten hubby Victor Moore, who is left with all the housework. She finally makes the finals in the "Happy Noodles Housewives" championship. The contest rules require that Helen and Victor head for Atlantic City. Helen makes such a nuisance of herself that the judges award her the grand prize just to get rid of her. The totally unnecessary young-lover subplot in Meet the Missus was handled by Anne Shirley (as Helen and Victor's daughter) and Alan Bruce. ~ Hal Erickson, All Movie Guide

A couple of American soldiers of fortune are hired by the wife of a Chinese general to deliver a priceless diamond to a shopkeeper in Shanghai in this low-budget whodunit from the RKO "B"-unit. Just as the gem reaches its destination all hell breaks lose. When the dust settles, the diamond is gone and Tom Baldwin (Vinton Haworth) and sidekick Joe Dugan (Gordon Jones) are left with a group of highly suspicious witnesses. The entire assembly, including pretty but mysterious Jane Dunn (Constance Worth), then boards a liner headed for San Francisco. After several shipboard murders and the revelation that Jane is a custom agent, the culprit is caught red-handed. A lady detective ought to have made a refreshing change but, sadly, China Passage delivers few surprises and the armchair detective is never truly tested. Usually a supporting player of little merit, Vinton Haworthproves a rather weak-chinned hero and is certainly no match for the ash-blonde Worth, an Australian actress turned Queen of Hollywood B-movies. The rest of the supporting cast perform their assignment in the expected manner, Dick Elliott being the standout as an eternally tipsy traveler. China Passage was directed by Edward Killy, who later helmed the studio's series of Tim Holt B-Westerns. ~ Hans J. Wollstein, All Movie Guide