Danny Thomas Movies

It is now part of TV folklore that the classic sitcom The Dick Van Dyke Show was originally conceived as a starring vehicle for the series' creator, Carl Reiner. In the pilot episode "Head of the Family," filmed in New York in 1959, Reiner played TV comedy writer Rob Petrie (then pronounced "pea-tree"), who divided his time between his job as a head writer on "The Alan Sturdy Show" with co-workers Buddy Sorrell (Morty Gunty) and Sally Rogers (Sylvia Miles) and his home life in New Rochelle with his wife, Laura (Barbara Britton) and son, Ritchie (Gary Morgan). Potential sponsors and networks liked the premise but not the cast...or to be more blunt, no one wanted to buy a series with Carl Reiner as star. Swallowing his pride, Reiner limited himself to the jobs of producer, director, and writer. He retooled "Head of the Family," and recast the property with Dick Van Dyke as Rob, Mary Tyler Moore as Laura, Larry Mathews as Ritchie, Morey Amsterdam as Buddy, and Rose Marie as Sally; the rest, as they say, is history.

Debuting October 3, 1961, on CBS, The Dick Van Dyke Show, as mentioned, top-billed the titular star as Rob Petrie, who was now head writer for "The Alan Brady Show" During the series' first few seasons, Alan Brady (a brash, dictatorial character reportedly inspired by Reiner's former boss and colleague Sid Caesar) was seldom seen -- and when he was, it was only from the back. It was an open secret that Carl Reiner himself played Brady, though he did not take screen billing. Only in the series' fourth season was Brady's face actually seen, and only then was Reiner credited on-screen as the actor playing the part. Other recurring characters included Richard Deacon as Alan Brady's producer (and beleaguered brother-in-law) Mel Cooley, Jerry Paris and Ann Morgan Guilbert as the Petries' next-door neighbors Jerry and Millie Helper (he was a dentist, she was Laura's best friend), future director Bill Idelson as Sally Rogers' erstwhile boyfriend, Herman Glimpshire, and Joan Shawlee as Buddy's ex-showgirl wife, Pickles.

Although the series was distinguished by the high level of wit in its writing and its wonderful physical-comedy set pieces, the strong suit of The Dick Van Dyke Show was the warm rapport among its principal players. Indeed, only a handful of TV sitcoms have been so perfectly cast, making one wonder how the series would have fared with its original cast members. Incredible though it may seem today, The Dick Van Dyke Show was not an instantaneous hit. Indeed, the series fared so poorly opposite its first season competition, Bachelor Father and Laramie, that CBS canceled the show outright, sending out notices to the cast members on the last day of shooting. The series might have been just another one season wonder had not one of its sponsors picked it up for a second season, insisting that CBS find a better time slot than Tuesdays at 8:30 p.m. Thus, the show was moved to Wednesdays at 9:30 p.m. -- fortuitously right after CBS's biggest success of the 1962-1963 season, The Beverly Hillbillies.

Although The Dick Van Dyke Show's somewhat higher ratings still did not set the world on fire, the series received a great deal of word-of-mouth buzz during its second season, and its audience grew steadily throughout the remainder of its run. The fact that the series picked up several Emmy Awards along the way was the icing on the cake. After five seasons, star Dick Van Dyke and producer Carl Reiner opted to quit while they were ahead -- a rare move in the mid-'60s (and even rarer four decades later). Thus, The Dick Van Dyke Show concluded its nighttime run on September 7, 1966, though reruns continued to air on CBS's daytime schedule until 1969. Thereafter, the series entered off-network syndication, where its has continued to flourish mightily well into the 21st century. And in 2003, the surviving cast members were reunited for a two-hour special, The Dick Van Dyke Show Revisited. ~ Hal Erickson, All Movie Guide

The pilot for the long-running CBS sitcom The Andy Griffith Show was seen on February 15, 1960, as an episode of The Danny Thomas Show, "Danny Meets Andy Griffith." As originally conceived, Andy Taylor (Andy Griffith) was not only the sheriff of the sleepy North Carolina town of Mayberry, but he was also the mayor, justice of the peace, and newspaper editor. Child actor Ronny Howard (who, as Ron Howard, would in adulthood enjoy a spectacularly successful career as a film director) was seen in the pilot as the widowed Andy's son Opie, but Frances Bavier played an entirely different role than she would in the actual series, while Frank Cady rather than Hal Smith was cast as town drunk Otis Campbell. While there would be changes in concept and casting, the laid-back character of Andy Taylor "clicked" with TV audiences, ensuring that The Andy Griffith Show would join the Monday night CBS lineup come October 3, 1960. Introduced as regulars during season one were of course Andy Griffith, Ronny Howard, and Frances Bavier (now as Aunt Bee, housekeeper for Andy and Opie Taylor), with the significant and salutary addition of Don Knotts as Andy's tightly wound deputy Barney Fife. The rapport between Andy and Barney contributed mightily to the series' success during its shakedown season, with nominal leading character Andy often voluntarily taking a back seat to Barney's overzealous antics. Subsequent additions to the cast included Jim Nabors as bucolic gas station attendant Gomer Pyle (later spun off into his own series, Gomer Pyle, U.S.M.C.); George Lindsey as Gomer's cousin, Goober Pyle; Howard McNear as dithery barber Floyd Lawson; and Hal Smith as the aforementioned Otis Campbell. Taking advantage of Andy Taylor's widower status, the series' writers tried to pair the character off with a number of eligible young ladies, beginning in the first season with Elinor Donahue as drugstore sales clerk Ellie Walker. But only when Aneta Corsaut joined the cast as Opie's schoolteacher Helen Crump did Andy find the "right" girl. Indeed, Andy and Helen would become engaged during the series' final season. Conversely, Barney Fife had but one steady girlfriend, Thelma Lou, played by Betty Lynn.
Don Knotts left the series at the outset of its sixth season (the show switched from black-and-white to color at the same time); it was explained that Barney had accepted a deputy position in Raleigh, permitting Knotts to make a handful of memorable return guest appearances. Barney was briefly replaced by Deputy Warren Ferguson, played by Jack Burns; later on, Goober Pyle became Andy's unofficial deputy. The post-Don Knotts episodes brought forth several other new recurring characters: Jack Dodson as town clerk Howard Sprague, Paul Hartman as handyman Emmet Clark, and Hope Summers as Aunt Bee's best friend, Clara. During the Emmy-winning series' eighth season, Andy Griffith decided to leave the show. At this point, Ken Berry was added to the cast as widowed farmer and later town councilman Sam Jones, with Buddy Foster as Sam's son Mike and Arlene Golonka as Sam's girlfriend, Millie Hutchins. After the final telecast of The Andy Griffith Show on September 16, 1968, the series continued for three additional seasons under the title Mayberry RFD, with Ken Berry taking over as star and with most of the familiar Andy Griffith Show supporting characters still in attendance. One of the most consistently popular sitcoms of all time, The Andy Griffith Show lasted 249 half-hour episodes, and also spawned the high-rated 1986 TV movie Return to Mayberry. ~ Hal Erickson, All Movie Guide

Make Room for Daddy was the first modern family sitcom, although, to see it at any time since the 1960s, one would think that it was hopelessly dated. In fact, it was the most important 1950s sitcom after I Love Lucy -- and has a production history closely connected to that show -- and it spawned more than a decade's worth of hit sitcoms in its wake. Danny Thomas was the star and co-owner of the production company behind it, along with actor-turned-producer/director Sheldon Leonard. The series itself was based on Thomas' experiences as a standup comedian and father, trying to juggle a career and his responsibilities as a husband and parent. The series' original title, Make Room for Daddy, came from a phrase that Mrs. Thomas used to use on their oldest daughter, Marlo, who often slept in the master bedroom when Danny Thomas was out of town performing, reminding her to move back her own room, telling her "We must make room for daddy." As it went on the air in the fall of 1953 on ABC, Thomas portrayed Danny Williams, a New York-based standup comic and nightclub singer married to Margaret (Jean Hagen), with two children, daughter Terry (Sherry Jackson) and son Rusty (Rusty Hamer). Louise Beavers played their housekeeper, Louise; Horace McMahon played Danny's agent, Phil Arnold; Mary Wickes played Liz O'Neal, Danny's publicist; and Hans Conried played Danny's uncle Tonoose, the patriarch of Danny's Lebanese family back in Toledo, OH. Jean Hagen wanted to leave the series after three seasons and was written out of the show by having her character die of an illness.

During the 1956-1957 season (by which time the series had been renamed The Danny Thomas Show, which was what most people called it anyway), the series introduced Marjorie Lord as Kathy O'Hara, a nurse who takes care of a seriously ill Rusty; a romance was written in, and Danny Williams proposed marriage at the end of the season. The couple were married, and Kathy's daughter by a previous marriage, Linda (Angela Cartwright), joined the Williams clan as the youngest member. The following season, the series moved to CBS and opened with the Las Vegas honeymoon of Danny and Kathy, with their three children in tow. Other characters came and went, including Sid Melton as Charlie Halper, an excitable family friend and the owner of the Copa Club, where Danny was often booked, Pat Carroll and Charlie's wife Bunny, and Penny Parker, who took over the role of Terry after 1960. The series ran until 1964, and there were more than a few notable guest stars and cameo appearances, including Bob Hope, Jack Benny, Peter Lind Hayes and Mary Healy, Bill Dana, and comedy legend Joey Faye, among numerous others. Annette Funicello was also a regular on the series during the 1959 season. The theme song for the run of the show was a big band version of "Londonderry Air," also known as "Danny Boy." ~ Bruce Eder, All Movie Guide

The original Broadway musical Call Me Mister was a plotless revue. By the time the property made it to the screen, however, a storyline was grafted on and much of the revue's funnier (and dirtier) material was weeded out. Betty Grable stars as an American USO entertainer Kay Hudson, touring the bases in postwar Japan. Somewhere along the way she crosses the path of former husband Shep Dooley (Dan Dailey). Despite the presence of ardent suitor Capt. Johnny Comstock (Dale Robertson), Dooley begins a campaign to win his wife back. They are reconciled during a climactic stage show, which affords ample opportunity for both Grable and Dailey to demonstrate their terpsichorean skills (Busby Berkeley handled the choreography). Cast as a GI who hates the army, Danny Thomas (a holdover from the Broadway production) does a truncated version of his own nightclub act. Specialty numbers are provided by the Dunhill dance team, and by an unbilled Bobby Short. ~ Hal Erickson, All Movie Guide

MGM's all-purpose title The Big City was deployed once more for this treacly 1948 drama. To prevent orphaned Midge (Margaret O'Brien) from being sent to an institution, Protestant minister Andrews (Robert Preston), Jewish cantor Feldman (Danny Thomas) and Catholic cop Patrick O'Donnell (George Murphy) jointly "adopt" the girl. Midge grows up in Feldman's home, and all is rosy until O'Donnell, on the verge of marrying funloving "Shoe-Shoe" Bailey (Betty Garrett in her film debut), announces that he wants to take full custody of the child. It's up to Midge herself, with the help of kindly Judge Abercrombie (Edward Arnold), to sort things out. Meanwhile, the Reverend Andrews finds romance in the shapely form of Florence Bartlett (Karin Booth). Though it's hard to forget that Danny Thomas was one of show business' most prominent Catholics, he delivers a convincing performance as the tune-happy Cantor Feldman, at one point foregoing his usual Kol Nidres in favor of a rousing cowboy song! ~ Hal Erickson, All Movie Guide