Damien Thomas Movies

The Scorpio crew attempts to get its hands on the hyper-accelerated Photonic Drive, which will provide their ship with unimaginable speed and destructive capabilities. Unfortunately, the Drive is currently controlled by the Space Rats, a band of deranged "speed junkies." There is nothing for the crew to do but attempt the abduction of the Drive's inventor, Dr. Plaxton (Barbara Shelley) -- but can she be trusted? "Stardrive" was originally broadcast on October 19, 1981. ~ Hal Erickson, Rovi

Simmering marital tensions and unexpected complications weigh heavily on the conscience of a seasoned contract killer in this dark thriller from Down Terrace director Ben Wheatley. An ex-soldier in desperate need of work, Jay (Neil Maskell) is hosting a dinner party with his wife, Shel (MyAnna Buring), when the conversation with guests Gal (Michael Smiley) and Fiona (Emma Fryer) turns suddenly combative. In the aftermath of the incident, Gal proposes to Jay that they both earn a hearty payday by accepting a few well-timed contract jobs. Meanwhile, as the pair go to work getting a lock on their targets, Jay finds himself increasingly distracted by domestic issues and his growing desire to be a good father. Jay's paternal instincts drive him to violent extremes, however, when he makes a shocking discovery about one of the men on his list. Later, after finding a new tool to get the job done, the details of Jay's latest assignment begin to take on deeply ominous undertones. ~ Jason Buchanan, Rovi

A quarrel erupts between the Duke of Hereford, Henry Bolingbroke (Jon Finch), and the Duke of Norfolk, Thomas Mowbray (Richard Owens). According to Bolingbroke, Mowbray misappropriated government money and plotted the death of the Duke of Gloucester. Mowbray denies the charges, accusing Bolingbroke of being a slanderous coward. King Richard II (Derek Jacobi) first approves their proposal to settle their differences in a jousting duel, then decides to banish both of them -- Norfolk for life and Bolingbroke for six years. The lighter sentence for Bolingbroke masks Richard's hatred of Henry, who is so popular with the people that he poses a threat to the crown. While Bolingbroke is in exile, his father, the much-loved John of Gaunt (Sir John Gielgud), dies, and Richard appropriates his estate -- Henry's inheritance -- to help pay for a military campaign he personally conducts against rebels in Ireland. Nobles protest seizure of the inheritance, siding with Bolingbroke. Heartened, Bolingbroke returns from exile, organizes his supporters, and executes two of Richard's friends. Richard returns from Ireland to defend his realm. But after 20,000 Welsh troops desert to Bolingbroke, Richard takes refuge in Flint Castle, then surrenders to his foe. After being forced to give up the throne, Henry imprisons Richard in the Tower of London and announces his own coronation. ~ Mike Cummings, Rovi

Famed stop-motion animator Ray Harryhausen concocts a collection of fantastic creatures -- including a saber-tooth tiger, a chess-playing baboon, a giant walrus and three banshees -- for this follow-up to The Golden Voyage of Sinbad. Patrick Wayne stars as Sinbad, who seeks the hand of Princess Farah (Jane Seymour) in marriage but cannot get her brother, Prince Kassim (Damian Thomas), to agree to the match because he has been turned into a baboon by his evil stepmother. In order to receive the blessing of Farah's brother, Sinbad must travel to a far away realm and find a wizard named Melanthius (Patrick Troughton), the only one who can break the evil spell placed upon Kassim. ~ Paul Brenner, Rovi

This handsomely-mounted historical epic concerns the birth of the Islamic faith and the story of the prophet Mohammed -- who, in accordance with the tenants of Islam, is never seen or heard (any physical depiction of the prophet is considered a heinous sin within the faith). In Mecca in the 7th century, Mohammed is visited by a vision of the Angel Gabriel, who urges him to lead the people of Mecca to cast aside the 300 idols of Kaaba and instead worship the one true God. Speaking out against the corrupt political and military leaders who rule Mecca, Mohammed and his followers struggle to worship God as they see fit, which eventually leads them into exile in Medina. However, one day God gives Mohammed a message to return to Mecca and take up arms against their oppressors -- while recruiting as many followers as they can along the way. With the help of his uncle, a brave warrior named Hamza (Anthony Quinn), Mohammed and his followers return to Mecca to liberate the city in the name of God. The Message (originally screened in the U.S. as Mohammed, Messenger of God) proved to be highly controversial during its production and initial release. Unfounded rumors had it that Mohammed would not only be depicted in the film, but that he was to be played by Charlton Heston or Peter O'Toole. This resulted in angry protests by Muslim extremists, until director Moustapha Akkad hired a staff of respected Islamic clerics as technical advisors. The advisors butted heads with Akkad, and they quit the production, which led the Moroccan government to withdraw their permission to film in their country. In time, Akkad ended up shooting on location in Libya under the sponsorship of Muammar Qaddafi, which presented a whole new set of political and practical problems for the filmmakers. Finally, when the film was scheduled to premier in the U.S., another Muslim extremist group staged a siege against the Washington D.C. chapter of the B'nai B'rith under the mistaken belief that Anthony Quinn played Mohammed in the film, threatening to blow up the building and its inhabitants unless the film's opening was cancelled. The standoff was resolved without explosion or injuries, though the film's American box office prospects never recovered from the unfortunate controversy. The Message was shot in two versions, one in English and one in Arabic (entitled Al-Ris-Alah), with different actors taking over some of the roles due to language requirements. ~ Mark Deming, Rovi

This entry in Hammer Films' long-running vampire series of the '60s and '70s is one of the most evocative and original. The story features voluptuous twin Playboy centerfolds Madeleine and Mary Collinson as sisters who, without parents, are sent to stay with their oppressive uncle (Peter Cushing, looking more emaciated than ever), who happens to live near the sinister Karnstein Castle, the locale of countless vampiric happenings in two prequels (The Vampire Lovers and Lust for a Vampire). One of the twins wanders over and meets the dashing Count Karstein (Damien Thomas), a vampire who later uses the girl's blood to awaken his long-lost ancestor from the dead. Of course, the uncle predictably gives chase once trouble starts, but there is a clever plot twist as the count switches the twins before one is about to be burned at the stake for her supposed satanic involvements. Twins of Evil unabashedly exploits the twins' assets to pump up the film's sex appeal; it also seems to cater to viewers with a vampire fetish. Still, neither is necessarily a bad thing in a vampire film; Twins of Evil does create an effectively sensuous mood while also managing to sustain a fair amount of tension throughout the picture. Although Universal Pictures, the U.S. distributor, extracted nearly all of the flesh and bloodletting from its release, the original British cut retains everything and is the usual copy found on video. Like its predecessors, the script for Twins of Evil is loosely based on LeFanu's classic vampire story Carmilla. ~ Jeremy Beday, Rovi