Virginie Thévenet Movies

Celine (Bernadette Lafont) is a free-spirited woman who marries a dull, middle manager named Philippe (Michel Duchaussoy) in this comedy drama. The union results in her being pegged as a household ornament for her husband by her husband's coworker. She makes friends with a woman who shows her how to juggle the couple's living expenses to get whatever material goods she desires. When the couple entertains the coworker and his wife, the drunken men suggests they swap wives. Celine strips the man and makes him look at himself in a mirror to prove he is not desirable. Celine turns to painting and writes papers on the inequity between genders as she asserts her independence and gradually frees herself from her husband's claustrophobic world. ~ Dan Pavlides, Rovi

Unable to put a single word on paper, a youngish man with one novel to his credit finds that his life is crumbling to ruins around him because of his severe case of writer's block. He tries every remedy known to man and makes up a few new ones in this comedy. All his efforts are futile: he loses his girlfriend and his apartment and has a succession of misadventures until finally, homeless and hospitalized, he rediscovers his inspiration. ~ Clarke Fountain, Rovi

The stories that Charles (Robert Stephens) tells his adoring niece are vivid and full of life, as they should be, for he is a professional writer. They all concern a charming ladies man and his adventures. When the tales mysteriously take on a life of their own in the real world, and Philibert (Gerard Depardieu) and his cronies actually begin to wreak their own special kind of havoc, Charles reluctantly takes responsibility for his creation and attempts to send him back into the netherworld of the imagination. ~ Clarke Fountain, Rovi

No relation to the 1949 Somerset Maugham "omnibus" film of the same name, 1981's Quartet is based on the roman a clef by Jean Rhys. Though the names are changed, it is clearly the story of Rhys' romance with Ford Maddox Ford in 1920s Paris. The titular quartet consists of novelist Isabelle Adjani, her Polish husband Anthony Higgins, wealthy philanderer Alan Bates and Bates' artist wife Maggie Smith. Though she's been indulgent of Higgins's past indiscretions, Smith isn't keen on her husband carrying on an affair with Adjani under their own roof. Meanwhile, Higgins sits in prison, jailed for his various petty thefts. Once Higgins is released, he learns about the Bates-Adjani-Smith contretemps. When the dust settles, it is Adjani who suffers the most. ~ Hal Erickson, Rovi

Le Beau Marriage, aka The Perfect Marriage, is the second of Eric Rohmer's "Comedies et Proverbes". Beatrice Romand (the adolescent star of Rohmer's Claire's Knee, now nicely grown up) impulsively decides that Andre Dussolier-whom she barely knows--would make an ideal husband. Now she must convince him that she'll make an ideal wife. Leaving her old boy friend in the dust, Romand launches her single-purposed pursuit of Dussolier. But because she's jumped in and started swimming without first checking the waters, our headstrong heroine is in for a major disappointment. Even after she's down, however, Romand refuses to be counted out. ~ Hal Erickson, Rovi

A young woman looks for the true meaning of love and learns the truth of the old saw, "You don't know what you've got until it's gone," in this fourth installment in Eric Rohmer's Comedies and Proverbs series. The story opens with the proverb, "He who has two women loses his soul. He who has two houses loses his mind," and centers on Louise (Pascale Ogier) and her live-in lover, Remi (Tchéky Karyo), a Paris architect and noted tennis player. Their relationship hits an important juncture when Remi decides he wants to get married, while Louise wants to continue living the life of a party girl. Eventually, Louise decides to escape her lover's oppression and become intimate with loneliness, so she moves to Paris where she makes complex plans to have her cake and eat it too. Unfortunately, things don't go exactly as planned as she finds herself the object of an amiable writer's affections. ~ Matthew Tobey, Rovi

Based on a novel by Patricia Highsmith, Le Cri du Hibou concerns Robert (Christophe Malavoy), a commercial artist who has moved to a quiet neighborhood in Vichy, hoping to escape a severe depression brought on by the unpleasant breakup of his marriage to Veronique (Virginie Thevenet). Robert finds himself spying on his new neighbor Juliette (Mathilda May), but there's little or no erotic component to his voyeurism -- she seems to lead a simple and well-ordered life, and it makes Robert feel better to watch someone so secure and at ease. Robert even goes so far as to tell Juliette how much her admires her quietly contented existence, but beneath the surface, Juliette is hardly as secure as she looks. Robert's remarks make her wonder if her life has become too placid, and she decides to break off her engagement with Patrick (Jacques Penot) to pursue a relationship with Robert. This sends Patrick into a rage, and he plots an elaborate revenge -- he picks a dramatic fight with Robert, and then goes into hiding, leading people to believe Robert killed him. The ruse fools Juliette, who is distraught at the thought that her new love might be a murderer (even though Robert has expressed no romantic interest in her). Le Cri du Hibou was adapted and directed by France's leading suspense director, Claude Chabrol. ~ Mark Deming, Rovi

In this French romantic drama, Stephane (Michel Feller) wants to form a romantic bond with Sabine (Clotilde de Bayser), and to do this has left his pregnant girlfriend behind. Sabine would rather be with Bruno (Jean-Philippe Ecoffey) her former boyfriend, a stage actor. Bruno in turn is much more interested in his current girlfriend. Each person is, in his or her own way, attempting to deal with issues of maturity and responsibility and repeatedly fails to find happiness or even a decently tranquil compromise between their desires and the realities of their situations. ~ Clarke Fountain, Rovi

This unique French offering is a compilation of 30 short films focused on AIDS. The mini-films were based on over 3,000 ideas put in by French school children and were made by filmmakers on a voluntary basis. Most of the vignettes deal with heterosexuality and AIDS, but one deals with drug-usage, and one with homosexuality. It took four production houses three years to create this inspirational and informative film. ~ Sandra Brennan, Rovi