Ernst Thesiger Movies
Gaunt -- nay, skeletal -- British actor Ernst Thesiger had originally studied to be an artist. While he retained his delicate manual skills for the rest of his days (he wrote several books on needlepoint), Thesiger cast his lot with Thespis when he made his first stage appearance in 1909, at the tender age of 30. He scored a personal and professional triumph as star of the stage farce A Little Bit of Fluff, which opened in 1915 and ran for several years. In 1916, he made the first of a handful of silent film appearances, and in 1924 he played the Dauphin in the original production of Shaw's St. Joan. Thesiger was well enough known in 1927 to write an autobiography, Practically True; he hadn't an inkling that his greatest acting days still lay ahead of him. In 1932, he made his talkie debut in James Whale's The Old Dark Horse, creating an indelible impression as Horace Femm, the imperious, condescending lord of the forbidding domicile of the title. Whale took full advantage of Thesiger's cadaverous features and his sneering erudition, while the actor made a meal of such simple lines as "Have a potato." Even better was the next Whale-Thesiger collaboration The Bride of Frankenstein, wherein the actor had the role of a lifetime as prissy, posturing mad scientist Dr. Praetorious. With such notable exceptions as the Whale films and the British melodramas The Ghoul (1933) and They Drive By Night (1938), most of Thesiger's screen characters were more snobbish than sinister. All of his film roles, however, can be regarded as extensions of the actor's real-life personality; from all accounts, the line between Thesiger's screen self and real self was thin indeed, as demonstrated by his disdainful public comments regarding his profession and his co-workers. Witheringly patronizing to the end, Ernest Thesiger made his final stage and screen appearances in 1960, the year before his death at age 81. ~ Hal Erickson, Rovi- 1962
In this British crime drama, a dying millionaire recluse wills his estate to the beneficiary who survives. A series of murders occurs and a detective is assigned to investigate. He discovers that the murderer is working for one of the recluse's granddaughters. After the guilty one is arrested, the innocent girl is free to collect the estate. She and the detective hook up, leave town, and donate the whole thing to charity. ~ Sandra Brennan, Rovi
Vivien Leigh plays Karen Stone, a middle-aged actress whose career is in a tailspin. To assuage her hurt feelings, Karen goes on a vacation to Rome with her husband, who dies en route. Her best friend (Coral Browne) compassionately arranges for a young Italian escort (read: gigolo) to keep Karen from wallowing in her grief in Rome. The man hired for the task is sneering, contemptuous Pablo di Leo, played by Warren Beatty. Despite Pablo's rude behavior, the lonely Karen throws herself at him, showering him with expensive gifts and demanding his undivided attention. This being an adaptation of a Tennessee Williams novel, Blanche Dubois --er, Karen Stone must pay the piper for her eleventh-hour surfeit of passion; she is dispensed with by an "Angel of Death" in the form of psycho Jeremy Spencer. More operatic than dramatic, The Roman Spring of Mrs. Stone represents the only feature-film directorial effort of experimental-theatre maven Jose Quintero; his assistant was future Bullitt helmer Peter Yates. ~ Hal Erickson, Rovi
- Starring:
- Vivien Leigh, Warren Beatty, (more)
- 1960
The Motion Picture Production Code was still in effect (albeit weakly) when Sons and Lovers was filmed in 1960, so don't expect a thoroughly frank and faithful adaptation of the D.H. Lawrence novel. Set in an English mining town, the film focuses on Paul Morel (Dean Stockwell), the sensitive son of a roughhewn, alcoholic miner (Trevor Howard) and his gentle, repressed wife (Wendy Hiller). Intent on becoming an artist, Paul is not above depending upon the financial kindnesses of the young women of the town. Many of the girls carry a torch for him, but his strong bonds to his mother leave him emotionally sapped. Freddie Francis's evocative, grimy industrial-town cinematography won him an Academy Award. Despite censorial restrictions, this admirably captures the essence of the dour Lawrence original. ~ Hal Erickson, Rovi
- Starring:
- Trevor Howard, Dean Stockwell, (more)
- 1960
In this 1959 comedy, Robert MacPherson (Robert Morley) inherits his family's textile business in Edinburgh, Scotland, then hires American efficiency expert Angela Barrows (Constance Cummings) to bring the business into the modern age. The House of MacPherson has long been known as a manufacturer of fine Scottish tweed, and the company's mild-mannered head clerk, Mr. Martin (Peter Sellers), worries that the no-nonsense Barrows will ruin everything with her new-fangled ideas and eventually replace him and his co-workers with automatons. So after she installs the latest labor-saving devices, including intercoms and noisy adding machines, he sabotages them in a gradually unfolding scheme to persuade MacPherson that the old Scottish ways are still the best, that true craftsmanship requires a human touch. By this time, however, MacPherson has taken a fancy to Barrows romantically, and she can do no wrong. Then, horror of horrors, Barrows proposes that the company make synthetic tweed -- mass-produced synthetic tweed -- in an all-out effort to Americanize the Scottish firm. That's the last straw for Martin, and he thinks there is only one option left for him: to murder Barrows. Of course, meek Mr. Martin isn't exactly a natural-born killer, and he botches one attempt after another in a sequence of scenes that keep the action moving briskly along. But Martin has pluck and plenty of persistence, and he eventually hatches another plot to undo the meddlesome Barrows. The film, loosely based on a James Thurber story entitled The Catbird Seat, was directed by Charles Crichton, the same man who directed the highly successful Lavender Hill Mob. ~ Mike Cummings, Rovi
- Starring:
- Peter Sellers, Robert Morley, (more)
- 1958
In comfortable dotage, baronet Humphery Tavistock (Laurence Harvey) recalls a lifetime of romantic entanglements to his wide-eyed son-in-law. Tavistock has come to the conclusion that women are a riddle wrapped in a mystery surrounded by an enigma, and his reminiscences bear this out. Among the baronet's many amours are a suffragette, a harem girl, the wife of a diplomat who "demands satisfaction", an American heiress, a bohemian artist and an army nurse. After all this, Tavistock finds lasting happiness with the first women he ever loved. The female cast of The Truth About Women features the illustrious likes of Julie Harris, Diane Cilento, Mai Zetterling and Eva Gabor, so it's little wonder that the hero has so many vivid memories to fall back on. ~ Hal Erickson, Rovi
- Starring:
- Laurence Harvey, Julie Harris, (more)
The Horse's Mouth is an acting and a writing tour de force for Alec Guinness, who authored the screenplay in addition to starring in the film. Gulley Jimson (Alec Guinness) is an aging artist with a reputation as a genius, though he lives an impoverished life. Jimson has reached the point in his life where he no longer feels any need to moderate his irascible persona -- he has a taste for alcohol and a tendency toward boisterous spirits where the ladies are concerned -- in search of canvasses to paint and commissions that will allow him to live comfortably, and Guinness lives the role to the hilt. Released from jail for some indiscretion, he immediately begins harassing his wealthiest patron, Hickson (Ernest Thesiger), for money. When that fails, he insinuates himself into the home of a would-be patron, Sir William and Lady Beeder (Robert Coote, Veronica Turleigh), and manages to destroy their home and that of their downstairs neighbor with a huge block of stone and some help from a sculptor friend (Michael Gough). Courted by a potential buyer, he is desperate to retrieve one of his early works from his former wife, but even that prospect is closed off to him. Finally, with help from his young admirer, Nosey (Mike Morgan), his friend, Coker (Kay Walsh), and some art students eager to work with the legendary Gulley Jimson, he begins painting his largest canvas of all. The painting is completed and promptly destroyed. Jimson finally takes off in his wreck of a houseboat for the open sea, eyeing the huge hulls of the passing ships as potential canvasses to paint. As he disappears up the river, Coker looks on in panic and Nosey calls after him, declaring his admiration for Jimson and who he is and what his work means -- knowing for certain that he can't be heard. ~ Bruce Eder, Rovi
- Starring:
- Alec Guinness, Kay Walsh, (more)
The third of the droll British "Doctor" series, Doctor at Large once more stars Dirk Bogarde as young Dr. Simon Sparrow. Back in his old stamping grounds at St. Swithin's Teaching Hospital, Sparrow misses his chance at becoming chief surgeon when he crosses swords with the formidable Sir Lancelot Spratt (James Robertson Justice). Forced to go job hunting, our hero undergoes a variety of hilarious medical and romantic misadventures before ending up right where he started. Some of the film's best scenes involve shapely nurse Nan, played by Shirley Eaton of Goldfinger fame. Like its predecessors, Doctor at Large was based on characters created by real-life medico George Gordon. ~ Hal Erickson, Rovi
- Starring:
- Dirk Bogarde, Dandy Nichols, (more)
- 1957
Three Men in a Boat is the second film version of the comic novel by Jerome K. Jerome. The titular trio is played by popular British comedian Jimmy Edwards, up-and-coming leading man Laurence Harvey and stalwart character actor David Tomlinson. Escaping their dull weekday pursuit, the three pals take a pleasure excursion down the Thames in a small boat, encountering all sorts of comic and romantic complications. Jill Ireland makes an early screen appearance as a young lady who briefly bewitches the bookish Harvey. Though dated, Three Men in a Boat was just as capable of eliciting laughter as it had been in its first cinematic incarnation in 1933. ~ Hal Erickson, Rovi
- Starring:
- Laurence Harvey, Jimmy Edwards, (more)
Already a popular TV comedian in 1956, Benny Hill heads the cast of the zany comedy-mystery Who Done It? Eschewing his usual double entendres in favor of pure-and-simple slapstick, Hill plays a would-be private eye named Hugo. Before he quite knows what's happening, Hugo is up to his neck in espionage intrigue. Belinda Lee plays Hugo's dewey-eyed blonde assistant, George Relph is cast as a flustered Scotland Yard inspector, and David Kossof and George Margo portray a couple of sinister Iron Curtain spies. Who Done It? was scripted by T. E. B. Clarke, a mainstay of the droll Ealing comedies of the early 1950s. The film remained unreleased in the US until the late 1970s, when it was put on the market to cash in on the international success of The Benny Hill Show. ~ Hal Erickson, Rovi
- Starring:
- Benny Hill, Belinda Lee, (more)
- 1955
Sir Walter Scott's medieval take on the "John Alden" story formed the basis of Quentin Durward. Robert Taylor dons armor in the title role, playing the son of an aging Scottish nobleman. He has been dispatched to propose to a high-born Frenchwoman (Kay Kendall) on his uncle's behalf, but one look at the lady and Quentin Durward falls head over heels. But there are villains to vanquish in several sword fight setpieces, the best of which is the climactic battle in which the hero and the head bad guy (Duncan Lamont) dangle on bell ropes. Quentin Durward was the fifth MGM Robert Taylor picture filmed in whole or in part in England; the others were Conspirator, Quo Vadis, Ivanhoe and Knights of the Round Table. ~ Hal Erickson, Rovi
- Starring:
- Robert Taylor, Kay Kendall, (more)
- 1955
John Gregson stars as Chayley Broadbent, a young Yorkshire businessman leading a dull, perfunctory life. He inherits a sizeable fortune, plus a prosperous textile factory, from his wealthy father. Soon after, he has a fight with his straight-laced girlfriend, Ethel (Susan Stephen) and leaves her, taking off for London. Once there, he plunges into the nightclub circuit, falling in love with showgirl Diana Dors. But she mistakes him for an impoverished chap and thus rejects his marriage proposal. When she finally figures out the truth, she makes a beeline for him, but by then he's onto her golddigging motives and instead opts to return to Ethel. Adapted from a novel by Derick Boothroyd, Value for Money shows no shame in trotting out all the cliches and obvious comic set-ups indigenous to this sort of film farce. ~ Hal Erickson, Rovi
- Starring:
- John Gregson, Diana Dors, (more)
- 1955
You gets what you pays for in An Alligator Named Daisy. Donald Sinden stars as a young songwriter who accidentally picks up someone else's alligator suitcase. Somehow this leads to the luckless Sinden being saddled with a baby alligator, who prefers to sleep within his piano. Glamour girl Diana Dors is the leading lady, revealing an unexpected flair for wacky comedy. Based on a novel by Charles Terrot, An Alligator Named Daisy seemed to show up every other day on TV in the early 1960s, possibly due to its pleasant Technicolor photography. ~ Hal Erickson, Rovi
- Starring:
- Donald Sinden, Diana Dors, (more)
- 1954
Alec Guinness stars as Father Brown, full-time priest and part-time sleuth, in this comic mystery based on the character created by novelist G.K. Chesterton. When Father Brown is entrusted with transporting a valuable religious artifact from London to Rome, he's understandably upset when it's stolen from him. Brown has reason to believe that a notorious international thief lifted the cross he was carrying, and the good Father finds himself on a dual-purpose mission: to recover the stolen goods and to compel the thief to repent before God. The supporting cast includes Peter Finch, Joan Greenwood, and Cecil Parker as the Bishop. ~ Mark Deming, Rovi
- Starring:
- Alec Guinness, Joan Greenwood, (more)
- 1954
Released in the US as Man With a Million, The Million Pound Note is a satisfying adaptation of a satirical short story by Mark Twain. Gregory Peck plays Henry Adams, an impecunious American living by his wits in London. Henry becomes the object of a wager between millionaire brothers Oliver and Roderick Montpelier (Ronald Squire and Wilfred Hyde-White), who want to find out if a man with a million pound note in his bank account could live comfortably for one month on the strength of that note--without ever spending a penny of it. When Henry is given the note and lets it be known that he has it, every courtesy imaginable is extended to him by hoteliers, restauranteurs, etc. Trouble brews when Henry uses the note's reputation to speculate on the stock market. When his creditors demand that he produce the note as an act of faith, Henry is unable to do so, whereupon pandemonium reigns--and the audience's laughter cascades. ~ Hal Erickson, Rovi
- Starring:
- Gregory Peck, Jane Griffiths, (more)
- 1954
While ethnic humor was pretty much avoided by Hollywood in the politically touchy 1950s, Great Britain continued to turn out comedies relying upon accents and gentle stereotypes for laughs. Make Me an Offer stars Peter Finch as a stylish antique dealer who covets a precious vase. Among the many people with whom Finch comes in contact is a Jewish antique specialist (Meier Tzelnicker) who offers the star (and the viewers) several amusing glimpses at the ins and outs of his trade. Based on a novel by Wolf Mankowitz, Make Me an Offer wasn't given much theatrical play in the US, though it showed up with some regularity on TV. In the 1960s, the film became a precious commodity in the rush by local television stations to load up on color product--even second-rate Eastmancolor. ~ Hal Erickson, Rovi
- Starring:
- Adrienne Corri, Rosalie Crutchley, (more)
Historically important as the first CinemaScope feature film, 20th Century-Fox's The Robe is fine dramatic entertainment in its own right. Based on the best-selling novel by Lloyd C. Douglas, the film stars Richard Burton as the wastrelly Roman tribune who is assigned by a weary Pontius Pilate (Richard Boone, who spends the whole of his single scene washing his hands) to supervise the crucifixion of Christ. After the Seven Last Words, the jaded Burton wins Christ's robe in a dice game. Gradually, the mystical influence of the holy garment transforms Burton from a roistering cynic into a True Believer--at the cost of his own life, which he willingly gives up in the service of his Lord. Also starring in The Robe are Jean Simmons as Burton's pious childhood sweetheart, Victor Mature as his Christian-convert slave Demetrius (an excellent performance--in fact, Mature is more believable than Burton!), Michael Rennie as the disciple Peter, and Jay Robinson as the raving Emperor Caligula. Mature, Rennie and Robinson would appear in the 1954 sequel to The Robe, the hurriedly assembled Demetrius and the Gladiators. Watch and listen for the unbilled contributions of Michael Ansara as Judas and Cameron Mitchell as the voice of Jesus. The film won three Academy Awards, and a special Oscar bestowed upon Fox for the development of CinemaScope. For many years, the TV prints of the Robe were struck from the "flat," standard-ratio version shot simultaneously with the widescreen version. Only recently has the CinemaScope The Robe been made available to cable TV (shown in "letterbox" format to allow home viewers the full picture). ~ Hal Erickson, Rovi
- Starring:
- Richard Burton, Jean Simmons, (more)
- 1953
Though Meet Mr. Lucifer reads rather better than it plays, the film is still good for a few healthy laughs. Stanley Holloway plays Hollingsworth, an actor who is playing Lucifer in a stage production. While being hoisted through a trap door, Hollingsworth is knocked cold. While unconscious, he is replaced by the real Lucifer. Seeking about for a new form of deviltry to inflict upon the public, Lucifer comes up with the most hellish device of all: Television! The rest of the film details the effects that the boob tube has on otherwise normal, rational British citizens (there's even time for a swipe at 3D movies). Based on a play by Arnold Ridley, Meet Mr. Lucifer is enhanced by an all-star cast, including Peggy Cummins, Kay Kendall and Ernst Thesiger. ~ Hal Erickson, Rovi
- Starring:
- Stanley Holloway, Peggy Cummins, (more)
- 1951
The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, Rovi
- Starring:
- Robert Donat, Margaret Johnston, (more)
Widely considered to be the definitive of the many film versions of Charles Dickens' classic novel is this 1951 British adaptation, starring Alastair Sim (entitled "Scrooge" in its U.K. release). Sim plays Ebenezer Scrooge, a London miser who, despite his wealth, refuses to make charitable contributions and treats his sole employee, Bob Cratchit, as an indentured servant. On Christmas Eve, Scrooge is visited by the ghost of his late business partner, Jacob Marley, who was as selfish as Scrooge in life and has been condemned to an eternity of wandering the Earth in shackles. Marley informs Scrooge that he's to receive a trio of spirits that night who will take him on a journey through Christmases Past, Present, and Yet to Come. As Scrooge encounters each apparition, he is taken on a tour of his life and realizes what a wretch he is, transformed by greed from an idealistic youth into an embittered ogre. Infused with a new, cheery outlook, Scrooge sets about earning his redemption. ~ Karl Williams, Rovi
- Starring:
- Alastair Sim, Kathleen Harrison, (more)
Alec Guinness has one of his finest comic roles in this Ealing satirical comedy about a much patronized amateur scientist whose latest invention creates an uproar in the British textile industry. In the British manufacturing country of Northern England, factory owner Michael Corland (Michael Gough) is showing competitor Alan Bimley (Cecil Parker) around his plant, hoping to borrow some money and marry off his daughter Daphne (Joan Greenwood). They come upon a curious contraption that turns out to be an experiment by employee Sidney Stratton (Alec Guinness). Being a lower class worker, Sidney is summarily fired from his job. Sidney ends up working at Bimley's factory, where he is befriended by militant worker Bertha (Vida Hope). Daphne spots Sidney at the factory and he explains to her the results of his experiment -- a material that is indestructible and impervious to dirt. Bimley discovers this project and throws Sidney out. But Daphne, impressed by his experiments, funds Sidney, installing him in his own laboratory. After a few false starts, Sidney develops a pure white material that can't be dirtied or ruined. But it seems Sidney's invention is too brilliant and effective; if a material is marketed that will last forever, textile mills will go out of business and workers will lose their jobs. Suddenly, poor, luckless Sidney has both management and labor banding together to combat his new invention. ~ Paul Brenner, Rovi
- Starring:
- Alec Guinness, Joan Greenwood, (more)
- 1951
Four relatives find themselves going to unusual lengths to inherit a fortune in this British comedy. Henry Russell (Hugh Griffith) was a practical joker all his life, and his sly sense of humor is hardly stilled by his death; when his four closest relatives gather for the reading of the will, they discover that each is to be left $140,000 -- but, as always, there are strings attached. His sister Agnes (Fay Compton) has always treated her hired help with an attitude bordering on contempt, so Henry leaves her the money with the proviso that she must first work as a maid for 28 days. His cousin Deniston (Alastair Sim) writes detective novels for a living, so Henry insists that he get a clearer perspective on how bad guys live -- to collect his inheritance, he must spend four weeks in prison. Herbert (George Cole), a milquetoast clerk at a bank, will only receive his share if he's able to pull off a robbery at his place of employment. And Simon (Guy Middleton), a confirmed ladies' man, must marry the first girl he meets (and stay married to her) if he's to collect his $140,000. Keep an eye peeled for a youthful Audrey Hepburn, who has a bit part as a cigarette girl. ~ Mark Deming, Rovi
- Starring:
- Alastair Sim, Fay Compton, (more)
Informed that he has only a short time to live, salesman Alec Guinness decides to enjoy his last months to the fullest. He withdraws all his savings from the bank and heads to a posh hotel. Here he makes more contacts and opens more professional doors than he'd ever done before, thanks to his willingness--at long last--to take risks. He also spends every penny that he's earned in life. Then he discovers that the doctor's diagnosis was in error, and that he's in no danger of imminent death. An ironic ending caps this fast-paced black comedy. Last Holiday was co-written and co-produced by J. B. Priestly, author of many other "if I had to do it all over again" pieces, notably An Inspector Calls. ~ Hal Erickson, Rovi
- Starring:
- Beatrice Campbell, Kay Walsh, (more)
- 1949
Based on the infamous Archer-Shee case of 1912, The Winslow Boy features Neil North as the 14-year-old title character. Accused of a petty theft, North is expelled from Naval College. His father, retired bank official Sir Cedric Hardwycke, is prevented by existing British law to clear his son's name. He engages attorney Robert Donat, who successfully petitions for the right to sue the Admiralty and make this august organization prove its charges in court. Public opinion, however, is strongly against Hardwycke and his family: particularly effected is Hardwycke's daughter Margaret Leighton, whose fiance breaks off their engagement. For dramatic purposes, Margaret finds solace in a romantic relationship with barrister Donat. Terrence Rattigan worked on the cinemadaptation of his own play, which was later restaged on American television. ~ Hal Erickson, Rovi
- Starring:
- Robert Donat, Margaret Leighton, (more)
- 1949
George Gordon, aka Lord Byron, the clubfooted 19th-century poet with the uncontrollable libido, is played by Dennis Price in this lavish British chocolate-box epic. From the vantage point of his deathbed, Byron recalls his life and many loves, imagining that he's pleading his case before a celestial court. Joan Greenwood looks like she's just stepped out of a portrait frame as Lady Caroline Lamb (whose own sordid story would also be filmed in due time). Her performance is far more persuasive than that of Dennis Price, who seems less libertine than precocious as Byron. Roundly ridiculed by British film critics in 1949, The Bad Lord Byron has stood the test of time -- not really a classic, but an acceptable rainy-day wallow. ~ Hal Erickson, Rovi
- Starring:
- Dennis Price, Joan Greenwood, (more)
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