Nan Boardman Movies
- 1955
This movie is ideal for those in the mood for something steamy, overwrought and wonderfully trashy. Billed as a mystery, it centers on hapless Joan Crawford as a wealthy gambler's widow who exchanges the lights and excitement of Vegas for the anticipated serenity of the isolated beach house that she leased sight unseen. Unfortunately she soon discovers that she gets a lot more than she bargained for when she learns that the previous tenant, fell or was pushed off a balcony to her death. She also finds herself contending with a handsome and persistent beach-bum gigolo. Though she knows he is a bum in more ways than one, she cannot help but fall in love with him. Unfortunately, she stumbles across the deceased tenant's diary and learns the ugly truth, forcing her to choose between self-preservation and unbridled passion. ~ Sandra Brennan, All Movie Guide
- Starring:
- Joan Crawford, Jeff Chandler, (more)
The highly variable Audie Murphy delivers his best screen performance as "himself" in Universal's To Hell and Back. Based on the star's autobiography, this is the story of how Murphy became America's most-decorated soldier during WW II. After dwelling a bit on Murphy's hard-scrabble Texas upbringing, the story moves ahead to 1942, when, at 18, Audie joined the army. Within a year, he was a member of the 7th Army, serving in North Africa, Italy, France and ultimately Germany and Austria. One by one, the members of Murphy's Company B are killed in the war, until only three men from the original company are left (the others appear at the finale as ghostly images, a standard visual cliché of 1950s war films). The bulk of the film is given over to Murphy's conspicuous acts of combat bravery, and his killing of 240 enemy soldiers. Highlighted by excellent battle sequences, To Hell and Back is a serviceable tribute to a most complex individual. ~ Hal Erickson, All Movie Guide
- Starring:
- Audie Murphy, Marshall Thompson, (more)
- 1954
A elderly woman is robbed and beaten in a bank parking lot. Investigating, Friday (Jack Webb) and Smith (Ben Alexander) are tipped off that two men were spotted a few days earlier, taking photographs near the scene of the crime. A subsequent photo "blowup" leads the detectives to surmise that one of the perpetrators is a professional boxer. Future TV producer Aaron Spelling) is cast as a boxing manager in this episode, which was based on the Dragnet radio broadcast of May 18,1950. ~ Hal Erickson, All Movie Guide
Based on the turn-of-the-century play Our Two Consciences by Paul Anthelme, Hitchcock's I Confess is set in Quebec. Montgomery Clift plays a priest who hears the confession of church sexton O.E. Hasse. "I...killed...a man" whispers Hasse in tight closeup--and, bound by the laws of the Confessional, Clift is unable to turn Hasse over to the police. But police-inspector Karl Malden has a pretty good idea who the guilty party is: all evidence points to Clift. It seems that the dead man had been blackmailing Anne Baxter, who was once in a factually innocent, but seemingly exploitable compromising position with Clift. Tried for murder, Clift is released due to lack of evidence, but he is ruined in the eyes of the community. Then it is Hasse's turn to make that One Fatal Error. I Confess is frequently dismissed as a lesser Hitchcock, due mainly to the quirky performance of Montgomery Clift (who, it is said, steadfastly refused to take direction). Today, four decades removed from its on-set intrigues, the film has taken its place as one of the best of Hitchcock's "between the classics" efforts. ~ Hal Erickson, All Movie Guide
- Starring:
- Montgomery Clift, Anne Baxter, (more)
- 1953
Based on a radio play first broadcast on March 15, 1951, this episode focuses on the relationship between Sgt. Joe Friday (Jack Webb) and his partner, officer Frank Smith (Ben Alexander). While investigating a robbery, Smith is shot and seriously wounded by suspect Jack B. Grant (Joe Cranston). As Smith hovers between life and death, Friday teams with Lt. Jack Ricketts (Clarence Cassell) to track down the fugitive Grant--angrily roughing up one of Grant's less savory acquaintances (Peter Adams) in order to pinpoint the missing man's hideout. The closing scene between Friday and the recuperating Smith is a classic. ~ Hal Erickson, All Movie Guide
- 1952
A little crippled girl named Cathy Williams (Isa Ashdown) has one special wish in life: To meet her idol, Superman (George Reeves). When Cathy accidently intercepts a phone call intended for a gang of counterfeiters who've stolen printing plates from the Bank of France, one of the crooks (John Doucette) passes himself off as Superman in order to gain the girl's confidence and find out how much she knows. Inevitably, the bad guys kidnap poor Cathy, and of course the real Superman races to the rescue. ~ Hal Erickson, All Movie Guide
- 1951
Paramount's Ray Milland and 20th Century-Fox's Gene Tierney star in Warner Bros.' Close to My Heart. The stars play, respectively, journalist Brad Sheridan and his wife Midge. Unable to have children of her own, Midge opts for adoption, thereby subjecting her husband and herself to the very exacting requirements of adoption agencies. Upon learning of an abandoned child left at a police station, Midge determines to claim the baby for her own, but Brad refuses to go along with his wife's plans until he can find out something more about the child's parents. Brad's feverish above-and-beyond search for the facts make him a highly unreliable adoption risk--but there's still hope for a happy ending. Ironically, star Gene Tierney was still trying to cope with the personal tragedy of giving birth to a severely retarded daughter while filming Close to My Heart. ~ Hal Erickson, All Movie Guide
- Starring:
- Ray Milland, Gene Tierney, (more)
Gene Kelly does his patented Pal Joey bit as Jerry Mulligan, an opportunistic American painter living in Paris' "starving artists" colony. He is discovered by wealthy Milo Roberts (Nina Foch), who becomes Jerry's patroness in more ways than one. Meanwhile, Jerry plays hookey on this setup by romancing waif-like Lise Bouvier (Leslie Caron) -- who, unbeknownst to him, is the object of the affections of his close friend Henri (Georges Guetary), a popular nightclub performer. (The film was supposed to make Guetary into "the New Chevalier." It didn't.) The thinnish plot is held together by the superlative production numbers and by the recycling of several vintage George Gershwin tunes, including "I Got Rhythm," "'S Wonderful," and "Our Love Is Here to Stay." Highlights include Guetary's rendition of "Stairway to Paradise"; Oscar Levant's fantasy of conducting and performing Gershwin's "Concerto in F" (Levant also appears as every member of the orchestra); and the closing 17-minute "American in Paris" ballet, in which Kelly and Caron dance before lavish backgrounds based on the works of famed French artists. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Leslie Caron, (more)
- 1949
Dick Powell stars as Canadian Mountie Sgt. Mike Flannagan. When Boston-bred Kathy O'Fallon (Evelyn Keyes) marries Mike, she is immediately nicknamed "Mrs. Mike" by her new friends and neighbors. Unprepared for the hardships of life in the Great White North, Mrs. Mike nonetheless perseveres through minor inconveniences and major tragedies, including the death of her child during an epidemic. The film lays on the sentiment rather heavily, but stars Dick Powell and Evelyn Keyes manage to cut through the treacle with their first-rate thesping. Based on a true story, Mrs. Mike was adapted from the best-selling novel by Benedict & Nancy Freedman. ~ Hal Erickson, All Movie Guide
- Starring:
- Dick Powell, Evelyn Keyes, (more)
- 1949
A Christmastime TV perennial, Come to the Stable is the gentle saga of two French nuns (Celeste Holm with accent, Loretta Young without) who come to America in hopes of raising funds for a children's hospital. Travelling to a small New England town presciently named Bethlehem, the nuns befriend eccentric painter Elsa Lanchester, who allows them to use her studio (actually a stable) for their base of operations. Utterly ingenuous when it comes to American mores and customs (they tear up a parking ticket, assuming it to be an advertisement), the sisters raise money in a variety of amusing fashions. One of their "agents" is outwardly tough gambler Mike Mazurki, who gets his equally raffish pals to invest in the hospital. And towards the end, the nuns even play a little professional tennis to raise money. Careful not to overwhelm the viewer with sentiment and religiosity, Come to the Stable (based on a story by Clare Booth Luce) is ideal holiday film fare. ~ Hal Erickson, All Movie Guide
- Starring:
- Loretta Young, Celeste Holm, (more)
- 1948
After suffering nobly in several heavyweight MGM dramas, Greer Garson and Walter Pidgeon begged the studio to cast them together in a comedy. Though not an all-out laff riot, Julia Misbehaves strives hard to please. Garson plays an ever-in-debt British music-hall performer who relies on the largess of her friends to keep the wolf from the door. Pidgeon portrays Garson's ex-husband, who for the past 20 years has lived in Paris with their daughter Elizabeth Taylor. When Taylor becomes engaged, she sends Garson a wedding invitation. Broke again, Garson hastily joins an acrobatic act to earn steerage money, and charms British nobleman Nigel Bruce into giving her enough cash for a wedding present. Once she arrives in Paris, Garson sticks her nose into everyone's affairs, much to the dismay of the uptight Pidgeon. Garson even advises daughter Taylor to marry someone other than her betrothed. Despite her screwball behavior, Pidgeon can't help falling in love with Garson all over again--but it takes a zany sequence in and around a mountain chalet to knot together the many loose plotlines. Julia Misbehaves was adapted from The Nutmeg Tree, a novel by Margery Sharp. ~ Hal Erickson, All Movie Guide
- Starring:
- Greer Garson, Walter Pidgeon, (more)
- 1948
The positive public response to such productions as Crossfire and Gentleman's Agreement led to a mini-cycle of postwar anti-prejudice films. One of these was The Vicious Circle, based on a true incident which had previously been dramatized in G. W. Pabst's The Trial. In the late-19th century, an anti-Semitic Hungarian baron (Reinhold Schunzel) foments a pogrom against his country's Jews when a 14-year-old servant girl commits suicide. Falsely accused of subjecting the girl to a ritualistic murder, five Jewish farmers are put on trial for murder. Defying the slings and arrows of public condemnation, defense attorney Karl Nemensch (Conrad Nagel) intends to prove the farmers' innocence -- and to expose anti-Semitism for the poisonous scourge that it truly is. The Vicious Circle was based on The Burning Bush, a play by Herald and Geza Herczeg. ~ Hal Erickson, All Movie Guide
- Starring:
- David Alexander, Sam Bernard, (more)
