Max "Alibi" Terhune Movies

George Stevens' sprawling adaptation of Edna Ferber's best-selling novel successfully walks a fine line between potboiler and serious drama for its 210-minute running time, making it one of the few epics of its era that continues to hold up as engrossing entertainment across the decades. Giant opens circa 1922 in Maryland, where Texas rancher Jordan "Bick" Benedict (Rock Hudson) has arrived to buy a stallion called War Winds from its owner, Dr. Horace Lynnton (Paul Fix). But much as Bick loves and knows horses, he finds himself even more transfixed by the doctor's daughter, Leslie Lynnton (Elizabeth Taylor), and after some awkward moments, she has to admit that she's equally drawn to the shy, laconic Texan. They get married and Leslie spends her honeymoon traveling with Jordan to his ranch, Reata, which covers nearly a million acres of Texas. Once there, however, she finds that she has to push her way into her rightful role as mistress of the house, past Bick's sister, Luz (Mercedes McCambridge), who can't accept her brother's marriage or the changes it means in the home they share. Also working around Reata is the laconic ranch hand Jett Rink (James Dean) -- from a family as rooted in Texas as the Benedicts but not nearly as lucky (or "foxy"), Jett is dirt-poor and barely educated at all, and he fairly oozes resentment at Bick for his arrogance, although Luz likes him and for that reason alone Bick is obliged to keep him on. One thing Jett does have in common with his employer is that he is in awe of Leslie's beauty; another is his nearly total contempt for the Mexican-Americans who work for them -- Jett and Bick may have contempt for each other, but either one is just as likely to dismiss the Mexican-Americans around them as a bunch of shiftless "wetbacks." Luz feels so threatened with a loss of power and control that she decides to assert herself with War Winds, yet another "prize" that Bick brought back from Maryland that resists her authority -- then decides to ride the stallion despite being warned that no one but Leslie is wholly safe on him, and spurs him brutally in an effort to break him, which ends up destroying them both in the battle of wills she starts.

After Luz's death, Jett learns that she left him a tiny piece of land for his own, on Reata, which he refuses to sell back to Bick, preferring to keep it for his own and maybe prospect for oil on it. Meanwhile, Leslie and Bick have their own problems -- Leslie can't abide the wretched conditions in which the Mexican families who work on Reata are allowed to live, taking a special interest in Mr. and Mrs. Obregon and their baby, Angel; but Bick doesn't want his wife, or any member of his family, concerning themselves with "those people." Leslie's humanity and her independence push their marriage to the limit, but Bick comes to accept this in his wife, and in four years of marriage they have three handsome children, a boy and two girls, and a loving if occasionally awkward home life. Meanwhile, Jett strikes oil on his land -- which he's named Little Reata -- and in a couple of years he's on his way to becoming the richest man in Texas, getting drilling contracts on all of the land in the area (except Reata) and making more money than the Benedicts ever saw from raising cattle. Bick is almost oblivious to the way Jett grows in power and influence across the years and the state, mostly because he's got his own family to worry about, including a son, Jordan III (Dennis Hopper), who doesn't want to take over the ranch from him, but wants instead to be a doctor; an older daughter, Judy (Fran Bennett), who wants to study animal husbandry and marry a local rancher (Earl Holliman) and start a tiny spread of her own; and a younger daughter, Luz (Carroll Baker), who's just a bit man-crazy and star-struck by the movies.

The American entry into the Second World War and the resulting need for oil forces Bick to go into business with Jett and allow him to drill on Reata, and suddenly the Benedicts are wealthy enough to be part of Jett Rink's circle, which includes the governor of the state and at least one United States senator at his beck and call -- and Luz develops a serious crush on Jett, who likes his women young and is especially attracted to her, as Bick's and Leslie's daughter. Young Jordan marries Juana, a Mexican-American nursing student (Elsa Cardenas), and his father accepts it begrudgingly, with help from Leslie. The war kills Angel Obregon (Sal Mineo), a death that even affects Bick, but the Benedict family gets through it wealthier than ever and grows some more with the birth of Jordan IV to Jordie and Juana. When the family attends a gala opening of Jett Rink Airport, which concludes with a dinner honoring Jett's success, however, young Jordan's wife is humiliated by Jett's racist edicts, and he is beaten up by Jett's men after punching the oil baron. Seeing this, Bick challenges his old rival to the fight that's been brewing for a quarter of a century and wins by default, Jett being too drunk to defend himself or to hit; he's also too drunk to make the grand speech that was to climax the celebration, and he ends up alone in the ballroom. The Benedicts have it out with each other, young Jordan accusing his father of being as much a racist as Jett, and Leslie caught in the middle between her husband and her son. It looks like the Benedicts may lose each other, until an encounter with a racist diner owner forces Bick to stand up and get knocked down (more than once) defending his daughter-in-law and his grandson.

Seen today, Giant seems the least dated of any of James Dean's three starring films, in part because it addresses issues that remain relevant more than 50 years later, and also because it has the best all-around acting and the best script of any of the three. Taken in broader terms, it's even better, with two of the best performances that Elizabeth Taylor and Rock Hudson ever gave, and perhaps the second best of Hudson's whole career (after Seconds) -- the only unfortunate element at modern theatrical screenings is the tendency of younger viewers, who only know him in terms of the revelations late in his life of his being gay, to laugh and snicker at elements of Hudson's characterization; but his work is so good that the titters usually fade after the first 30 minutes or so. ~ Bruce Eder, Rovi

Rawhide is a westernized remake of the 1936 crime melodrama Show Them No Mercy. Tyrone Power stars as Tom Owens, the assistant manager of a remote stagecoach way station. A coach arrives, bearing Vinnie Holt (Susan Hayward), who carries her baby niece in her arms. Having learned that an outlaw gang is in the vicinity, Owens advises Vinnie to hold up at the station until the next day. Shortly thereafter, the gang arrives and kills stationmaster Sam Todd (Edgar Buchanan). Outlaw leader Zimmerman (Hugh Marlowe), assuming that Owens and Vinnie are the baby's parents, decides not to kill them as well but to hold them prisoner while he and his men await the arrival of a gold shipment. Tension mounts as the relatively civilized Zimmerman argues with his psychotic henchman Tevis (Jack Elam) over the fate of the "married couple." Meanwhile, Owens tries to think up an escape plan for himself, Vinnie and the child. The film closes with a nail-biting shootout, with the baby in the thick of the fray. So as to avoid confusion with the TV series of the same name, Rawhide was retitled Desperate Siege for its first television showing in 1962. ~ Hal Erickson, Rovi

Monogram's Johnny Mack Brown western series galloped ever onward in Hidden Danger. This time, Johnny and his saddle pal Banty (Raymond Hatton) come in contact with a cattlemen's protective organization. Ostensibly an honest venture, the association is the front for an extortion racket, headed by a gent named Carson (Myron Healey). The action highlights are complemented by the comic antics of Max Terhune and his dummy Elmer. Aging star Brown relinquishes the romantic responsibilities to Marshall Reed, who spends his screen time wooing heroine Christine Larson. ~ Hal Erickson, Rovi

By the time Law of the West came out in 1949, Monogram's Johnny Mack Brown westerns were beginning to all look alike. Here as elsewhere, Brown plays a marshal who comes to the rescue of the Downtrodden. This time, it's a group of ranchers who are being victimized by a crooked real estate agent. One novel twist finds Brown's comic sidekick Max Terhune coming to the rescue by utilizing his skills as a ventriloquist. Bill Kennedy is the villain, Gerry Patterson the heroine, and western stalwarts Marshall Reed, Kenne Duncan and Bud Osborne go through their usual bad-guy motions. ~ Hal Erickson, Rovi

Johnny Mack Brown's first starring western for 1950 is cut from the same cloth as his 1949 releases. Brown's principal antagonist this time is the town boss (Hugh Prosser), an outlaw who has killed the community's leading citizen. The dead man's grown children (Jane Adams and Riley Hill) want to investigate the killing, but the outlaw puts a stop to this by hiring a dance-hall dame (Constance Worth) to pose as the kids' long-lost mother. Johnny isn't fooled by this subterfuge, nor is his comic sidekick (Max Terhune). Once the plot has been established, Western Renegades adheres strictly to formula -- right down to Johnny Mack Brown's relinquishing the film's romantic-lead responsibilities to the younger, thinner Steve Clark. ~ Hal Erickson, Rovi

Sheriff of Medicine Bow is one of the slower-moving Johnny Mack Brown westerns for Monogram. Once, again, Brown is teamed with Raymond Hatton, but something new has been added. Max Terhune plays Hatton's comic foil, travelling under the same character name-"Alibi"-that he used when costarring in Monogram's "Range Busters" series. Terhune's bucolic routines did little to enliven the proceedings, but at least his presence injected some novelty value in the fading Brown series. Two films later, Raymond Hatton had left the fold, and Johnny Mack Brown was reteamed with Max Terhune for an additional three entries. ~ Hal Erickson, Rovi

Having drunk his way out of most of the major studios and not a few of the minor ones, cowboy star Ken Maynard had trouble finding work in the 1940s. Independent producer Walt Mattox came to the rescue in 1944 when he cast Maynard opposite young singing cowboy Eddie Dean, veteran comedy relief Max Terhune, and general-purpose actor Rocky Cameron in the cheaply assembled Harmony Trail. The plot concerns the efforts by marshal Cameron to locate a gang of bank robbers. He is given plenty of help in the form of Maynard, Dean and Terhune -- indeed, one observer noted that this was one film in which the good guys outnumbered the bad guys. Peddled on the States' Rights market for several years, Harmony Trail resurfaced in 1947, when Astor Pictures shipped out the film as The White Stallion. ~ Hal Erickson, Rovi

In this western, a rancher turns his property into a dude ranch for soldiers after he is drafted. Featured upon this ranch are entertaining shows with music from Tex Ritter, Roy Acuff, and the Mills Brothers. Songs include: "Spot In Arizona," "You Man You," "Wait For The Light To Shine," "Walking Down The Lane With You," and ""Lazy River."" ~ Sandra Brennan, Rovi

In his third western for Republic Pictures, Allan Lane plays Tex Jordan, a cattle rancher en route to sell his stock to cattle baron Jack Hatfield (Roy Barcroft). But in the town of Sundown, our hero finds that the omnipotent Hatfield has been squeezing the small ranchers in general and Tex's friend Andy Craig (Jack Kirk) in particular. Andy, who threatens to blow the whistle on Hatfield's unfair business practices, is shot by persons unknown and Tex promises his dying friend to care for a young daughter, Little Jo (Twinkle Watts). Appealing the case to the governor (Herbert Rawlinson), Tex is made a special investigator but due to a lack of physical evidence, Hatfield continues his reign of terror almost unopposed. Until, that is, Tex and sidekick Chihuahua (Duncan Renaldo) concoct a plan to trap the evil empire builder. Sheriff of Sundown reunited Allan Lane with Linda Stirling, his co-star in the contemporary Republic serial The Tiger Woman (1944). ~ Hans J. Wollstein, Rovi

The Range Busters bust the range once more in Monogram's Land of Hunted Men. This time around, the star trio consists of Ray "Crash" Corrigan (returning to the Range Busters series after a brief hiatus), Dennis Moore and Max Terhune. The villains, led by good old Charles King, are terrorizing a small town, setting up an "outlaw's hideaway" for themselves. Their reign lasts about 58 minutes of screen time. Best to revel in the ridin' and shootin' in Land of Hunted Men and ignore the alleged comedy relief of black actor Fred "Snowflake" Toones. ~ Hal Erickson, Rovi

Like most of Monogram's 1943 "Range Busters" westerns, Two-Fisted Justice was directed by Robert Tansey. In this outing, the three range-busting heroes are played by John "Dusty" King, Max "Alibi" Terhune and David Sharpe. Our heroic trio rides into the town of Dry Gulch, hoping to bring law and order to the community. This they do, but not before several pulse-pounding adventures, notably a wild runaway-stagecoach sequence. Gwen Gaze, a Universal serial heroine of the 1930s, fulfills the leading-lady obligations, while Max Terhune relies on his ventriloquism skills for laughs. The villain, as ever, is the swarthy Charles King, playing not "Blackie" but "Trigger" this time out. ~ Hal Erickson, Rovi

In this western the wild and wooley Range Busters are again out for justice. This time they are after a shady businessman and his cutthroat gang who are harassing the settlers. ~ Sandra Brennan, Rovi

In this western, the courageous Range Busters, round up the rabble-rousing rustlers who've been rendering Rock River really rowdy. ~ Sandra Brennan, Rovi