Isabella Telezynska Movies

Hanif Kureishi wrote this drama about a woman whose late-blooming romance causes a serious rift with her family. May (Anne Reid) and Toots (Peter Vaughan) are an elderly couple who travel to London to visit their two grown children, Bobby (Steven Mackintosh) and Paula (Cathryn Bradshaw). While Bobby tries to be attentive to his parents, he's busy with his two young children, a major project at work, and completing some renovations on his large and expensive house, while his wife, Helen (Anna Wilson-Jones), shows little interest in her in-laws. Meanwhile, Paula is unsatisfied with her work and carries on an affair with Darren (Daniel Craig), a builder who is working on Bobby's home. When Toots suddenly dies, May moves in with Paula, but with Paula at work all day, she has little to do. Darren stops by Paula's flat periodically, and soon he strikes up a friendship with May; their conversations soon develop into flirtation, and before long, the two have become lovers, meeting regularly for afternoon trysts in Paula's spare room. While May's relationship with Darren makes her feel happier and more alive than she has in years, it leads to an ugly confrontation when Paula learns about the affair. The Mother was screened as part of the Director's Fortnight series at the 2003 Cannes Film Festival. ~ Mark Deming, Rovi

Luchino Visconti (Count don Luchino Visconti di Modrone) was a film director, true, but he was also a nobleman and a grand patron of traditional European culture: opera, art, music, crafts and literature. These interests enliven many of his films, but few have been so inspired as the four-hour epic, Ludwig, about the castle-building "mad king" of Bavaria. This long film, made very near the end of Visconti's life, suffers greatly when shortened, as every moment is essential to the story. There are at least four different versions of the film (from just under three hours to over four hours in length); the uncut four-hour version is the most coherent, even though many might find it rather long. The disintegration of aristocratic individuals is a continuing theme of Visconti's, though Ludwig's is the most thorough decay he filmed. The last ruling king of Bavaria (1845-1886) is noted for many things besides his eccentricities: he sold Bavaria to Germany, ending the rule of the Bavarian monarchy; he built amazing castles all over his country (with the proceeds from the sale); and he was Richard Wagner's main sponsor. He was also a notorious recluse, conducting a lifelong platonic love affair with Empress Elizabeth of Austria, and finally succumbing to his adoration of handsome men in a series of outrageous affairs and orgies. His excesses eventually led to his being declared mentally incompetent and being held prisoner in his own castle. The film depicts this incredible life from his coronation at age 19 to his (unproved) assassination well over 20 years later. ~ Clarke Fountain, Rovi