Gianrico Tedeschi Movies

Grossly mistaken identity provides the impetus in this Italian farce. Loris is an anti-social fellow with a high sex drive. During a party he is pointed towards an "easy mark." Unfortunately he approaches the wrong woman. When he discovers his mistakes, he nervously apologizes for the attempted liberties. A run-away chain-saw becomes involved and the frightened woman ends up filing a police report. Her report leads police boss Frustalupi that he has finally found the crazed sex killer the "Mozart of vice" whom Frustalupi has hunted for the last 12 years. Situations go from bad to worse as the police begin surveillance upon Loris whose every action becomes misconstrued by them. Things get even stickier when they put policewoman Jessica on the case as undercover bait. ~ Sandra Brennan, All Movie Guide

The literal translation of this Italian title is "He's My Husband, I'll Kill Him When I Please." A young woman is married to a man in his 70s. To make sure his wife is taken care of after his death, the husband tries to arrange her marriage to a friend of his. When the young bride discovers this, she plans to hasten his imminent demise. She takes up with a beatnik and goes about planning her husband's murder as if she were merely making out a grocery list of needed items at a convenience store. ~ Dan Pavlides, All Movie Guide

The four "truths" are in this instance, four different romantic or dramatic vignettes in a slightly uneven compilation film. All four segments are loosely related to fables by the 17th-century French poet Jean de la Fontaine. In the first fable "Death and the Woodcutter" directed by Luis Berlanga, a well-adjusted, normal organ grinder runs up against the obstacles of torpidity and bureaucracy combined, driving him to the brink of despair. In the second story "The Crow and the Fox" directed by Hervé Bromberger, an insecure husband keeps his beautiful wife locked up, though an amorous neighbor is determined to outsmart him and get to her. In the third fable "The Tortoise and the Hare" directed by Allesandro Blasetti, a wife is unwilling to share her husband with a mistress. In the last fable "Two Pigeons" by René Clair, a fashion model (Leslie Caron) and a lowly worker (Charles Aznavour) are thrown together by unexpected circumstances. The American release of this film cut the first segment, reducing the fable parodies to three. ~ Eleanor Mannikka, All Movie Guide

Four unemployed prostitutes attempt to open a restaurant in this comedy. They look all over Rome for a restaurant they can afford. When they find a ramshackle cafe. The landlord is willing to let them have it; they can even use his name to buy the food license, but he has one condition: they must also run a little cathouse upstairs. Their restaurant becomes quite successful, but when their personal lives intervene, the business threatens to fold. ~ Sandra Brennan, All Movie Guide

Jules Dassin, blacklisted during the McCarthy era, directs this routine, ostensibly romantic tale that really courts an underlying theme of the misuse of power. Based on a popular French novel and set in a small Mediterranean town, the story involves a small group of men and the woman several of them desire. The men gather around in the local tavern each evening to play a rather vicious game called "The Law." One man is chosen to dictate to the others, and they have to do what he says, no matter how humiliating. Marietta (Gina Lollobrigida) is the gorgeous servant of Don Cesare (Pierre Brasseur), desired by Francesco, the son of a crime boss (Yves Montand), and by her brother-in-law. She herself has fallen in love with Enrico (Marcello Mastroianni), a poor engineer. Determined to get a dowry and thereby be able to marry Enrico, Marietta turns the tables on the men who play "The Law." ~ Eleanor Mannikka, All Movie Guide